Showing posts with label Dominic Nolan. Show all posts
Showing posts with label Dominic Nolan. Show all posts

Saturday, 21 February 2026

Criminal Splatterings

Congratulations go to the wonderful Mick Herron who has won the 2026 Pepe Carvlho Award  which is given every year to an author in the noir fiction category as part of the literary festival BCNegra. More information can be found here.

Jo Nesbø’s global bestselling books are coming soon to Netflix.  The Trailer can be seen below and the first episode is due to air on 26th March.


Not good news – Throughly disappointing to hear that “Virdee” has been cancelled due to lower than expected viewing figures. More information can be found here. I do hope that it is picked up by someone else. A response from the BBC can be found here.

BritBox and ITV are bringing back Reginald Hill's beloved duo Dalziel and Pascoe in a 'fresh' contemporary reimagining. More information can be found here. Filming is due to start on the six part series  in the spring of 2026 in the North of England.

ITV's six-part police procedural, Winter, has commenced filming in Bristol and Belgium with further casting announced. The series features an unconventional forensic pathologist, Dr Ethan Winter, played by Richard Armitage (Missing You, Red Eye, Fool Me Once), whose brilliance, sharp intellect and rule-breaking approach helps the police solve some of the most complex murder cases. The series will be broadcast and streamed in the US by Masterpiece PBS. More information can be found here.

David Morrissey and Danny Dyer are set to lead the cast of Channel 4's adaptation of Ben McIntyre's best selling book The Siege which is set around a pivotal moment in history when six Arab Iranian's burst into the Iranian Embassy taking hostages. More information on the limited six part series can be found here.

Congratulations go to Dominic Nolan whose novel White City has won the Lauréat Du Prix Mystére De La Critique 2026

ITV have acquired a new crime drama featuring Minnie Driver entitled The Murder Line a six part series is set in Canada and is is due to be shown in Spring. More information can be found here.

Laura Wilson's round-up of recent crime and thriller books in the Guardian can be found here.


 

Friday, 28 March 2025

Capital Crime Full Lineup Revealed


The wait is over! The full Capital Crime 2025 programme has landed, and it’s our biggest, boldest lineup yet.

Join us in London on 12th-13th June for an unforgettable festival packed with thrilling conversations, exclusive events, and the chance to meet your literary heroes.

Expect bestselling authors, award-winning storytellers, and crime fiction’s biggest names, including:

Michael Connelly, Steph McGovern, Jeremy Vine, Vaseem Khan, Linwood Barclay, Karin Slaughter, Richard Armitage, Ruth Ware, Lisa Jewell, Clare Mackintosh, Andrew Child and many many more.

Plus, we’ve just announced the Fingerprint Awards shortlists - will your favourite take the prize?

Whether you’re a fan of psychological thrillers, gripping spy fiction, or classic crime stories, there’s something for everyone. 

Weekend & day tickets are selling fast - secure yours now to avoid disappointment.

With an electrifying mix of bestselling authors, expert panels, and thrilling discussions, this year’s festival is set to be truly unforgettable.

Here’s just a taste of what’s in store over two packed days:

FRIDAY:

Thrillers That Go Bump in the Night with Linwood Barclay and Andrew Child & Nadine Matheson

Criminal Minds Throughout History with Conn Iggulden, Kate Williams & Hallie Rubenhold

Espionage for the Modern Reader: Ava Glass, Charles Cumming and Nick Harkaway & Vaseem Khan

The One You Least Suspect: Dilemmas and Decisions with David Goodman, S. M. Govett and Remi Kone & Brian McGilloway

Deception in Crime Fiction - Mark Edwards, Nicci French, Erin Kelly & Claire McGowan 

Found in Translation: Jón Atli Jónasson, Lex Noteboom, Johana Gustawsson, Thomas Enger & Quentin Bates

Terror on and off the page: social injustices in horror and high concept thrillers:  Chris Carter, Erin E. Adams, Jessie Elland & Andrea Carter

Masters of Mystery: a panel of crime writing experts: Dr Duncan Harding (forensic psychologist), Graham Bartlett (police) and Nicola Williams (practising Judge)  in conversation with criminal defence lawyer Ruth Mancini 

Crime to cool you down this summer: Will Dean, Heidi Amsinck, R. O. Thorp & Ed James

SATURDAY: 

Crime Writing Masters discussing craft and creativity: Michael Connelly in conversation with M. W. Craven 

The Appeal of Unlikeable Characters with Richard Armitage, Lisa Jewell and Steph McGovern & Jon Coates

25 Years in the Making: Mark Billingham and Karin Slaughter in conversation with Louise Minchin

Exploring the Human Mind One Thriller at a Time: with Dorothy Koomson, Ruth Ware & Anna Sharpe

From Page to Screen: Bringing crime thrillers to life: with Jane Casey, Michael Connelly andRagnar Jonasson, interviewed by Lisa Howells

Agatha Christie for the ‘Knives Out’ Generation: Kelly Mullen, Ram Murali, Jeremy Vine & Rob Rinder

Silver Anniversary Stories: celebrate 25 books with Adele Parks in conversation with David Headley

Not-so Domestic Bliss: toxic families and friendships with Andrea Mara, Asia Mackay, Claire Douglas, Caz Frear & Heidi Perks 

C’ is for creating communities in Crime Fiction: Suk Pannu, Rev Richard Coles, Blake Mara & Tim Sullivan

Making your mark: the different routes to telling your thriller: Barnaby Martin, Jo Callaghan and Dominic Nolan & C. B. Everett

And so much more! With over 30 incredible events, the Fingerprint Awards, surprises throughout the weekend, and the chance to meet your favourite authors, this is one festival you don’t want to miss.

The full schedule can be found here and tickets can be found here.


Sunday, 1 December 2024

My Favourite reads of 2024

My favourite reads this year have spanned spy thrillers, a debut novel an end of a trilogy, translated novels and a contemporary topical thriller to name few. They are as follows in alphabetical order.

