Showing posts with label Lauren Henderson. Show all posts
Showing posts with label Lauren Henderson. Show all posts

Thursday, 22 October 2020

CWA Dagger Awards 2020 Winners Announced

 

Michael Robotham, Lou Berney, Casey Cep, and Abir Mukherjee win 2020 CWA Dagger awards.  The winners of the 2020 CWA Daggers, which honour the very best in the crime writing genre, have been announced.

The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century. 

The winners were announced during a live virtual ceremony (22 October, from 7.30pm), hosted by one of the UK’s leading experts on crime fiction, the writer and reviewer Barry Forshaw. The evening also featured guest speaker, Richard Osman. 


The 2020 CWA Gold Dagger for the best crime novel went to Michael Robotham for Good Girl, Bad Girl, featuring forensic psychologist, Cyrus Haven. Born in Australia, Michael worked as a journalist in Australia, America and the UK as senior feature writer for the Mail on Sunday before becoming a ghost writer collaborating with politicians and show business personalities to write their autobiographies. Since his first psychological thriller, The Suspect caused a bidding war at the London Book Fair in 2002, his novels have won numerous awards and have been translated into 25 languages. He was previously awarded the Gold Dagger for Life or Death in 2015.


Lou Berney has won the Ian Fleming Steel Dagger for best thriller for November Road, a poignant crime novel set against the assassination of JF Kennedy. The novel attracted widespread acclaim from reviewers and fellow authors alike, with Stephen King declaring it ‘exceptional’. The American author has previously won the Edgar, Anthony, Macavity, Barry, and Oklahoma Book awards. Berney was also Highly Commended in the CWA Gold Dagger category.



The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. This year the accolade goes to Trevor Wood for The Man on the Street, featuring a homeless veteran grappling with PTSD, dubbed by Lee Child as ‘an instant classic’. Wood, a journalist and playwright, has an MA in Creative Writing from the University of East Anglia. He served in the Royal Navy for 16 years.




Abir Mukherjee wins the Sapere Books Historical Dagger for his fourth novel featuring Sam Wyndham, Death in the East. The accountant turned crime writer was inspired to become an author after watching Lee Child on breakfast TV say he started writing age 40. Abir’s debut, A Rising Man, won the Dagger for best historical crime novel in 2017. Death in the East explores the legacy of colonialism in India. 

The Crime Fiction in Translation Dagger goes to Hannelore Cayre for The Godmother, translated by Stephanie Smee. Hannelore Cayre is an award-winning French novelist, screenwriter and director, as well as a practising criminal lawyer. The Godmother has been made into a feature film starring Isabelle Huppert. Stephanie Smee, who lives in Sydney, worked as a lawyer in Sydney and London before becoming a translator, specialising in French to English. 

The ALCS Gold Dagger for Non-Fiction is awarded to Casey Cep, a staff writer at the New York Times whose first book Furious Hours: Murder, Fraud and the Last Trial of Harper Lee, has received acclaim on both sides of the Atlantic. An instant New York Times bestseller, Furious Hours was a Barack Obama Book of the Year.


The CWA Daggers are one of the few high-profile awards that honour the short story. Lauren Henderson receives the Short Story Dagger for #Me Too which features in the anthology Invisible Blood, edited by Maxim Jakubowski. 

Linda Stratmann, Chair of the Crime Writers’ Association, said: “The winners, and all those who were in contention for a Dagger are, as always, to be commended. One thing the pandemic and lockdown has taught us is the value and importance of books and storytelling – for escapism and comfort and for our well-being. Books have always been the conduit to other worlds and into other lives. They let us know we are not alone, so our 2020 virtual awards feel even more significant as many vulnerable people are in enforced isolation and we are all socially distancing. We’re proud to celebrate the crime genre.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year it goes to Scottish novelist Christopher Brookmyre, whose books mix comedy, politics and social comment. The journalist turned award-winning novelist is widely considered as one of Britain’s leading crime authors, selling more than two million copies of his novels in the UK alone.

One of the anticipated highlights of the annual Daggers is the Debut Dagger competition, open to unknown and uncontracted writers. The competition for unpublished writers can lead to them securing representation and a publishing contract. This year the winner is Josephine Moulds for Revolution Never Lies. Anna Caig was Highly Commended for The Spae-Wife


The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to Orenda Books. The London-based publisher was established in 2014 by Karen Sullivan. 

Writer Barry Forshaw, MC for the Dagger Awards evening, said: “The CWA Dagger Awards are the most prestigious prizes in crime fiction, and this year has furnished a particularly strong set of books and authors. Nothing dampens the excitement of the Daggers – not even pandemics!

