Thursday, 6 March 2025

Courtroom Theatrics by Guy Morpuss

The actor Philip Glenister (Life on Mars and Mad Dogs) advised his daughter: ‘If you want to be an actor and earn some money, become a barrister.

With the state of legal aid, most criminal barristers would question the wisdom of that advice. It does however highlight the close links between acting and the law. Many barristers would like to make the opposite journey and be treading the boards in the West End.

A trial is rather like a play. We wear our costumes. We perform to the audience. And on a good day no one gets murdered.

That is the tag line for my new novel, A Trial in Three Acts, where the worlds of the theatre and law collide. An actress is murdered live on stage, her head chopped off with a guillotine. Suspicion falls on all cast members, but it is her ex-husband, Hollywood superstar Leo Lusk, who is charged with her murder. At his Old Bailey trial, he is defended by English barrister Charles Konig KC, and New York trial lawyer Yara Ortiz. They realise that the clues to the murder lie in the play itself, and that to save their client they need to identify the real murderer.

When, more than thirty years ago, I started out as a barrister, I thought that winning cases was about persuading the judge that you were right on the law. Over time, and particularly after I became a KC, I began to realise that the law has very little to do with the outcome of most trials. In truth barristers win cases by telling the judge a better story than the other side. Every trial is a one-off performance for an audience of one. Judges are human, and you win by showing the judge why they should want to decide in your client’s favour. To borrow from the US legal philosopher Jerome Frank, laws are merely the formal clothes in which judges dress up their decisions.

So, to be a good barrister you need to be a good actor: to be able to put on a performance, to convince the judge that you believe that your client is in the right.

Of course, there are differences between the stage and the courtroom. As barristers we cannot make things up; we have to work with the facts that we are given. And unlike theatre, there is no script. A trial is an improv performance where the underlying material is constantly changing. It is a play where your fellow ‘cast members’ (the witnesses, the judge, your own client) can suddenly start wandering off in unexpected directions or making up their own lines. I have seen trials lost with a single bad answer in cross-examination.

It was a film adaptation of an Agatha Christie play that inspired me to become a barrister: Witness for the Prosecution, starring Charles Loughton and Marlene Dietrich. I remember being transfixed by the skill with which Loughton, as the defence QC, held centre-stage in court, moulding the jury to his will. I wanted to do the same. Little did I realise that it was Loughton who was actually being manipulated by Dietrich.

An excellent new production of the play in London has blurred the lines between theatre and law. It is set as though in a courtroom, and members of the audience get to sit in the jury box and decide the fate of the accused. It is very cleverly done.

In writing A Trial in Three Acts I have tried to achieve a similar blurring of the lines between theatre and courtroom: my homage to the Queen of Crime. And like Christie, I have provided readers will all the same clues as are available to Charles Konig KC – buried, of course, amongst a multitude of red herrings. The book contains a number of scenes from the play in which the murder takes place. Study these scenes carefully, and you may spot the solution.

I will provide one further clue. Charles Konig KC solves the crime not by identifying the murderer, but by working out how the murder was carried out. Readers can do the same.

Happy hunting. Break a leg.

A Trial in Three Acts by Guy Morpuss (Viper Books) Out Now

A trial is rather like a play. We wear our costumes. We perform to the audience. And on a good day no-one gets murdered. Six nights a week the cast of the smash-hit play Daughter of the Revolution performs to a sold-out audience. A thrilling story of forbidden marriage and a secret love child, the critics say it'll run for years. That is until one night the third act ends not in applause but in death, when leading lady Alexandra Dyce is beheaded live on stage. Every cast member has a motive, but it is the dead woman's co-star - and ex-husband - Hollywood legend Leo Lusk who is charged with the crime. When defence barrister Charles Konig is brought in last minute, he knows this ought to be the case of a lifetime. But Charles would rather be on his holiday trekking up K2, and he isn't interested in celebrities, especially ones that seem to be mysteriously trying to derail their own defence. But as he and his co-counsel New York lawyer Yara Ortiz sift through the evidence, it becomes clear that clues may lie in the play itself. And that Charles's only chance of victory is to identify the real murderer...