The Sparrow & The Peacock by I S Berry (No Exit Press/Bedford Square Publishers)

Shane Collins, a world-weary CIA spy, is ready to come in from the cold. Stationed in Bahrain for his final tour, he's anxious to dispense with his mission — uncovering Iranian support for the insurgency. But then he meets Almaisa, an enigmatic artist, and his eyes are opened to a side of Bahrain most expats never experience, to questions he never thought to ask. When his trusted informant becomes embroiled in a murder, Collins finds himself drawn deep into the conflict, his romance and loyalties upended. In an instant, he's caught in the crosswinds of a revolution. He sets out to learn the truth behind the Arab Spring, win Almaisa's love, and uncover the murky border where Bahrain's secrets end and America's begin.

The Waiting by Michael Connelly (Orion Publishing)

LAPD Detective Renée Ballard tracks a terrifying serial rapist whose trail has gone cold with the help of the newest volunteer to the Open-Unsolved Unit: Patrol Officer Maddie Bosch, Harry's daughter. Renée Ballard and the LAPD's Open-Unsolved Unit get a hot shot DNA connection between a recently arrested man and a serial rapist and murderer who went quiet twenty years ago. The arrested man is only twenty-three, so the genetic link must be familial. It is his father who was the Pillowcase Rapist, responsible for a five-year reign of terror in the city of angels. But when Ballard and her team move in on their suspect, they encounter a baffling web of secrets and legal hurdles. Meanwhile, Ballard's badge, gun, and ID are stolen-a theft she can't report without giving her enemies in the department the ammunition they need to end her career as a detective. She works the burglary alone, but her solo mission leads her into greater danger than she anticipates. She has no choice but to go outside the department for help, and that leads her to the door of Harry Bosch. Finally, Ballard takes on a new volunteer to the cold case unit. Bosch's daughter Maddie wants to supplement her work as a patrol officer on the night beat by investigating cases with Ballard. But Renée soon learns that Maddie has an ulterior motive for getting access to the city's library of lost souls.

Karla’s Choice by Nick Harkaway (Penguin Books)

It is spring in 1963 and George Smiley has left the Circus. With the wreckage of the West's spy war with the Soviets strewn across Europe, he has eyes only on a more peaceful life. And indeed, with his marriage more secure than ever, there is a rumour in Whitehall – unconfirmed and a little scandalous – that George Smiley might almost be happy. But Control has other plans. A Russian agent has defected in the most unusual of circumstances, and the man he was sent to kill in London is nowhere to be found. Smiley reluctantly agrees to one last simple task: interview Susanna, a Hungarian émigré and employee of the missing man, and sniff out a lead. But in his absence the shadows of Moscow have lengthened. Smiley will soon find himself entangled in a perilous mystery that will define the battles to come, and strike at the heart of his greatest enemy… Karla's Choice is set in the missing decade between two iconic instalments in the George Smiley saga, The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy and  is an extraordinary, thrilling return to the world of spy fiction's greatest writer, John le Carré.

Hotel Lucky Seven by Kotaro Isaka (Vintage Publishing)

A luxury hotel full of assassins - what could go wrong? Nanao ‘the unluckiest assassin in the world’ has been hired to deliver a birthday present to a guest at a luxury Tokyo Hotel. It seems like a simple assignment but by the time he leaves the guest's room one man is dead and more will soon follow. As events spiral out of control as it becomes clear several different killers, with varying missions, are all taking a stay in the hotel at the same time. And they're all particularly interested in a young woman with a photographic memory, hiding out on one of the twenty floors. Will Nanao find the truth about what’s going on? And will he check out alive?

Imposter Syndrome by Joseph Knox (Transworld Publishers)

'When you’re living a lie, you find it’s best to avoid close attachments…’ Lynch, a burned out con-artist, arrives, broke, in London, trying not to dwell on the mistakes that got him there. When he bumps into Bobbie, a rehab-bound heiress - and when she briefly mistakes him for her missing brother - Lynch senses the opportunity, as well as the danger… Bobbie’s brother, Heydon, was a troubled young man. Five years ago, he walked out of the family home and never went back. His car was found parked on a bridge overlooking the Thames, in the early hours of the same morning. Unsettled by Bobbie’s story, and suffering from a rare attack of conscience, Lynch tries to back off. But when Bobbie leaves for rehab the following day, he finds himself drawn to her luxurious family home, and into a meeting with her mother, the formidable Miranda. Seeing the same resemblance that her daughter did, Miranda proposes she hire Lynch to assume her son’s identity, in a last-ditch effort to try and flush out his killer. As Lynch begins to impersonate him, dark forces are lured out of the shadows, and he realises too late that Heydon wasn’t paranoid at all. Someone was watching his every move, and they’ll kill to keep it a secret. For the first time, Lynch is in a life or death situation he can’t lie his way out of.

Guide Me Home by Attica Locke (Profile Books)

Texas Ranger Darren Mathews has handed in his badge. A choice made three years before, which served justice if not the law, means that he may now stand trial. And his mother - an intermittent and destructive force in his life - is the cause of his fall from grace.And yet it is his mother's reappearance that may also be his salvation. A black girl at an all-white sorority at a nearby college is missing, her belongings tossed in a dumpster. Her sorority sisters, the college police, even the girl's own family, deny that she has disappeared, but Sera Fuller is nowhere to be found. A bloodstained shirt discovered in a woodland clearing may be the last trace of her. And Darren's mother wants her son to work the case. Disillusioned by an America forever changed by the presidency of Donald Trump, Darren reluctantly agrees. Yet as he sets out to find a girl whose family don't want her found, it is his own family's history that may be brought painfully into the light. And a reckoning with his past may finally show Darren the future he can build.And yet it is his mother's reappearance that may also be his salvation. A black girl at an all-white sorority at a nearby college is missing, her belongings tossed in a dumpster. Her sorority sisters, the college police, even the girl's own family, deny that she has disappeared, but Sera Fuller is nowhere to be found. A bloodstained shirt discovered in a woodland clearing may be the last trace of her. And Darren's mother wants her son to work the case.Disillusioned by an America forever changed by the presidency of Donald Trump, Darren reluctantly agrees. Yet as he sets out to find a girl whose family don't want her found, it is his own family's history that may be brought painfully into the light. And a reckoning with his past may finally show Darren the future he can build.

