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Morgan kneels beside the fluttering crime scene tape. Their hands clasped, the couple’s embrace looks loving and warm, but an icy chill grips the air. Their lips are blue, and blood is dripping on the floor. They have been silenced forever… When sweet-natured teaching assistant Rosie Waite, and her boyfriend Matt, are found dead in their quaint family home in the Lake District, Detective Morgan Brookes is horrified. Sleeping just two doors down, she heard no screams for help, no slamming doors, or alarms in the night. A twisted killer nailed the couple’s lips shut, and Morgan vows to keep watch over every innocent family in Rydal Falls until this monster is brought to justice. Climbing the narrow attic staircase as she searches every inch of the property, Morgan finds a mattress on the floor, empty food wrappers, and a letter that reads: if you’ve found this, you’re next to die. Fear washes over Morgan’s team; the killer was watching his victims, and now her life is at risk. Ignoring pleas that she take a step back, Morgan throws herself harder at the case discovering that the nails used to bind the victims’ lips were pierced with expert equipment. And Matt had been asking questions at a local tattoo parlour. Everyone thought he and Rosie were a quiet, kind-hearted couple, but was Matt hiding a dangerous secret? Did he betray the woman he loved? It’s the break Morgan desperately needs, until one of her closest friends is attacked. His lifeless body abandoned, crimson with blood, and Morgan believes the chilling crime scene is linked to Matt and Rosie. The killer has been watching from the shadows again. Morgan’s used to putting her life on the line to protect the innocent, but what must she sacrifice to save the people she loves most? And how many precious lives will be lost before she can stop this killer? Their Dying Embrace is by Helen Phifer.

I  thought my first husband was dead. But when I get a letter with his name on it just days before my wedding, it will tear my perfect new life apart…  As we drive up to the gorgeous house by the lake with its red and yellow roses round the door, I breathe in the pure air and count my blessings. In two days’ time I’m getting married to Matt, my soulmate and the father of my beautiful boy. After all the pain of my past, my life now is perfect. But later that night I hear a knocking outside. I find the back door swinging open and a card lying on the floor, addressed to me in familiar handwriting… I can’t wait to see you. I’ve missed you so much. All my love, Callum. Callum was my first husband. Eight years ago, when we were staying at this exact same place for my birthday, he disappeared.
All the people who were with me that terrible night are here for the wedding. My brother. His wife. My new partner Matt: Callum’s best friend. We all had reasons to hate Callum then. We all have reasons to lie now. The police are sure Callum is dead. But as I look around at my loved ones, I wonder... Does someone know what really happened that night? Does someone know what I did? And if Callum is back, is he the dangerous one… or is it one of us? The First Husband is by Elisabeth Carpenter.

While My Baby Sleeps is by Natali Simmonds. I have to stay awake… I need to keep him safe. I haven’t slept properly since Riley was born. I love my baby so much – every noise he makes, and every sleepy blink has me rushing to his side to make sure he’s safe. Yet the lack of sleep is getting to me. There are terrifying blanks in my memory, and my temper is blindingly short. I can’t rely on my partner – I don’t even know where he is half the time. But at least I have Maggie next door. She tells me this is just what new motherhood is like, so I have no choice but to ignore the blackout rages and blurred vision, for Riley’s sake… But after another night of no sleep, the last thing I expect is a police officer at my door. My neighbour has been found dead. The man I’ve been furious at for weeks for keeping me and the baby awake with his late-night parties. Though really, maybe I shouldn’t be so surprised… Because this morning, I woke up on my doorstep. And I have no memory of what happened – or where the blood on my hands came from. As I hear Riley start to cry, I swallow against the rising panic in my throat. It can’t have been me. I’m no killer, I’m just a sleep-deprived, loving mother… aren’t I?

When my husband went missing, I was desperate to get him home. Now I know his secrets, I wish he’d never come back… I hate when Wyatt is away for work—the cold bed. Dinner alone. And comforting our little boy, telling him Daddy will be back to tuck him into bed again soon. But when Wyatt misses his flight and his cell is disconnected, panic takes over. After seven sleepless nights, tossing and turning as I imagine the absolute worst, he walks back into our home. I breathe a sigh of relief. Until I realize that everything has changed. I want to believe Wyatt’s explanations. The work trip. The “stolen” phone. But I see the strange, jagged scar across his side even though he tries to keep it hidden. And when I start digging, I uncover more than signs of an affair. It’s so, so much worse… His secrets have become my nightmares, threatening my son and our unborn child in ways I couldn’t imagine. I can’t confront him. Not without exposing the lies I’ve buried for years. About whom I really am and what I’ve done. And it seems the past has caught up with us. Because one moment, I’m holding my son’s tiny hand as we walk around the mall. The next he is nowhere to be seen. If my husband had never come back, would my son still be safe? And how are we meant to get him back when our deadliest secrets are yet to be uncovered? Never Come Back is by Cara Reinard.

Find My Daughter is by Jennifer Chase. She hears footsteps approaching, the creak of the uneven planks, then the clunk of a heavy lock. Her body is numb and she’s shivering in her pale silk gown, but she stands, ready to fight as the doorway cracks open. A blinding light overpowers her, and she falls backward. Her world goes black once again… When Detective Katie Scott is approached by a smartly dressed woman with desperation in her eyes, Katie’s senses go into high alert. Moments later, questions still buzzing through her mind, Katie finds the woman dead in the carpark, blood pooling around her, and just enough life left to utter the words: find my daughter. Katie doesn’t waste a second gathering her team and pulling the casefile for Anna Braxton, a teen with sparkling blue-eyes and an even brighter future, who left to meet her best friend in the mall, then disappeared. Staring at the blank investigation board, Katie won’t rest until she fulfils Anna’s mother’s dying wish. Scouring the Braxton’s impeccable family home, Katie finds Anna’s journal, filled with teenage secrets and confessions. But it’s the one-off mention of an approach from a talent agency that catches Katie’s expert eye. She gets to work tracking the business down, but it’s a dead end. And now Anna’s best friend is also missing. The case takes another terrifying turn just hours later: a girl’s body is found in the embers of a housefire, her yellow satin dress devastatingly beautiful amongst the ashes. Is it Anna, her best friend, or another girl entirely? One thing is certain: a monster has the close-knit community of Pine Valley in a chokehold, and Katie must get one step ahead before any more precious lives are taken—but at what cost...

