Today's guest blogger is Ethan Cross whose debut novel The Shepherd is published today. Ethan talks about his love of writing stories, his book The Shepherd and getting published.Telling stories on a grand scale has been my dream for as long as I can remember. When a fireman or a policeman would come visit my school, most of my classmates’ heads would swim with aspirations of growing up and catching bad guys or saving someone from a blazing inferno. When these moments came for me, however, my dreams weren’t to someday be a cop or put out fires; I just wanted to make a movie or write a book about it. And my dream has come to fruition with the release of my first novel,
The Shepherd.
But to what can I attribute my undying love of stories?
It started as early as I can remember. I wasn’t an only child, but since my three sisters are so much older than I am, it felt that way growing up. I’ve always been an introvert and my favorite pastime as a young boy was playing pretend with my action figures and my imaginary friends (as my parents called them). But I’m not sure if they were truly the imaginary friends that we traditionally think of. I say this because they were more like characters in my own little movies. At the time, it was a boy playing with his imaginary friends, but I still do basically the same thing as an adult, only my imaginary friends find life on the pages of my books.
I’ve also been an enormous fan of movies since I was very young. How many ten-year-olds do you know that had a calendar hanging on their wall marking the release dates of every major Hollywood production? I would convince my parents to take me to sometimes two or three movies in a single weekend. We would often hit the 4:30 matinee at the theater, walk out, and drive straight over to get a good spot at the drive-in or turn around and walk back into a 7:00 o’clock showing at the same theater. In high school, I would rent a couple of movies every night from our local video store, although I did still find time to date, sing and play guitar in a rock band, play sports, and serve as our senior class president and valedictorian.
Not much has changed since then; my wife and I still take in a movie every weekend. Shortly after college, I also discovered a great love for reading, sometimes consuming three to four books a week. For me, movies and books have always been and always will be magical experiences.
Today’s guest blog is by Ethan Cross whose debut novel The Shepherd has just been released in the UK today. Ethan talks about why he has always wanted to write stories, his road to writing The Shepherd and getting it published.
Telling stories on a grand scale has been my dream for as long as I can remember. When a fireman or a policeman would come visit my school, most of my classmates’ heads would swim with aspirations of growing up and catching bad guys or saving someone from a blazing inferno. When these moments came for me, however, my dreams weren’t to someday be a cop or put out fires; I just wanted to make a movie or write a book about it. And my dream has come to fruition with the release of my first novel, The Shepherd.
But to what can I attribute my undying love of stories?
It started as early as I can remember. I wasn’t an only child, but since my three sisters are so much older than I am, it felt that way growing up. I’ve always been an introvert and my favorite pastime as a young boy was playing pretend with my action figures and my imaginary friends (as my parents called them). But I’m not sure if they were truly the imaginary friends that we traditionally think of. I say this because they were more like characters in my own little movies. At the time, it was a boy playing with his imaginary friends, but I still do basically the same thing as an adult, only my imaginary friends find life on the pages of my books.
I’ve also been an enormous fan of movies since I was very young. How many ten-year-olds do you know that had a calendar hanging on their wall marking the release dates of every major Hollywood production? I would convince my parents to take me to sometimes two or three movies in a single weekend. We would often hit the 4:30 matinee at the theater, walk out, and drive straight over to get a good spot at the drive-in or turn around and walk back into a 7:00 o’clock showing at the same theater. In high school, I would rent a couple of movies every night from our local video store, although I did still find time to date, sing and play guitar in a rock band, play sports, and serve as our senior class president and valedictorian.
Not much has changed since then; my wife and I still take in a movie every weekend. Shortly after college, I also discovered a great love for reading, sometimes consuming three to four books a week. For me, movies and books have always been and always will be magical experiences.
The original idea for The Shepherd started out years ago as a short 40-page story written for a college English class. I was watching a movie called Frailty (great movie, by the way), and it got me interested in the idea of turning the tables on who we saw as the villain and the "good guy". The short story asked the question, "Do the ends justify the means?" and dealt with the abuse of power. The serial killer in the short story (the character that later evolved into Ackerman) was actually not a character at all, since the story centered upon the finding of the killer's dead body. I originally intended to use the short story as a starting point for the novel, but the book took me in such different directions that there is basically nothing recognizable left from the short story. The class was a senior level English course, and I handed in the story on one of the last days before graduation. On the following day, the teacher asked me to stay after class and urged me not to stop writing. Her words meant a lot and really stuck with me.
