Sunday, 21 March 2021

2021 Lefty Award Nominees

 

Lefty Nominees for Best Humorous Mystery Novel

Murder in the Bayou Boneyard by Ellen Byron (Crooked Lane Books)

Mimi Lee Gets a Clue by Jennifer J. Chow(Berkley Prime Crime)

Squeeze Me by Carl Hiaasen, (Alfred A. Knopf)

The Study of Secrets by Cynthia Kuhn (Henery Press)

The Pot Thief Who Studied the Woman at Otowi Crossing by J. Michael Orenduff (Aakenbaaken & Kent)

Skin Deep by Sung J. Woo (Agora Books)

Lefty Nominees for Best Historical Mystery Novel for books set before 1970

The Fate of a Flapper by Susanna Calkins (Minotaur Books)

A Lady’s Guide to Mischief and Murder by Dianne Freeman (Kensington Books)

Riviera Gold by Laurie R. King (Bantam Books)

The Turning Tide by Catriona McPherson (Quercus)

Mortal Music by Ann Parker(Poisoned Pen Press)

Turn to Stone by James W. Ziskin (Seventh Street Books)

Lefty Nominees for Best Debut Mystery Novel

Murder Goes to Market by Daisy Bateman (Seventh Street Books)

Derailed by Mary Keliikoa (Camel Press)

Murder at the Mena House by Erica Ruth Neubauer, (Kensington Books)

The Thursday Murder Club by Richard Osman (Viking)

The Lady Upstairs by Halley Sutton (Putnam)

Winter Counts by David Heska Wanbli Weiden, (Ecco)

Lefty Nominees for Best Mystery Novel (not in other categories)

What You Don’t See by Tracy Clark (Kensington Books)

Blacktop Wasteland by S.A. Cosby (Flatiron Books)

Blind Vigil by Matt Coyle (Oceanview Publishing)

And Now She’s Gone by Rachel Howzell Hall (Forge)

All the Devils Are Here by Louise Penny (Minotaur Books)

Hat-tip- Mystery Fanfare

April Books to Look Forward to From Bookouture

 

Stolen Daughters is by Carolyn Arnold. The girl looked so peaceful, she could have been asleep. Except her eyes were open, blankly reflecting the flickering flames spreading towards her....When firefighters discover the body of a teenage girl at an abandoned house, Detective Amanda Steele hurries to the scene. Dumfries, Virginia is a small town, yet no one seems to have any idea who the dead girl is until Amanda finds a dragonfly pin with the name Crystal engraved on it. Working tirelessly, Amanda traces the pin to Crystal Foster, a thirteen-year-old who disappeared three years ago from her wealthy parents’ home. Breaking the news to the distraught parents won’t be easy, but the loss of her own daughter still haunts Amanda, and she knows this will bring them closure. But when Amanda goes to see the Fosters, they do not recognize the girl. She isn’t Crystal. Before Amanda can react to this new development, she gets an urgent call. A fire has consumed another vacant house, and the remains of two more girls have been found. Who are these girls, and why are they being picked off? Amanda must stop this killer before the pattern continues, and the death toll climbs. When Amanda receives a taunting note from the killer, she realizes that she holds the missing piece of this puzzle. The victims are connected to Amanda’s past, to a case she can never forget, and which almost claimed her life. As she follows the clues to their deadly conclusion, can she save more innocent lives… even if it risks her own?

She told my little boy a secret and now he’s gone… Tucking her little boy Ollie into bed one night, Sarah notices his beloved teddy bear, which she bought him when he was born, is missing and in its place is a new toy given to him by her ex-husband’s new girlfriend, Laura. When she asks Ollie about it, he begins to shift uncomfortably, before whispering ‘Laura told me a big secret and she said I can never tell you’. Sarah’s heart sinks. But when she raises her concerns, nobody wants to listen. To everyone else, Laura is the perfect stepmother and Sarah is just the jealous ex-wife. But Sarah knew the moment she met Laura she couldn’t trust her, from her overly perfect stepmother act to the way she evaded questions about her own history. Soon Ollie is asking to spend more time with his dad and Laura, and shrinking away from Sarah. Then, when she calls to him in the garden one day, Ollie doesn’t answer back. The garden is silent. Ollie’s sandpit is empty. Ollie has disappeared. The Whisper is by Sheryl Browne.

Sophie wakes in a hospital bed with no memory of her life before. She isn’t even sure if Sophie is her real name… She has no phone, no I.D and no one has reported her missing. But one thing is clear: someone tried to kill her - and they almost succeeded. When a bouquet of blood red roses is sent to her room without a note, she is convinced they’re from the same people who left her for dead with crimson flowers woven through her hair. And she can’t shake the feeling someone is watching her… With no one to turn to, Sophie takes a job in the remote mountains, where she feels she might finally be safe. Until more red flowers begin appearing on the front step of her secluded cottage. Every cell in Sophie’s body is telling her to run. Until she is approached by a frightening woman who calls her by a strange name and makes a threat against her brother’s life. Now Sophie needs to do whatever it takes to find her brother, and discover truth about who she is, before it’s too late… The Silent Girl is by Kelly Head. 

