My
favourite books of 2015 are a varied bunch.
They are as follows in no particular order and mainly as I have
remembered them.
Pleasantville by Attica Locke (Serpent's
Tail)
It's
1996, Bill Clinton has just been re-elected and in Houston a mayoral election
is looming. As usual the campaign focuses on Pleasantville -- the
African-American neighbourhood of the city that has swung almost every race
since it was founded to house a growing black middle class in 1949. Axel Hathorne, former chief of police and the
son of Pleasantville's founding father Sam Hathorne, was the clear favourite,
all set to become Houston's first black mayor. But his lead is slipping thanks
to a late entrant into the race -- Sandy Wolcott, a defence attorney riding
high on the success of a high-profile murder trial. And then, just as the competition
intensifies, a girl goes missing, apparently while canvassing for Axel. And
when her body is found, Axel's nephew is charged with her murder. Sam is determined that Jay Porter defends his
grandson. And even though Jay is tired of wading through other people's
problems, he suddenly finds himself trying his first murder case, a trial that
threatens to blow the entire community wide open, and reveal the lengths that
those with power are willing to go to hold onto it. A highly accomplished political thriller
about an incident in African American election history. Pleasantville depicts the beginnings of the present implacable
ideological standoff in US politics.
Well written, fresh and with an oppressively edgy ambiance. Attica Locke
channels bitter political memories into a taut and fascinating novel.
The
Truth and Other Lies by Sascha Arango (Simon and Schuster)
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The
Killing Kind by Chris Holm (Mulholland Books)
Michael
Hendricks is not a good man. He doesn't deserve a good life. But he is very
good at his job. He's the killing kind. He doesn't accept contract kills. He
doesn't work for any criminal organisation. And he never kills civilians. He
only hits hitters. He's not the kind of guy you call if you want to pop
somebody who's pissed you off or done you wrong. He's not a guy you call at all
- he calls you. And when he does, you'd be advised to take his call. Because it
means that someone wants you dead, and time is running out to save your life.
It's not a bad way to make a living, but it's a great way to make enemies. And
now both the FBI and the mafia have Hendricks in their sights, he's about to
learn just how good he really is... A
hitman killer with a difference? A hitman who only kills other hitmen. A hit
man with a guilty conscience. Spare,
ruthless and enthralling we have Hendricks who has his own moral code. With a
lot of energy and told from several view points, The Killing Kind is a well-constructed hardboiled thriller easily
read in one sitting.
A
Song of Shadows by John Connolly (Hodder and Stoughton)
Grievously
wounded private detective Charlie Parker investigates a case that has its
origins
in a Nazi concentration camp during the Second World War. Recovering from a near-fatal shooting and tormented by
memories of a world beyond this one, Parker has retreated to the small Maine
town of Boreas to recover. There he befriends a widow named Ruth Winter and her
young daughter, Amanda. But Ruth has her secrets. She is hiding from the past,
and the forces that threaten her have their origins in the Second World War, in
a town called Lubko and a concentration camp unlike any other. Old atrocities
are about to be unearthed, and old sinners will kill to hide their sins. Now
Parker is about to risk his life to defend a woman he barely knows, one who
fears him almost as much as she fears those who are coming for her. His enemies
believe him to be vulnerable. Fearful. Solitary. But they are wrong. Parker is
far from afraid, and far from alone. For something is emerging from the shadows
... There is not much that one can say
about John Connolly’s writing that has not been said. There is many a dark
pleasure along with twists and turns in A
Song of Shadows and Charlie Parker is my idea of an avenging angel. The prose is haunting, crisp, elegant and
evocative. Whilst the ending is shocking I know that every time I pick up a
book by John Connolly I am going to be reading a thoroughly well-written book
with exciting characters. Charlie Parker is a classic.