When we move to the exclusive Cutters Island, my life changes overnight. Dressed like the perfect wife, pushing my baby down the street in her pink stroller, I look up and smile at the security cameras. Because I know they are watching. And for now, I need to play my part. I wake up in my beautiful bedroom and instinctively feel for my husband. But the silk sheets are cold—he hasn’t come home. Reaching for the baby monitor on my nightstand, I scan the screen for the familiar shape of my sleeping daughter. But she’s not there. Moving through the house in the darkness, I tell myself the footage is just grainy. I pass the large window over the stairs and see a light on in my mother-in-law’s house across the street, as if she is watching. The thought sends a chill down my spine, and I start to run. And as I open my daughter’s bedroom door, my worst fear comes true: my baby is gone. As I collapse onto the carpet, I smell smoke. And when I turn to see flames licking at the banister, I know this is my fault. I am paying for what happened that night all those years ago… Because I am not a perfect wife. I am not a good mother. But I am the perfect liar. No one knows what I have been through to get this life. And they shouldn’t underestimate how far I’ll go to get my baby back… Good Bad Mother is by Anya Mora.

 The Baby Swap is by Daniel Hurst. Someone stole my little boy. I’ll do whatever it takes to get him back… ME: Staring down at the sweet baby in my arms, I feel panic instead of love. Because this isn’t the child, I gave birth to. My husband whispers to the midwife. They all think I’m going crazy. But the tiny boy in my arms is crying again. I’m certain: he knows I’m not his mummy. And I’ll do whatever it takes to get my son back. HER: I did it. I swapped my baby with another new born in the hospital. As I hold the child in my arms, I hear my own little boy start to cry on the other side of the curtain. My heart is shattering into a million pieces. I know I had no choice. I didn’t want to do this. But no one can ever find out the reason why I swapped my baby. Because if anyone knew the truth, my life and my child’s life would be in danger…

Murder on the Cornish Coast is by Helena Dixon. A bright blue sky, a glamorous boating party, an English manor house on the Cornish cliffs… and surely not another murder! Get Kitty Underhay on the case! Cornwall, 1937. Kitty Underhay has been called to investigate some fishy goings-on in the beautiful coastal village of St Mawes. The body of Lady Cordelia Hedges’ beloved father was found floating in the sea, and shortly afterwards Cordelia herself was almost killed… Determined to piece together the puzzle, Kitty spends her first evening in the Cornish Bay at one of Cordelia’s lavish parties. But she’s not just soaking up the idyllic surroundings with her husband Matt, she’s at the party to get to know those closest to their host. The sleuthing duo quickly realise they’re in unchartered waters and this could be their toughest case yet. Later that evening, a scream wakes Kitty in the middle of the night: Lady Cordelia is sitting bolt upright in bed, swearing someone has been in her room. As Bertie the dog retrieves a knife from behind the curtain, Kitty’s list of suspects grows: could the murderer be Cordelia’s suspicious stepsister, her spoiled future mother-in-law, or someone even closer to home…? Then a house guest eats a poisoned chocolate from a box addressed to Cordelia and dies. This latest tragedy helps Kitty to make progress in her investigations at last. But is Kitty floundering? Will she be able to solve this case before someone else gets hurt, or will Kitty end up in a watery grave?

As the wall is peeled back, everyone falls silent. Then they see her. The near-perfect remains of a young female, two jelly bangles and a neon necklace being the only clues to how long she had been hidden there. But who was she? And who could have possibly wanted to take such an innocent life? When the body of a girl is discovered in the walls of a Woodbridge church, Detective Amanda Steele is immediately called to the scene. On arrival she meets FBI Special Agent Sandra Vos who explains that while negotiating a hostage incident moments before, a gun was fired. The bullet missed its target, but exposed human remains. The victim has been perfectly preserved, her jewellery and summer dress taking Amanda back to her own teenage years. DNA quickly confirms that the victim was taken over thirty years ago. Thinking about her own daughter, Amanda cannot imagine the devastation for the young girl’s family and vows to find the killer. Amanda and her partner Trent determine the suspect behind the attempted shooting, Cameron Cofell, had a very clear reason for exacting revenge on the church’s priest. As they question the wider community, a neighbour reveals her long-held suspicions too. But when she is found murdered, Amanda knows this killer is prepared to do whatever it takes to keep their dark secret from ever coming to light. Soon the investigation takes Amanda and Trent to an abandoned farmhouse—a place that haunts Cameron’s nightmares—where they find a faded photograph that holds the mystery of another chilling cold case. But just how far back does this evil go, and how much will Amanda and Trent need to sacrifice to find the killer? Hidden Angels is by Carolyn Arnold. 

The Nanny Share is by Emily Shiner. I love being a nanny. But now, the two little girls I nanny for are missing. Soon the police will be at my door—and I can’t let that happen again. I’ll tell them I’m innocent, but will anyone believe me? Sweet little Emma and Nealie, both just four years old, live on the same block in the exclusive, gated Blackwood neighbourhood—miles from my cramped studio apartment. I go between each family’s home to care for the girls. And I know all their secrets… Their mothers were best friends until three months ago, when everything fell apart. There’s a door that’s always locked at Nealie’s house. And Emma’s house is filled with whispered arguments. I’m sure her father is having an affair. But I tried to overlook the slow splintering of these marriages: because I Ioved the girls. Braiding their hair and then walking them to kindergarten was my favourite part of the day. But now they’re gone. Snatched from their beds. In Blackwood, little girls don’t just vanish. The police will suspect the nanny, the person who loved them, the person with a key to both houses. I’ll swear that I’m being framed. And I will do anything to stop them finding out who I really am, or why I was so desperate to work here. Because these families are about to pay for their secrets. But who is really in danger? Two missing little girls? Their desperate parents? Or me?

