Seattle isn’t one of those American cities
that leaps to mind when criminals are the topic. Say Mobster
and someone might think of tommy-gun-era Chicago. Say Mafia
and it’s probably New York. Gangbanger is L.A. Cocaine
Cowboy, Miami. But Seattle? Maybe the weed farms, but marijuana is legal
now. What’s a crime novelist to do? Write about crooks trafficking coffee beans from
non-free-trade nations?
The numbers support the perception. Seattle
is a pretty safe place to live. In a
2014 FBI study, Seattle ranked forty-first for violent crime among major
American cities, and sixty-third if you’re just counting murder. If a villain in one of my stories were to
cause a fatal bus crash, that act alone could triple the annual homicide
rate.
Ah, but that’s crimes against persons. I write more about professional thieves than
serial killers (or crazed bus-crashers).
What about property crime?
Jackpot.
Seattle ranks nineteenth for burglary, ninth for motor vehicle theft,
and a whopping third for larceny. These
stats are driven, as you might guess, by the drug problems that plague almost
every city but seems especially malignant in Seattle’s lower-income residential
neighborhoods. Last year, the SPD and
FBI kicked off a “9 ½ Block Strategy” in an effort to clean up the worst areas
of downtown. Regardless of those efforts,
there’s still plenty of grit to wash down with a good microbrew.
(On a lighter note, here’s my favourite
crime statistic: BUIs, Boating Under the Influence. A handful of arrests in the community of
Wallingford, which isn’t even on the main waterway of Puget Sound. Just a couple of drunk guys out on Lake
Union, giving the whole neighbourhood a bad rep.)
I’m clearing not doing myself any favours with
the local Chamber of Commerce by mentioning these statistics. But
the point is that whatever crime Seattle may have, it’s hardly the stuff of
Ocean’s Eleven. Stealing my next plot
from the headlines – there’s larceny again – isn’t an option.
No problem.
Most fiction writers are honours graduates of MSU – Making Stuff Up, to
use the bowdlerised version of the term.
I could invent any number of
criminal empires, on a scale that would give Professor Moriarty pause. But what would be suitable? What sort of crimes would reflect the city’s
mossy, flannel-clad personality?
As the real estate agents say: Location,
location, location. If you’ll pardon a
few final numbers, Seattle is the third largest shipping port in North America,
with the United States’ busiest system of commercial and recreational locks. The city is a quick ninety-minute drive from
the Canadian border. Home to tech and
biotech movers and shakers, and a whole lot of money, both old and new, invested
in Seattle business and high society. Where
there are goods being transported, there are goods being stolen. Wherever there’s a border, there’s
smuggling. And wherever the rich
congregate, like herd animals around a watering hole, there will be
predators.
Some of those hunters, at least in my
telling, are quiet professionals. They
are interested in acceptable risk for reasonable reward. They avoid violence, less because of peaceable
natures than because violence attracts attention. By comparison, other crooks are marauders,
willing to blast through any complication to get what they want. And still
others might be rabid, a danger to everyone around them. Crime in my novels is the lynchpin for these overlapping
subcultures, each with their rules and traditions and – used sparingly – even morals. I’ve long been fascinated by how groups and
communities create their own rules of engagement, while still being apart from
what most would consider mainstream society.
My protagonist Van Shaw was raised with some
unusual standards. Although he grew up
around other kids and attended school like most, his family was outside normal
life, was other. A Seattle boy born and bred, he’s as much a
part of the city as good espresso and drizzling rain, but his value system was on
the side of the predators. And if he
should be tempted back into that world, his crimes will still be Seattle
crimes.
Make no mistake, I’m delighted that the
Emerald City isn’t dangerous, and that my fictional villains don’t have to work
too hard to outpace reality. I prefer my thieving and violence to remain on
the page (and I hope you do as well).
And as long as Van keeps getting into trouble, I’ll aim to keep that
trouble homegrown.
More information about the author can be found on his website.
Follow him on Twitter @GlenErikH
Find him on Facebook
More information about the author can be found on his website.
Follow him on Twitter @GlenErikH
Find him on Facebook
Hard
Cold Winter by Glen Erik Hamilton is out now (Faber
& Faber, £12.99)
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