The third
Captivating Criminality conference will build upon and develop ideas and themes
from the first two, Captivating Criminality: Crime Fiction, Darkness and
Desire, and Captivating Criminality 2: Crime Fiction, Traditions and
Transgression, which took place at Bath Spa University’s Corsham Court campus
in 2014 and 2015. This conference will be organised by Bath Spa University and
the Captivating Criminality Network: _______________________________
KEYNOTE SPEAKERS
Professor Mary Evans, LSE, UK.
Tim Weaver, Crime Thriller Writer.
Dr. John Troyer, RCUK Research Fellow & Director of the
Centre for Death and Society
____________________________________
Crime
Fiction has always been concerned with forensics and draws upon a rich history
of the use of forensics in solving crime dating back to a Chinese handbook for
coroners called The Washing Away of
Wrongs (1247). These days, when we think of forensics the first things
that come to mind may well be the cutting-edge of forensic science,
often laboratory based and brought to public attention through popular
television programmes such as CSI or Silent Witness.
However,
forensics has been central both to crime fiction and to gathering evidence in ‘real life’ crime: from the first ‘clues’ used in the emerging literary
genre of crime fiction to the recognition that even DNA is not always 100%
reliable, forensics is utilised in most of the texts that we would, however
loosely, term crime fiction. Felony, having committed a serious crime, is often
detected by a combination of forensics and fear; the fear of the felon who
attempts to leave no trace. Sometimes a murderer ‘gets away with it,’ such as Tom Ripley in Patricia
Highsmith’s The Ripliad; other
times the felon can be wrongly convicted for a crime, or convicted for a crime
different from the one they actually did commit, such as Dr.Bickleigh in
Francis Iles’s Malice Aforethought.
The intersections between felony, fear and forensics will be explored at this
conference, and Bath Spa University and the Captivating Criminality Network
invite scholars, practitioners and fans of crime writing to attend this
international, interdisciplinary conference about these key elements of crime
fiction and real crime. Proposals may be based around, but are not restricted
to:
·
Forensics, then and now.
·
The Gothic: fear and terror.
·
True crime.
·
The dissected body.
·
The body as evidence (silent witnesses).
·
Crime and clues.
·
Bodily traces.
·
The role of the profiler.
·
The role of the forensic scientist.
·
Seduction and sexuality.
·
The criminal analyst.
·
Poisons
·
Crime professionals as criminals (e.g. dexter
morgan, blood splatter expert).
·
Fear and self-punishment.
·
Lack of order and resolution.
·
Crime and cultural memory.
·
The felon and the forensic.
·
Changing cultural definitions of ‘the felon’ and
its implications.
·
The felon as public spectacle.
·
Women as perpetrators of violent crime.
·
Maternity and murder.
·
Body farms.
Please send 400 word abstracts to Dr Fiona
Peters (f.peters@bathspa.ac.uk)
by February 1st 2016. DEADLINE EXTENDED: 1ST MARCH 2016! Proposals
should include a title, your name and affiliation, and a contact email address.
* Feel free to submit abstracts presenting work in progress as well as
completed projects. We welcome proposals from postgraduates. Panel suggestions
are also welcomed. Papers will be a maximum of 20 minutes in length. Delegates
will be notified by the end of April.
Attendance fees: £145 (£95 students).
* Please note that these details will be
distributed in the conference pack on the first day of the conference.
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