Gone in the Storm is by B R Spangler. Getting in his car was a mistake. But as the frigid air whipped through her thin coat, she felt too cold to say no. Now, snowflakes settle on her long dark lashes. Ice-cold and forever fifteen years old, she’ll never see her mother’s smile again… As the biggest snowstorm the Outer Banks has seen in decades ravages the coastline, Detective Casey White is called to an abandoned junk yard miles beyond the marshes. Teenager Jill Carter’s body is posed on her back, a look of terror frozen on her beautiful face. Casey’s heart breaks for Jill’s family. She vows she’ll do whatever it takes to find this merciless killer who left this girl out in the cold all alone. But the unforgiving blanket of snow will soon claim the crime scene, and the team are up against the clock to catalogue any vital evidence… then Casey notices strange objects arranged in patterns around the girl’s body. Among them is a selection of perfectly preserved autumn leaves that have no place in the salvage yard in the dead of winter. When the new District Attorney goes above Casey’s head to charge Jill’s high school sweetheart with the crime, Casey is certain she’s making a mistake. The poor boy is terrified and heartbroken, but he isn’t a murderer. Casey must rush to make sense of the sparse, ritualistic evidence they have, before another life is ruined. As the snow continues to fall, another young girl is found frozen forever, the same strange items displayed around her body in a deliberate ritual. And Casey knows now this is only the beginning… Can Casey hunt down a killer determined to add another teenage girl to his collection, before it is too late?

 ‘Is that you, darling?’ A second of silence before her son replies. ‘It wasn’t me’. Her heart breaks at the pain in his voice – he sounds like a little boy again. Thirty minutes later, the police knock at the door. ‘Your son’s girlfriend is dead.’ And Dan has disappeared. It’s almost midnight when Jennifer sees her son’s name flash up on her phone. Away at university, she’s normally so happy when he calls. But something is terribly wrong… Jennifer is devastated for poor Ella’s family – losing their precious girl, so young. She knows her sweet son, just twenty years old, would never, ever harm anyone. But the police are looking for him. And if Dan is innocent, why has he run? When Jennifer hears how Ella died, her blood runs cold. Because Jennifer’s best friend was murdered twenty years ago the same way. In the same place. Jennifer hasn’t been back since… but now, she has no choice. She would do anything for her son. Any mother would. But how far will she have to go – what secrets in her own past will she have to confront – to prove Dan is innocent? And what if the truth is worse than she ever imagined? My Son’s Girlfriend is by Kerry Wilkinson.

Everyone is Lying is by Holly Down. They say I’m lucky to be alive. But the only thing I can remember are the faces of my husband and baby. The husband and baby they insist don’t exist… I can hear a door slamming, and the low hum of distant traffic. I struggle to open my eyes, and the panic sets in. I have no memory of who I am, why I’m here, where all this pain is coming from… Then the door cracks open, a face lighting up in surprise. ‘You’re awake!’ She looks pleased to see me, but all I can think is: I don’t know you. She tells me I’m her sister – that there was an accident and I’ve been in a coma. But as she skilfully evades my questions, I know something is wrong. Because when I ask her about my husband and baby, she gently tells me they never existed. I know she’s lying. As she leaves the room and the lock clicks behind her, my heart starts to pound. And as the days pass stuck in this room, I start to discover unsettling details I hadn’t noticed before. Photographs that don’t seem to fit their frames. The anonymous note buried deep in a bunch of flowers I feel sure I was never meant to find – with just two words on it: I’m sorry… What really happened to me? Is this woman really my sister? And if she’s not: who is she, what does she want from me – and what has she done to my family…?

 

Agatha Award Nominations

 

Malice Domestic have announced the nominations for the 2025 Agatha Awards.

Best Contemporary Novel

A Collection Of Lies by Connie Berry

A Midnight Puzzle by Gigi Pandian

A Very Woodsy Murder by Ellen Byron

Fondue Or Die by Korina Moss

The Dark Wives by Ann Cleeves

​Best Historical Novel

Hall Of Mirrors by John Copenhaver

The Last Hope by Susan Elia Macneal

The Paris Mistress by Mally Becker

The Wharton Plot by Mariah Fredericks

To Slip The Bonds Of Earth by Amanda Flower

Best First Novel

A Deadly Endeavor by Jenny Adams

Ghosts Of Waikīkī by Jennifer K. Morita

Hounds Of The Hollywood Baskervilles by Elizabeth Crowens

Threads Of Deception by Elle Jauffret

You Know What You Did by K.T. Nguyen

Best Short Story

"A Matter Of Trust" By Barb Goffman, Three Strikes--You're Dead

"Reynisfjara" By Kristopher Zgorski, Mystery Most International

"Satan's Spit" By Gabriel Valjan, Tales Of Music, Murder And Mayhem: Bouchercon 2024

"Sins Of The Father" By Kerry Hammond, Mystery Most International

"The Postman Always Flirts Twice" By Barb Goffman, Agatha And Derringer Get Cozy

Best Non-Fiction

Abingdon's Boardinghouse Murder by Greg Lilly

Agatha Christie, Marple: Expert On Wickedness by Mark Aldridge

Some Of My Best Friends Are Murderers: Critiquing The Columbo Killers by Chris Chan

The Bookshop: A History Of The American Bookstore by Evan Friss

Writing The Cozy Mystery: Authors' Perspectives On Their Craft Edited by Phyllis M. Betz

Best Children’s/YA Mystery

First Week Free At The Roomy Toilet: A June Knight Mystery by Josh Pachter

Sasquatch of Harriman Lake by K.B. Jackson

Sid Johnson & The Well-Intended Conspiracy by Frances Schoonmaker

The Big Grey Man of Ben Nacdhui by K.B. Jackson

The Sherlock Society by James Ponti

Congratulations to all the nominated authors.

Inaugural Derringer Award For Best Anthology Finalists

 

The Short Mystery Fiction Society has announced the Finalists for the Inaugural Derringer Award for Best Anthology.

Devil's Snare: Best New England Crime Stories 2024, edited by Susan Oleksiw, Ang Pompano, and Leslie Wheeler — with Leslie Wheeler and 3 others. 

Friend of the Devil: Crime Fiction Inspired by the Songs of the Grateful Dead, edited by Josh Pachter 

Larceny & Last Chances: 22 Stories of Mystery & Suspense, edited by Judy Penz Sheluk 

Murder, Neat: A Sleuth Sayers Anthology, edited by Michael Bracken and Barb Goffman 

New York State of Crime: Murder New York Style 6, edited by D.M. Barr and Joseph R.G. De Marco 

The 13th Letter, edited by Donna Carrick

Was Shakespeare a Spy? By Howard Linskey

The man at the heart of my Elizabethan murder mystery was a writer and an actor but was he also a spy?