Mystery at the Abbey Hotel is by Clare Chase. Eve Mallow’s stay at the luxurious Abbey Hotel takes a turn for the suspicious when the owner is murdered – leaving Eve surrounded by suspects! Saxford St Peter is Eve Mallow’s beloved home, but she can’t resist the chance to spend a weekend in the nearby Abbey Hotel, famed for its glamorous owner Debra Moran and an array of celebrity guests. For a confirmed people-watcher like Eve, it’s perfect: she can observe the rich and famous while sipping tea in the gardens, her faithful dachshund Gus by her side. But her relaxing break takes a shocking turn when Debra is found lying dead in the shadowy woods around the hotel. One of Eve’s fellow guests didn’t come to the Abbey for fine food and delightful décor – but to kill. When the investigation gets underway, Eve finds herself trapped with a wide range of suspects. Could it be Debra’s new friend Harper, who inherits everything? Her ex-husband Chester, still seething over their messy divorce? Or her estranged sister Amelia, who came hoping for reconciliation, only for Debra to shut the door in her face? As Eve roams the hotel, searching for clues and hunting down alibis, she uncovers a whole host of secrets. But can she find the truth before the killer brings her holiday to a deadly end?

Dressed in pajamas covered with stars, the little girl’s body is perfectly still, her arms folded neatly over her chest. The wildflowers decorating her hair scatter across the grass in the sharp breeze. Her lips are parted slightly, as if to whisper goodnight for the very last time… When twelve-year-old Holly Mitchell’s fragile little body is found on the steps of a mountainside church in the small town of Denton, a doll made from pine cones clasped tightly to her chest, Detective Josie Quinn rushes to attend the scene. She knows this little girl’s angelic face, her mother had offered Josie help when she’d needed it most. Searching the girl’s house, Josie is devastated to find that Holly’s mother is dead too, and her little sister is missing. But why has this family home been stripped of all sharp objects? Re-tracing her steps, Josie finally finds a secret hiding place with Holly’s sister inside, terrified, but alive. Moments later, another doll made of twigs turns up. Certain the killer is close by, Josie holds the little girl tight and tries to coax answers from her, but it’s clear the pile of burnt photographs and letters found in the greenhouse is her only lead. No one is safe until Josie can figure out the dangerous secret that has escaped this remote family home. Just when Josie is finally closing in on the killer, the unthinkable happens, a tragedy that shakes her to her very core. And on the windshield of her car: a third wooden doll. Could stopping this twisted monster from taking more innocent lives come at the ultimate price for Josie? Hush Little Girl is by Lisa Regan.

The Vatican Secret is by Peter Hogenkamp. There is a nuclear weapon in the hands of the Vatican City’s deadliest enemy. And time is running out to stop an attack… Marco Venetti, the only man the pope trusts, has tracked down the traitor who nearly succeeded in his mission to kill the pope. But the traitor holds a crucial piece of information: the name of the Russian mafioso in possession of a nuclear bomb. Forced to work with a man he despises to prevent a deadly explosion, Marco sets a trap for the Russians. Inside the stone walls of an ancient castle in Portugal, surrounded by high mountains, he waits to ambush his target. But a double-cross ruins everything and he must flee, alone and without backup, leaving a trail of death and destruction behind. All Marco knows is that the attack is imminent. And that to prevent it, he must enter a deadly game of cat-and-mouse that will take him across the continent, on land and by sea. With time running out, he will stop at nothing to uncover the truth. Because the secrets inside the Vatican may be the deadliest threat of all…

She held her baby in her arms and she knew in that moment that he’d be coming for her. She couldn’t tell anyone her name, she couldn’t let him find her. She had to keep her child safe. In the summer heat at the Craven County Fair in rural Pennsylvania, Dr Leah Wright is shocked to find a pregnant woman hiding from view and in labor. Leah manages to deliver the baby safely, but the woman won’t reveal her name. She's terrified, running from someone, and days later both she and her newborn son go missing…Desperate to save them, Leah turns to Detective Luka Jericho for help. Eager for Leah’s help with a complex case of his own, Luka asks Leah to interview the widow of a man who has just been murdered. Soon they uncover a shocking connection between the two cases: the widow’s lawyer, a local minister, Reverend Harper, was spotted driving the missing mother away from hospital. Is this the man she was so afraid of?  When Reverend Harper refuses to talk, Luka and Leah turn to the only person who he might speak to: his daughter and Luka’s newest detective, Naomi Harper. But Naomi’s childhood in her father’s stark white house up in the mountains was more painful than Luka and Leah could ever have imagined. Is it already too late to save the woman and her baby? Save Her Child is by C J Lyons.

Last Day Alive is by J R Adler. One hot summer’s evening, ten-year-old Piper Chase went for a bike ride. She never came home… Piper cycles off one hot Oklahoma evening for a sleepover with her new friend Miley from summer camp. But when she doesn’t come home, her grandparents raise the alarm. Their little angel is missing, last seen on her pink bicycle, heading towards the dark woods on Black Heart Lane. Detective Kimberley King knows that the first twenty-four hours in a missing child investigation are the most critical, but with no witnesses, and darkness falling in the small town of Dead Woman Crossing, she begins to fear the worst. She longs to find the little girl with wide blue eyes and an infectious smile, but when her team discovers Piper’s body in a woodland clearing, lying on a bed of moss, something inside her dies. In a town where people leave their doors unlocked, Kimberley is terrified that another little girl might be snatched, and that night she holds her own daughter tighter. Desperate to find the monster who took the life of an innocent child, Kimberley chases down all the leads she has. The summer camp counsellor, who got too close to Piper and Miley and lost his job. Piper’s shifty uncle, who arrived back in town the day she disappeared…Then she gets a call that chills her to the bone. Miley has gone missing. Has the killer who stole one little angel just taken another?