DIAMOND DAGGER

Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel. 

This Dagger is announced in early spring each year and in 2020 goes to celebrated Golden Age specialist, anthology editor, reviewer and fiction writer Martin Edwards.

One of the UK’s most prominent societies for the promotion and promulgation of crime writing, the CWA was founded in 1953 by John Creasy; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark. They are regarded by the publishing world as the foremost British awards for crime-writing.

The Winners:

GOLD DAGGER 

Michael Robotham: Good Girl, Bad Girl (Sphere)

Lou Berney: November Road (Harper Fiction) – Highly Commended

IAN FLEMING STEEL DAGGER

Lou Berney: November Road (Harper Fiction)

JOHN CREASEY (NEW BLOOD) DAGGER

Trevor Wood: The Man on the Street (Quercus Fiction)

SAPERE BOOKS HISTORICAL DAGGER

Abir Mukherjee: Death in the East (Harvill Secker)

CRIME FICTION IN TRANSLATION DAGGER

Hannelore Cayre: The Godmother, translated by Stephanie Smee (Old Street Publishing)

SHORT STORY DAGGER

Lauren Henderson: #Me Too in Invisible Blood, edited by Maxim Jakubowski (Titan Books)

ALCS GOLD DAGGER FOR NON-FICTION

Casey Cep: Furious Hours (William Heinemann)

DAGGER IN THE LIBRARY

Christopher Brookmyre

DEBUT DAGGER 

Josephine Moulds: Revolution Never Lies 

Anna Caig: The Spae-Wife - Highly Commended 

PUBLISHERS’ DAGGER 

Orenda Books










Thursday, 15 October 2020

Countdown to the Daggers!!

Tickets are available from today (Thurs 15 Oct) for the virtual awards ceremony of the 2020 Crime Writers’ Association (CWA) Daggers, which honour the very best in crime writing.

The oldest awards in the genre, the CWA Daggers have been synonymous with quality crime writing for over half a century. The awards take place live via Zoom webinar on Thursday 22 October from 7.30pm.

The night is compered by book reviewer, author and journalist Barry Forshaw, one of the UK’s leading experts on crime fiction. Guest speaker will be TV presenter and Pointless creator, Richard Osman, whose debut The Thursday Murder Club became a record-breaking Sunday Times number one bestseller.

Barry Forshaw said: “The Daggers are one of the annual highlights in the literary calendar. The crime writing and reading community is famed for its convivial events, and although virtual, we still promise an entertaining and engaging evening for these Oscars of the crime genre.

Winners of the Daggers – including the Gold for best crime novel, the Ian Fleming Steel for best thriller, the ALCS Gold for Non-fiction, the John Creasey (New Blood) for first-time authors, and the Sapere Books Historical Dagger – will be announced on the night.

Shortlisted authors for the 10 coveted Daggers include Mick Herron, Eva Dolan, Abir Mukherjee, Casey Cep and Christopher Brookmyre. The awards also feature the Best Crime and Mystery Publisher of the Year and the Dagger in the Library, voted exclusively by librarians, chosen for the author’s body of work and support of libraries. The winner of the Debut Dagger will also be announced – a competition for unpublished writers which can lead to them securing representation and a publishing contract.

One of the UK’s most prominent societies for the promotion and promulgation of crime writing, the CWA was founded in 1953 by John Creasy; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark. They are regarded by the publishing world as the foremost British awards for crime-writing.

Tickets are free, but limited. To book a place, visit:

https://www.eventbrite.co.uk/e/cwa-dagger-awards-2020-tickets-123647704613

The Shortlists in Full:

GOLD DAGGER

What You Pay For by Claire Askew (Hodder & Stoughton)

November Road by Lou Berney (Harper Fiction)

Forced Confessions by John Fairfax (Little, Brown)

Joe Country by Mick Herron (John Murray)

Death in the East by Abir Mukherjee (Harvill Secker)

Good Girl, Bad Girl by Michael Robotham (Sphere)

IAN FLEMING STEEL DAGGER

November Road by Lou Berney (Harper Fiction)

This is Gomorrah by Tom Chatfield (Hodder & Stoughton)

One Way Out by AA Dhand (Bantam Press)

Between Two Evils by Eva Dolan(Raven Books)

Cold Storage by David Koepp (HQ)

The Whisper Man by Alex North (Michael Joseph)