William Shakespeare was a playwright, the world’s most famous in fact, and he was also an actor who appeared in his own plays and others. That is a matter of record. We also know that he was a businessman, a shareholder in a theatrical company and the Globe theatre and had investments in all manner of things, including land. He may even have been a money lender. But was he also a spy? 

The premise of my new novel, ‘A Serpent In The Garden’, is that Will Shakespeare is called upon to investigate the mystery of a woman’s suspicious death, in exchange for patronage. He is still a young man at this point and has only written one play, Henry the 6th. That was a small success, but now Will is struggling to write that difficult second play, and the Earl of Southampton is dangling the promise of financial support in exchange for more than just poetry. His cousin is the first reported victim of an outbreak of plague that hit London in 1592, claiming thousands of lives, but the Earl does not believe it, and asks Will to find out what really happened to Lady Celia. 

When the Queen’s spymaster, Robert Cecil, learns of this, he orders Will to spy on his new patron and report back to him. Will soon realises how dangerous it is to have two masters in Elizabethan England, especially when they are the most powerful men in the realm. 

The plot of my book does draw upon the truth, though I am not claiming Shakespeare was a Tudor James Bond. Back then, he might very well have been called upon to report on people to powerful men at court, since many others were given similar tasks, whether they liked it or not. Shakespeare’s most famous patron was the young, handsome and very rich, Henry Wriothesley, the Earl of Southampton. Will dedicated sonnets to him, including ‘Venus and Adonis’ and ‘The Rape of Lucrece’, using such flowery prose some have suggested they must have been lovers, though flattering dedications to a patron were fully expected, no matter how chaste the relationship. 

The Earl of Southampton had a very powerful enemy at Elizabeth’s court. Sir Robert Cecil took over the role of her principal advisor from his father, William and became spymaster for both Elizabeth and her successor, King James the 1st. He even uncovered the Gunpowder Plot. Back in Shakespeare’s time, he would have known that the Earl of Southampton, a lover of plays and poetry, was looking favourably on Will and might be about to give him patronage. Crucially, the Earl was also a Catholic in a Protestant land and suspected of conspiring against the Queen. Later, in 1601, he would join the Essex Rebellion against her, and be sentenced to life imprisonment, though he was eventually released by King James. Perhaps more importantly, the two men hated one another. Wriothesley was ward to Cecil’s father as a child, and they grew up together. Cecil was very short and had a curved back caused by scoliosis. He envied Southampton’s good looks, his vast fortune and, most galling of all, his ability to charm the Queen into becoming her favourite. Southampton also broke off his engagement to Cecil’s niece, humiliating her and, by extension, his family. 

This was a time when plots against Elizabeth the 1st abounded. As a protestant Queen in a religiously divided nation, she was always a target. Catholics still saw her as the illegitimate child of an illegal second marriage, between Henry the 8th and Anne Boleyn. If they needed any further encouragement, the Pope himself declared, in an official Papal Bull to his faithful, that removing and even killing the Queen of England was no crime, since he had already excommunicated her. He was granting Elizabeth’s English Catholic subjects official permission to commit a regicide, blessed by God himself. 

Cecil already had a network of spies everywhere, and he needed them to protect the Queen. Most notably, Christopher Marlowe is believed to have spied for him in the Lowlands, and he was a far more famous and successful playwright than Will Shakespeare at this point. It is usually accepted that Marlowe died in a ‘tavern brawl’ in 1593, but the building was not a tavern and the only other men there were his friends; Skeres, Frizer and Poley, all of whom had links to the criminal world and had worked for Robert Cecil. Poley even played a significant part in the downfall of Mary Queen of Scots, when he acted as a double agent during the Babington Plot of 1586. Significantly, Marlowe was about to be brought before the Privy Council, to be questioned about dangerous heretical writings that would have severely embarrassed Cecil, his former employer. How convenient that he was instead stabbed in the eye, by a supposed friend, just before he had the opportunity to discredit the Queen’s spymaster by association. 

There is another interesting historical slant to this story. When Will Shakespeare left Stratford as a young man, he had little or no money. By 1592, he was an actor who had just been paid the sum of two pounds for his first play. Within a little over a year, he had somehow acquired the enormous sum of fifty pounds. Enough to become a shareholder in a new theatrical company, the Lord Chamberlain’s Men. No one knows how he did this. Many believe the money came from his patron, the Earl, but that is a lot to pay to have sonnets dedicated to you, hence the suspicion that Will might have been Southampton’s lover. In my book, Will hopes to get the money by risking his life to uncover the enormous secret linked to the suspicious death of Lady Celia. 

Revealing anything more would be a spoiler and, like spies everywhere, I reserve the right to keep some secrets. But, if you would like to know what really happened to Celia, and how Will manages to narrowly avoid a gruesome death, at the hands of two of the most powerful men in the realm, you can find the answers between the pages of ‘A Serpent In The Garden’.

A Serpent in the Garden by Howard Linsey. (Canelo) Out Now

London, 1592. 28-year-old William Shakespeare is the rising man of English theatre. But plague has hit the capital, and the playhouses are to be shut. Livelihoods, and lives, are at stake. Lady Celia Vernon is one of the first to perish but did she really die of plague? Her cousin, the Earl of Southampton, orders Will to discover the truth in a London filled with conspirators, cutthroats and traitors. The Queen's spymaster, Robert Cecil, suspects the Earl of treason and orders Will to spy on him in return. Caught between two of the most powerful men in the kingdom, Will cannot possibly serve both masters, and could easily become the next victim of the killer he is trying to catch. With his future, safety and life on the line, Will uncovers a devastating secret, and changes the course of his, and the world’s destiny forever.

A Tail of Murder by Oskar Jensen

Can you imagine a dog as a master criminal? An assassin, a burglar, a schemer-in-chief? No, nor can I. As a killer, oh yes, as hunter of fox, dog of war, slavering bloodhound. But … sly? Unthinkable.