Your daughter is missing. Did someone close to you take her? Seven-year-old Beatrice has gone missing. Her mother Claire’s whole world has been turned upside down in just one moment and she can’t stop shaking. She’s desperate to find her precious daughter, but nothing about the day she disappeared makes sense… The mother-in-law: Jill was meant to be looking after Beatrice. She says she didn’t take her eyes off the little girl but her version of events doesn’t add up… Claire has never got on with her, so why should she trust her now? The husband: He should have been with their only child. Instead, he changed the plans without telling Claire. She didn’t think there were any secrets between them, but maybe she was wrong? The first wife: Laurel has always been jealous of Claire’s family. Has her husband’s ex-wife taken her daughter? Which one of them is lying? And who really knows where Beatrice is? My Little Girl is by Shalini Boland.

Beneath Black Water River is by Leslie Wolfe. She looked alive, her hair drifting freely in the water, her red lips gently parted, as if to let her final breath escape. A small locket floated by her face, attached to her neck with a silver chain… When Detective Kay Sharp first left Mount Chester—population 3,823—in her rear-view mirror, she promised never to look back. The town only contained bad memories and dark secrets. But when a brutal crime surfaces, she finds herself home once more, and this time she’s not going anywhere. Kay is called to Blackwater River, where the body of a seventeen-year-old girl has been found. Surrounded by snowy peaks and a forest alive with the colors of fall, the victim floats in the water, a hand-carved locket around her neck. The locket seems strangely familiar. Digging into cold cases, Kay discovers that three-year-old Rose Harrelson was wearing it when she vanished fourteen years ago. In the middle of the night, the little girl’s bedroom—with Mickey Mouse on the wall and a hanging baby mobile—was suddenly empty. The unsolved case still haunts the town. But the teenager they have found has been dead for only a few hours. If the girl in the river is Rose, where has she been? Who has been hiding her all these years? Kay knows she must solve the kidnapping in order to untangle the mystery of the dead body. Then Kay receives a shocking call. The dead girl has been identified—and she’s not Rose. So why is she wearing the locket, and what happened to the missing child from all those years ago? As Kay unearths a web of lies and deceit spun for decades, the close-knit community will never be the same. And Kay will find herself facing a truly terrifying killer…

The Missing Sister is by Rona Halsall. The call comes on an ordinary Sunday afternoon to say your sister has been admitted to hospital with a serious head injury. But you don’t have a sister… do you? You’ve never doubted your parents. You’ve loved them without question your whole life. But your stepmother is uncharacteristically speechless, and your father isn’t well enough to understand. So you get in your car. Turn the key in the ignition. Knowing everything behind you is a lie. Not knowing what lies ahead: the truth... or something far darker. 

With its sweeping sandy beaches and rolling emerald hills, the island of St. Morwenna is an idyllic escape. But behind the perfectly pruned primroses and neighborly smiles a killer lies in wait. When librarian Jemima Jago is offered the opportunity to catalogue Cornwall’s largest collection of antique shipwreck records it is a dream come true. The only problem? The collection is housed on the island of St. Morwenna, the childhood home she left years ago and vowed never to return to. Shortly after Jem arrives back in town, island busybody and notorious grump Edith Reddy is found dead, with duct tape clamped over her mouth and nose. Jem, caught seemingly red-handed at the scene of the crime, mistakenly becomes the police’s number one suspect. The handsome Sergeant Hackman in particular can't seem to leave Jem alone... Jem must take matters into her own hands if she wants to clear her name. Snooping around Edith’s once-grand home, she is struck by the mess before her. The bedroom is completely ransacked and in the living room all the photographs have been removed from their frames. Was Edith’s death simply a break-in gone wrong, or is there more to the mystery that the police are missing?  Jem has a sharp eye for a clue and she soon realizes that many of the island’s eccentric residents had reason for wanting Edith out of the way. Could Declan, the curious café owner, or Bart, the fishy ferryman have killed Edith? Jem won’t rest until she uncovers the truth, but doing so will put her right in the killer’s line of sight…. A Death at Seascape House is by Emma Jameson.

Third Kill is by John Ryder, In a city of sinners, a killer is hunting… Las Vegas, Nevada: a killer is on the hunt.When the two of the city’s crime bosses are found brutally murdered within days of each other, the fragile balance of Sin City threatens to collapse. It’s exactly what the killer wants… But there is one thing this killer hasn't counted on... Grant Fletcher has been sent to Vegas by a shady government agency. He has one job: find the killer, and stop them before more people die . Stop them, by any means . Would you send a sesperate man to find a vigilante Kiler? It looks like a dangerous gamble. But what neither the killer—nor the government agency—know is that the odds are never good unless you’ve got Fletcher on your side.

A child has been taken. A family is out for revenge. Riley Cooke is just one day old when he is stolen from the hospital. His young mother, Shelby, is beside herself. DC Lucy Murphy and her team face a race against time to find the vulnerable baby and bring him home – before the child’s grandfather, fearsome gangster Pete Baker, takes matters into his own hands. Pete is sure he knows who’s behind baby Riley’s abduction, and he thinks they ought to pray Lucy finds them before he does. Because someone is going to pay dearly for causing this much pain to his family. They say never stand between a gangster and his target. But that’s exactly what Lucy must do – because if Pete is wrong, innocent blood could flow. No Going Back is by Casey Kelleher.

