Thursday, 28 May 2026

Crime Writers’ Association Announce 2026 Dagger Awards Shortlist

 


The shortlist for the Crime Writers’ Association’s prestigious Dagger awards has been announced.

Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

This year’s shortlists showcase the range and depth of the genre, from historical fiction to thrillers and classic whodunnits.

As well as championing established authors of the genre, it also provides a platform for debut and emerging talent.

Nadine Matheson, Chair of the CWA, said: "This year’s shortlist is a fantastic reflection of the extraordinary breadth and diversity of crime fiction today, and a celebration of authors from debuts to established names, whose creative talents ensure that the genre continues to grow from strength to strength.

The coveted KAA Gold Dagger, sponsored by Kevin Anderson & Associates, is awarded for the best crime novel of the year.

Shortlisted novels are S.A Cosby with King of Ashes, Abigail Dean’s The Death of Us, Holly Jackson with Not Quite Dead Yet, Vaseem Khan’s The Girl in Cell A, Ariel Lawhon with The Frozen and Lara Shepherd-Robinson’s The Art of a Lie, a novel that also makes the Historical Dagger shortlist.

S.A. Cosby is the only author to be shortlisted for an unprecedented three Dagger awards. As well as Gold, the American author of “Southern noir” is also in contention for the Short Story Dagger and the Ian Fleming Steel Dagger, which honours the best thriller of the year.

Also shortlisted for the Steel Dagger is the standalone thriller by BookTok sensation Noelle W Ihli, Such Quiet Girls inspired by the real-life 1976 Chowchilla kidnapping. She’s up against the global bestselling author Karin Slaughter for We Are All Guilty Here, Tariq Ashkanani’s The Midnight King, Robert Crais with The Big Empty, Mark Ezra’s A Sting in her Tale and Liam McIlvanney’s The Good Father.

Joining Laura Shepherd-Robinson, authors Nina Allan, Rob McInroy, Donna Moore, Alan Parks and Sally Smith make the Historical Dagger shortlist. The historical novels span 18th century London to 1920s Glasgow, from stories inspired by gritty true crimes to a cosy Christmas mystery.

The Twisted Dagger for psychological suspense shortlist features Sarah Pinborough, the author behind the New York Times bestselling breakout novel (and hit Netflix show) Behind Her Eyes with a haunting Gothic novel, We Live Here Now. She’s up against Kia Abdullah, Nicci Cloke, Fiona Cummins, Carole Hailey and Sam Lloyd.

The Whodunnit Dagger for books with an intellectual challenge at the heart of a good mystery, sees Alexandra Benedict, Victoria Goldman, Anna Fitzgerald Healy, Robert Holtom, Mel Pennant and CJ Wray in the running.

The global reach of the genre is showcased in the Crime Fiction in Translation Dagger.

International authors include two German writers - Karsten Dusse with his bestselling dark comedy series, Murder Mindfully and Leonie Swann with her mystery novel, Big Bad Wool, the anticipated follow-up to her breakout hit, Three Bags Full that follows a flock of sheep as they try to solve a murder.

The shortlist also sees Norway’s Jørn Lier Horst, the Croatian writer and journalist Jurica Pavicic, Finland’s Antti Tuomainen, and Strange Pictures – a novel from the Japanese YouTuber and writer, Uketsu.

Their translators are also recognised in the award, which is sponsored in honour of Dolores Jakubowski.

The ALCS Gold Dagger for Non-Fiction includes The Spy in the Archive by Gordon Corera and Shaun Walker’s The Illegals, profiling Russia’s most audacious spies, reflecting the enduring fascination with espionage and true crime, alongside Shadow of The Bridge by Áine Cain and Kevin Greenlee, John Curran’s The Murder Game, Caroline Fraser’s Murderland, and Susannah Stapleton with That Dark Spring.

The Short Story Dagger features S.A. Cosby, alongside the acclaimed Scottish author Denise Mina and the bestselling Abir Mukherjee. The Daggers are one of the few high-profile awards celebrating short-form storytelling.

The Dagger in the Library, voted for by librarians, recognises authors whose bodies of work have resonated with readers over time. On this year’s shortlist are Paula Hawkins, best known for her huge hit, Girl on the Train alongside JD Kirk, Clare Mackintosh, Freida McFadden, Abir Mukherjee and Tim Sullivan.

The CWA Daggers are also known for providing a platform for emerging talent, with the much-anticipated ILP John Creasey First Novel Dagger and the Emerging Author Dagger competition, sponsored by Fiction Feedback; over two dozen past winners and shortlisted debut authors have signed publishing deals to date.

The Best Crime and Mystery Publisher category recognises the publishers behind the genre’s success, with leading imprints including Faber & Faber, Pan Macmillan, and Simon & Schuster shortlisted against Bitter Lemon Press, No Exit Press and Viper.

The CWA Diamond Dagger, sponsored by Karen Baugh Menuhin, is awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring and in 2026 was awarded to Mark Billingham.

The winners are announced at the CWA gala dinner awards night in July.


The shortlists in full:                


CWA KAA Gold Dagger

King of Ashes by S. A. Cosby (Headline)        

The Death of Us by Abigail Dean (HarperCollins/Hemlock Press)

Not Quite Dead Yet by Holly Jackson (Penguin Random House/Michael Joseph)

The Girl in Cell A by Vaseem Khan (Hodder Fiction).