Since the beginnings of detective fiction (which I’m going to place ambiguously around 1800, but that’s another story) animals have figured extensively in tales of murder and mystery. And mostly they’ve been the animals that work most closely with humans: dogs and horses. We generally find them doing a lot of the legwork: Arthur Conan Doyle’s dog Toby is the apotheosis of this tradition. Watson describes him as an ‘ugly long haired, lop-eared creature, half spaniel and half lurcher, brown and white in colour, with a very clumsy waddling gait’ – but with the best nose in the business. Obviously, he’s on the side of law and order. The Victorians (or at least the sort who wrote best-selling stories) practically worshipped dogs for their ideal qualities of loyalty, courage, simplicity, and generally knowing their place: they didn’t want the vote or anything inconvenient like that. It’s no coincidence that the medieval Welsh legend of Gelert had such a revival in this era. It’s a tale that appear the world over: the story of the faithful hound wrongly slain by his master, who thinks the dog has attacked his baby when in fact he has defended it from a wolf. Come to think of it, maybe that’s the first murder mystery – one in which the human protagonist leaps to a tragically wrong conclusion. No Victorian would make the same mistake: they knew there was nothing so trustworthy as a dog. 

Much more unusual is Josephine Tey’s horse Timber in her novel Brat Farrar – precisely because its character does not conform to this type. In fact, to call this horse unreliable is quite the understatement, and the result is uncanny and effective for this very reason: it subverts all our expectations of how a normally dependable animal should behave. I’ll say no more for fear of spoilers but really, Timber is one of the greatest animals in all of crime fiction.

For unpleasant reasons tangled up in empire and exoticisation, the writers of the nineteenth century in particular preferred to cast more outlandish animals (from a European perspective) in the role of villain. Edgar Allen Poe’s orangutan heads the field, while Conan Doyle weighs in with a whole menagerie, from a lion (or is it?) to a lion’s mane, via baboon, cheetah, snake and mongoose. Today, Leonora Nattrass is the great champion of unlikely animals in her tales of murder, giving us a rhinoceros, a bear cub, a parrot and, most memorably, a sapient hog. But once again, her main protagonist Laurence Jago spends much more time with his most faithful companion – his dog.

Dogs dogs dogs. There’s Agatha Christie’s Dumb Witness –huge letdown, the dog does almost nothing. On the other hand, a canine actually narrates Vee Walker’s recent French-set short story Nice Dog, and solves the mystery to boot: you can hear his tale brought beautifully to life by Paterson Joseph on BBC Sounds. I defy anyone to listen without a broad smile on their face. Besides the aforementioned Toby, we find two of all literature’s most celebrated dogs in Conan Doyle’s Sherlock Holmes stories – the one that didn’t bark in the nighttime, and its nightmare opposite, the Hound of the Baskervilles. Which is where my new novel Helle’s Hound comes in. On one level it’s a deeply irreverent homage, even a rewrite, of Conan Doyle’s Gothic masterpiece. I’ve swapped the rugged marshes of windswept Victorian Dartmoor for the petty politics and fancy restaurants of twenty-first-century Bloomsbury, but all the plot essentials are there, including one very large, very hungry hound: Mortimer, an Irish wolfhound.

But I wanted to do something new with the story. And I kept coming back to those Victorian truisms: that dogs – especially big, brave dogs – are intrinsically and entirely faithful, reliable, a source of friendship and security. The thing is, they sort of are. I return you to paragraph one: dogs can’t be master criminals. But what if there were a way to take those very qualities of dependability, and somehow subvert them? Wouldn’t that be both an interesting challenge, and a deeply disquieting moral for a story? I really, really can’t say any more about where my line of thinking went – except that I promise it’s very much worth your while to find out. You may never look at a dog in quite the same way again.

Helle's Hound by Oskar Jensen (Profile Books Ltd)

A dead art historian. Cold War skulduggery. A reluctant Danish sleuth. And an extremely hungry dog. Dame Charlotte Lazerton - eminent art historian and mentor of Danish academic Torben Helle - is dead. And to make things worse, she was found partially eaten by her Irish wolfhound, Mortimer. While the police believe that she died of natural causes, Torben becomes convinced that Charlotte was murdered, although as usual no one pays any attention to him. That is, until he gains the confidence of a policeman who has watched too many Nordic Noir television shows and is ready to listen to any Scandinavian in a fetching woolly jumper. Aided by his old friend Leyla, Torben soon realises that there are plenty of people who might have wanted Dame Charlotte dead, from her competitors for a prestigious academic presidency to old enemies from her time in intelligence during the Cold War. One thing is for sure: Torben Helle is woefully unqualified to catch a killer, and the killer knows it...

More information about the author can be found on his website. He can also be found on X oskarcoxjensen

Nachtigall, ick hör dir trapsen …

Nightingale, I hear you singing (Saying from Berlin, meaning: I can hear which way the wind is blowing)

Most of the time I can't say exactly how I come up with ideas for my novels, because it's often a lengthy process. But the idea for this series came to me in a rather unusual way, which I’d like to share with you.

Did you know that Berlin is considered the capital city of nightingales, with around 1300-1500 specimen recorded? This queen of the night is an inconspicuous gray-brown bird by day that is difficult to spot in the hedges, but it blossoms by night. A nightingale can sing an average of 180 musical phrases. By way of comparison – the average tit chirps just 6 phrases. In addition, the nightingale learns something new every year, inspired by its surroundings. 

It is often regarded as a symbol of spring, its song is a poetic embodiment of the soul in love, but it is also the harbinger of death. In Oscar Wilde's fairy tale 'The Nightingale and the Rose', the nightingale sacrifices its lifeblood - in the truest sense of the word - for a student in love, showing itself willing to help even in the death. Yet in that story, her death is in vain, and the gift is not appreciated. 

A few years ago, I was in Berlin in the spring, researching my Radio Free Europe novel 'Fräulein Kiss träumt von der Freiheit'. I also visited the Allied Museum in Clayallee, where there was an exhibition on the Berlin Airlift. There were lots of photos of hungry and injured-looking children and portraits of the famous Raisin Bomber pilot Gail Halvorsen. The next day, I had the opportunity to walk through the escape tunnels that were dug shortly after the Wall was built and during the Cold War.

This tour made me realise that what you think you know in theory about this period can become a nightmarish reality. You suddenly realize how powerless people must have felt waking up behind a barbed wire fence that wasn't there the previous evening. How families were amputated and life plans destroyed by an arbitrary division into East and West, across streets, houses and even cemeteries.

