My Favourite Non Fiction Reads 2023

This year I haven't read as many non-fiction books as I would have liked. However, the following are the non-fction books that I did read and enjoyed. They are in alphabetical order :-

Great and Horrible News: Murder and Mayhem in Early Modern Britain by Blessin Adams (Harper Collins)

Nine historic crimes. One familiar obsession. In early modern England, murder truly was most foul. Trials were gossipy events packed to the rafters with noisome spectators. Executions were public proceedings which promised not only gore, but desperate confessions and the grandest, most righteous human drama. Bookshops saw grisly stories of crime and death sell like hot cakes. This history unfolds the true stories of murder, criminal investigation, early forensic techniques, high court trials and so much more. In thrilling narrative, we follow a fugitive killer through the streets of London, citizen detectives clamouring to help officials close the net. We untangle the mystery of a suspected staged suicide through the newly emerging science of forensic pathology. We see a mother trying to clear her dead daughter's name while other women faced the accusations - sometimes true and sometimes not - of murdering their own children. These stories are pieced together from original research using coroner's inquests, court records, parish archives, letters, diaries and the cheap street pamphlets that proliferated to satisfy a voracious public. These intensely personal stories portray the lives of real people as they confronted the extraordinary crises of murder, infanticide, miscarriage and suicide. Many historical laws and attitudes concerning death and murder may strike us as exceptionally cruel, and yet many still remind us that some things never change: we are still fascinated by narratives of murder and true crime, murder trials today continue to be grand public spectacles, female killers are frequently cast as aberrant objects of public hatred and sexual desire, and suicide remains a sin within many religious organisations and was a crime in England until the 1960s. Great and Horrible News! explores the strange history of death and murder in early modern England, yet the stories within may appear shockingly familiar.

Love Me Fierce in Danger: The Life of James Ellroy by Steven Powell (Bloomsbury Publishing Plc)

Love Me Fierce In Danger is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called "Demon Dog of Crime Fiction," Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success. When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential. Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.

The Mysterious Romance of Murder: Crime Detection, and the Spirit of Noir by David Lehman (Cornell University Press)

From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales—crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies—some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados—with style, wit, and passion. Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir—cigarettes, cocktails, wisecracks, and jazz standards—and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. The Mysterious Romance of Murder is written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir.

Ian Fleming: The Complete Man by Nicholas Shakespeare (Vintage Publishing)

A fresh portrait of the man behind James Bond, and his enduring impact, by an award-winning biographer with unprecedented access to the Fleming family papers. Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote. Ian's childhood with his gifted brother Peter and his extraordinary mother set the pattern for his ambition to be 'the complete man', and he would strive for the means to achieve this 'completeness' all his life. Only a thriller writer for his last twelve years, his dramatic personal life and impressive career in Naval Intelligence put him at the heart of critical moments in world history, while also providing rich inspiration for his fiction.

No Ordinary Day with Matt Johnson and John Murray.

 Author Matt Johnson in conversation with contributor John Murray to talk about how this book came about.

Matt Johnson

Matt: John, perhaps we should explain who we are first, about the campaign and how this all got started?

John: April 17th 1984, a day that will forever live in our memories. Yvonne and I were both uniform PCs at Bow Street. On that day, we were scheduled to do some routine work but were re-assigned to a demonstration outside the Libyan People’s Bureau in St James’s Square. You were driving the local traffic car, as I now know.

Matt: That’s right, and although I’d never met you at that time, I knew Yvonne quite well. Not too long before, she’d been at my house warming party with Mick Liddle, her fiancé. Matt: John, perhaps we should explain who we are first, about the campaign and how this all got started?

John: April 17th 1984, a day that will forever live in our memories. Yvonne and I were both uniform PCs at Bow Street. On that day, we were scheduled to do some routine work but were re-assigned to a demonstration outside the Libyan People’s Bureau in St James’s Square. You were driving the local traffic car, as I now know.

Matt: That’s right, and although I’d never met you at that time, I knew Yvonne quite well. Not too long before, she’d been at my house warming party with Mick Liddle, her fiancé. 

John Murray

John: Mick was on the demonstration as well, just a few yards from us. We were standing facing about fifty noisy demonstrators who were venting their anger against Colonel Gaddafi. I remember hearing a noise like fire crackers going off and then everything went silent, not a sound. Then, from the crowd somebody screamed.

Matt: When did you first realise Yvonne and many others had been shot?

John: It took a while; I mean who would ever have expected a man to open up on us with a Sterling machine gun from the first floor of the Embassy? Yvonne and I had changed position several times and it was only a moment earlier when she’d come across to me and offered to swap. The people in front of me were particularly vocal so she was doing me a favour. She was in my line of sight and I saw her go down. I thought she’d tripped over but it was only as she writhed in agony that I realised it was more serious than that. Our Sergeant, Howard Turner, helped me with her and it was then we saw the blood and her wound.