JOHN CREASEY (NEW BLOOD) DAGGER

Your House Will Pay by Steph Cha (Faber & Faber)

My Lovely Wife by Samantha Downing (Michael Joseph)

Little White Lies by Philippa East (HQ)

The Wreckage by Robin Morgan-Bentley (Trapeze)

The Man on the Street by Trevor Wood (Quercus Fiction)

SAPERE BOOKS HISTORICAL DAGGER

In Two Minds by Alis Hawkins(The Dome Press)

Metropolis by Philip Kerr (Quercus Fiction)

The Bear Pit by SG MacLean (Quercus Fiction)

Death in the East by Abir Mukherjee (Harvill Secker)

The Anarchists’ Club by Alex Reeve (Raven Books)

The Paper Bark Tree Mystery by Ovidia Yu (Constable)

CRIME FICTION IN TRANSLATION DAGGER

Summer of Reckoning by Marion Brunet, translated by Katherine Gregor (Bitter Lemon Press)

The Godmother by Hannelore Cayre, translated by Stephanie Smee (Old Street Publishing)

Like Flies from Afar by K Ferrari, translated by Adrian Nathan West (Canongate Books)

November by Jorge Galán, translated by Jason Wilson (Constable)

The Fragility of Bodies by Sergio Olguín, translated by Miranda France (Bitter Lemon Press)

Little Siberia by Antti Tuomainen, translated by David Hackston (Orenda Books)

SHORT STORY DAGGER

The Bully by Jeffery Deaver, in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)

The New Lad by Paul Finch, in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)

The Washing by Christopher Fowler, in Invisible Blood, edited by Maxim Jakubowski (Titan Books)

#Me Too by Lauren Henderson, in Invisible Blood, edited by Maxim Jakubowski (Titan Books)

The Recipe by Louise Jensen, in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)

Easily Made by Syd Moore, in 12 Strange Days of Christmas (Point Blank Press)

ALCS GOLD DAGGER FOR NON-FICTION

Furious Hours by Casey Cep (William Heinemann)

Corrupt Bodies by Peter Everett (Icon Books)

Honour: Achieving Justice for Banaz Mahmod by Caroline Goode (Oneworld Publications)

The Fatal Passion of Alma Rattenbury by Sean O’Connor (Simon & Schuster)

The Professor and the Parson: A Story of Desire, Deceit and Defrocking by Adam Sisman (Profile Books)

The Adventures of Maud West, Lady Detective by Susannah Stapleton (Picador)

DAGGER IN THE LIBRARY

Christopher Brookmyre

Jane Casey

Alex Gray

Quintin Jardine

DEBUT DAGGER

The Spae-Wife by Anna Caig

Whipstick by Leanne Fry

Pesticide by Kim Hays

Emergency Drill by Nicholas Morrish

Revolution Never Lies by Josephine Moulds

Bitter Lake by Michael Munro

PUBLISHERS’ DAGGER

Bitter Lemon Press

Harvill Secker

Head of Zeus

HQ

Michael Joseph

Orenda

Raven Books

Severn House



Thursday, 6 August 2020

2020 CWA Daggers - Shortlists Announced

The 2020 shortlists for the prestigious CWA Dagger awards, which honour the very best in the crime writing genre, have been announced.

The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.
Mick Herron’s Joe Country, Claire Askew’s What You Pay For and Lou Berney’s November Road are all in contention for the CWA Gold Dagger, awarded to the best crime novel. November Road is also on the shortlist for the Ian Fleming Steel Dagger for the best thriller, up against One Way Out by AA Dhand, Between Two Evils by Eva Dolan and the Richard and Judy pick The Whisper Man by Alex North.

Linda Stratmann, Chair of the Crime Writers’ Association, said: “As the CWA Daggers are unmatched for their reputation and longevity, these shortlists offer a showcase of the finest writing in crime fiction and non-fiction. They reveal the remarkable variety and huge relevance of the genre, which continues to dominate book sales and to shape our cultural landscape.

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. Among the six shortlisted debuts are Little White Lies by Philippa East, acclaimed as ‘unputdownable’, and Trevor Wood, who served in the Royal Navy for 16 years, makes the list with The Man on the Street, featuring a homeless veteran grappling with PTSD, dubbed by Lee Child as ‘an instant classic’.

Abir Mukherjee’s Death in the East is not only shortlisted for the Gold Dagger but also the Sapere Books Historical Dagger. He contends with Metropolis, completed just before Philip Kerr’s untimely death and SG Maclean, who won the Dagger last year for Destroying Angel; she returns with The Bear Pit.