Moscow X by David McCloskey (Swift Press)

A daring CIA operation threatens chaos in the Kremlin. Its execution is foiled by a Russian woman with secret loyalties CIA operatives Sia and Max enter Russia to recruit Vladimir Putin's moneyman. Sia works for a London firm that conceals the wealth of the super-rich. Max's family business in Mexico - a CIA front since the 1960s - is a farm that breeds high-end racehorses. They pose as a couple, and their targets are Vadim, Putin's private banker, and his wife Anna, who is both a banker and an intelligence officer. As they descend further into a Russian world dripping with luxury and rife with gangland violence, Sia and Max's hope may be Anna, who is playing a game of her own. Careening between the horse ranch and the dark opulence of Saint Petersburg, Moscow X is both a gripping thriller of modern espionage and a daring work of political commentary on the conflict between Washington and Moscow.

Hunted by Abir Mukherjee (Vintage Publishing)

You can't save your kids. But can you stop them? It's a week before the presidential elections when a bomb goes off in an LA shopping mall. In London, armed police storm Heathrow Airport and arrest Sajid Khan. His daughter, Aliyah entered the USA with the suicide bomber, and now she's missing, potentially plotting another attack on American soil. But then a woman called Carrie turns up at Sajid's door after travelling halfway across the world. She claims Aliyah is with her son and she has a clue to their whereabouts. Carrie knows something isn't adding up - and that she and Sajid are the only ones who can find their children and discover the truth. On the run from the authorities, the two parents are thrown together in a race against time to save their kids and stop a catastrophe that will derail the country's future forever.

White City by Dominic Nolan (Headline Publishing)

It's 1952, and London is victorious but broken, a city of war ruins and rationing, run by gangsters and black-market spivs.  An elaborate midnight heist, the biggest robbery in British history, sends newspapers into a frenzy. Politicians are furious, the police red-faced. They have suspicions but no leads. Hunches but no proof. For two families, it is more than just a sensational headline, as their fathers fail to return home on the day of the robbery. Young Addie Rowe, daughter of a missing Jamaican postman and drunk ex-club hostess mother, struggles to care for her little sister in a dilapidated Brixton rooming house.  Claire Martin, increasingly resentful of roads not taken, strives to make the rent and keep her teenage son Ray from falling under unsavoury influences in Notting Dale. She finds herself caught between the interests of dangerous men who may know the truth behind her husband's disappearance: Dave Lander, whose reserved nature she finds difficult to reconcile with his reputation as a violent gang enforcer, and Teddy 'Mother' Nunn, a sociopathic, evangelising outlaw and top lieutenant in Billy Hill's underworld. Drawn together through the years in the city's invisible web of crime and poverty, the fates of the broken families and violent men collide in 1958, as the West Indian community of Notting Hill's slums come under attack from thugs and Teddy Boys. For Addie, Claire, Dave and Mother, old scores will be settled and new dreams chased in the crucible of London's violent summer.

Holmes and Moriarty by Gareth Rubin (Simon and Schuster Ltd) 

Two adversaries. One deadly alliance. Together, can they unlock the truth? Sherlock Holmes and his faithful friend, Dr John Watson, have been hired by actor George Reynolds to help him solve a puzzle. George wants them to find out why the audience who comes to see him perform every night are the same people, only wearing disguises. Is something sinister going on and, if so, what? Meanwhile, Holmes’ archenemy, Professor James Moriarty is having problems of his own. Implicated in the murder of a gang leader, Moriarty and his second, Moran, must go on the run from the police in order to find out who is behind the set-up. But their investigation puts them in the way of Holmes and Watson and it’s not long before all four realise that they are being targeted by the same person. With lives on the line, not just their own, they must form an uneasy alliance in order to unmask the true villain. With clues leading them to a hotel in Switzerland and a conspiracy far greater than any of them expected, who can be trusted – and will anyone of them survive?

The Hitchcock Hotel by Stephanie Wrobel (Penguin Books)

Alfred Smettle adores Hitchcock. And who better to become founder, owner and manager of The Hitchcock Hotel, a remote, sprawling Victorian house sitting atop a hill in the beautiful White Mountains, New England. There, guests can find movie props and memorabilia in every room, round-the-clock film screenings, and an aviary with fifty crows. For the hotel's first anniversary, Alfred invites the five college friends he studied film with. He hasn't spoken to any of them in sixteen years.  Not after what happened. But who better to appreciate Alfred's creation? His guests arrive, and everything seems to go according to plan. Until one glimpses someone standing outside her shower curtain. Another is violently ill every time she eats the hotel food. Then their mobile phones go missing. You should always make the audience suffer as much as possible, right? The guests are stuck in the middle of nowhere, and things are about to get even worse. After all, no Hitchcock set is complete without a dead body.

Butter by Asako Yuzuki (HarperCollins Publishers)

The cult Japanese bestseller about a female gourmet cook and serial killer and the journalist intent on cracking her case, inspired by a true story. There are two things that I can simply not tolerate: feminists and margarine Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation's imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can't resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought? Inspired by the real case of the convicted con woman and serial killer, "The Konkatsu Killer", Asako Yuzuki's Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan.


Honourable mentions go to  -

The Instruments of Darkness by John Connolly (Hodder and Stoughton)

In Maine, Colleen Clark stands accused of the worst crime a mother can commit: the abduction and possible murder of her child. Everyone - ambitious politicians in an election season, hardened police, ordinary folk - has an opinion on the case, and most believe she is guilty. But most is not all. Defending Colleen is the lawyer Moxie Castin, and working alongside him is the private investigator Charlie Parker, who senses the tale has another twist, one involving a husband too eager to accept his wife's guilt, a disgraced psychic seeking redemption, and an old twisted house deep in the Maine woods, a house that should never have been built. A house, and what dwells beneath.

A Beginners Guide to Breaking and Entering by Andrew Hunter Murray (Cornerstone)

Property might be theft. But the housing market is murder. My name is Al. I live in wealthy people's second homes while their real owners are away. I don't rob them, I don't damage anything... I'm more an unofficial house-sitter than an actual criminal. Life is good. Or it was - until last night, when my friends and I broke into the wrong place, on the wrong day, and someone wound up dead. And now... now we’re in a great deal of trouble. Featuring crooked houses, dodgy coppers and a lot of lockpicking, A Beginner's Guide to Breaking and Entering is a gripping thriller about what it's like to be young, skilled, unemployed - and on the run.