Matt: So, you knew then you’d been shot at and many people had been hit?

John: We all realised, if they opened up again we were sitting ducks. But there were injured people who needed help and, as we know, that sometimes means risking it all to do that. Together with another PC called Pete Rogers, we lifted Yvonne and carried her to Charles II Street where it was safer. And that’s where you came in. When the ambulance arrived, you were assigned to escort us to the Westminster Hospital.

Matt: Were you able to speak to Yvonne during those moments?

John: I was. She was hurting and I used a pair of scissors to cut the waistband of her skirt. There were two Libyan students with us who’d also been shot. One was really crying. Yvonne talked to him, calmed him down and reassured him. 

Matt: She realised she’d been shot?

John: By then, yes. And I promised her I would not rest until I’d helped he get the people who’d done it.

Matt: And an hour later came the awful news, that she had died?

John: Yes, and as we know, what followed was the longest siege in UK policing history. At the end of which our Government decided everyone inside, even those suspected of involvement in the murder, would be allowed to leave without being prosecuted.

Matt: Because they had diplomatic immunity?

John: They had nothing of the kind, as we now know. Some of those Libyans were killers, bombers, terrorists. They were in the UK to murder people.

Matt: And now the full story behind what happened that day is about to be told in this book. 

John: Yes, and if you don’t mind me saying, you’ve done an incredible job. This was a three dimensional jigsaw of information, some related, some apparently quite random. You’ve pieced it together with the skill of a detective.

Matt: Do you recall how the idea to write it came about?

John: The Victoria Derbyshire show had the idea to mark the anniversary of the murder with a reunion. They wanted to talk to me about what was a 36 year campaign at that time, and to bring me together with you, with Tony Long from the firearms team and with Clive Mabry, that legend amongst police officers.

Matt: Clive being the PC who sneaked into the Square late at night and under cover of darkness to recover Yvonne’s hat from the street outside the Libyan Embassy?

John: I’d never met him. We knew he existed but it was the BBC researcher who tracked him down. Ex-para. Brave as you can imagine. Rescued her hat so it could sit on her coffin for the funeral.

Matt: The coffin you personally carried into Salisbury Cathedral.

John: That’s right. I repeated my promise to her that day as well. I promised I would get the men that did it. 

Matt: Do you remember how the idea for a book came up that day?

John: I’ve read all your novels and loved them. And I remember you dedicated your very first novel to Yvonne’s memory. Clive suggested it as we talked about those books. He reckoned you could do it because you’d be able to get access to people that an ordinary writer couldn’t. And they’d talk you because of your pedigree. 

Matt: I remember I took a long time thinking about it. It was a lot of responsibility. I’d never written non-fiction before and I didn’t want to let you down, to let down Yvonne’s memory. Even once I’d started I had many doubts.

John: It was a mammoth task. We knew there was stuff in the National Archives waiting to be discovered and there was a story to be told but it grew to even more than I expected.

Matt: Amazing to think what the Government was up to in those days, supposedly in our best interests?

John: And what they’re almost certainly up to today.

Matt; So, what is your hope for the book?

John: I’m hoping people will read it and learn the truth. Over the years I’ve talked to more people than I could count who remember where they were and what they were doing on the day Yvonne was shot. This was a national tragedy not just a police tragedy. I want people to understand what drove me to do the best for my friend and to secure justice for her. I want them to know who killed Yvonne, how they did it and why. And I want them to know why our Government wanted the killers to go free. What about you, similar I’d guess?

Matt: Yes, all as you describe. But for me there’s more. I want people to learn about you and about how brave you’ve been, the personal risks you’ve taken and the dangers you’ve faced and, despite all that, you never gave up. And I want people to read how events that day shaped policing in the UK for the next forty years, and in ways they might hardly have believed. The truth, I think, will shock people but sadly, I fear it may not surprise them.

John Murray has fought for nearly 40 years to secure justice for the murder of WPC Yvonne Fletcher. No Ordinary Day tells the story of that fight.

No Ordinary Day: Espionage, Betrayal, Terrorism and Corruption - The Truth Behind the Murder of WPC Yvonne Fletcher by Matt Johnson with John Murray (Mardle Books) Out Now.

On 17 April 1984, as police and anti-Gaddafi demonstrators gathered in the street outside the Libyan People's Bureau in London, they had no way of knowing they were about to become part of one of the greatest tragedies in British policing history. At 10.17a.m. automatic gunfire rained down on them. WPC Yvonne Fletcher was hit in the back and later died from her injuries. Twelve demonstrators were wounded. The gunmen were Libyans, both concealed behind a first-floor window of the Bureau. Two weeks later, all those present inside the Bureau, including everyone suspected of involvement in the attack, were deported from the UK. Men guilty of terrorism and murder were neither arrested nor prosecuted. As Yvonne Fletcher lay dying, her colleague and close friend PC John Murray cradled her in his arms. Before she lost consciousness, he promised her he would not rest until those responsible for her murder had been brought to justice.

