Ragnar Jónasson (Copyright Ayo Onatade May 2015)
|
Today's guest blog is by Icelandic crime writer Ragnar Jónasson. He talks about the influences on his writing.
I
think that a writer is influenced, consciously or not, by everything he or she
reads. And having read more than a bit of English-language crime and detective
fiction through the years, I am very proud to have my Dark Iceland series
published in English for the first time, with Snowblind, the first of the series, now available.
Although
I’m not the best judge of the key influences that my favourite writers may have
had on my work, I think it’s safe to say that I have tried to place great
emphasis on setting, something I find very important and have long admired in
the books of Agatha Christie and P.D. James. In a way, the setting of my series
might possibly be regarded as one of the major “characters” in the stories. Snowblind
is set in the northernmost town in Iceland, Siglufjordur, a place surrounded by
mountains and the sea, accessible only via mountain tunnels. In the winter, the
24-hour darkness combines with avalanches and unremitting snowstorms to create
a claustrophobic setting – a place where no one can enter and no one can leave
when the weather is at its worst.
I
mention Agatha Christie in particular because I’ve been reading her books with
great enjoyment since I was twelve. From the age of seventeen until I embarked
on my own writing career I used to translate Christie books into Icelandic – a
total of fourteen novels plus some short stories – alongside my studies and day
job as a lawyer. Christie is undoubtedly an important influence on the majority
of crime writers; whether they aspire to write like her or not, she is very
often used as a benchmark. Her plotting was, of course, magnificent; the twists
so often simple yet deeply clever. It’s hard to choose a favourite from the
Christie oeuvre, but titles that spring to mind include Murder on the Links and The
Murder of Roger Ackroyd.
Also
hailing from the Golden Age of crime, another of my influences has to be Ellery
Queen and his (their) early detective novels. They managed to create a very
likable detective and to plot terrific whodunnits. My own favourite is The Dutch Shoe Mystery, which was
written in 1931. Another “Golden Age” American who springs to mind and whose
books I’ve thoroughly enjoyed is S.S. Van Dine, the creator of the entertaining
sleuth Philo Vance; from that series I would recommend The Greene Murder Case (1929).
Scottish
author Josephine Tey is another wonderful crime writer whom I admire, but her
career was, unfortunately, far too short. Her books are very different from the
classic whodunnits of her contemporaries, but very cleverly plotted and filled
with great atmosphere. One of my best-loved Tey novels is The Franchise Affair, a brilliant mystery from 1948.
Amongst
more contemporary crime writers, P.D. James was certainly one of the very best,
with every single one of her books offering a real treat. She had a talent for
great settings but her biggest strength, I believe, lay in her characters. She
managed to create extraordinarily memorable characters, and not just Dalgliesh
or her other protagonists; each and every suspect comes to life on the pages
and remains with the reader long after the book has finished. I was fortunate enough
to meet James on a couple of occasions, and I also interviewed her for an
Icelandic newspaper; she was a wonderful person as well as one of the greatest
crime writers of all time. The last three Dalgliesh novels are my favourites: The Private Patient (2008), The Lighthouse (2005) and The Murder Room (2001).
I am fairly certain that all of the wonderful authors I’ve mentioned have had some influence on my work, in one way or another, and these are authors whose books I continue to read (or re-read). It’s certainly nice to sit down in the evening, when an Icelandic snowstorm is raging outside, and get caught up in the world of Poirot, Marple, Queen, Vance, Grant or Dalgliesh. And then it’s back to my desk to join my character Ari Thor, and see where his next exploits will take me.
I am fairly certain that all of the wonderful authors I’ve mentioned have had some influence on my work, in one way or another, and these are authors whose books I continue to read (or re-read). It’s certainly nice to sit down in the evening, when an Icelandic snowstorm is raging outside, and get caught up in the world of Poirot, Marple, Queen, Vance, Grant or Dalgliesh. And then it’s back to my desk to join my character Ari Thor, and see where his next exploits will take me.
Snowblind
Siglufjöro›ur:
an idyllically quiet fishing village in Northern Iceland, where no one locks
their doors – accessible only via a small mountain tunnel. Ari Thór Arason: a
rookie policeman on his first posting, far from his girlfriend in Reykjavik –
with a past that he’s unable to leave behind. When a young woman is found lying
half-naked in the snow, bleeding and unconscious, and a highly esteemed,
elderly writer falls to his death in the local theatre, Ari is dragged straight
into the heart of a community where he can trust no one, and secrets and lies
are a way of life. An avalanche and unremitting snowstorms close the mountain
pass, and the 24-hour darkness threatens to push Ari over the edge, as curtains
begin to twitch, and his investigation becomes increasingly complex, chilling
and personal. Past plays tag with the present and the claustrophobic tension
mounts, while Ari is thrust ever deeper into his own darkness – blinded by
snow, and with a killer on the loose. Taut and terrifying, Snowblind is a startling debut from an extraordinary new talent,
taking Nordic Noir to soaring new heights.
Snowblind by Ragnar Jónasson (Trans by Quentin Bates) is published on 15 June by Orenda Books, Price £8.99
Icelandic crime writer Ragnar Jónasson was born in Reykjavik in
1976, and currently works as a lawyer, while teaching copyright law at the
Reykjavik University Law School. In the past, he’s worked in TV and radio,
including as a news reporter for the Icelandic National Broadcasting
Service. Before embarking on a writing career, Ragnar translated 14 Agatha
Christie novels into Icelandic, and has had several short stories published in
German, English and Icelandic literary magazines. Ragnar set up the
first overseas chapter of the CWA (Crime Writers’ Association) in Reykjavik,
and is co-founder of the international crime-writing festival Iceland Noir.
Ragnar Jónasson has written five novels in the Dark Iceland series, and
he is currently working on his sixth. He lives in Reykjavik with his
wife and two daughters. Nightblind will
be published by Orenda Books in 2016
No comments:
Post a Comment