Holmes, Margaret and Poe by James Patterson and Brian Sitts (Century)

Brendan Holmes, Margaret Marple and Auguste Poe run the most in-demand private investigation agency in New York City. The three detectives make a formidable team, solving a series of seemingly impossible crimes which expose the dark underbelly of the city - from a priceless art theft, high-stakes kidnapping and a decades-old unsolved murder, to a gruesome subterranean prison and corruption and bribery at the highest levels of power. But it's not long before their headline-grabbing breakthroughs, unconventional methods - and untraceable pasts - attract the attention of the NYPD and the FBI. After all, it's no surprise that there's a mystery or two to unravel in the city that never sleeps . . . not least, who really are Holmes, Margaret and Poe?

Midnight and Blue by Ian Rankin (Orion)

John Rebus spent his life as a detective putting Edinburgh's most deadly criminals behind bars. Now, he's joined them. As new allies and old enemies circle, and the days and nights bleed into each other, even the legendary detective struggles to keep his head. That is, until a murder at midnight in a locked cell presents a new mystery. They say old habits die hard... However, this is a case where the prisoners and the guards are all suspects, and everyone has something to hide.  With no badge, no authority and no safety net, Rebus walks a tightrope - with his life on the line. But how do you find a killer in a place full of them?












Friday, 5 April 2024

Forthcoming books from Headline Publishing

 July 2024

It's the event of the year - the company summer party. Mel can't wait. Sun, sea, cocktails, her sights set on her work crush, and letting her hair down with her colleagues. One big happy family. What could go wrong? But as the Champagne flows and the sun begins to set, cracks in the team start to appear. Secrets, lies, revenge. No one is as innocent as they seem.  But could someone be guilty of murder? Mel soon realises someone is orchestrating a deadly plan. And she needs to uncover the truth if she's going to get out alive . . . The Summer Party is by Kate Gray.


August 2024

Abel Bac, a police officer, has been suspended from duty for unknown reasons. Haunted by a recurring nightmare, he walks the streets of Paris hoping to lose himself in the city, but somehow, he always finds his way home. Solitary by nature, he retreats from the extroversion of his new neighbour Elsa, and his former colleague Camille who is pained by her unrequited love for him. All that gives Abel comfort are the ninety-four orchids which populate his small apartment.  In museums across Paris something strange is happening. A white horse appears in the library of the Pompidou Centre. In a small museum, stuffed wolves are displayed in fine garments drinking tea. The police are baffled and Abel, who is somehow linked to it all, is becoming more and more unnerved.  Soon, the hidden darkness of his life will rise to the surface and lead him to Mila, the mysterious artist at the heart of this enigma. And it is not long before we discover that nothing about these events is coincidental. Artifice is by Claire Berest.

Ruby Johnson is a nanny and maid to wealthy families in Manhattan's West 74th Street. 
She knows their routines. Their secrets. One night, on her way home, Ruby witnesses a neighbour's murder. She knows the victim. She knows the killer. She makes an anonymous call to the police and names the murderer. But Ruby didn't tell the truth... Because there's something wrong with Ruby Johnson. Eddie Flynn, conman turned trial lawyer, must defend an innocent man accused of this terrible crime. As Ruby's deadly game begins, one thing is certain. It won't be the last murder this witness is involved in. Witness 8 is by Steve Cavanagh. 

Buried too Deep is by Karen Rose. Cora-Jane Winslow's father walked out on her family 23 years ago; his letters to her over the years the only connection she has had to him. When his body is discovered in an abandoned building, she is shocked to discover he has been dead all this time. What happened to him and who would cover up his murder by writing the letters? After his post-traumatic stress disorder forced him to run away from his life, Phin Bishop returns to the Burke Broussard Private Detective Agency, only to stumble upon an armed break-in. Cora-Jane is seen running from the building and his colleague Joy has been shot.  When it appears the shooting is related to Cora-Jane's father, the Agency step in to offer protection while they hunt for the perpetrator. Someone knows what really happened to Cora Jane's father and will stop at nothing to prevent their long-buried secrets being discovered . . .

Would you keep a secret for a stranger, if it meant the blood was on your hands? Celia, Juliette and Nadia are complete strangers with one thing in common: they have all been wronged by Ellis Cobain. A wealthy philanthropist on course for a knighthood, Ellis' public persona is bulletproof - but lurking beneath this veneer is a sinister side that only the women closest to him have seen. When they meet at a boutique hotel on the Cornish coast, brought together by the blind arrogance of their tormentor, they realise what connects them and form a pact: to blackmail him and free themselves from his grasp. But when he is discovered the next morning, murdered in cold blood, they are left scrambling. None of them knows who did it, and now they must desperately cover their tracks. Will they keep each other's secrets, now they are all implicated in his death? Will one turn on the others, when any of them could be next? The Last Time I saw Him is by Rachel Abbott.

September 2024

Going to the Dogs is by Pierre Lemaitre. With Mathilde, there is never a stray bullet, her work is clean and neat. Tonight was an exception. A little whim. Obviously, she could have taken the shot from a distance, done less damage; obviously she could have made the hit with a single bullet. What can I say? I don't know what came over me. This is what she will say if anyone asks. And anyway, who cares? All that matters is that the guy is dead, right?  1985. Paris. Sixty-three-year-old Mathilde Perrin is on another mission. A widow, mother and decorated hero of the Resistance, she is also a ruthless and skilled contract killer, and the most unlikely suspect. But tonight, something has changed. Mathilde is agitated, forgetful and impulsive - so much so that even Ludo, her loyal and long-suffering Dalmatian, has noticed a dangerous shift in her mood.  For Mathilde, retirement is not an option. And no superior, nor police detective nor meddling neighbour will stand in her way. But as Mathilde's mind unravels and the bodies pile up, how long will it take before the killer herself becomes the target?

It's a prize anyone would kill to win. Ten celebrities have arrived to take part in the most gruelling - and lucrative - reality survival show ever devised: two weeks completely alone on a remote Scottish island, in the depths of winter.  With a production team that seems incapable of keeping them safe, a gathering storm and the unrelenting gaze of hidden cameras, the contestants are stretched to the limit as they try and outshine their fellow competitors and hide their darkest secrets. But when a contestant winds up dead, it soon becomes clear that the players are not just fighting for the prize, but for their lives. Isolation Island is by Louise Minchin.

