Showing posts with label Victoria Selman. Show all posts
Showing posts with label Victoria Selman. Show all posts

Thursday, 4 July 2024

2024 CWA Dagger Awards Announced


Una Mannion, Jordan Harper, Jo Callaghan, and Anthony Horowitz receive CWA Dagger Award.

The 2024 winners of the prestigious Crime Writers’ Association (CWA) Dagger Awards, which honour the very best in the crime-writing genre, have been announced.

Created in 1955, the world-famous CWA Daggers are the oldest and most respected awards in the genre and have been synonymous with quality crime writing for over half a century.

The awards were announced [11pm, 4 July] at a CWA gala dinner at the Leonardo Royal Hotel in London.

The Gold Dagger, which is awarded for the best crime novel of the year, went to Una Mannion for her second novel, Tell Me What I Am.  The Irish-American author has won numerous prizes for her poetry and short stories.

Mannion beat stalwarts of the genre shortlisted for Gold, including Dennis Lehane and Mick Herron. Past winners of the coveted Gold Dagger, include Ian Rankin, John le Carré, Reginald Hill, and Ruth Rendell.

The judging panel praised it for being ‘haunting and beautifully written’ saying the character-driven thriller ‘expertly examines the boundaries of love, power and control and will stay with you long after you turn the last page.

The Ian Fleming Steel Dagger, sponsored by Ian Fleming Publications Ltd, showcases the thriller of the year. This year it went to Jordan Harper, with his second thriller, Everybody Knows.

Judges said Harper’s novel was ‘brilliantly constructed and fast-paced’ taking readers into the ‘heart of the darkness of Hollywood, guided by a sensationally atypical protagonist.

Maxim Jakubowski, Chair of the Daggers Committee, said: “Yet another remarkable year of crime writing in which our impartial judges have uncovered a crop of wonderful books. In a year in which many of our 'big beasts' had new books, it's refreshing to see so many new names and talents winning. And a momentous occasion for independent publishers who have swooped on the majority of the awards and, in particular, Faber & Faber who have achieved a rare double of Gold and Steel Daggers.

The much-anticipated ILP John Creasey (New Blood) Dagger highlights the best debut novels. 2024’s recipient is Jo Callaghan with her BBC Between the Covers Book Club pick, In the Blink of an Eye, praised for being ‘fresh, original and gripping.

The Historical Dagger goes to Jake Lamar for Viper’s Dream, a daring look at the jazz-scene of mid-century Harlem and the dangerous underbelly of its drug trade. Judges praised its skilled plotting and ‘elegantly spare prose’ creating a ‘pungent sense of the jazz age’.

The ALCS Gold Dagger for Non-Fiction was awarded to Nicholas Shakespeare’s Ian Fleming: The Complete Man, praised as a ‘panoramic biography of the creator of the most charismatic 20th century hero’. Judges found it a ‘deeply felt and meticulous portrait’ that adroitly shows how Bond emerged from Fleming’s own life and career.

The Crime Fiction in Translation Dagger was awarded to Maud Ventura’s My Husband, translated by Emma Ramadan, which was a sensation in France, likened to Patricia Highsmith and Gone Girl. Judges praised its ‘sharp twist in the tail’.

The CWA Daggers are one of the few high-profile awards that honour the short story. This year the accolade goes to Sanjida Kay for The Divide in The Book of Bristol, edited by Joe Melia and Heather Marks. Judges said it was a ‘tale of social division, loneliness, and how our desire for connection can make us vulnerable, with a bittersweet conclusion.’

The Dagger in the Library nominees are voted by librarians and library users, chosen for the author’s body of work and support of libraries, and was awarded to Anthony Horowitz.

The CWA judging panel said: “Renowned for Foyle’s War and Midsomer Murders on the screen, Anthony’s books are triumphs too; the Alex Rider series, his James Bond, and his Sherlock Holmes novels. Now the author has surpassed himself with standalone mysteries and the endearing, inventive Hawthorne, and Horowitz series.”

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to Pushkin Vertigo (Pushkin Press). 

The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring and in 2024 it was jointly awarded to Lynda La Plante and James Lee Burke.