All these impressions were simmering away when I took a cab back to my apartment late at night after visiting my son. The driver, a true Berlin eccentric, suddenly stopped on a somewhat dilapidated corner in Wilmersdorf and lowered the windows. I was a little nervous, but then he asked, 'Hear that? The little wonder?' 

Unfortunately, all I could hear was my slightly accelerated pulse. 

He shook his head and explained that he was an amateur ornithologist and that the nightingales of Berlin were his hobby. Then he suggested that I get out of the car and listen more closely. But as a crime writer, you tend to be overcautious, so I politely declined. Grinning broadly, he shrugged his shoulders. “Well then, no,” he said, and drove me to my destination in silence, then sped off. 

I was just taking the key out of my backpack when I heard something. It was rather delicate at first, a chirping, which then gathered incredible momentum and became a beguiling song. Somewhere very close to me, in one of the hedges at the edge of Preussenpark. Fascinated, I paused and listened. 

All the quotes, poems and stories that I’d heard or read about nightingales rushed to mind. And while I stood still, enchanted, the germ of an idea crystallized. I saw a child in front of me, one of those waiting for the Raisin Bomber, a girl who does her utmost to bring her mother a gift. A gift that would lead to a catastrophe that would henceforth cast a shadow over her life. 

Carla was born in that instant, and with the next even louder warbles, her sister, Wallie, the queen of the night, popped up. From the very beginning, they were as real to as the song of that nightingale, they ignited my imagination ... and the result of that is what you’re holding in your hands now.

Nightingale & Co by Charlotte Printz (Corylus Books) Translator (Marina Sofia) out now.

Nightingale & Co is the first in a cosy historical crime series featuring the sisters of the Nightingale & Co detective agency in 1960s Berlin. Since the death of her beloved father, Carla has been running the Nightingale & Co detective agency by herself. It’s a far from easy job for a female investigator. When the chaotic, fun-loving Wallie shows up at the door, claiming to be her half-sister, Carla’s world is turned upside down. Wallie needs Carla – the Berlin Wall has been built overnight, leaving her unable to return to her flat in East Berlin. Carla certainly doesn’t need Wallie, with her secret double life and unorthodox methods for getting results. Yet the mismatched pair must find a way to work together when one of their clients is accused of murdering her husband.

2025 CWA Diamond Dagger awarded to Mick Herron

 Mick Herron Awarded CWA Diamond Dagger

Slow Horses author receives highest accolade in crime writing

Mick Herron is the 2025 recipient of the Crime Writers’ Association (CWA) Diamond Dagger - the highest accolade in the genre.

The award recognises authors whose crime writing careers have been marked by sustained excellence, and who have made a significant contribution to the genre. 

One of the UK’s most prominent societies, the CWA was founded in 1953 by John Creasey; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark. 

Born in Newcastle upon Tyne, Herron studied English Literature at Oxford, where he continues to live. He began writing fiction while working as a sub editor in London.

His first novel, Down Cemetery Road, was published in 2003. This was the start of Herron’s Zoë Boehm series.

In 2008, inspired by world events, he began writing the Slough House series, featuring MI5 agents who have been exiled from the mainstream for various offences. The first novel, Slow Horses, was published in 2010. Some years later, it was hailed by the Daily Telegraph as one of “the twenty greatest spy novels of all time.”

A #1 Sunday Times bestselling author, the Slough House thrillers were adapted into an Apple TV series, starring Oscar-winning actor Gary Oldman as Jackson Lamb, and have been published in twenty-five languages. 

Herron has a long association with the CWA, becoming a member in 2004. Two of his books in the Slough House series have received a Dagger: Dead Lions won the CWA Gold Dagger in 2013, and Spook Street the Ian Fleming Steel Dagger in 2017.

Herron’s Zoë Boehm series is to be adapted into a major TV series starring Emma Thompson and Ruth Wilson. Herron is also the author of the highly acclaimed standalone novels Nobody Walks and The Secret Hours.

Mick Herron said: “I’ve spent the best part of my life – not the majority of it; just the best part – in the crime writers’ community, and to receive this accolade from these friends and colleagues is both a career highlight and a personal joy. I’m touched and thrilled beyond measure, and will try to live up to the honour.”

Vaseem Khan, Chair of the CWA, said: Vaseem Khan, Chair of the CWA, said: “I am delighted that the Diamond Dagger judges have picked Mick as their recipient this year. Few could be more deserving. Mick is the quintessential writers' writer and his Slough House novels have, by general consensus, reinvented the spy thriller, going on to delight millions on the page and onscreen. The Diamond Dagger is a fitting tribute to a writer whose work has become both cultural marker and record of our time.”

Nominations for the CWA Diamond Dagger are recommended by CWA members. Industry experts then narrow these down to a shortlist. The winner is then voted for by a panel of past Diamond Dagger winners.

Recent recipients of the Diamond Dagger include Lynda La Plante, James Lee Burke, Peter James, Walter Mosley, Lee Child, Lawrence Block, Ian Rankin, Michael Connelly, Lindsey Davis, Andrew Taylor, Martina Cole, Ann Cleeves, Val McDermid, Robert Goddard, Martin Edwards, Catherine Aird and Simon Brett. 

Past icons of the genre acknowledged with a Diamond Dagger include Ruth Rendell, PD James, Colin Dexter, Reginald Hill, and John le Carré.

The CWA Daggers are now regarded by the publishing world as the foremost British awards for crime-writing. As the oldest awards in the genre, they have been synonymous with quality crime writing for over half a century.

The Diamond Dagger is presented at the annual CWA Dagger Awards, dubbed the ‘Oscars of the crime genre,’ which take place this year on Thursday, July 3.

Mystery Writers of America - 2025 Edgar Allan Poe Award Nominations

Mystery Writers of America announced the nominees for the 2025 Edgar Allan Poe Awards, honouring the best in mystery fiction, nonfiction and television published or produced in 2024. The 79th Annual Edgar® Awards will be celebrated on May 1, 2025, at the New York Marriott Marquis Times Square.