Twelve year old Phoebe's world is falling apart. It's the summer of 1985 and she has just buried her parents, a fire at their family home claiming both in a freak accident. Her life is uprooted in an instant, and she takes little solace in the fact that her uncle Louis and aunt Maude have generously offered to take her in at their home in the Welsh woods. Under the summer sun, though, Phoebe falls into the rhythm of life with her eccentric guardians in their curious idyllic home, the hum of her aunt Maude's beehives filling the air. While exploring the surrounding woods, she strikes up a friendship with a strange girl, Gwyneth, but when she mentions this to her aunt she tells Phoebe that there are no children by that name in the village. Over the course of the summer the two girls strike up a strong bond, though nobody else seems to believe that Gwyneth exists. Soon, Phoebe begins to see the woods for what they truly are - a strange place where the line between life and death is blurred, where spirits roam and secrets fester. But has she learned this truth too late to escape it? Broken Ghosts is by J D Oswald.

October 2024

A Reluctant Spy is by David Goodman. Jamie Tulloch is a successful exec at a top tech company, a long way from the tough upbringing that drove him to rise so far and so quickly. But he has a secret...since the age of 23, he's had a helping hand from the Legend Programme, a secret intelligence effort to prepare impenetrable backstories for undercover agents. Real people, living real lives, willing to hand over their identities for a few weeks in return for a helping hand with plum jobs, influence and access. When his tap on the shoulder finally comes, it's swiftly followed by the thud of a body. Arriving at a French airport ready to hand over his identity, Jamie finds his primary contact dead, the agent who's supposed to step into his life AWOL and his options for escape non-existent. Pitched into a deadly mission on hostile territory, Jamie must contend with a rogue Russian general, arms dealers, elite hackers, CIA tac-ops and the discovery of a brewing plan for war. Dangerously out of his depth, he must convince his sceptical mission handler he can do the job of a trained field agent while using his own life story as convincing cover. Can Jamie play himself well enough to avoid being killed - and to avert a lethal global conflict?

Guilty by Martina Cole and Jacqui Rose is due to be published in October.

November 2024


Thirty-one On The Run . . . Stephanie Plum, New Jersey's hardest working, most under-appreciated bounty hunter, returns with a bang in her latest adventure. While Stephanie's personal life is hanging by a thread, a killer case lands on her doorstep that changes everything. 

One of Us is Guilty is by Simon Kernick will be published in November.

It's 1952, and London is victorious but broken, a cityof war ruins and rationing, run by gangsters and black-market spivs. An elaborate midnight heist, the biggest robbery in British history, sends newspapers into afrenzy. Politicians are furious, the police red-faced. They have suspicions but no lead. For two families, it is more than just a sensational headline, as their fathers fail to return home on the day of the robbery. Young Addie Rowe, daughter of a missing Jamaican postman and drunk ex-club hostess mother, struggles to care for her little ssister ina dilapitaed Briston rooming house. Claire Martin increasingly rsentfu of roads not taken, strives to maake the rent and to keep her teenage son Ray from falling under unsavoury influences in Noting Dale. She finds herself caught between the interests of dangerous men who may the truth behind her husband's disappearance: Dave Lander, whose reserved nature she fnds difficult to reconcile with his reputation as a violent gang enforcer, and Teddy 'Mother' Nunn, sociopathic, evangelising outlaw and top lieutenant in Billy Hill's underworld. Drawn together through the years in the city's invisible web of crime and poverty, the fates of the broken families and violent men collide in 1958, as the West Indian community of Notting Hill's slums come under attack from thugs and Teddy Boys. For Addie, Claire, Dave and Mother, old scores will be settled and new dreams chased in the crucible of London's violent summer. White City is by Dominic Nolan.





Friday, 12 November 2021

Lies That History Tells Us by Dominic Nolan

 

HISTORY IS NOT FACT, IT IS NARRATIVE. That’s worth repeating a few times. History is constantly changing. As I write this, historians have dated an Egyptian mummy to a thousand years before the sophisticated mummification process that preserved it was previously thought to have existed, significantly altering what we thought we knew about the Age of the Pyramids. As Professor Salima Ikram, head of Egyptology at the American University in Cairo, notes: “If this is indeed an Old Kingdom mummy, all books about mummification and the history of the Old Kingdom will need to be revised.

History is not fact, it is narrative. English can be an unhelpfully ambiguous language at times. Let’s look at that word, “history.” It is commonly used to refer to the events of the past, yet it also isn’t the events of the past at all but is the discourse we have with those events. The continuous record we create of the past. We shape the past into a narrative from a multitude of sources – physical evidence, for sure, but also written testimonies, i.e., other narratives. History, like fiction, is a way people have of coming to terms with themselves, of defining themselves through the agency of words. All narratives are ultimately attempts at saying what the world feels like.  

 History is not fact, it is narrative. There is really less to distinguish fiction from nonfiction than might commonly be believed. Historians make choices, just like novelists. No historian simply compiles an itinerary of past events. They emphasize, they project, they disproportion. These are all things I did when writing Vine Street, which starts with a series of real-life murders in 1930s Soho. They remain unsolved to this day, but that fact was inconvenient, so I changed it. For a historian, facts are things to be proved and documented. For me, they are things to be manipulated, or even destroyed.

History is not fact, it is narrative. To misquote F. Scott Fitzgerald, being a writer is to hold two opposing ideas in the mind at the same time and retain the ability to function. On the one hand, as a writer my personal priority is not fidelity to historical facts, but fidelity to authenticity. My Soho is populated by real figures from history, some of them doing things they actually did, and others doing things they certainly did not. My hope is that the reader finds it all so plausible that in the end it makes no difference what did happen and what did not. Research and a genuine knowledge of the period in question allow me to roam freely within my subject, but also unfetter me from any particular historical data.