The Crime Fiction in Translation Dagger shortlist features Finland’s acclaimed and award-winning writer, Antti Tuomainen, with Little Siberia translated by David Hackston. The king of Helsinki noir is up against Marion Brunet, the winner of the prestigious Grand Prix de Littérature policière in 2018, whose novel Summer of Reckoning is translated by Katherine Gregor.

The CWA Daggers are one of the few high-profile awards that honour the short story.
Syd Moore, who was shortlisted in the category in 2019, returns with her short story “Easily Made” in 12 Strange Days of Christmas. Paul Finch, a former cop and journalist turned bestselling crime writer, sees his short story “The New Lad” (published in the anthology Exit Wounds) make the shortlist. They are up against established authors including Christopher Fowler, author of over fifty novels and short-story collections, and the blockbuster American mystery writer Jeffery Deaver, who won the Short Story Dagger in 2004.

The shortlist for the ALCS Gold Dagger for Non-Fiction includes Casey Cep, a staff writer at the New York Times whose first book Furious Hours: Murder, Fraud and the Last Trial of Harper Lee, has received acclaim on both sides of the Atlantic. Also on the shortlist is Caroline Goode for Honour: Achieving Justice for Banaz Mahmod. It’s the heart-breaking true story of Banaz Mahmod, the young Londoner murdered by her own family for falling in love with the wrong man, adapted for TV starring Keeley Hawes as Detective Chief Inspector Caroline Goode.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year’s shortlisted nominees are Christopher Brookmyre, Jane Casey, Alex Gray and Quintin Jardine.

One of the anticipated highlights of the awards is the Debut Dagger competition, open to unknown and uncontracted writers. Settings for the shortlisted novels are varied and range from modern-day America, rural Australia, an organic farm near Bern, 2011 Cuba, a contemporary offshore oil platform and sixteenth century Orkney.

This year also features the Best Crime and Mystery Publisher of the Year Dagger, launched in 2019, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing.

The winners of the 2020 Daggers will be announced at an awards ceremony, due to take place on 22 October.

The Shortlists in Full:
GOLD DAGGER
What You Pay For by Claire Askew (Hodder & Stoughton)
November Road by Lou Berney(Harper Fiction)
Forced Confessions by John Fairfax (Little, Brown)
Joe Country by Mick Herron (John Murray)
Death in the East by Abir Mukherjee (Harvill Secker)
Good Girl, Bad Girl by Michael Robotham (Sphere)
IAN FLEMING STEEL DAGGER
November Road by Lou Berney (Harper Fiction)
This is Gomorrah by Tom Chatfield (Hodder & Stoughton)
One Way Out by AA Dhand (Bantam Press)
Between Two Evils by Eva Dolan (Raven Books)
Cold Storage by David Koepp(HQ)
The Whisper Man by Alex North:(Michael Joseph)
JOHN CREASEY (NEW BLOOD) DAGGER
Your House Will Pay by Steph Cha (Faber & Faber)
My Lovely Wife by Samantha Downing (Michael Joseph)
Little White Lies by Philippa East (HQ)
The Wreckage by Robin Morgan-Bentley (Trapeze)
The Man on the Street by Trevor Wood(Quercus Fiction)
SAPERE BOOKS HISTORICAL DAGGER
In Two Minds by Alis Hawkins (The Dome Press)
Metropolis by Philip Kerr(Quercus Fiction)
The Bear Pit by SG MacLean (Quercus Fiction)
Death in the East by Abir Mukherjee (Harvill Secker)
The Anarchists’ Club by Alex Reeve (Raven Books)
The Paper Bark Tree Mystery by Ovidia Yu (Constable)
CRIME FICTION IN TRANSLATION DAGGER
Summer of Reckoning by Marion Brunet, translated by Katherine Gregor (Bitter Lemon Press)
The Godmother by Hannelore Cayre, translated by Stephanie Smee (Old Street Publishing)
Like Flies from Afar by K Ferrari, translated by Adrian Nathan West (Canongate Books)
November by Jorge Galán, translated by Jason Wilson (Constable)
The Fragility of Bodies by Sergio Olguín, translated by Miranda France (Bitter Lemon Press)
Little Siberia by Antti Tuomainen, translated by David Hackston (Orenda Books)
SHORT STORY DAGGER
The Bully by Jeffery Deaver in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)
The New Lad by Paul Finch in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)
The Washing by Christopher Fowler in Invisible Blood, edited by Maxim Jakubowski (Titan Books)
#Me Too by Lauren Henderson in Invisible Blood, edited by Maxim Jakubowski (Titan Books)
The Recipe by Louise Jensen in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)
Easily Made by Syd Moore in 12 Strange Days of Christmas (Point Blank Press)
ALCS GOLD DAGGER FOR NON-FICTION
Furious Hours by Casey Cep (William Heinemann)
Corrupt Bodies by Peter Everett (Icon Books)
Honour: Achieving Justice for Banaz Mahmod by Caroline Goode (Oneworld Publications)
The Fatal Passion of Alma Rattenbury by Sean O’Connor (Simon & Schuster)
The Professor and the Parson: A Story of Desire, Deceit and Defrocking by Adam Sisman (Profile Books)
The Adventures of Maud West, Lady Detective by Susannah Stapleton (Picador)
DAGGER IN THE LIBRARY
Christopher Brookmyre
Jane Casey
Alex Gray
Quintin Jardine
DEBUT DAGGER
The Spae-Wife by Anna Caig
Whipstick by Leanne Fry
Pesticide by Kim Hays
Emergency Drill by Nicholas Morrish
Revolution Never Lies by Josephine Moulds
Bitter Lake by Michael Munro
PUBLISHERS’ DAGGER
Bitter Lemon Press
Harvill Secker
Head of Zeus
HQ
Michael Joseph
Orenda
Raven Books
Severn House