More information about the author and his books can be found on his website.  He can also be found on 'X' @guymorpuss.


Wednesday, 5 March 2025

2025 ITW Thriller Award Nominees

Congratulations the finalists of the 2025 ITW Thriller Awards have been announced.

BEST STANDALONE THRILLER NOVEL

The Paris Widow by Kimberly S. Belle

The Chamber by Will Dean

Worst Case Scenario by L.J. Newman, 

The Last One at the Wedding by Jason Rekulak, 

The Truth about the Devlins by Lisa Scottoline, 

BEST STANDALONE MYSTERY NOVEL

Negative Girl by Libby Cudmore, 

The Night We lost Him by Laura Dave

Missing White Woman by Kellye Garrett, 

The Life and Death of Rose Doucette by Harry Hunsicker, 

What Happened to Nina? by Dervla McTiernan, 

Lake County by Lori Roy

BEST SERIES NOVEL

To Die For by David Baldacci, 

The Last Few Miles of the Road by Eric Beetner, 

The Dark Wives by Ann Cleeves, 

Shadowheart by Meg Gardiner, 

Flashback by Iris Johansen and Roy Johansen, 

A Forgotten Kill by Isabella Maldonado, 

BEST FIRST NOVEL 

Rabbit Hole by Kate Brody, 

After Image by Jaime deBlanc, 

The Astrology House by Carinn Jade,

Blood in the Cut by Alejandro Nodarse, 

Deadly Animals by Marie Tierney

BEST AUDIOBOOK 

Darling Girls by Sally Hepworth, Narrated by Jessica Clarke

Hollywood Hustle by Jon Lindstrom, Narrated by Jon Lindstrom

No One Can Know by Kate Alice Marshall, Narrated by Karissa Vacker

Beyond All Doubt by Hilton Reed, Narrated by George Newbern

Listeen for the Lie by Amy Tintera, Narrated by January LaVoy and Will Damron

BEST YOUNG ADULT NOVEL

Influencer by Adam Cesare, 

The Other Lola by Ripley Jones, 

Darkly by Marisha Pessl, 

49 Miles Alone by Natalie D. Richards, 

Girls Like Her by Melanie Sumrow, 

BEST SHORT STORY 

Not a Dinner Party Person by Stefanie Leder, 

Double Parked by Twist Phelan, 

Jackrabbit Skin by Ivy Pochoda, 

The Doll's House by Lisa Unger, 

And Now, an Inspiring Story of Tragedy Overcome by Joseph S. Walker,

Congratulations t all the nominated authors - Winners will be announced at ThrillerFest XX on Saturday, June 21, 2025 at the New York Hilton Midtown, New York City. 



Tuesday, 4 March 2025

CFP Neo-Victorian Criminalities, Detection, and Punishment


CFP Neo-Victorian Criminalities, Detection, 

and Punishment

University of Wolverhampton, 23rd-24th June 2025

Keynote speakers: Professor Claire Nally, Lee Jackson, and Nat Reeve

Organisers: Dr Helen Davies, University of Wolverhampton, and Dr Maria Isabel Romero-Ruiz, University of Malaga

The contemporary fascination with Victorian criminalities and the popularity of the detection genre within Neo-Victorianism necessitates close critical attention. In particular, neo-Victorian literary and visual representations of criminals, murderers, serial killers, etc. as well as of sleuths raises ethical issues connected with the avidity of audiences for sensation and drama.

The neo-Victorian city becomes the scenario both of petty crimes and dreadful killings that are shaped by current perceptions of the Victorians and our own cultural context. The city is the place where identities become changeable, and choices can have deadly consequences. In this context, the question of ethics comes to the fore as revealing the identity of criminals and victims and dealing with issues connected with the dark side of society can be questionable and exploitative, especially when discussing the Victorian past.