History is not fact, it is narrative. On the other hand, whilst embracing an irresponsibly cavalier attitude toward fact myself, I am always aware of the immense debt I owe historians. The work they do proving and documenting facts is essential for me – without them first establishing “what could be possible,” it would be impossible for me to write my fictional narratives. Without them establishing ground rules of historical fact, I could not establish authenticity in my fiction. However, when that fiction is written, it must stand on its own legs, provide its own moral context, otherwise as an art form we are saying it is reducible to a dependent offshoot of other, purer forms of narrative, such as history and sociology. I don’t believe that to be true.

History is not fact, it is narrative. Probably we want historians to be more responsible liars than I am. Raymond Carver’s last published short story before his death, “Errand,” dramatizes the death of one of his literary heroes, Chekhov, at the Hotel Sommer in Badenweiler (an event his widow Olga recounted in her memoir). For details, Carver leaned heavily on Henri Troyat’s biography, written just a few years previously, but also added a healthy dollop of poetic licence with the introduction of a dishevelled porter bringing champagne to the dying writer’s room. In Reading Chekhov, Janet Malcom reminds us that this imagined character seeped into a later biography of Chekhov, with Philip Callow inexplicably including him (as well as other unattributed colour created by Carver) in Chekhov: The Hidden Ground.

History is not fact, it is narrative. That a biographer would document fictional composition as historical fact would mortify historians, but as a writer of fiction it is surely the highest honour. To write something fictional, and yet so historically authentic that it was mistaken for proven fact, is surely what all novelists dream of. Although he didn’t live to see it, Carver literally changed history. What I would give for an imagined aspect of my Soho to turn up in some future historian’s narrative, to worm its way into the historical record. I want the Soho of Vine Street to feel that real.

Vine Street is published in hardback, digital, and audio by Headline on 11th November 2021.

Soho, 1935. Sergeant Leon Geats' patch.  A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.  The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another young woman who topped herself early. But Geats - a good man prepared to be a bad one if it keeps the worst of them at bay - knows the dark seams of the city.  Working with his former partner, mercenary Flying Squad sergeant Mark Cassar, Geats obsessively dedicates himself to finding a warped killer - a decision that will reverberate for a lifetime and transform both men in ways they could never expect.

You can follow Dominic Nolan on Twitter @NolanDom.

Saturday, 29 February 2020

Nolan's Run



A new name in thriller writing is one to watch out for - Dominic Nolan.

His debut novel Past life was released to great acclaim, though a caveat must be deployed. His work is not only seriously addictive, but also violently thought provoking.

The writer Amy Myers, said of his debut PAST LIFE –

Past Life is Dominic Nolan’s debut novel and the quality of this thriller ensures that the path lies open for powerful successors. The story of ex-policewoman Abigail Boone (always known as Boone) and her bid to track down a sadistic sexual killer.

Amy Myers also added a warning for readers of a sensitive nature -

"the violence in the novel is extreme."

Read Amy Myer’s full review HERE

Dominic kindly wrote an article for Shots last year, about his love of the US author Newton Thornburg best remembered for the 1976 Thriller novel Cutter and Bone which was filmed with Jeff Bridges’ as Cutter’s Way in 1981.

Nolan wrote of his pursuit of that novel, something that many of us can relate to –

I searched the crime and general fiction sections for any sign of him and then searched again, because imagine asking at the counter only to find you’d missed the thing sitting there in plain sight—that way abject mortification lies. The staff at Ottaker’s were always incredibly helpful, and though they hadn’t heard of the book or of Thornburg, they gladly looked it up. Yes, Cutter and Bone, there it was. A hardback from Heinemann in 1978, no longer in print. A paperback from Simon and Schuster in 1988 as part of their Blue Murder range (a selection edited by lifelong champion of neglected crime fiction, Maxim Jakubowski, which had put out volumes from Dolores Hitchens, David Goodis, Leigh Brackett, and William McGivern among others). Unfortunately, they couldn’t source a copy.

You can read about Dominic’s pursuit HERE



Shots are delighted to offer our readers, thanks to Headline Publishing and exclusive taste of what’s coming with this highly anticipated publication, as we host exclusively the opening to AFTER DARK .