Monday, 23 May 2011

Final day at Crimefest and round up!


So on the final full day of crimefest was Saturday and I was rather surprised that I actually woke up let alone got up at 9:00am in the morning. I had four hours sleep having got to bed at 5am.

Saturday night was the gala dinner and the organisers had the ingenious and inspired idea to identify all the tables with the names of crime fiction detectives. Thus I found myself sitting on the Jules Maigret table. My companions on the table were fellow shots contributors Kirstie Long and Ali Karim who was accompanied by his gorgeous daughter Sophia. Also on the table were author Adrian Magson along with his lovely wife Ann, debut author Quentin Bates and JC Martin who correctly predicted the winners of the abridged and unabridged audio prizes.

The evening reception started with a drinks reception, which was hosted by Mulholland Books UK as part of their launch of their new imprint Mulholland Books UK at Hodder and Stoughton. Mulholland Books have an already impressive line up of authors that are going to be published and it will be interesting to see and read the books in due course as they have a stellar line up of authors on their roster. They also quite generously provided everyone that attended the launch with a copy of “Guilt by Association” by Marcia Clark one of the authors being published under their imprint.

The toastmaster for the evening was author Christopher Brookmyre who took to the task as toastmaster with aplomb despite the fact that he was stepping in at the last minute for Don Winslow who had to withdraw rather suddenly. Christopher had all of us in attendance in stitches of laughter on several occasions with his witty repartee and humour. As part of his duties as toastmaster Christopher had to announce the winners of a number of awards. These awards were the eDunnit Award for the best crime fiction eBook first published in hardcopy and in electronic format in the UK IN 2010. The Winner was Field Gray Philip Kerr (Quercus). The other awards that were given out were the Last Laugh Award sponsored by Goldsboro Books. David Headley the Managing Director of Goldsboro Books presented the prize which was won by LC Tyler for The Herring in the Library (Macmillan) and the unabridged and abridged Sounds of Crime Awards. The winner of the unabridged Sounds of Crime Award was Peter James for Dead Like You, whilst the winner for the abridged Sounds of Crime Award was John le Carré for Our Kind of Traitor. which was for the best humorous crime novel first published in the UK in 2010 and which was won by The eligible titles were submitted by publishers for the long list, and audio crime fiction reviewers voted to establish the short list and winning title. Once the main wining and dining had finished it was time for speeches from the featured guest authors Peter James and Deon Meyer and the 2011 CWA Cartier Diamond Dagger recipient Lindsey Davis.

L-R Myles Allfrey, Peter James, Lindsey Davis, Deon Meyer & Adrian Muller (Christopher Brookmyre kneeling)

© Ayo Onatade (picture)

The first speech was by Deon Meyer who regaled us with a story about crime in South Africa and that sometimes the things that take place are so implausible that if they did use them in their writing then they would not be believed. Peter James (who is also the current Chair of the CWA) was a tad more serious as he used his speech to re-enforce the message that he wants to get across during his period as Chair about the fact that he wants to get rid of the notion of that genre fiction (and in this case crime fiction) is not as good as literary fiction. I have to admit that this is something that I wholeheartedly agree with. Lindsey Davis speech also had us in fits of laughter. Lindsey spoke of how she first met the toastmaster Christopher Brookmyre at a book festival at a Scandinavian book festival along with Ian Rankin. It was a really amusing anecdote, which involved lots of alcohol and herrings cooked in various different ways. Needless to say it went down very well indeed especially since of the three of them Lindsey was the one left to uphold the honour of the United Kingdom.