At the same time, we need to explore the intersection of crime and detective fiction in connection with gender, ethnicity, class and disability, together with the LGTBQI+ community; certain groups were more likely to be criminalised in the Victorian era, with a troubling legacy in terms of contemporary social and cultural attitudes. Therefore, establishing the boundaries between historical crime and fictional crime and identity politics in neo-Victorianism become essential in the representation of both criminals and victims as well as sleuths in popular genres such as crime fiction and detection.

This event will run over two days, with public engagement events on 24th featuring Lee Jackson and Nat Reeve.

We invite contributions that include but are not limited to the following topics in relation to Neo-Victorian representations of crime:

-Historical crime versus fictional crime

-Neo-Victorian sensationalism and detection

-The aesthetics and ethics of crime 

-Detection, crime and identity politics

-Gender and detection

-Crime and ethnicity

-Crime and class 

-Crime and Disability

-LBTBQI+ sleuth identities

-LBTBQI+ criminals and victims

-Neo-Victorian remediations of past crimes

Please send a c. 250 word abstract for 20 min papers and c. 100 word biography toneovictoriancrimes@gmail.com by 14th March 2025.



Monday, 3 March 2025

March Books from Bookouture

Meet Ally McKinley: dog lover, guesthouse owner and accidental detective, as she tackles her next case in the beautiful Scottish Highlands! Recent retiree Ally McKinley has stepped out with her puppy Flora for a walk by the loch in the tiny village of Locharran, taking a break from running the cosiest little guesthouse in the Highlands. But Ally’s peace and quiet is sunk when she and Flora find the body of a mysterious woman floating in the water… Before she knows it, Ally finds herself wading into the middle of a new investigation. Who was the mystery woman and why was she killed? Her enquiries take her all over the village: from the corner shop and the nearby hotel to the turreted castle, home of local earl Hamish Sinclair where preparations are underway for his upcoming – and much gossiped about – wedding. The body in the loch soon has the rumour mills buzzing. But then Elena, the earl’s new bride, is also found poisoned to death the morning after her marriage! With two deaths to investigate, the police appear to suspect almost everyone in Locharran, even Ally herself… Determined to uncover the truth and clear her name, Ally finds poison at the home of one of her suspects and thinks she might be on the right path to solving both murders. But with a killer on the loose in the Scottish Highlands, can Ally unravel the clues before the next person in a watery grave is her? Murder at the Loch is by Dee MacDonald.

I can see her through the glass door. She’s smaller in real life than I expected. She looks the exact opposite of the type of woman that might murder her husband.  Everyone’s heard of Simone Fischer. The young mother accused of killing her husband in cold blood, one sunny afternoon, while their son played in the room next door. So when journalist Esme secures an exclusive interview with her it feels like the opportunity of a lifetime. Simone has remained silent since her husband’s death but after a decade in prison, she is willing to talk to Esme. And Esme, recently freed from her own toxic marriage, is confident she can get Simone to open up.  At their first meeting, when Esme sees Simone sitting across the table from her in jeans and a lemon tunic top, she is stuck by her ordinariness. Then Simone begins to tell her story of an abusive relationship where she was a prisoner in her own home, and Esme decides that the truth needs to come out.  But not everyone is pleased that Esme is telling Simone’s story. And when Esme’s beloved sister is left for dead in a nearby wood, Esme’s life begins to unravel. Forced to question what Simone has told her, she can’t help but wonder if murder was the only way out of Simone’s marriage. Why has it taken Simone so long to tell the world the truth? And will the consequences be devastating for Esme?  The Evidence is by K L Slater.