I Know What You Did is by Carey Baldwin. Mia covered her mouth to stop herself crying out. She hated the dark, but her mother had made her promise. But what was the point of being a good little girl if she couldn’t help her mother? She’d promised her mother not to scream, but she hadn’t promised not to escape… To the world, Mia Thornton is invisible—a quiet, timid preschool teacher. People would never guess that she found the will to dig her way out of a locked shed when she was just six years old. That she never saw her mother again. Now, all Mia longs for is a normal life and friends to call her own. But when she runs into a group of colleagues one evening, she discovers that, once again, she’s been excluded. Stung at the rejection, she pockets the keys of one of the women in a petty act of revenge. Celeste Cooper is fearless, pretty, popular—everything Mia wishes she could be. The next day, Celeste is reported missing. And Mia realizes that it might have been her fault. Wracked with guilt, she joins the search, determined to make up for her mistake. But as she grows closer to Celeste’s family, Mia can’t help but feel she’s being watched… What if Celeste’s disappearance has more to do with Mia than she realizes? And if she keeps digging, does she risk being dragged back into the dark forever?















            





Saturday, 20 March 2021

2021 Barry Award Nominations from Deadly Pleasures Magazine

 

The 2021 Barry Award nominations have been announced. The winners of these awards will be announced at the Opening Ceremonies at the New Orleans Bouchercon on August 26, 2021.

Best Novel

The Boy From The Woods by Harlan Coben
The Law of Innocence by Michael Connelly
Blacktop Wasteland by S. A. Cosby
And Now She's Gone by Rachel Howzell Hall
Moonflower Murders by Anthony Horowitz
All The Devils Are Here by Louise Penny

Best First Novel

Deep State by Chris Hauty
Murder in Old Bombay by Nev March
The Thursday Murder Club by Richard Osman
The Eighth Detective, Alex Pavesi
Winter Counts by David Heska Wanbli Weiden
Darling Rose Gold by , Stephanie Wrobel

Best Paperback Original

When No One Is Watching by Alyssa Cole
Mongkok Station by Jake Needham
Hide Away by Jason Pinter
Bad News Travels Fast by James Swain
Darkness for Light
by Emma Viskic
Turn to Stone by James W. Ziskin

Best Thriller

Double Agent by Tom Bradby
Blind Vigil by Matt Coyle
One Minute Out by Mark Greaney
The Last Hunt by Deon Meyer
Eddie's Boy by Thomas Perry
The Wild One by Nick Petrie

Congratulations to all the nominated authors.

The British Book Awards Crime and Thriller Shortlist

 

The British Book Awards shortlists have been announced.

The shortlist for the Crime and Thriller are as follows - 

Troubled Blood by Robert Galbraith 

The Sentinel by Lee Child and Andrew Child

The Patient Man by Joy Ellis

The Guest List by Lucy Foley

The Thursday Murder Club by Richard Osman

A Song for The Dark Times by Ian Rankin

All the other shortlists can be found here. Congratulations to all the nominated authors.


Friday, 19 March 2021

National Crime Reading Month Announced

 

Libraries, booksellers, publishers and festivals are invited to take part in National Crime Reading Month this June.

National Crime Reading Month is a unique festival, held throughout the UK, which promotes the crime genre. Hosted by the Crime Writers’ Association (CWA), it will take place throughout the month of June, 2021.

Linda Stratmann, Chair of the CWA, said: “We want to invite bookshops, libraries, publishers, conventions and festivals that celebrate the crime genre, to take part. Our sister network, the Crime Readers’ Association (CRA), is one of the largest communities of crime genre readers in the world, so this June is a unique opportunity to get an author event or reading initiative in front of that dedicated audience.”

With Covid-19, the majority of events are expected to be online, or hybrid.

The CWA supports author members, alongside literary agents, publishers, bloggers and editors with a monthly magazine and website. It set up the Crime Readers’ Association (CRA) as a free network to give readers news and information, as well as offer tips for new writers working in the genre. Its monthly newsletter and bi-monthly ezine, Case Files, reaches over 11,500 subscribers.

Linda added: “We are now inviting the book world to get in touch to consult us over how our CWA members can participate nationwide in their crime-genre reading or writing initiatives, both fiction and non-fiction, which we’ll support via our websites and networks throughout June.

Last year, Nielsen Book’s research found 41% of people said they were reading more books since lockdown measures were imposed last March, with interest in crime and thrillers increasing – 51% said it was because they wanted to stay entertained, and 35% felt books were providing “an escape from the crisis”.

Secretary of the CWA Dea Parkin added: “This summer, nobody knows if they’ll be able to escape abroad on holiday. One thing that is guaranteed is the option to escape through a good book. We hope National Crime Reading Month this June will lead the great escape we all desperately need after such a difficult year, and book lovers support this exciting celebration of reading.

Established in 1953, the CWA is behind the prestigious Dagger awards.

National Crime Reading Month, which took place in May last year, is reverting to the June slot to coincide with the refreshed Dagger award dates for 2021. The Dagger longlists will be announced on April 15, the shortlists on May 20, and the winners on July 1.

To take part or submit an event to National Crime Reading Month this June, contact: secretary@thecwa.co.uk



Having Your Crime and Solving it Too: Writing a Thriller and a Mystery in One.

 

People tend to use the labels “mystery” and “thriller” interchangeably, but they’re actually mirror images of each other. A mystery starts with violence, and the story is about figuring out who committed it. A thriller is the story that leads to that violence, building slowly to a bloody climax. In fact, many books that get lumped into the mystery/thriller genre are really just one or the other. Karin Slaughter’s The Good Daughter is billed as a thriller, but in its bones it’s a mystery. Lou Berney’s November Road won the Anthony Award, but it’s not a mystery. It’s a thriller.