After all the speeches had finished, a great many of us adjourned to the bar for the rest of the night. It was great fun to catch up with and chat with people including Chris Ewan whose books The Good Thief’s Guide is a must read for those who like comic caper novels, Helen FitzGerald, Donna Moore, Paul Johnston, Christopher Wakling and Peter Guttridge to name a few. Also having fun and chatting with authors was Ali Karim’s delightful daughter Sophia who is certainly a chip off the old block!

By the time I managed to head off to bed it was the early hours of Sunday morning, I could say that I should have gone to bed earlier, but I was having too much fun. That is one of my most abiding memories of Bristol – how much fun everyone was having. Adrian and Myles put on a splendid event and amongst the chatter being heard over the weekend the phrase that seemed to dominate was how much fun it was and how well it organised was as well. Richard Reynolds of Heffers in Cambridge was the bookseller and if the scrum by the book tables were anything to go by then I hope that he sold a lot of books.

I was however determined to attend the interview that the toastmaster Christopher Brookmyre gave Maxim Jakubowski and managed to bag a front row seat to what in my opinion was one of the best interviews I have heard in ages. Christopher Brookmyre has such a comic turn of phrase and timing that it is impossible not to be in stitches. It was a wide-ranging interview and if you have heard Christopher speak before then you can imagine what it was like. It was certainly not for anyone with sensitive ears or did not like the use of the word “fuck”. I certainly enjoyed it. Once again the phrase “enjoyment” comes to mind about the whole weekend. I can only say that if I had another opportunity to listen to Christopher Brookmyre talk then I would do so with open arms. He is without doubt one of the best authors who is able to combine satire with black comedy whilst still writing an entertaining story. He also has a dry sardonic wit that is a extremely funny indeed. Furthermore how can you not want to read a novel that has the title Attack of the Unsinkable Rubber Duck or A Tale Etched in Blood and Hard Black Pencil or even All Fun And Games Until Someone Loses An Eye! I can only say that Adrian and Myles pulled off a really good thing with Christopher Brookmyre being in attendance.

Maxim Jakubowski and Christopher Brookmyre © Ayo Onatade (picture)

The final panel of the day is one that all of us had been waiting for. It was Criminal Mastermind. In a packed room authors John Curran, Lauren Henderson, Paul Johnston and Andrew Lane submitted themselves to the Mastermind chair and the inquisition of quizmaster Maxim Jakubowski on a wide range of specialist subjects including Sherlock Holmes and Modesty Blaise. The winner of the quiz was Paul Johnston with Lauren Henderson coming second followed by John Curran and Andrew Lane. As the winner Paul Johnston has the opportunity of returning next year to defend his title.



(L-R John Curran, Lauren Henderson, Paul Johnston & Andrew Lane) © Ayo Onatade (picture)

It was sad to see Crimefest finish on the Sunday but I can only say that I am sure that I am not the only one who had a fabulous time. It was well run, the panels were good and it was an enjoyable way to spend nearly 4 days.

Next year will be the 5th anniversary of Crimefest and two of the authors that we can look forward to seeing once again are Lee Child and Jeffrey Deaver. It is a festival that one should not miss and it will take place between 24th and 27th May 2012. I for one will make sure that I am there!

Thursday, 19 May 2011

Crimefest Day 1 Part 1

This is the first of my bolgs from Crimefest. For those of you that have read my blog the previous years, you will realise that they will consist of as much interesting and sometimes irrelevant inormation as possible. Enjoy!

Okay, so I have finally arrived at Bristol to attend Crimefest. The train journey down was quite good fun. I met up with my friend and fellow Shotsmag reviewer Kirstie Long and we had an enjoyable journey down which culminated in us regaling a fellow passenger with a whole load of suggested authors that he might want to try reading! Have already met /bumped into a wide range of people at the hotel, including the delightful Lauren Henderson and the equally delightful Donna Moore, Andrew Taylor, Adrian Magson, Carola Dunn, Len Tyler and Francis Brody to name a few. There is only one strand of panels taking place on the Thursday, so I am going off to listen to Lauren Henderson moderate Arsenic and Old Lace : How Cosy are Cosies?