Make Yourself at Home is by Wendy Clarke. ‘You don’t really know your husband,’ my sister-in-law whispers, and a chill runs down my spine. ‘Can you really trust the man you married?’ Gary and I have always been happy. Our fridge is covered in the love notes I leave him every morning, we always start the day on the doorstep with a goodbye kiss, and I make sure we never, ever fight. But since Gary’s sister Lisa moved in, things have been different… The day Lisa arrived at the school where I work, asking for help, I knew we had to welcome her into our home. Gary hasn’t spoken to his parents in years, and his childhood was far from perfect. But now every time Lisa enters a room, I watch him sneak out the door. He’s no longer home for dinners, spending longer hours at the office. It’s me who’s chatting to Lisa all night as we cook. Learning more and more about the family Gary told me nothing about. And then I spot them through the front window on my way home from work. Arguing. Shouting. Gary thrusts an envelope into Lisa’s hand. He looks nothing like the man I love. Lisa won’t tell me what’s going on, but she whispers to me that I shouldn’t trust the man I married. When I met Gary, I thought I was finally safe. But Lisa’s arrival in Victoria Avenue is forcing my husband’s secrets to surface. She thinks I’m innocent, that my own past is picture-perfect, but she has no idea how far I’ll go to protect the ones I love.

A Village Murder is by Katie Gayle. There’s nothing quite like a night at the theatre. But Julia Bird is expecting a night of sweeping drama, not an onstage murder! At the end of Berrywick’s amateur theatre’s latest production, a shot rings out amongst the rapturous applause. But when Julia Bird peeks through the curtain, she sees lead actor Graham is lying still on the stage, his co-actor Oscar looking down at his prop gun in shock. She knows that Graham has been murdered, but with nearly everyone in the village helping with the play, anyone could have tampered with the props. And why was a beloved family man the target? Graham’s wife Jane collapses in a puddle of tears as Oscar is comforted and led away from the stage. But days later when Julia spots prim and proper Jane kissing Oscar, she wonders if the grieving widow’s tears were fake. Graham served Jane divorce papers the day of the tragedy – was he killed before he could spill the beans on his wife’s affair, and sully her perfect reputation? Meanwhile, the aptly named director, Roger Grave, wants the show to go on. The play is up for a local award, and this might just be Roger’s big break. But when failed actor Hector is not assigned the lead role he assumed he’d get, the mood among the cast quickly turns sour. Could Hector have killed Graham out of jealously for the leading role, Julia wonders? Then another member of the crew is found dead and Julia discovers there’s a dark secret at the heart of Berrywick’s local theatre society. But who would kill to protect it? Can Julia find the murderer before it’s curtains for another victim?

The first lie got him in trouble. Our romantic date night was meant to fix us. But when my husband grabs my hand and says he needs to tell me something, I can tell from the look in his eyes that our marriage is in deep trouble. The second lie ruined our marriage. We’ve been here before. I wonder who she is. Is she younger than me? For a moment I wonder if I’ll forgive him. But I always do. It’s the only way to keep our family together.  But before I can say anything, my daughter calls, terrified. “Mom, I need you to come home. Please!” The third lie could get someone killed. Flashing police cars light up the nightmare that’s unfolding in my beautiful home. Blood is found in our garage and in an instant, I know what my husband has done.  I hold my children close as our perfect life shatters before my eyes. But as he is dragged away from us in handcuffs, something snaps inside of me. I’ve stopped at nothing to get the life we have. And even if my husband is a killer, I will do whatever it takes to keep my family together. Three Little Lies is by Danielle Stewart

Then She Vanished is by Carla Kovach. It’s dark as the young woman leaves work. Crossing the empty car park alone, she thinks about the warmth of her little house. But she doesn’t make it home that night. Or ever again… Thirty years ago, Ruth Pritchard’s sixteen-year-old daughter, Elissa, went missing. Police were called, neighbours were interviewed, and even Ruth’s own husband was investigated, but the case went unsolved. Elissa disappeared forever. Now, Ruth watches the local news and hears about another girl gone from the same streets where her beloved daughter was last seen, and her heart races. A distinctive red scarf was found at a crime scene, and she recognises it instantly. It belonged to Elissa. After Ruth alerts the police, they rush to speak to her, but nobody answers the door. Her small home stands eerily quiet. Just like her daughter before her, Ruth has vanished into thin air. Friends say that Ruth suspected someone close to home took Elissa. Others say she never trusted her husband again after he was questioned by police. Did she finally discover the truth behind her daughter’s disappearance? And will her friends and family ever see her again?