There is a way to combine the genres, though, and books that are truly both mystery and thriller – like Tana French’s The Secret Place and Kate Morton’s The Lake House – are among my favorites. These authors use a dual narrative structure, with alternating chapters set before the murder (the thriller part) and after (the mystery part). I used this in my latest book, The Distant Dead, and while I’m not about to compare myself to either of those literary giants, I found it very rewarding. Here are some of my favorite things about it:

(1) I can show the murder on the page, like a thriller does. In a mystery, the sleuth finds out who killed the victim and why, but the very nature of a mystery requires the murder itself to happen off the page. Killer and motive are revealed through characters’ recollections and the parsing of clues. But in a dual narrative, I can interrupt the sleuthing with chapters set in the past, which let me show the slowly building events and complicated relationships that will make a seemingly ordinary person commit murder. I can also show the crime itself, in all its gory glory, something traditional mysteries typically don’t do.

(2) I can show the aftermath of the murder, like a mystery does. A thriller often leaves its surviving characters reeling from the climactic violence, without saying much about how they’re going to pick up the pieces. But to me, one of the most satisfying elements of a mystery is seeing how a crime sends shock waves through the community of people connected to the victim. The dual narrative structure lets me delve deeply into that in the crime-solving chapters.

(3) I can double down on my themes. In The Distant Dead I played with themes of guilt and atonement, so I had one character in each of my interwoven stories commit a similar sin, but choose dramatically different (and in one case fatal) ways to make amends. This made my theme stronger because I could show that atonement is deeply personal, and isn’t always a right-versus-wrong proposition.

(4) I have more options for planting clues and red herrings. There’s a terrific tension in a dual narrative: the purpose of the “thriller” chapters is to gradually reveal what happened, while the “mystery” chapters try to hide the solution for as long as possible. I can play with this by having a chapter set in the past, then follow it with one where a witness lies about it, so the reader knows something the sleuth does not. Or I can drop a red herring in the sleuthing story and then, when I’m ready to show my hand, reveal the truth in a scene from before the crime. The whole thing becomes a delightful jigsaw puzzle for me and, hopefully, the reader.

(5) I have twice as many opportunities to build suspense. There are two kinds of suspense: the kind where you don’t know what’s going to happen, and another kind, rooted in dread, where you know exactly what’s going to happen. Writing a story where I reveal who the victim is right away, then show the events leading up to the murder while also putting potential future victims at risk in the aftermath, lets me lean heavily on both kinds of suspense.

Dual narratives are challenging to write, I have to admit. There were lots of index cards and late-night angst involved in crafting mine, and many times when I thought I should just toss the whole thing and write a traditional mystery or thriller. But in the end I found it a creatively stimulating way to write, one that gives me a chance to lean into different aspects of storytelling than if I were writing a classic mystery or thriller alone.

The Distant Dead by Heather Young (Oldcastle Books) Out Now

A body burns in the high desert hills. A boy walks into a fire station, pale with the shock of a grisly discovery. A middle school teacher worries when her colleague is late for work. When the body is identified as local math teacher Adam Merkel, a small Nevada town is rocked to its core by a brutal and calculated murder.  In the seven months he worked at Lovelock’s middle school, the quiet and seemingly unremarkable Adam Merkel had formed a bond with just one of his students: Sal Prentiss, a lonely sixth grader who lives with his uncles on a desolate ranch in the hills. It is Sal who finds Adam’s body, charred almost beyond recognition, half a mile from his uncles’ compound.  Nora Wheaton, the school’s social studies teacher, sensed a kindred spirit in Adam – another soul bound to Lovelock by guilt and duty. After his death, she delves into his past for clues to who killed him. Yet, the truth about Adam’s murder may lie closer to home. For Sal’s grief seems shaded with fear, and Nora suspects he knows more than he’s telling about his favourite teacher’s death.



Thursday, 18 March 2021

Catriona Ward on the Inspiration for The Last House on Needless Street

 The Lake, the Forest

How the Lake Sammamish Murders helped inspire ‘The Last House on Needless Street’ 

By Catriona Ward

It’s a misconception that those who write crime, thrillers and horror are more resilient to the subject matter than others. I find you can only write impactfully about something if you feel the impact of it yourself. Certain crimes weave their way into the imagination and cling to your subconscious. The ones that reverberate throughout ‘The Last House on Needless Street’ have horrified me as long as I can remember. 

It’s almost impossible to talk about this novel without revealing the bones of the plot. But I’ll do my best to describe what fed into it and why this book burned in me, demanding to be written. 

In ‘The Last House on Needless Street,’ children have been going missing from the lakeshore for years. None have ever been found. Dee’s little sister, Lulu, was one of the missing children, and Dee has been searching for her abductor ever since. She thinks she has found him. Ted Bannerman lives in a boarded-up house at the end of Needless Street with his daughter, Lauren, and his disapproving cat, Olivia. Lauren and Olivia don’t go outside. Needless Street ends in the wild, Olympic forest, and is only a short hike from the lake. Dee moves into the vacant house next door to Ted’s and begins her watch. She has to be sure it’s him. When Ted’s daughter Lauren goes missing, suspicion turns to terror. 

There were thousands of people at Lake Sammamish, in Washington State on July 14th 1974, when Ted Bundy abducted two women from the crowded summer shores. He approached Janice Ott with his arm in a cast and a sling, asking for her help to move a sailboat. He drove a gold VW Bug. A few hours later, he used the same ruse to lure Denise Naslund away as she made her way to the restroom.1 He approached several other women that afternoon, always giving his name - Ted. Janice Ott and Denise Naslund were the fifth and sixth women to go missing in the area that year. They were not the last. 

