I was in Oslo on 22nd July 2011; the day Anders
Behring Breivik committed the worst peacetime atrocity by a single gunman,
ever. We heard the bomb go off. The glass in the windows shook. We thought it
was thunder.
Breivik murdered seventy-seven people. His bomb
destroyed a government building in the heart of Oslo, killing eight. After that
he calmly drove to the Island of Utøya and murdered a further sixty-nine,
mainly teenagers, at a summer youth camp. This remains the worst peacetime
killing committed by a single gunman, ever.
As a fiction writer you have a responsibility not to
turn the suffering of others into entertainment. Breivik ruined the lives of
countless people, and the bravery of those who testified against him, while he
stared at them unblinkingly across the courtroom, was unforgettable. Yet the
problem of Breivik continues to gnaw at me.
My first novel is called A Line of Blood. It has nothing to do with Breivik, and yet
Breivik’s influence seeped into it, almost without my knowing it. The book is
about a marriage, and a family, placed under intolerable pressure by the death
of the man in the house next door. It’s also about a crime committed “in good conscience”, as Breivik’s was.
I covered the trial for a small Internet newspaper. I
sat for six weeks in an Oslo courtroom watching Breivik, and listening to
expert testimony about him, and his crime, and his state of mind. I did not
then — and do not now — understand what would push a man to plan and commit an
act of such barbarity. And yet Breivik told us, repeatedly.
Breivik claimed he was firing the first shots in a
great European war against Islamisation. He was, he said, a military commander
and a Knight Templar. The children he killed were “enemy combatants”.
I already had a very clear rule when writing: no
psychopaths. Psychopaths change the rules of the game; they act outside the
rules of our day-to-day interactions with the world, from a set of rules that
most of us don’t understand.
Of 34 mental health experts who examined or observed
Breivik in the months between the murders and the trial, only two concluded
that he was insane. Breivik, in other words, is not a psychopath. He is more
complex, and more worrying, because of this.
I have never sat across a table from people who will
not repent and cannot be reformed, so I have to make things up. I base what I
write on my own experience, on observing other people’s behaviour, and on
talking to experts who are cleverer than me. My writing brings me into contact
with criminal psychologists. These people work with some very dangerous men and
women; they are highly trained and ferociously intelligent. I do not have their
training, nor their professional insight.
I make things up, and then ask experts to tell me
where I am wrong. And I have the luxury of not having to be right about
criminal behaviour. When I get things wrong, no one dies.
None of the characters in my book is evil or
psychopathic, but all of them have done bad things. One has done a very bad
thing indeed. It’s domestic, it’s at the other end of the scale from what
Breivik did and again — and this is worth repeating — I made it up. But I
learned two very important lessons from the Breivik trial and those lessons
made their way into the book.
Breivik was convinced, and is to this day, that he
acted in good conscience. “It was
horrible,” he said, “but necessary.”
That belief — that fantasy, perhaps — seems to be necessary if a murderer is to
live with what he or she has done. It’s there in my novel; it was the
psychological key I needed to make the act believable.
The second lesson is this: listen to what the killer
is telling you. During the trial a professional witness told me that he
couldn’t understand why the court was wasting time discussing Breivik’s sanity;
he felt he was clearly sane. “Why can’t
they see what he’s trying to tell them? That he’s a modern European fascist…
that this is a political act.” Sometimes you miss the obvious truth,
because it’s too hard to bear.
I plan one day to base a book on Breivik. I am not yet
ready. The man who ruined so many lives did not ruin mine, but he left a tiny
marker on it that I cannot be free of. I think his may be a crime that cannot
be forgiven. The attack was an attack on the values of a modern and enlightened
country; those values were heroically defended by Norway in the aftermath. And
on a personal level, 22nd July was our wedding anniversary, and now that day
forever carries Breivik’s taint, and I can’t forgive him for that.
You can follow Ben McPherson on Twitter - @TheBenMcPherson. You can also find him on Facebook.
A Line of Blood
A chilling psychological thriller about family – the ties that bind us, and the lies that destroy us. You find your neighbour dead in his bath. Your son is with you. He sees everything. You discover your wife has been in the man’s house. It seems she knew him. Now the police need to speak to you. One night turns Alex Mercer’s life upside down. He loves his family and he wants to protect them, but there is too much he doesn’t know. He doesn’t know how the cracks in his and Millicent’s marriage have affected their son, Max. Or how Millicent’s bracelet came to be under the neighbour’s bed. He doesn’t know how to be a father to Max when his own world is shattering into pieces. Then the murder investigation begins.
A chilling psychological thriller about family – the ties that bind us, and the lies that destroy us. You find your neighbour dead in his bath. Your son is with you. He sees everything. You discover your wife has been in the man’s house. It seems she knew him. Now the police need to speak to you. One night turns Alex Mercer’s life upside down. He loves his family and he wants to protect them, but there is too much he doesn’t know. He doesn’t know how the cracks in his and Millicent’s marriage have affected their son, Max. Or how Millicent’s bracelet came to be under the neighbour’s bed. He doesn’t know how to be a father to Max when his own world is shattering into pieces. Then the murder investigation begins.
A Line of Blood by Ben McPherson is out on 26 March £12.99 (Harper Fiction)
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