Fear prickles her skin. “Noah?” Photos and trinkets from their simple but perfect life together litter the carpet. The coffee table is cracked, blood along its edges. She should be taking in details, but her heart is racing too fast. A strangled cry works its way from Josie’s chest. Where is her husband? Detective Josie Quinn’s world shatters when she returns home to find her house ransacked, and her husband, Noah, missing. When she kissed him goodbye hours earlier, called to the discovery of a woman’s body at a protest, they were putting the finishing touches to a nursery for their first adopted child. But now the house is empty, Noah’s bloodied handprints trailing the walls. Every fiber of Josie’s being screams to investigate. But her team warn her to keep her distance as they follow a connection to a recent robbery in Denton. But Josie can’t quiet the voice telling her the handprints Noah left are leading her somewhere, and the trail ends at an upturned box of her long-dead abusive mother’s possessions: faded photos, jewelry, a lock of hair, and a few old newspaper clippings. Beside herself with worry for Noah, and unexpectedly confronted by the trauma of her past, Josie throws herself into work. The woman’s body found during a demonstration outside a children’s hospital belongs to Gina Phelan, daughter of the powerful and influential Phelan family. Trawling the CCTV is a welcome distraction, but everything changes the moment fingerprints from the knife that wounded Gina match to prints found in Josie’s own home. Her head spinning as the two cases collide, Josie’s only option is to delve into the life of the monster who terrorized her as a child. The key to everything is hidden in the box of her mother’s mementoes. But is Josie strong enough and fast enough to find it in time? And at what devastating cost to those she loves most? Husband Missing is by Lisa Regan 

Fear For Her Life is by D K Hood. She stumbles over knotted roots as she races through the dark, unforgiving forest. Her legs ache and her teeth chatter from the biting cold. She hears a branch snap behind her. Her worst nightmare is about to begin. They have found her… As Sheriff Jenna Alton and her deputy David Kane rush into the remote pine forest surrounding Black Rock Falls, Jenna’s pulse races when she sees the glint of metal behind a line of trees: a prison bus, the lifeless body of its driver slumped over the steering wheel, and its four prisoners escaped into the wilderness… Jenna’s heart pounds at the thought of the violent murders each of the fugitives committed, among them the The Ice Pick Killer who drove women to remote locations before taking their innocent young lives. And worse, female warden, Amy Clark, is missing from the bus. Amy is new to the job, and her family have been calling for news on the lost van for hours. Jenna scans the acres of dangerous woodland around her, vowing to search every inch to bring Amy back to her family. Nearby gunshots put Jenna on the killers’ trail, but as she descends on a small cabin, it’s clear from the deadly silence that the men have already moved on, leaving behind the body of an innocent old man. Jenna screams his granddaughter’s name into the woodland. But Serena has vanished, just like Amy. As night draws in, Jenna fears the murderers are on a direct path toward Black Rock Falls, and she dreads to think what could happen if they made it to the quiet small town. Pushed to her limit chasing four twisted killers, will she catch them in time to save the lives of the two missing girls?

I look at the wedding photo on the wall and my heart freezes as I recognise the groom. I spent the night with him, just a few days ago. I had no idea he was married. And now he is dead… I feel my new friend Harper’s eyes on me as I try and make myself comfortable in her living room while our little boys play together. But when she leaves the room to get cupcakes out of the oven, I let out the breath I’ve been holding. Does Harper know who I am? That I’m the woman who spent the night with her husband? The last person to see him alive? She was so excited to invite me and my son Dex over. I thought it was because of our boys. But now I wonder… How much does she know about me and my past? How long have I been in her sights? And did she plan for me to meet her husband, the night he was murdered? The Last One to See Him is by Kathryn Croft.