We feel safe in crowds, in numbers, surrounded by our families. We don’t expect the monstrous to pursue us out of the night, into the blazing light of a summer day. The Lake Sammamish murders were staggering in their greed and cruelty. These women died for their kindness, for wishing to assist what they thought was an injured stranger. As Denise Naslund’s mother told the Seattle Times, ‘she had the kind of helpful nature that would place her in danger.’2

This day has always had a cold grip on my imagination. Ted Bannerman in ‘The Last House on Needless Street’ is not directly based on Ted Bundy. But a sense of the grief and violent loss Bundy inflicted on victims and their families permeates the book, which is full of echoes of that summer day at the lake in 1974. The very setting seems to me an array of disturbing, arresting contrasts. The deep, cool woods of Washington, the burning light on the lake-water. Two women taken from the midst of a crowd, for lonely death. 

The investigative team appealed for all the negatives and film taken by visitors to the lake that day to be sent to them. This image haunts me, too - police combing through holiday photos of smiling families, searching the background for a murderer with his arm in a cast, and his gold VW bug. They found several images of the car in the parking lot. Home video from that day, only discovered in 2018 in the King County archives, shows the gold Volkswagen boxed in by a patrol vehicle, surrounded by milling officers. Bundy is not in the car.3

Washington State has a grim history with serial killers. Gary Ridgeway, the Green River Killer, murdered so many women around Tacoma and Seattle during the 1980s and 90’s that he lost count. The estimate is 71. During this investigation detectives approached Bundy, then awaiting execution on death row, for insight into how the killer’s mind might work. They also hoped that by encouraging Bundy to talk, they might glean more information about his own crimes. It was a Faustian pact, giving Bundy what he wanted most – power and the sense of importance he craved, as well as titillating details of Gary Ridgeway’s crime scenes, and the chance to relive his own.

The search for Denise Naslund and Janice Ott intensified, as the summer of 1974 turned to fall. The two women seemed to have vanished without a trace, swallowed whole by the land and the forest. Their remains were found in September, that hot fateful year, on a hillside two miles distant from Lake Sammamish. Homicide detective Robert Keppel recalled his first sight of the scene:

The surrounding tree cover was so dense that even in daylight the forest floor was very dark, like the mysterious landscape in a fairy tale and only occasional sunbursts escaped through the small openings in the canopy of leaves.’4

That part of the Pacific Northwest is rich in wildlife – elk, deer, herons, scavengers like raccoons and wild dogs. Certain artefacts were recovered from the scene - coyote faeces containing human hand bones; a bird’s nest entwined with long blond hair. Just how long, Keppel wondered, had it taken for the birds to learn to use human hair in this way? How long had this place been used? Vertebrae and pieces of leg bone belonging to an unknown third woman were also found. She has never been conclusively identified, though Bundy later claimed the remains belonged to eighteen-year-old Georgann Hawkins. The wilderness had indeed begun to absorb Denise Naslund, Janice Ott and the third woman back into itself. 

These details are at the heart of ‘The Last House on Needless Street’ – the wilderness of those parts, and how it can swallow people, is part of the fabric of the book. The birds have no concept of how horrifying their nests are. Coyotes will always eat whatever they can find. Similarly, the forest at the end of Needless Street is vast and indifferent to human suffering.

It’s neither good nor bad, but its own roiling force. It does not distinguish between human evil, suffering, love or hope. Human endeavour is overrun by the wild, leaving no trace. 

But love and hope do endure, and can even be born, in the face of horror and suffering. Having conjured this atrocity in ‘The Last House on Needless Street,’ I was determined that compassion and life must also thread their way through the novel - like filigree perhaps, or golden hair, woven into a nest for hatching birds. 

1 https://www.newspapers.com/clip/31113871/remains-of-janice-anne-ott-and-denise/

2 https://www.seattletimes.com/seattle-news/remembering-the-washington-victims-of-ted-bundy-the-serial-killer-spotlighted-in-new-movie-and-netflix-docuseries/

3 https://www.kiro7.com/living/dating/never-before-seen-film-shows-ted-bundys-vw-where-he-killed-two-women-in-1974/696707928/

4 ‘The Riverman: Ted Bundy and the Hunt for the Green River Killer,’ Keppel, Robert D., Pocket Books, a division of Simon and Schuster, New York, !995. Ebook, location 381

The Last House on Needless Street by Catriona Ward Published by Profile Books (Out Now)

This is the story of a serial killer. A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street. All these things are true. And yet they are all lies... You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong. In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...



Wednesday, 17 March 2021

What Technology will Predict About Us in the Future - Felicia Yap

 

I predict that computers will soon know us better than we do ourselves. They will be able to predict our futures, how we will live – and perhaps even when we will die. More controversially, computers will also be able to predict a person’s likelihood of becoming a murderer (how this information will be used is an altogether different matter). 

I also predict that humanity will be divided into two kinds of people: people who will tell computers what to do, and people who will be told by computers what to do. A large proportion of the human population will fall in the second category, perhaps more than 85 percent. In the future, the digital divide will not be between the haves and have-nots. It will be about the control of technology: those who control or those who are controlled.

Here are my predictions of what computers will predict: 

Our Likelihood of Becoming Murderers

Law enforcement units are increasingly able to predict when and where crimes will occur. Scientists at Carnegie Mellon have developed CrimeScan, a crime-predicting software based on the premise that violent crimes tend to happen in geographic clusters and which takes into account day-of-the-week and seasonal trends. At least fourteen police forces in the United Kingdom have deployed software (such as PredPol) which identifies ‘hotspot’ areas where crimes are more likely to happen. Some forces are also involved in the National Data Analytics Solution project which combines machine-learning and information held by the police (such as conviction histories) to work out risk scores for individuals and predict their likelihood of committing crimes. 

