The original title of Stephen
King's second novel “Salem's Lot” was “Second Coming”. King was
inspired to write the novel after brainstorming about what would happen if
Dracula were to appear in modern-day small-town America.
“I decided I wanted to find
out, so I wrote a novel,” said King in 1975.
Though he initially planned to
title the novel “Second Coming, he changed it to “Jerusalem's Lot” on the
advice of his wife, novelist Tabitha King, who thought the original title
sounded too much like a "bad sex story." King's publishers then shortened
it to “Salem’s Lot”, considering that “Jerusalem's Lot” sounded too religious.
“Every novel is to some extent an inadvertent psychological portrait of the novelist, and I think that the unspeakable obscenity in 'Salem's Lot has to do with my own disillusionment and consequent fear for the future.
In a way, it is more closely related to Invasion of the Body
Snatchers than it is to Dracula. The fear behind 'Salem's Lot seems to be
that the Government has invaded everybody.”
The novel was first adapted
into a highly successful
CBS miniseries in 1979, directed by Tobe Hopper [renowned for his Texas
Chainsaw Massacre] and now in 2024, a new film version directed by Gary
Dauberman has been released. Dauberman is best known for writing horror films
Annabelle, Annabelle: Creation and The Nun, as well as co-writing the 2017 film
adaptation of Stephan King’s “It”.
It should be noted that Warner Brothers [Discovery] released Salem’s Lot in America to its streaming service MAX [much to Stephen King’s irritation] while in the UK Warner Brothers Pictures opted for a full nationwide cinema release. To celebrate this theatrical release Warner Bros UK hired out the prestigiously historic venue, London’s Regent Street Cinema for its launch on Tuesday 8th of October.
The Regent Street Cinema was
first opened in 1848 and is housed in the flagship building of the University
of Westminster. When it was first opened, it was used as a theatre. In late
February 1896, the cinema played a short movie by the Lumière Brothers. It was
the first motion picture shown in the United Kingdom.
The cinema was decorated in
spooky fashion, with actors mingling amongst the invited guests and assembled
journalists – with bloody cocktails, wine and blood bags with a weird concoction.
We were talking to journalist
and editor at The Express Jon Coates prior to the start of the film. It was no
surprise that Salem’s Lot was his first Stephen King novel and how it deeply
impacted his love of this author’s output. Coates was not alone.
Jeffery Deaver noted that “King Singlehandedly made popular fiction
grow up. While there were many good best-selling writers before him, King, more
than anybody since John D. MacDonald, brought reality to genre novels. He's
often remarked that Salem's Lot was Peyton Place meets Dracula, and so it was.
The rich characterization, the careful and caring social eye, the interplay of
story line and character development announced that writers could take worn
themes such as vampires and make them fresh again.”
So as the curtain came down,
and we mused over the new film, the consensus we agreed upon was -
It’s hard to pare down such a
dense and thematically complex novel such as Salem’s Lot into a two hour movie,
even Tobe Hooper struggled with a two part miniseries back in 1979/1980. In our
opinion Gary Dauberman had crafted an elegant updating to this gothic tale –
though as readers, we would always steer you to grabbing a copy of King’s novel
from Hodder and Stoughton – click
here
Or explore Stephen King’s more recent books – reviewed here at Shots Magazine via the links below.
HOLLY
– now out in paperback
YOU
LIKE IT DARKER – still out in Hardcover
And an article here WORKING
WITH THE KING is worth perusing.
We present a few photos from
the launch party for SALEM’S LOT 2024 in LONDON
Shots Magazine would like to thank Philippa Pride and Francesca Russell
of Hodder and Stoughton as well as Warner Brothers Pictures UK for a
wonderfully creepy evening.
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