The Secret Detective Agency is by Helena Dixon. Meet Miss Jane Treen – the coffee-drinking cat lover dressed head to toe in tweed, who just happens to be a secret super sleuth! London, 1941: Miss Jane Treen is at her desk, strong black coffee in hand and fluffy ginger cat by her side, when her top-secret government work is interrupted by an urgent call to Devon. A woman has been found dead in a lake in a place where she shouldn’t have been. Jane needs to gather the clues and find the killer before someone else from the agency gets hurt… Shy and handsome code-breaker Arthur Cilento is bewildered by the arrival of the efficient Miss Treen and her cat Marmaduke. She bursts into his life unexpectedly, forcing him out of his comfort zone. The reluctant colleagues huddle near the warmth of a crackling fire in Arthur's country home, working to piece together the murderous puzzle at hand. In the sleepy Devon village, someone is hiding something: but is it the busybody vicar and his sister, the dutiful housekeeper and her secretive son, the stern librarian, or someone else altogether? And who were the people with the woman in the lake on the day she died? No sooner have Arthur and Jane have drawn up a list of suspects, than a parcel reveals a clue that sends them in hot pursuit of a coded diary stashed in a village church. But as the heavy wooden door slams behind them and a key turns in the lock, one thing is sure: they need to unravel the truth and crack this code before the killer decides their number is up… But if they can catch the culprit in time, might this unusual pair become the finest crime-solving partnership since Holmes and Watson hung up their hats…?

My Husband's Mistress is by Willow Rose. Should I believe the woman who ruined my life, or protect the husband who’s already betrayed me? I walk past rows of immaculate white roses into the Kane family’s picture-perfect home, thinking that I’d never guess what’s happened behind closed doors. The woman standing with my colleagues in handcuffs looks so innocent in her blue, silk dress. But they say she’s killed her husband. When I see her face, I recognise her immediately. She’s my own husband Bradley’s mistress… She was found beside the body with blood on her hands. But in a quiet voice, with tears streaming down her face, she says Bradley was the one who did it. A chill goes down my spine. I’ve hated this woman since the day I saw her through the window of that little Parisian restaurant, holding hands with Bradley. I know my husband wouldn’t kill anyone. He’s a good father, a respected lawyer… But then, I never thought he’d have an affair. She mustn’t share her theories with anyone else. As the cop working the case, I need to make her trust me, and only me. Because she and Bradley thought they could lie to me. But one of them is a murderer. And they have no idea how far I’ll go to keep my children safe…

A Recipe for Murder is by Verity Bright. Cream cakes, cucumber sandwiches, apple tarts and… poison? Lady Swift is trying to plan the menu for her wedding, until murder strikes in kitchens across the village! Lady Eleanor Swift’s marriage to dashing Chief Inspector Hugh Seldon is just days away. There’s a lot to organise from the dress to the catering, including, of course, the all-important wedding cake. But Eleanor is heartbroken when their chef, apple-cheeked Annie Tibetts, dies of poisoning. And as the doctor confirms her death wasn’t an accident, accusations fly around the whole community. With more of the village struck down by the poison, Eleanor must unmask a killer who seems intent on spreading chaos amongst her nearest and dearest. Everyone is accusing their neighbour… and Eleanor is in a pickle as the seating plans for the wedding fall apart. But she soon has bigger fish to fry when the source of the poison is traced to a trusted establishment in town. Eleanor is certain they are being framed and that sabotage is afoot… And when a sample of poisoned wedding cake is delivered anonymously to Hugh working at his station miles away in Oxford, Eleanor realises that while she has been planning for the future, her past has been catching up with her. Eleanor must race across the countryside to save her love from certain death. Can Eleanor find the proof in the pudding and save Hugh in time? And will the poisoner finally get their just desserts?