The interesting question is who, not just when or where. Our data trails can already pinpoint our profiles with increasing accuracy. Cambridge University scientists have shown that Facebook Likes can ‘automatically and accurately predict a range of highly sensitive personal attributes including: sexual orientation, ethnicity, religious and political views, personality traits, intelligence, happiness, use of addictive substances [and] parental separation’. 

Will computers predict if we are likely to become murderers? My novel Future Perfect is partly about a secret service software named CriminalX that scans people’s backgrounds and data trails (such as their Google histories) to prevent future homicides and terrorist attacks. Research trends are already heading in this direction. Scientists at the University of Texas have shown that murderers are more likely to have lower IQ and had suffered greater exposure to violence, while researchers at the University of Pennsylvania have found that convicted murderers are more likely to have offended at a young age. Researchers from Harrisburg University have apparently built software that can predict ‘if someone is a criminal based solely on a picture of their face’ with ‘80 percent accuracy and with no racial bias’, although their research have yet to be published by a reputable journal. In 2016, researchers from Shanghai Jiao Tong University suggested that criminals have upper lip curvatures that are 23.4% larger than non-criminals and a slightly-narrower distance (5.6%) between the inner corners of their eyes, only to be refuted by researchers at Google (some of these projects have sparked public backlashes and much hand-wringing about the inherent biases of the algorithms used). 

How Our Days Will Unfold 

I predict that computers will be able to tell us how our days will look like, what we will be doing next. This is because humans are predictable creatures of habit. Computers will soon gather so much data about us (including our daily schedules and consumption preferences), they will be able to predict our short-term prospects with ease. In Future Perfect, an app called iPredict provides forecasts about what will happen to a person over the next two days – and a large swathe of humanity is, predictably, addicted to the app.

Our Health (and Our Likelihood of Dying)

I predict the widespread use of digital-phenotyping gadgets, such as mirrors that can read facial features, expressions and even emotions to infer a person’s health status. Researchers are already using the bounteous data on YouTube, Facebook, Twitter, and Instagram to create algorithms that detect autism, HIV, obesity, schizophrenia, Parkinson’s and Alzheimer’s. Our mobile phones, Fitbits and sleep-tracking rings will amass so many health metrics about us (such as steps taken, respiratory rates, body temperature and sleep quality), they will be able to predict our life expectancy, perhaps even our likelihood of dying on a particular day.

The computer scientist Alan Kay wrote that ‘the best way to predict the future is to invent it’. Yet some think the best way to predict the future is to prevent it. Having set down these predictions, I doubt whether some of these are truly desirable. After writing a book set in the future, I have realised that pre-cognition may not necessarily make a person happier. Will knowing when and how we are going to die improve our lives? The main problem with information is knowing what to do with it, to use it in a way that improves our physical and mental well-being. Knowledge can paralyse more than liberate. As the world hurtles inexorably in the direction of predictability (and as we get increasingly deluged by data and smothered by gadgetry), we may realise that unpredictability is what makes us human, what makes life worth living. In a world where computers will know us better than we do, the essence of our humanity may lie in not wanting to know. 

Future Perfect by Felicia Yap (Published by Headline Publishing Group) Out Now

What if today was your last day... A bomb has exploded during a fashion show, killing a beautiful model on the catwalk. The murderer is still at large... and he may strike again. Yet this is the least of Police Commissioner Christian Verger's worries. His fiancee Viola has left him. He has to keep his tumultuous past a secret. To make things worse, his voice assistant Alexa is 99.74% sure he will die tomorrow. Moving from snowy 1980s Montana to chic 1990s Manhattan to a drone-filled 2030s Britain, Future Perfect is an electrifying race to solve a murder before it's too late. Yet it is also a love story, a riveting portrait of a couple torn apart by secrets, grief and guilt. A twisted tale of how the past can haunt a person's future and be used to predict if he will die... or kill.

Monday, 15 March 2021

Crime Cymru Digital Festival Programme

 

EVENT 1. MONDAY 26TH APRIL AT 6PM.

Our launch event. Crime Cymru associate member, Amy Williams interviews CWA Diamond Dagger winner, Martin Edwards, award-winning Swansea author, Cathy Ace and up-and-coming Crime Cymru talent, Gail William

EVENT 2. MONDAY 26TH APRIL AT 8PM.

The Pembrokeshire Murders

Join Andrea Byrne from ITV for the inside track on the story behind the arrest of Wales’ most famous serial killers.  In 2006, newly promoted Detective Superintendent Steve Wilkins, decided to reopen two cold murder cases, employing pioneering forensic methods. The team he put together found microscopic DNA and fibres that potentially linked the murders to a string of burglaries and a suspect.

EVENT 3. TUESDAY 27TH APRIL AT 6PM.

Join Carol Westron in conversation with the team from Diamond Books as we learn what it takes to make those brave steps from Crime Writer to e-publisher.

EVENT 4. TUESDAY 27TH APRIL AT 8PM.

Join Crime Cymru founder and Co-chair, Alis Hawkins, in conversation with Emma Kavanagh, Mari Hannah and Alison Layland.

EVENT 5. WEDNESDAY 28TH APRIL AT 6PM.

Y Lolfa panel. Details to be confirmed.

EVENT 6. WEDNESDAY 28TH APRIL AT 8PM.

RISING STARS.

Join Crime Cymru author Philip Gwynne-Jones as he chats with Louise Mumford and CWA Dagger winners Trevor Wood and Abir Mukherjee.

THURSDAY 29TH APRIL AT 7PM.

CRIME CYMRU EVENT 7. MYFANWY ALEXANDER IN CONVERSATION WITH GARETH W WILLIAMS AND GWEN PARROTT. THIS IS A WELSH LANGUAGE EVENT.