BEST NOVEL

The Tainted Cup by Robert Jackson Bennett (Penguin Random House – Random House Worlds/Del Rey

Rough Trade by Katrina Carrasco (Farrar, Straus and Giroux – MCD)

Things Don’t Break on Their Own by Sarah Easter Collins (Penguin Random House – Crown)

My Favorite Scar by Nicolás Ferraro (Soho Press – Soho Crime)

The God of the Woods by Liz Moore (Penguin Random House – Riverhead Books)

Listen for the Lie by Amy Tintera (Macmillan Publishers – Celadon Books)

The In Crowd by Charlotte Vassell (Penguin Random House – Doubleday)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

Twice the Trouble by Ash Clifton (Crooked Lane Book

Cold to the Touch by Kerri Hakoda (Crooked Lane Books)

The Mechanics of Memory by Audrey Lee (CamCat Books)

A Jewel in the Crown by David Lewis (Kensington Books – A John Scognamiglio Book)

The President’s Lawyer by Lawrence Robbins (Simon & Schuster – Atria Books)

Holy City by Henry Wise (Grove Atlantic – Atlantic Monthly Press)

BEST PAPERBACK ORIGINAL

The Paris Widow by Kimberly Belle (Harlequin Trade Publishing – Park Row Books)

The Vacancy in Room 10 by Seraphina Nova Glass (Harlequin Trade Publishing – Graydon House)

Shell Games by Bonnie Kistler (HarperCollins – Harper Paperbacks)

A Forgotten Kill by Isabella Maldonado (Amazon Publishing – Thomas & Mercer)

The Road to Heaven by Alexis Stefanovich-Thomson (Dundurn Press Ltd.)

BEST FACT CRIME

Long Haul: Hunting the Highway Serial Killers by Frank Figliuzzi (HarperCollins – Mariner Books)

The Infernal Machine: A True Story of Dynamite, Terror, and the Rise of the Modern Detective by Steven Johnson (Penguin Random House – Crown)

A Devil Went Down to Georgia: Race, Power, Privilege, and the Murder of Lita McClinton by Deb Miller Landau (Pegasus Books – Pegasus Crime)

The Amish Wife: Unraveling the Lies, Secrets, and Conspiracy that Let a Killer Go Free by Gregg Olsen (Amazon Publishing – Thomas & Mercer)

Hell Put to Shame: The 1921 Murder Farm Massacre and the Horror of America's Second Slavery by Earl Swift (HarperCollins – Mariner Books)

The Bishop and the Butterfly: Murder, Politics, and the End of the Jazz Age by Michael Wolraich (Union Square & Co.)

BEST CRITICAL/BIOGRAPHICAL

James Sallis: A Companion to the Mystery Fiction by Nathan Ashman (McFarland Publishing)

American Noir Film: From The Maltese Falcon to Gone Girl by M. Keith Booker (Rowman & Littlefield Publishers)

Organized Crime on Page and Screen: Portrayals in Hit Novels, Films, and Television Shows by David Geherin (McFarland Publishing)

On Edge: Gender and Genre in the Work of Shirley Jackson, Patricia Highsmith, and Leigh Brackett by Ashley Lawson (The Ohio State University Press)

Ian Fleming; The Complete Man by Nicholas Shakespeare (HarperCollins – Harper)

 BEST SHORT STORY

“Cut and Thirst,” Amazon Original Stories by Margaret Atwood (Amazon Publishing)

“Everywhere You Look,” Amazon Original Stories by Liv Constantine (Amazon Publishing)

“Eat My Moose,” Conjunctions: 82, Works & Days by Erika Krouse (Bard College)

“Barriers to Entry,” Amazon Original Stories by Ariel Lawhon (Amazon Publishing)

“The Art of Cruel Embroidery,” Alfred Hitchcock Mystery Magazine – July-August 2024 by Steven Sheil (Dell Magazine)

BEST JUVENILE

The Beanstalk Murder by P.G. Bell (Macmillan Publishers – Feiwel & Friends)

Mystery of Mystic Mountain by Janet Fox (Simon & Schuster BFYR)

Mysteries of Trash and Treasure: The Stolen Key by Margaret Peterson Haddix (HarperCollins – Quill Tree Books)

The Spindle of Fate by Aimee Lim (Macmillan Publishers – Feiwel & Friends)

Find Her by Ginger Reno (Holiday House)

BEST YOUNG ADULT

Looking for Smoke by K.A. Cobell (HarperCollins – Heartdrum)

The Bitter End by Alexa Donne (Random House Books for Young Readers)

A Crane Among Wolves by June Hur (Macmillan Publishers – Feiwel & Friends)

Death at Morning House by Maureen Johnson (HarperCollins Publishers – Harper Teen)

49 Miles Alone by Natalie D. Richards (Sourcebooks – Sourcebooks Fire)

BEST TELEVISION EPISODE TELEPLAY

“Episode Five” – Rebus, Written by Gregory Burke (Viaplay)

“Episode One” – Monsieur Spade, Written by Tom Fontana & Scott Frank (AMC)

“Episode One” – Moonflower Murders, Written by Anthony Horowitz (Masterpiece PBS)

“Mirror” – Murderesses, Written by Wiktor Piatkowski, Joanna Kozłowska, Katarzyna Kaczmarek (Viaplay)

“Episode Two” – The Marlow Murder Club, Written by Robert Thorogood (Masterpiece PBS)

OTHER AWARDS

ROBERT L. FISH MEMORIAL AWARD – 

Endowed by the family of Robert L. Fish.

“The Legend of Penny and the Luck of the Draw Casino,” Ellery Queen Mystery Magazine, May-June 2024 by Pat Gaudet (Dell Magazines)

“Head Start,” Ellery Queen Mystery Magazine, September-October 2024 by Kai Lovelace (Dell Magazines)

“Murder Under Sedation,” Ellery Queen Mystery Magazine, March-April 2024 by Lawrence Ong (Dell Magazines)

“The Jews on Elm Street,” Ellery Queen Mystery Magazine, September-October 2024 by Anna Stolley Persky (Dell Magazines)

“Sparrow Maker,” Ellery Queen Mystery Magazine, November-December 2024 by Jake Stein (Dell Magazines)

THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD – 

Presented on behalf of Simon & Schuster.