The Daggers also recognise individuals whose contributions to the crime genre deserve special merit. The Red Herring Award dates back to 1959, and have been awarded to over 40 recipients. This year it goes to Jean Briggs and Dea Parkin. Darren Wills also received a Red Herring award, which was presented to him privately earlier in the year. 

The awards were co-hosted by the Sunday Times bestselling author of Truly Darkly Deeply, Victoria Selman, and the barrister and bestselling author, Imran Mahmood, whose debut You Don’t Know Me was adapted by the BBC.

Guest speaker on the night was the New York Times and Sunday Times number one bestselling author who has been published worldwide in over 25 languages, Lisa Jewell.



The Winners in Full:

GOLD DAGGER 

Tell me What I Am by Una Mannion (Faber & Faber)

IAN FLEMING STEEL DAGGER 

Everybody Knows by Jordan Harper, (Faber & Faber)

 ILP JOHN CREASEY (NEW BLOOD) DAGGER

In The Blink of An Eye by Jo Callaghan (Simon & Schuster UK)

 HISTORICAL DAGGER

 Viper's Dream by Jake Lamar (No Exit Press)

 CRIME FICTION IN TRANSLATION DAGGER

My Husband by  Maud Ventura translated by Emma Ramadan, (Hutchinson Heinemann)

 ALCS GOLD DAGGER FOR NON-FICTION

 Ian Fleming: The Complete Man, by Nicholas Shakespeare (Vintage)

 SHORT STORY DAGGER

The Divide by  Sanjida Kay from The Book of Bristol edited by Joe Melia and Heather Marks, Comma Press

 DAGGER IN THE LIBRARY

 Anthony Horowitz

 PUBLISHERS’ DAGGER

 Pushkin Press

Congratulations to all the nominated authors and winners.

 


Wednesday, 7 July 2021

There’s Always Time for a Little Crime… By Victoria Selman

 

Crime fiction, more than any other genre, offers both puzzle and resolution and with it the promise that order will be restored. No wonder we’ve lapped it up the way we have in recent months. 

But it’s not just reading that has provided much needed escapism during these trying times. Podcasts also provide a wonderful way to switch off from everyday life whilst simultaneously offering a sense of connection.

I’ve recently joined crime fiction mavens, Barry Forshaw (Financial Times) and Paul Burke (Crime Time) to present a new show called, On The Sofa With Victoria as part of the hugely popular podcast, Crime Time FM.

iTunes: apple.co/3qCwan9

Spotify: spoti.fi/3y2qLbI

Google: bit.ly/3xZU8eG

On The Sofa With Victoria brings audiences panel-style discussions between some of the most exciting names in contemporary crime fiction including Mark Billingham, Lisa Jewell and CJ Tudor as well as emerging voices and rising stars such as Abigail Dean, Will Carver and Joseph Knox.

Each fortnight, I’ll be chatting to authors and industry insiders about everything from serial killers to series fiction. 

The programme launched on June 15th with an examination of supernatural crime crossovers between Sarah Pinborough and Alex North entitled, Anything Can Happen: https://apple.co/2Tx79x6 

On the 29th, we released our second episode, a fantastic discussion about courtroom dramas with Harriet Tyce and Sarah Vaughan: apple.co/360nM7y

Meanwhile, In Person With Paul features in depth one-on-one interviews with big names such as Laura Lippman, Peter May and Jo Spain along with upcoming authors including Tim Glister, Imran Mahmood and James Wolff. Focusing on new releases, authors discuss their books, motivations and issues in crime fiction with Paul Burke. 

Paul: “It’s amazing what you learn from authors, not just about their current book, but also what they have planned next and which of your favourite characters are about to make it to the big screen. It can get intense but we also have a lot of fun too.”

Barry’s Blu-Rays features Barry Forshaw’s insights on new crime DVD and Blu-ray releases based on the commentaries he does, often with Kim Newman, and the sleeve notes he writes for new releases and reissue as well as conversations with industry insiders Many of you will know Barry as a crime fiction expert but he is also a highly respected film writer. 

Check out the first interview with Michael Mackenzie, senior producer Arrow Films Video, released in June: https://apple.co/3dqb2Lq

We also have Heads Together, a magazine style show where the Crime Time FM team discuss news, reviews and all things bookish, from festivals to awards and a monthly watchlist: https://apple.co/3hk7lIf

There really is something for everyone whether you’re interested in the latest trends and themes in crime fiction or discovering new authors and films. 