PROLOGUE

Five years ago
The hunters walked with their pieces broken open over the crooks of
their arms. Rough shooters, they ambled through the private woodland,
dogs out ahead of them. Leaving behind a small clearing where
a spring rose up, they followed the narrow brook it fed, cleaving gently
down a jawbone hollow and guttering into a chain of duck ponds
where occasionally there was good fishing. The dogs bounded away,
disappearing into the bushy growth around the ponds, their barks
echoing across the water.
Hanley Moss wore an olive paddock jacket and a dark fedora. A pipe
was clamped between his teeth and its stale odour carried on the air.
He walked with a slight hitch from a worsening arthritic hip that he
was ignoring until he got used to the idea of being cut on. His companion,
Teddy Blackborne, the last of an old name, sported a beige gilet
with a tweed cap. When they had dressed that morning, neither had
known it would be the final time they would select their wardrobe.
The woods were mostly oaks and ancient hornbeams, grey and
twisted as if formed from wax drippings. Some showed signs of former
pollarding, thick upper limbs obscuring the sun. Leaning against one
such tree, Moss studied his pipe. He made a clicking sound with his
mouth and searched his pockets for his tobacco pouch. Closing the
break in his gun, he stood it against the tree and tapped the pipe out
in his palm, peering at the burnt makings as if through some
botanomancy he might read augurs, before dropping them to the
ground. Looking up, he watched Teddy stride away after the dogs.
When he began carefully packing the bowl of his pipe once more,
Boone stepped away from the tree where she’d been hiding. Moving
easily upon him from behind, she snatched up his shotgun and
retreated a few yards from him. She had a pistol of her own, a Browning
Hi​Power holstered on her hip, but didn’t think she’d need it.
‘This is private property,’ Moss said, unable to conceive of the
temerity. ‘Hand me back that gun.’
Boone must have been an odd sight. The hood of her oversized
cagoule was drawn up, black running tights below that and trainers
with the soles of a larger pair fixed underneath them. Moss frowned.
She gave him a moment, seeing the realisation dawn across his face.
Unhurried, she broke open his gun and loaded a single cartridge from
her own pocket, a bespoke six-pellet LG shot she had made for the
occasion. It would guarantee the desired outcome, and later, when
the police came to the hunting lodge near the main house, they
would find capping and roll turnover tools and all the ingredients for
the home-made ammunition, tying a neat bow around the tragic
event.
‘Sit,’ she said, indicating with the barrel of the gun to a spot between
the thighs of the tree roots.
Moss looked down but didn’t move.
‘It’s all the same to me if you die standing or sitting.’
Confused, he lowered himself down against the tree. Boone pulled
her hood tight around her face and sat on her haunches before him.
Dilated capillaries mapped his cheeks, the whites of his eyes feathered
with red veins. He was still clutching his pipe, so she held her hand out
and he gave it to her. Remarkable how compliant people could be even
in the most perilous of circumstances, perhaps hoping cooperation
would afford them just a little more time.
‘You remember me,’ she said, not a question.
He nodded.
‘Good. Open your mouth.’
He did as he was told and she slid the barrel of the shotgun between
his teeth, angling it up slightly. Just as he tried to say, ‘Wait,’ around
the metal, she pulled the trigger.
Birds exploded from the trees.
The top of his head emptied out, leaving a shroud of skin resembling
a face mask pulled loosely over shattered bones. His great
flapping ears hung there still.
Teddy was calling and the dogs barked excitedly.
‘Hanley? Hanley? Did you take a shot?’
Boone hid behind the thick hornbeam with Moss’s shotgun. As she
waited, she sprayed WD​40 inside the barrels from a small can in her
pocket and produced a brush fitted with a bore guide she’d made from
an emptied shell. Giving both barrels a good brushing to remove any
blood, she also wiped down the outside with a cloth. As she loaded another home-made shot into the unused barrel, she heard footsteps
approaching.
‘Hanley, what are you doing? Hanley . . .’
The footsteps slowed. Boone could feel Teddy staring at her friend.
Swinging round the tree, she levelled the shotgun at the woman.
Teddy Blackborne recognised her immediately, and for a fraction of a
second her face slipped before she regained that haughty composure.
It had been almost a year since Teddy had seen her, but for Boone the
older woman had been a familiar sight. First had come the healing, and
then the intelligence. Knowing your quarry, learning the routines they
slipped into, the follies that made them vulnerable. Boone had come to
know all about Teddy Blackborne.
‘What have you done?’ Teddy said. ‘What is this about?’
What was it about? Boone barely knew where to begin – even the beginning wasn’t the beginning. Two years ago, waking up hurt and
confused in a strange room, her memory obliterated, her life robbed
from her. Battling to get out of the flat, away from the men who had
held her for four days, barely escaping with her life. Weeks in the hospital healed her body, but months in the clinic did nothing for the
amnesia. Nothing to allow her to remember her friends and family,
her time as a detective sergeant with Kent Police.
But this went back further than that day.
It went back years.
This was about Jack, a husband she didn’t remember falling for, or
marrying, or living with. This was about Quin, a son she didn’t
remember carrying, or birthing, or nurturing.
This was about a girl called Sarah Still, born of sexual abuse and
herself subjected to horrors for years before her eventual murder, body
wrapped in a sheet and buried beneath an abandoned fruit farm. A
girl who, in her past life, Detective Sergeant Abigail Boone had been
looking for when she was herself abducted.
This was about uncovering the sexual predations of late industrialist
Sir Alex Blackborne, father both to Sarah and to Sarah’s child,
taken from her at birth and never found.
This was about former MP and peer of the realm Hanley Moss,
who used his position for decades to hide his and Blackborne’s abuse
of countless children, many of whom never made it out alive.
This was about Blackborne’s widow, Lady Theodora, the real power
behind the family company, complicit in covering for her husband
and Moss.
This was about Teddy murdering her own son when he learned the
truth, staging it as a hunting accident, and escaping justice for that
and all her past crimes.
And this was about Roo. Trafficked into a life of misery, escaping
from the flat that day with Boone, only to be lost again to the same
men who had tried to kill them before.
Most of all, this was about Roo.
Boone would have done anything to swap places with her, would
have gleefully given her own life in exchange so the world could hear
Roo’s voice once more. She had stoked within Boone feelings she
couldn’t remember having, feelings she thought had been lost for ever
with her memories.
‘This is about the dead whore, isn’t it?’ Teddy said.
She must have caught a flicker of something in Boone’s face,
because she smiled. Boone took a step closer, shotgun aimed at Teddy’s
chest. The dogs gambolled about them, not realising the kind of hunt
it had become.
‘Oh look at yourself,’ Teddy said. ‘Here in the woods with a gun,
and still no real idea how you got here. Would you like me to tell you?
Would you like me to tell you what I told you two years ago when you
first came here? Before your accident? When I told you—’
Boone fired, nearly cutting Teddy in half.
She was thrown back in a heap, making low moaning sounds,
barely audible. The shot hit in a tight cluster just under her chest, riding
up her gilet with the impact. Boone leaned over to examine Teddy’s
gun and, satisfied it was unloaded, left it where it had fallen. Kneeling
beside the woman, she slipped a handful of the shells she’d made into
the pocket of the shredded and bloodied gilet.
Returning her attention to Moss, she took a dozen or so cartridges
and carefully put them in his jacket, trying not to disturb it too much.
His pipe, which had been safe from spatter in Boone’s pocket, she also
slid in there. Briefly inserting the ends of the barrels into what
remained of Moss’s mouth, she let the shotgun fall into his dead lap.
Behind her, the hounds moiled around their mistress’s lifeless body,
already a feast for flies. A rabbit hung slack between the jaws of one.
Not finding Teddy accommodating to their ministrations, they turned
instead to their prey, the bunny torn apart amid the in​fighting.
When they were done, one of them approached the old man, nosing
at his boots and hand, licking his ruined head. Another returned to his
mistress’s corpse. It started to rain. Walking through the mulched leaves
to the treeline above, Boone debouched onto a quiet lane to the sound
of the dogs lapping at gunshot wounds.