But when I laid out the roadmap for the book version of The Shepherd, I didn’t just want to write a standard serial killer or murder mystery novel. I wanted to do something a little different. Without quoting another blurb or running through the standard book description, I would say that my goal with The Shepherd was to write a book that I would want to read. And I love books that are fast-paced with a lot of action. I tried to take the serial killer genre but put a slightly different spin on it (and the book also revolves around a larger conspiracy in which the killer plays a part). There are a lot of books out there that feature the hunt for serial killers; after all, these men are like aliens among us. They think and act in ways that most of us cannot begin to comprehend, which in turn makes them fascinating. But while most novels of this type take the police procedural approach and the following of clues to find the killer (and my book does have some of this), The Shepherd is designed to get the reader into the killer’s head and make them wonder how the other characters are going to escape. In other words, it’s not a “follow the clues to unmask the killer” type of book. It’s more a “oh my God, he’s in the next room…and he’s got a shotgun” type of book.
As I said, I’ve always had a deep love of stories and knew that’s what I wanted to do with my life. I had written a partially-finished screenplay in High School, and at one time in my life, I had considered moving to California and attempting to break into the film industry. But I knew that was an uphill battle, and much of my time was being consumed by another dream: music. While reaching for that dream, I was able to play all over the Midwest, record a few CDs, and open for national recording artists as a lead singer and guitar player. But I never gave up on my dream of telling stories, and I continued to develop the ideas in my head.
Up to this point, I had never been a truly big book reader, but then a friend introduced me to a series of Star Wars books that picks up where the original movies left off. I had always been a Star Wars fan, so I decided to give the books a shot. I loved them, but I also discovered a love for books. It wasn’t long before I was reading everything from suspense thrillers to action and adventure. I had always considered writing a novel, but it was at this point that I knew that was what I wanted to do. So I began development on The Shepherd, and after more work than I could’ve possibly imagined, I finished a first draft. However, the book was far from finished.
After doing a lot of research and knowing that I couldn’t get my book published without an agent, I decided to attend a writer’s conference in New York City called Thrillerfest. It included a period of time where you were able to pitch your novel to a group of agents, but you only had three minutes with each. I did well during my pitches and generated interest from all but a couple of the agents with whom I spoke. However, during Thrillerfest, I also attended three days of classes taught by some of biggest authors in the world. It was at this point that I realized my book wasn’t ready for primetime, and I still had a lot of work ahead of me. I also made a lot of new friends and contacts within the publishing industry, and one of them referred me onto a man named Lou Aronica.
The funny thing is that Lou had been the head of several of the big publishing houses, and while heading Bantam Spectra, he was the guy that came up with the idea of having Star Wars books (the same books that got me into reading). It all felt very serendipitous, so I began working with Lou to take my work to the next level. But Lou wasn’t finished with me yet. He also loved my book so much that he referred me onto my agent, Danny Baror—a man who represents some of the biggest authors in the world. Then, a few months later, Lou contacted me about a new undertaking. He had decided to start a new publishing imprint that was going to be invitation only. He asked if I would want to be one of the first authors to be published under this new imprint. I was, of course, excited to continue working with Lou and accepted.
Since then, the book has become an international bestseller described as “Silence of the Lambs meets the Bourne Identity” and “A fast paced, all-too-real thriller with a villain right out of James Patterson and Criminal Minds.” I’ve also signed on with Random House in the UK and have deals in other countries as well including Germany, Italy, Russia, Bulgaria, and Turkey.
Pan Macmillan Publishing Director, Wayne Brookes has acquired two brand new psychological thrillers by Hilary Bonner from Tony Peake. 
"This may be a publishing first, because even the e-book looks cool." The novel follows private investigator Derek Strange who becomes embroiled in the chase of ruthless killer "Red Fury". The publisher saying: "this is Pelecanos writing in the hard-boiled noir style that won him his earliest fans". Pelecanos was an Emmy-nominated writer on the hit crime series "The Wire" and is a writer on US drama "Treme".