Catch us here and do let us know what you think via Twitter:

@VictoriaSelman @Paulodaburka @BarryForshaw3

We’d love to hear from you!

iTunes: apple.co/3qCwan9

Spotify: spoti.fi/3y2qLbI

Google: bit.ly/3xZU8eG

The Team: 

Victoria Selman writes for the Independent and is the author of the critically acclaimed Ziba MacKenzie series. Her debut novel, Blood for Blood, was shortlisted for the prestigious CWA Debut Dagger Award and an Amazon Charts #1 bestseller for five weeks, selling over half a million copies. She was recently shortlisted for the 2021 CWA Short Story Dagger Award. 

Contact her on Twitter @VictoriaSelman

Barry Forshaw is the crime fiction critic for the Financial Times and provides extras for Blurays. Books include Crime Fiction: A Reader’s Guide, the Keating Award-winning Brit Noir, British Crime Writing: An Encyclopedia (also a Keating winner), British Gothic Cinema, Italian Cinema: Arthouse to Exploitation, Sex and Film and BFI Classics: War of the Worlds. He edits Crime Time (www.crimetime.co.uk). 

Contact him on Twitter @BarryForshaw3


Paul Burke writes about books, with a special interest in crime fiction, for a number of magazines and online book sites, including Crime Time, NB Magazine, the European Literature Network and Crime Fiction Lover. 

Contact him on Twitter @Paulodaburka





Tuesday, 15 June 2021

On the Sofa With Victoria Selman

 

This June, bestselling thriller author, Victoria Selman will be joining Crime Time FM to host, On the Sofa with Victoria - a new arrow in the quiver of the popular podcast currently presented by Barry Forshaw and Paul Burke. 




Victoria’s show will bring audiences panel-style discussions between some of the most exciting names in contemporary crime fiction including Mark Billingham, Sarah Pinborough, CJ Tudor and Chris Whitaker- as well as emerging voices and rising stars such as Abigail Dean, Will Carver and Dominic Nolan. 

Each fortnight, she’ll be chatting to authors and industry insiders about everything from serial killers to series fiction kicking off with an examination of supernatural crime crossovers with Sarah Pinborough and Alex North entitled, Anything Can Happen.

Victoria says: ‘I’m thrilled to be joining Barry and Paul on Crime Time FM and can’t wait to explore the huge breadth of themes within crime fiction alongside such an exciting array of guests. 

On the Sofa with Victoria will launch on 15th June. Crime Time FM currently features one on one author interviews with Paul Burke (In Person with Paul) and film and TV reviews with Barry Forshaw (Barry’s Blu-rays). 

The trio of hosts will also be getting together on a regular basis for chats about book news, discussions of upcoming events and reviews. 

Crime Time FM Exclusive:

Sneak Peak Episode 1: 

On The Sofa With Victoria- Sarah Pinborough & Alex North

Release date: 15th June

Description:

ANYTHING CAN HAPPEN- Sarah Pinborough (BEHIND HER EYES) & Alex North (THE WHISPER MAN) discuss supernatural crime crossovers, Scooby Doo and ‘that’ ending. 

Quotes:

On the Easy Fix Charge

Sarah Pinborough: Supernatural crime crossovers have to have the rules and beats of a crime novel. You have to have the clues. You can’t just pull it out of the bag.

Sarah Pinborough: If you’re going to blend your genres, you have to decide which is the dominant genre.

Alex North: Just because a book has supernatural elements, that doesn’t mean anything goes. It just means it has a slightly different set of rules.

On the Evolution of the Crossover

Alex North: Serial killers are a stand-in for vampires.

Alex North: Scooby Doo was about unmasking the monster but there was always something rational going on.

On Alex’s Books

Sarah Pinborough: The supernatural in Alex’s books is like a splash of Tabasco in a Bloody Mary. It’s there to add a little bit of ‘extra’ but it’s not the vodka.

On ‘Getting it Right’

Sarah Pinborough: When you mash the two genres well, you get a creepy vibe you don’t get in a lot of crime novels.

On Twists

Alex North: When I’m told there is a twist in a book, I’m looking out for it.