PART ONE
IN THE FUTURE
PERFECT
1
Present day

This was home.
A carelessly flung corner of land on an island clinging to the skirts of Europe, charmed by ocean currents that favoured the planting of vineyards at latitudes where other nations watched for polar bears. At
various times an occupied territory inhabited by grubby and roadless
pagans, and a seat of great empire holding Christian sway over the
farthest reaches of heathenry.
Barb’s feet were cold inside her wellies. She had the wrong socks on
again.
‘So where exactly were you when you saw her?’
‘Like I said, Constable, up there.’ The man pointed. ‘On the ridge,
just the other side of the fence.’
Three times already she’d explained she was a detective inspector, but
what did it really matter? The lane was cut low into the land between
shallow ditches, little more than damp ruts really. Banks rose on either
side to the surrounding fields, so the tops of the fences bordering them
were above head height if you were standing in the road, as they were.
‘She was down there,’ he said, pointing to the ditch on the other
side of the road, a nearly grassed-over depression. ‘She was lying there
curled up in a ball.’
His name was Cameron, and though he didn’t sound as if he’d
spent a day of his life in Scotland, the first thing he’d worked into
conversation was that he owned a lochside cabin in the Trossachs (‘I
was out walking, you see. I enjoy walking. Take a break every summer
to my place on the shore of . . .’).
‘And you didn’t see which direction she came from?’ Barb asked.
He shrugged.
‘So, a barely clothed child turns up on the side of a country lane,
miles from anywhere, and you didn’t see anything until you tripped
over her?’
‘It was more like the foetal position,’ he said, upon reflection.
‘Right.’
‘Of course, she was on the other side of the road, you understand,
Constable.’
‘And?’
‘I walk inside the fences so I can look out over the fields and not see
roads. Not see anything man-made.’
‘There’s a barn right there,’ Barb said, pointing a few fields over.
‘And I can see a water tower in the distance.’
‘They’re a long way off.’
She pinched the bridge of her nose.
‘I put my coat over her, see. She flinched when I touched her shoulder,
but she let me do that, with the coat. Didn’t feel right, just leaving
her there like that. You know?’
‘Boss.’
Detective Constable Barry Tayleforth walked over. The once rising
star of Kent Police, his career progression had come to a shuddering
halt following a formal reprimand for engaging in a reckless pursuit
that conjoined his unmarked vehicle with a cherry tree. Blown radiator
blessing the scene like an aspergillum, pink blossoms mottling the
roof and crumpled bonnet.
‘Will I be here long, sir?’ Cameron asked Barry.
‘Yes, will Mr Cameron be here long, sir?’ said Barb, smiling
sweetly.
Barry waited.
‘If you could excuse us for a moment, Mr Cameron,’ Barb said,
leading Barry aside. ‘I’m not going through this again with dickbeans
over here. Sir, he calls you. Fucking sir.’
‘Search hasn’t found much,’ Barry said. ‘There hasn’t been any rain for a couple of weeks, so there are no footprints.’
‘Mean to tell me you can’t trace her movements by way of broken
twig and upturned leaf?’
Barry was the sort who always carried on like witty repartee wasn’t
happening.
‘Uniforms have conducted a line search of the immediate fields and
come up with nothing,’ he said. ‘We’re pushing it out further.’
‘She was only wearing a slip. Barefoot. Cuts and scrapes. Must have
left some trace. I mean, how far had she come? There’s not much out
here.’
‘I’ll get a few bodies and go back over the perimeter of the fields.
They’re hedged, but it’s cut away in a few places. If she came across the
fields, she could only have come through those gaps. We’ll take a
closer look. I’ve sent a car off in either direction to check the properties
they come to. If she walked the road, there are only so many places she
could have started.’
‘This Cameron man is useless. Little girl, you’d think she magically
sprouted out of the ground the way he tells it.’ She scanned the scene
for the other coppers. ‘Who’s got the log going?’
‘Mackintosh.’
A water carrier, but he always got the paperwork right and didn’t
need telling the basics. Barry followed her thoughts.
‘He can handle the searches too. I’ll get uniforms to take Cameron
back to the Shed. Tell him we need a formal statement, best to give it
when fresh in the mind. Nice cup of tea, bit of time to settle. He might
remember more.’
‘Okay, yeah. Good. Thanks, Barry.’
She gripped the lapel of his jacket between finger and thumb
momentarily before releasing it. The spectacular grounding of his
career was going to be the making of him as a copper, pruning the
political ambition and turning him back to the job for the foreseeable.
She thought of a few others in desperate need of a car crash.
Crossing the ditch near where the girl had been discovered, she
scrambled up the bank to the edge of the rapeseed field above. A
patchwork quilt of yellows and greens stretched out for miles around,
seamed with hedges and the odd copse.
Behind her, she heard Cameron putting up futile resistance to
going to the nick, Barry easing him into the back of his car and pushing
the door shut. Heard his boots trotting back toward her. He joined
her on higher ground and handed her a pair of binoculars.
‘Just happened to have them with you?’
‘In the boot.’
‘Do I want to know why?’
‘You never know.’
Barb looked out over the fields. ‘Any ideas where she might have
come from?’
He pointed to a short horizon. ‘Nearest village is over a mile if you
have wings, longer by any reasonable route you might walk. Few
houses a way off. What looks like an old farm.’
‘Checking them?’
He nodded. ‘Knocked on the houses. They saw nothing. The farm
looks like it’s been abandoned for years. We’re trying to trace the
owner now. Couple of uniforms standing by.’
‘Tell them to have a butcher’s round the outside,’ Barb said. ‘Discreet,
mind. Windows and doors only. Don’t want the owners turning out to
be real citizens and getting all upset.’
‘I reckon she must have been dropped off.’
‘Her feet were in a bit of a state.’
‘A lot of her was, but it wasn’t any walk that did it.’
‘Yeah.’
‘You going back to talk to Cameron?’ he said.
Barb shook her head. ‘Anyone can deal with him. Make sure everyone
knows what’s what with the search, checking the surrounding
properties, so forth. Then you’re with me. We’ll go see the girl.’
He bounded down the slope, easing to a more practised walk on
the flat of the road. Barb ran the glasses over the land again, looking
at nothing in particular. Somewhere church bells pealed, and the time
was the same as it always was.
This was the hour the dog returned to its vomit.
This was the end of the world.

To read more, pre-order AFTER DARK  which is released next week [March 5th 2020] from Headline Publishing




The author goes by the handle @NolanDom on Twitter.