The Rose Arbor by Rhys Bowen (Amazon Publishing – Lake Union)

The Serial Killer Guide to San Francisco by Michelle Chouinard (Macmillan Publishers – Minotaur Books)

The Mystery Writer by Sulari Gentill (Sourcebooks – Poisoned Pen Press)

Return to Wyldcliffe Heights by Carol Goodman (HarperCollins – William Morrow Paperbacks)

Death in the Details by Katie Tietjen (Crooked Lane Books)

THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD – 

Presented on behalf of G.P. Putnam’s Sons.

Disturbing the Dead by Kelley Armstrong (Macmillan Publishers – Minotaur Books)

A Game of Lies by Clare Mackintosh (Sourcebooks – Sourcebooks Landmark)

Proof by Beverly McLachlin (Simon & Schuster Canada – Simon & Schuster)

A World of Hurt by Mindy Mejia (Grove Atlantic – Atlantic Monthly Press)

All the Way Gone by Joanna Schaffhausen (Macmillan Publishers – Minotaur Books)

The Comfort of Ghosts by Jacqueline Winspear (Soho Press – Soho Crime)

 

THE LILIAN JACKSON BRAUN MEMORIAL AWARD –

 Endowed by the estate of Lilian Jackson Braun.

The Murders in Great Diddling by Katarina Bivald (Sourcebooks – Poisoned Pen Press)

Death and Fromage by Ian Moore (Sourcebooks – Poisoned Pen Press)

Booked for Murder by P.J. Nelson (Macmillan Publishers – Minotaur Books)

Murder on Devil’s Pond by Ayla Rose (Crooked Lane Books)

The Treasure Hunters Club by Tom Ryan (Grove Atlantic – Atlantic Monthly Press)

 

Icon of Genre Announced for Final CrimeFest

 CrimeFest has announced an icon of the genre, Lee Child, will take part in its final convention in May 2025.

One of the UK’s leading crime fiction conventions, which is hosted in Bristol supported by title sponsor Specsavers, CrimeFest announced 2025 will be its final event after 16 years.

Organisers have said they are putting all their energy into making the final event one to remember.

The celebratory finale features a record number of Diamond Dagger recipients in attendance.

Alongside Lee, fellow Diamond Dagger recipients confirmed are Peter Lovesey, Simon Brett, Lindsey Davis, Martin Edwards, and John Harvey, as well as in spirit, John le Carré (with his two sons) and Dick Francis (as represented by his son, the crime writer Felix Francis). 

Le Carré’s sons are the film producer Simon Cornwell, who is behind adaptations of his father’s work, including The Night Manager for the BBC starring Tom Hiddleston and Olivia Colman; and Nick Harkaway who, to much acclaim, recently brought back his father’s famous literary creation, George Smiley, with his novel, Karla’s Choice.

John Harvey has written over 100 books, including his series of jazz-influenced Charlie Resnick novels. Harvey has a number of short stories due for publication this year, including his story Criss-Cross in Playing Dead, a new collection of stories written by members of the Detection Club, edited by Martin Edwards, and published in March. Also out in March is his new poetry collection, Blue in Green, published by Shoestring Press.

Also confirmed is the Icelandic author known as the Queen of Nordic thrillers, Yrsa Sigurdardottir, who is also a regular face at CrimeFest and will return to help celebrate CrimeFest’s sixteen years.

Also attending is the award-winning author Barbara Nadel, author of the much-loved Inspector Cetin Ikmen series, adapted for TV as The Turkish Detective starring Haluk Bilginer, which aired on BBC2 in June 2024. Trained as an actress, Barbara Nadel used to work in mental health services. She now writes full time and has been a visitor to Turkey for over twenty years. The latest in her Cetin Ikmen series, The Wooden Library, is out in May. She also has a new title in her Hakim and Arnold series, The East Ham Golem, out this February.

Adrian Muller, co-host of CrimeFest, said: “Lee Child, alongside American author Jeffery Deaver, has played a very special role in our history. Both were special guests at our very first CrimeFest, they were there for our fifth anniversary, and for our tenth anniversary. Jeffery has prior commitments; however, we’re working on him participating in CrimeFest remotely, and we're thrilled Lee will be there in person to help celebrate our final year.”

The Jack Reacher creator, whose books have been adapted to the big and small screen by Tom Cruise and for Amazon Prime, will attend with his brother and co-writer, Andrew, who has taken over writing the series. 

Lee Child said: "Sadly all good things come to an end - and Adrian Muller's Bristol CrimeFest is one of the very best things ever. It is a warm, friendly, relaxed, and inclusive festival, hugely enjoyable for authors and readers alike. Myles, Liz, Donna and Adrian, their team of volunteers - and Dame Mary from Specsavers - have my sincere thanks for many delightful weekends over the years."

Already announced for the long-weekend [15 – 18 May] at Bristol’s Mercure Grand Hotel is the author and CWA chair, Vaseem Khan, who will be Toastmaster at the CrimeFest Awards night. Vaseem is author of the Malabar House historical crime series set in Bombay. Upcoming is his continuation of the James Bond franchise with Quantum of Menace, the first in a series featuring Q.

2025 also welcomes the return of author Cathy Ace, who will close the Gala Dinner event. Cathy's Cait Morgan Mysteries have been optioned for TV by the production company, Free@Last TV, which is behind the hit series, Agatha Raisin.

CrimeFest was created following the hugely successful one-off visit to Bristol in 2006 of the American Left Coast Crime convention, and CrimeFest runs on the US model. The first CrimeFest was organised in June 2008. 

Unlike other major crime fiction events in the UK, any commercially published author who signs up can feature on a panel. In this way, CrimeFest has provided many authors with a platform they would not have been offered elsewhere in the UK. 

Donna Moore, author and co-host of CrimeFest, said: “We’re proud to be a unique and perhaps the most democratic crime fiction event in the UK. Readers have discovered and met writers they otherwise may never have heard of. All delegates – be they authors, readers, from the book trade, or aspiring writers – come together as equals to celebrate the genre they love. We very much appreciate the talent and ongoing support of much-loved regulars, along with first-time attendees.”

The convention also continues its Community Outreach Programme. In partnership with the independent Max Minerva’s Bookshop and participating publishers, CrimeFest gifts thousands of pounds of crime fiction books for children and young adults to school libraries.

With thanks to Specsavers, librarians, students, and those on benefits are offered significantly discounted tickets.

To find out more, or to book your spot as a delegate, go to: https://www.crimefest.com/