Showing posts with label Chess. Show all posts
Showing posts with label Chess. Show all posts

Thursday, 13 February 2020

Q & A with Sam Lloyd author of The Memory Wood

Q:- What is the Memory Wood about?

Sam:- It’s about two incredibly gifted kids engaged in a life-or-death game of deception. Elissa, a thirteen-year-old chess prodigy, is competing at a world-ranking event when she’s snatched from the venue and sedated. She wakes in darkness, tethered to a metal post. When her abductor arrives, it’s clear he has no plans to release her. Elissa’s situation looks hopeless. Then, a chance event: twelve-year-old Elijah, playing in his local woods, stumbles across her underground cell. Elissa thinks she’s saved, and urges Elijah to get help. But Elijah thinks he’s found his first true friend, and knows that if he calls the police he’ll lose her. Elissa concludes that her survival depends on deceiving the boy into helping her. But he’s far, far sharper than he seems. As the stakes rise, their mind games grow increasingly twisted and sophisticated.

Q:- When did the idea for The Memory Wood formulate?

Sam:- It was actually the smashing together of two separate thoughts. Elijah had been holed up in my head for years, without a story to release him. Then, when my son turned eight, he reached the regional finals of a national chess tournament. One Saturday morning, I drove him to the venue. It was pretty chaotic – hundreds of people rushing about. Parents had to wait outside during the matches, and it struck me how easily a determined stranger might snatch away a kid. By the time we drove home, I had the bones of a story. 

Q:- Tell us a little bit about your two central characters – Elissa & Elijah.

Sam:- Elissa is scary-smart – a mentally strong teenager who refuses to play the victim. Reducing her circumstances to the abstraction of a chess game, she plans her moves several steps ahead of everyone else. Elijah is home-schooled, introverted and cripplingly lonely. He has no TV, no internet, little contact with the outside world.  By day, he roams the Memory Wood on the country estate where his parents work. He’s delighted to discover Elissa, even though he’s fairly certain how events will play out. 

Q:- Were these characters difficult to write?

Sam:- They became more difficult to write as the book progressed. I grew very attached to each character in different ways, and their later chapters are harrowing. Writing the last few pages was an emotional experience. 

Q:- Do you plan your novels out, or are you more of a pantser? Why?

Sam:- A reluctant pantser. I’d love to have a detailed road map, but there’s a point when I just lose patience and dive in. With the Memory Wood, I wrote the first page with little inkling of where it was going, or how it would end. And although Elijah had been knocking around inside my head for years, Elissa appeared on the page fully-formed, with very little forethought. Weird, how that happens. It’s why writing’s so bloody addictive.

Q:- How hard is it to write twists into books?

Sam:- It’s a tightrope over broken glass. The only thing worse than a twist that feels shoehorned is one so glaringly obvious you guess it from the blurb. While great twists knock you sideways and are a boatload of fun, they should always take second stage to the characters. As a reader, I’ll take a memorable cast over a shocking plot twist every day of the week. What I really want, of course, is both. 

Q:- What are you reading at the moment?

Sam:- Wuthering Heights, and loving every word of it, even though it’s lightyears away from what I usually read. My in-laws bought me cloth-bound editions of all the Brontë novels for Christmas. Last year, they got me a Joe Hill graphic novel and the Preacher series, so they like to mix it up.

Q:- Who are your favourite authors in the crime/thriller genre?

Long-time favourites: Thomas Harris, Gillian Flynn, Rosamund Lupton. Writers I’ve just discovered: Will Dean, Shari Lapena, Alex North. Books I’m most looking forward to in 2020: Three Hours, American Dirt, My Dark Vanessa.  

The Memory Wood is by Sam Lloyd is published by Transworld Publishers Limited.
Elijah has lived in the Memory Wood for as long as he can remember. It's the only home he's ever known.  Elissa has only just arrived. And she'll do everything she can to escape.  When Elijah stumbles across thirteen-year-old Elissa, in the woods where her abductor is hiding her, he refuses to alert the police. Because in his twelve years, Elijah has never had a proper friend. And he doesn't want Elissa to leave. Not only that, Elijah knows how this can end. After all, Elissa isn't the first girl he's found inside the Memory Wood.  As her abductor's behaviour grows more erratic, Elissa realises that outwitting strange, lonely Elijah is her only hope of survival. Their cat-and-mouse game of deception and betrayal will determine both their fates, and whether either of them will ever leave the Memory Wood ...

Monday, 13 January 2014

In Power and Politics, the More Things Change…

Today’s guest blog is by Matthew Reilly the author of 12 novels.  He is the author of the Jack West Jr series (the rights of which have been bought by ABC US Network) and the Scarecrow series. Walt Disney Pictures have optioned the movie rights to his children’s book, Hover Car Racer, while Ice Station was optioned by Paramount Pictures.

We like to think that our modern civilisation is so enlightened, so tolerant, so peaceful, but, honestly, has anything really changed in the last thousand years?

My latest novel, The Tournament, is set in the 1500s. My intention was to tell a story from the point of view of the then 13-year-old Princess Elizabeth (later Queen Elizabeth I) in which she attends a fabled chess tournament in Constantinople and there witnesses the power players of the time doing all the nefarious and devious things that power players do. Quite a few murders occur.

I populated my novel with real characters of the era: Michelangelo, Ignatius Loyola, the great Islamic sultan Suleiman the Magnificent, a 15-year-old Ivan the Terrible and (of course!) Henry VIII.

What happened, however, as I wrote the novel, surprised me. I found that so many things have not changed in 1,000 years.   Indeed, one of the themes of the novel became just how much things have not changed.

The host of my fictional tournament, Sultan Suleiman the Magnificent, bemoans the schism in Islam, the clash between Sunni and Shia, which goes on today in the bombings of mosques in Iraq.

Spies were rampant then, with agents of the various European monarchs trying to find out as much as they could about each other’s intentions—think about the recent scandal where US agents were listening in on the cell phone calls of other heads of state.

The child-abuse crisis that grips the Catholic Church today was a problem even then. In
 
1051, St Peter Damian complained about the sexual abuse of boys by members of the clergy. Damian even mentioned that senior Church members had concealed those crimes. Sound familiar?

Best of all, though, I got to examine Queen Elizabeth I from an unusual angle: I tried to imagine the personality and character of a wide-eyed little girl who would go on to become arguably England’s greatest queen.

But then, if I were to ask you to name the most successful English monarchs in recent times, you’d probably say Queen Victoria or Queen Elizabeth II. The most successful monarchs, then as now, were female.

I don’t presume to know why this is so, but I do know this: the more things change, the more they stay the same.

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Exclusively over on the Shots website everyday this week you can read an extended extract of the Tournament.

More information about Matthew and his work can be found on his website.  You can also follow Matthew on Twitter @Mathhew_Reilly or like his Facebook Page.