The
Ghosts of Altona by Craig Russell. (Quercus)
Head
of Hamburg's Murder Commission, Jan Fabel is used to the dead, but when a
routine
enquiry spirals out of control he finds himself on much closer terms
with death - his own. As he struggles to process this experience, his first
case comes back to haunt him: Monika Krone's body is found at last, fifteen
years after she disappeared. Monika - beautiful, intelligent, cruel - was the
centre of a group obsessed with the gothic. When men who knew Monika start
turning up dead, the crime scenes full of gothic symbolism, Fabel realizes he
is looking for a killer with both a hunger for vengeance and a terrifying taste
for the macabre. A true gothic demon is stalking the streets of Hamburg ... It is a brave author that makes his readers
believe that he has killed off his main protagonist at the start of the
book. In this case Craig Russell has
managed to pull off a fantastic manoeuvre that reverberates throughout the
novel. This is no run of the mill serial killer novel. There are elements of the gothic in play and The Ghosts of Altona. An upsetting and chilling crime novel it
subverts the reader’s expectations with at the same time as being cleverly
constructed. Unsurprisingly it won
Bloody Scotland crime novel of the year.
Silver
Bullets by Elmer Mendoza (Maclehose Press)
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Arab
Jazz by Karim Miské (Quercus)
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Stealing
People by Robert Wilson (Orion)
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Malice by Keigo Higashino (Little Brown)
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The
Body Snatcher by Patrica Melo (Bitter Lemon Press)
The
novel is set in the Pantanal, the vast untamed Brazilian lowlands bordering
Bolivia. One bright Sunday, alone on the banks of the Paraguay River, the
narrator witnesses the fatal crash of a small 'plane. He finds a kilo of
cocaine in the dead pilot's backpack. After but a moment's hesitation he
pockets the coke and the pilot's expensive watch. Thus begins the protagonist's
long slide into corruption. When the crash site is located several days later,
the pilot's body is missing and remains unfound for months despite a
large-scale police search. Our hero gets involved in a busted cocaine deal and
ends up owing a Bolivian drug gang so much money that blackmailing the wealthy
family of the dead pilot seems to be the only way out. The family secretly
agrees to pay serious money to recover the body of their son. Our hero doesn't
have the pilot's body so someone else's will do. Or so he thinks. Told in first person this is a brilliant
Brazilian corruption crime caper. There is mis-adventure after misadventure in The Body Snatcher, which is fast-paced
and intricately plotted. With a wry vein
of humour throughout the novel you are unsure as to whether or not you should
be laughing or crying at times.
Every
Night I dream of Hell by Malcolm Mckay (Pan MacMillan)
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Canary
by Duane Swiercznsky (Mulholland Books)
Every
student needs a part-time job. Hers
is hunting criminals. Sarie Holland is a
good kid. An Honor student. She doesn't even drink. So when a narcotics cop busts her while she's
doing a favour for a friend, she has a lot to lose. Desperate to avoid destroying her future,
Sarie agrees to become a CI - a confidential informant. Armed only with a
notebook, she turns out to be as good at catching criminals as she is at
passing tests. But it's going to take
more than one nineteen-year-old to clean up Philadelphia. Soon Sarie is caught
in the middle of a power struggle between corrupt cops and warring gangs, with
nothing on her side but stubbornness and smarts. Which is bad news for both the police and the
underworld. Because when it comes to payback, CI #137 turns out to be
a very fast learner... Cool,
with wry humour and told from multiple view points Canary features a spirited heroine that finds herself mixed up in
drugs and corruption. Words are not wasted and there is a sense of place that
makes you think you are right in the middle of what is happening. Canary
is a contemporary neo crime thriller that will no doubt become a classic.
Worthy
mentions also go to Hush, Hush by
Laura Lippman (Faber & Faber), The
Burning Man by Christopher Fowler (Transworld) The Defence by Steve Cavanagh (Orion) The Strings of Murder by Oscar de Muriel (Penguin), The Crossing by Michael Connelly (Orion) and The Killer Next Door by Alex Marwood (Little Brown)
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