The Frozen by Ariel Lawhon (River Swift Press)          

The Art of a Lie by Laura Shepherd-Robinson (Pan Macmillan/Mantle)

          

Ian Fleming Steel Dagger

The Midnight King by Tariq Ashkanani (Profile Books/Viper)

King of Ashes by S. A. Cosby (Headline)

The Big Empty by Robert Crais (Simon & Schuster UK)

A Sting in her Tale by Mark Ezra (Bedford Square Publishers/ No Exit Press)

Such Quiet Girls by Noelle W Ihli (Pan Macmillan/ Pan)

The Good Father by Liam McIlvanney (Bonnier Books UK/Zaffre)

We Are All Guilty Here by Karin Slaughter (HarperCollins Publishers)

ALCS Gold Dagger for Non-Fiction

Shadow of The Bridge: The Delphi Murders and The Dark Side of The American Heartland by Áine Cain and Kevin Greenlee (Pegasus Books/Pegasus Crime)          

The Spy in the Archive: How One Man Tried to Kill the KGB by Gordon Corera (HarperCollins/ William Collins)

The Murder Game by John Curran (HarperCollins/Collins Crime Club)

Murderland by Caroline Fraser (Little, Brown Book Group/Fleet)

That Dark Spring by Susannah Stapleton (Pan Macmillan/Picador)

The Illegals by Shaun Walker (Profile Books)


Historical Dagger

A Granite Silence by Nina Allan (Quercus/riverrun)

Barvick Falls by Rob McInroy (Tippermuir Books)

The Devil's Draper by Donna Moore (Fly on the Wall Press)

Gunner by Alan Parks (John Murray Press/Baskerville)

The Art of a Lie by Laura Shepherd-Robinson (Pan Macmillan/Mangle)

A Case of Life and Limb by Sally Smith (Bloomsbury Publishing/Raven Books)


Crime Fiction in Translation Dagger

Murder Mindfully by Karsten Dusse (Faber) translated by Florian Duijsens

The Lake by Jørn Lier Horst  (Penguin Random House) translated by Anne Bruce

Red Water by Jurica Pavicic (Bitter Lemon Press) translated by Matt Robinson

Big Bad Wool by Leonie Swann (Allison & Busby) translated by Amy Bojang

The Winter Job by Antti Tuomainen (Orenda Books) translated by David Hackston

Strange Pictures by Uketsu (Pushkin Press) translated by Jim Rion


Whodunnit Dagger

The Christmas Cracker Killer by Alexandra Benedict (Simon & Schuster UK)

Little Secrets by Victoria Goldman (Three Crowns Publishing UK/self-published)

Etiquette for Lovers & Killers by Anna Fitzgerald Healy (Little, Brown Book Group/Fleet)

A Queer Case by Robert Holtom (Titan Books)

A Murder for Miss Hortense by Mel Pennant (John Murray Press/Baskerville)

Bad Influence by CJ Wray (Orion Fiction)


Twisted Dagger

What Happens in the Dark by Kia Abdullah  (HarperCollins/HQ Ficiton)

Her Many Faces by Nicci Cloke (Penguin Random House UK/Harvill)

Some of Us are Liars by Fiona Cummins (Pan Macmillan/Macmillan)

Scenes From A Tragedy by Carole Hailey (Atlantic Books/Corvus)

The Bodies by Sam Lloyd (Transworld/Bantam)

We Live Here Now by Sarah Pinborough (Orion Fiction)         

ILP John Creasey (First Novel) Dagger

The Peak by Sam Guthrie (HarperCollins Publishers)

The Lost Detective by Elspeth Latimer (Story Machine)

The Wolf Tree by Laura McCluskey (HarperCollins/Hemlock Press)

The Vanishing Place by Zoë Rankin (Profile Books/Viper)

Coram House by Bailey Seybolt (Bloomsbury Publishing/Raven Books)

Holy City by Henry Wise (Bedford Square Publishers/No Exit Press)

Short Story Dagger

Split Your Silver Tongue’ by SA Cosby in Birds, Strangers and Psychos (No Exit Press)

The Karpman Drama Triangle’ by Denise Mina in Birds, Strangers and Psychos (No Exit Press)

Full Circle’ by Abir Mukherjee in Playing Dead: Short Stories by Members of the Detection Club (Severn House)

 ‘The Apple Falls Not Far’ by Ambrose Perry (Canongate)

 ‘Strangers on a School Bus’ by Peter Swanson in Birds, Strangers and Psychos (No Exit Press)

 ‘Waiting’ by Michael Wood in Criminal Pursuits: This Is Me (Telos Publishing)

Emerging Author

Ill Met By Murder by Rod Cookson, 

 The Man Who Fit the Case by Sophia Georghiou

Just a Simple Wedding by Kate Koester

The Fixer by Lorna Mathew, 

The Madam of Morningside by Rebecca McFarland

Blind Side of the Sun by Michael Nikitin

The Pattern of Absence by Melisssa Smith


Dagger in the Library

Paula Hawkins   

JD Kirk  

Clare Mackintosh             

Freida McFadden             

Abir Mukherjee 

Tim Sullivan       


Best Crime & Mystery Publisher

Bitter Lemon Press

Faber & Faber

No Exit Press (Bedford Square)

Pan Macmillan

Simon & Schuster

Viper (Profile Books)


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