EVENT 9. FRIDAY 30TH APRIL AT 8PM.

KEEPING FAITH

With Series 3 of this immensely popular series now on TV, Crime Cymru festival organiser Nellie Williams is joined by writer Matthew Hall and actor Aneirin Hughes.

EVENT 10.SATURDAY 1ST MAY AT 1PM.

HISTORICAL CRIME FICTION

Crime Cymru Founder member Kath Stansfield is joined by two of the Historical Crime Fiction Genre’s greatest exponents, S G MacLean and Elly Griffiths.

EVENT 11. SATURDAY 1ST MAY 4PM.

WALES, INDIA, ENGLAND AND IRELAND. CRIME WRITING FROM AROUND THE WORLD.

Join Crime Cymru member Mark Ellis in conversation with Vaseem Khan, Sam Blake and R G Adams.

EVENT 12. SATURDAY 1ST MAY 7PM.

CRIME CYMRU CO-CHAIR, MATT JOHNSON, IN CONVERSATION WITH LEE AND ANDREW CHILD.

One of the highlights of this years digital festival. The Sentinel, the latest Jack Reacher thriller, and the first to be written by Lee and Andrew Child, is published in paperback by Penguin on 18th March this year. The Sentinel was the second bestselling crime/thriller title of 2020. It was No. 1 on the Sunday Times hardback bestseller for 2 weeks and  remained in the top 10 throughout 2020. Total world-wide sales of Lee Child’s book are in excess of 100 million copies.

The Jack Reacher books will soon be a major Amazon Prime TV series. Lee and Andrew join the festival from their homes in the United States. This may prove to be a fascinating opportunity to learn about the transition process that will soon see Andrew Child take on the Jack Reacher mantle.

EVENT 13. SUNDAY 2ND MAY 1PM.

LEGENDARY INTERVIEWER, DR JACKY COLLINS, PICKS THREE OF HER FAVOURITE MEN FOR A GRILLING.

Dr Noir is joined by Peter James (WH Smith reader choice as the best-ever crime writer of all time), Ragnar Jonasson (The Times pick as one the best ever crime writers) and Chris Lloyd (A rising star amongst talented Welsh crime writers)

EVENT 14. SUNDAY 2ND MAY 4PM.

LEGENDARY INTERVIEWER AND NEWCASTLE NOIR ORGANISER, DR JACKY COLLINS, IN CONVERSATION WITH TWO OF HER FAVOURITE FEMALE AUTHORS.

Join Jacky Collins as she chats to CWA Dagger shortlisted welsh author Alis Hawkins and international best-selling author Yrsa Sigurðardóttir from Iceland.

EVENT 15. SUNDAY 2ND MAY 7PM.

THE CREAM OF THE CROP.

Crime Cymru associate member, Amy Willams talks to Clare Mackintosh and B E (Bev) Jones, two authors from Wales who are are the very top of their game.

EVENT 16. MONDAY 3RD MAY 1PM.

HORRIBLE HISTORIES’ – GOTHIC CRIME FICTION.

Crime Cymru member, Thorne Moore, is joined by Sarah Ward and E S Thomson, two very popular crime fiction authors to discss – amongst other things – stretching the imagination within the crime genre.

EVENT 17. MONDAY 3RD MAY 4PM.

MEET THE ‘GUV’NORS’ OF CRIME CYMRU. THE DRIVING FORCE BEHIND WALES’ FIRST INTERNATIONAL CRIME LITERATURE FESTIVAL.

Name a Welsh crime author. No, sorry, you’re not allowed ‘the person who wrote ‘Hinterland’. That’s a TV series. Come on, one Welsh crime author… No?

Welsh crime fiction is a vibrant and rapidly-growing genre but, unless you’ve got your ear to the corpse-strewn, crime-fiction world, you may not have heard much about it. 

What is Crime Cymru?

Crime Cymru, as an idea, came about because those of us who live and set our work in Wales are determined to challenge the notion that ‘nobody who wants to be read sets their books in Wales’. As Welsh writers, we believe that Wales is simply under sold: by publishers, by booksellers, even by authors and readers. And we’re determined to change that. Crime Cymru authors are proud to set our ambitious fiction in Wales. We don’t feel the need to move our characters to London, or to make up fictitious cities to police. We set our characters – contemporary and historical – in real contexts. Welsh contexts. We believe we have something unique to offer the world of crime fiction, that the social issues which crime fiction naturally explores have a different flavour in Wales because of our very particular history.

Taking things a step further to organise Wales’ first international crime festival? Now that takes courage.

Dr Noir talks to Alis Hawkins and Matt Johnson, as we discover what’s involved.

EVENT 18. MONDAY 3RD MAY 7PM.

AS THE SUN SETS ON ABERYSTWYTH, ALIS HAWKINS INVITES YOU TO SPEND THE FINAL HOUR OF OUR FESTIVAL IN THE COMPANY OF M W CRAVEN AND IMRAN MAHMOOD.

The Puppet Show’ author, M W (Mike) Craven needs no introduction. A former soldier and probation officer, he has taken the crime writing world by storm, rattled it around, told it a few good jokes and raised a high bar for others to follow. Imran Mahmood is a criminal barrister whose first novel ‘You Don’t Know Me ‘ also caused ripples in the crime writing world. It was original, new and exciting. Readers loved it. This promises to be an entertaining and informative end to Crime Cymru Digital Festival. Charge your glasses, relax and be prepared to be entertained by two of the most engaging crime writers in the UK.

More information can be fond here.