Editors: Dr J.C. Bernthal (Visiting Fellow in
Creative Writing at the University of Suffolk) and Dr Rebecca Mills (Senior
Lecturer in Communication and English, Bournemouth University).
Proposal deadline: March 31st 2024
Chapter proposals are invited for an edited
collection exploring and evaluating the representation and navigation of war in
writing set in, looking back to, and negotiating the parameters of, the Golden
Age of detective fiction. Our first co-edited collection Agatha Christie
Goes to War (Routledge 2019) explored the structuring principle of war in
the work of the ‘Queen of the Golden Age’ Agatha Christie, demonstrating a
recurring anxiety regarding war and its aftermath that permeates the idiom and
structure of Christie’s work as well as plotting and characterisation; here we
intend to follow up this investigation by extending our scope to both the
Golden Age and later authors such as Robin Stevens and Catriona McPherson, who
explicitly hark back to its conventions but develop more modern thematic
approaches, foregrounding themes, issues and anxieties that would then have
been subtextual. This will also afford readings of recently rediscovered and
republished crime and mystery fiction from the early and mid-twentieth
centuries by, for example, Dean Street Press and British Library Classics.
The Golden Age of detective fiction is often held
to be a) English-centric, b) situated between the First and Second World Wars
and c) focused on puzzles and clues rather than social and cultural reflection
and context. Public imagination and academic conversations have started to
capture the diverse, often nuanced, and impactful significance of Golden Age
detective fiction, but its engagement with war, while richly varied and
textured, has not been widely studied. The editors of Golden Age Detection
Goes to War, then, envisage a collection of essays in conversation with the
work of scholars such as Gill Plain, Alison Light, and Phyllis Lassner, that
challenge traditional readings of isolation, escapism, or simple visions of
national identity and purpose, and interrogating the role of these popular
texts in the study not only of war fronts and battlefields, but also of complex
moralities, social and cultural upheaval, trauma, displacement, and individual,
national and internationally negotiated identities.
We are particularly interested in feminist,
spatial, queer, post-colonial, and sociological readings that contextualise
Anglo-centric English Golden Age work within its contemporary literary,
political, and social environments; we also encourage interdisciplinary
approaches, particularly drawing on cultural history, geography, trauma and
memory studies, and the medical humanities.
Our chronological span for the Golden Age here is Agatha Christie’s lifetime (1890 to 1976) in order to include work leading up to the First World War and post-Second World War work that deals with its aftermath and the early Cold War.
Topics might include (but are not limited to) the
following:
- Detective writers, life writing, and war work
- Codes and coding
- Thrillers and espionage stories with substantial detection elements
- National identities and propaganda -Censorship and ethics
- Individual and/or collective memory and trauma
- Technologies of war
- Gender and/or sexuality and war
- Grief, loss, and bereavement
- Displacement and exile
- The Home Front and/or foreign fields
- Social and cultural change during and caused by war
- War and psychology
- Underrepresented writers and communities impacted by military conflict
- Representations of ideologies such as Communism and Nazism
- Conscientious objection
- Military heroism
- War and reshaped cartographies
- Colonial wars and Empire
- Britain and the European Continent
- Britain’s relationship with its allies
- Comparative analysis of war in the work of authors from Britain and other countries
- Foreign fields
- The relationship between detective fiction and other literary modes such as modernism and the middlebrow
- The relationship between Golden Age detective fiction and other crime narrative modes such as noir and pulp fiction
- Cinema, radio, theatre, and the Golden Age in wartime
- Historical detective fiction set in/navigating war and engaging with the conventions of the Golden Age
Authors we are interested in include but are not
limited to:
- Dorothy L. Sayers
- Agatha Christie (if you are planning a proposal on Agatha Christie, we encourage you to take a look at Agatha Christie Goes to War)
- Josephine Tey
- E.C.R Lorac
- J. Jefferson Farjeon
- Gladys Mitchell
- John Dickson Carr
- Nap Lombard
- Celia Fremlin
- Michael Gilbert
- Anthony Gilbert
- Graham Greene
- Elizabeth Bowen
- Ngaio Marsh
- Margery Allingham
- Edmund Crispin
We are also interested in detective fiction from
outside England and America that can be situated in conversation with the
Golden Age periodization and tropes.
We invite 300-500 word abstracts for contributions
of 6,000-8,000 words taking a global and in-depth approach to wars and their
traces in early-to-mid-century detective, crime, and mystery fiction, as well
as life writing by and about authors in this field, and historical detective
fiction written later. Please include a brief biographical note (up to 100
words).
We have early interest from a major academic
publisher.
Please send your proposals and enquiries to
goldenagedetectiongoestowar@gmail.com by March 31st 2024.
For further details, see https://jcbernthal.com/2024/01/19/call-for-proposals-golden-age-detection-goes-to-war
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