Thirty-seven years would pass before John was able to fulfil that promise. Whilst writing John Murray's story, Matt Johnson identified UK government duplicity, secret service deals and how a plan to finally defeat the all-powerful National Union of Mineworkers would place the government in an invidious position when pro- and anti-Gaddafi elements brought their fight to the streets of the UK. He was able to discover why, in 1984, her killers had been allowed to go free. His extensive research also revealed how events on 17 April resulted in a 30-year government campaign to bring the police services of the UK under political control, a campaign that has driven our police service into the state of disarray we see today. The story behind what happened outside the Libyan People's Bureau is complex, shocking and revealing. Matt Johnson's compelling account pulls together a series of seemingly unconnected threads into a coherent whole, incorporating all the inter-related elements of politics, business, secret service missions and chance. For some, this will be a very uncomfortable read. For many, it may confirm what they already suspect, that we, the public, know very little of the decisions being made by our elected representatives and the actions taken by official bodies, supposedly in our best interests.

My Favourite Non-Fiction Reads 2020

For the first time I have had to split my favourite reads this year into fiction and non fiction. This year I have read an eclectic range of non-fiction crime books and it has been great to see such a wide range of books being written. My favourite Non Fiction reads are as follows -

Agatha Christie's Poirot: The Greatest Detective in The World by Dr Mark Aldridge (HarperCollins Publishers) From the very first book publication in 1920 to the upcoming film release of Death on the Nile, this investigation into Agatha Christie's Hercule Poirot celebrates a century of probably the world's favourite fictional detective.This book tells his story decade-by-decade, exploring his appearances not only in the original novels, short stories and plays but also across stage, screen and radio productions. The hardback edition includes more than 400 illustrations. Poirot has had near-permanent presence in the public eye ever since the 1920 publication of The Mysterious Affair at Styles. From character development, publication history and private discussion concerning the original stories themselves, to early forays on to the stage and screen, the story of Poirot is as fascinating as it is enduring. Based on the author's original research, review excerpts and original Agatha Christie correspondence, Poirot: The Greatest Detective in the World is a lively and accessible history of the character, offering new information and helpful pieces of context, that will delight all Agatha Christie fans, from a new generation of readers to those already highly familiar with the canon.

Howdunit: A Masterclass in Crime Writing by Members of The Detection Club Edited by Martin Edwards (Collins Crime Club). Ninety crime writers from the world’s oldest and most famous crime writing network give tips and insights into successful crime and thriller fiction.  Howdunit offers a fresh perspective on the craft of crime writing from leading exponents of the genre, past and present. The book offers invaluable advice to people interested in writing crime fiction, but it also provides a fascinating picture of the way that the best crime writers have honed their skills over the years. Its unique construction and content mean that it will appeal not only to would-be writers but also to a very wide readership of crime fans. The principal contributors are current members of the legendary Detection Club, including Ian Rankin, Val McDermid, Peter James, Peter Robinson, Ann Cleeves, Andrew Taylor, Elly Griffiths, Sophie Hannah, Stella Duffy, Alexander McCall Smith, John Le Carré and many more. Interwoven with their contributions are shorter pieces by past Detection Club members ranging from G.K. Chesterton, Dorothy L. Sayers, Agatha Christie and John Dickson Carr to Desmond Bagley and H.R.F. Keating

Russian Roulette: The Life and Times of Graham Greene by Richard Greene (Little Brown) Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

Cover Me The Vintage Art of Pan Books: 1950-1965 – An Appraisal by Colin Larkin (Telos)  An affectionate and thoroughly-researched celebration of the classic Pan Books paperbacks, beautifully illustrated with sumptuous full-colour reproductions of over 300 of the original cover artworks.

Detective in The Shadows: A Hard-Boiled History by Susanna Lee (John Hopkins University Press) Steadfast in fighting crime, but operating outside the police force―and sometimes even the law―is the private detective. Driven by his own moral code, he is a shadowy figure in a trench coat standing on a street corner, his face most likely obscured by a tilted fedora, a lit cigarette dangling from his hand. The hard-boiled detective is known by his dark past, private pain, and powers of deduction. He only asks questions―never answers them. In his stories he is both the main character and the narrator. America has had a love affair with the hard-boiled detective since the 1920s, when Prohibition called into question who really stood on the right and wrong side of the law. And nowhere did this hero shine more than in crime fiction. In Detectives in the Shadows, literary and cultural critic Susanna Lee tracks the evolution of this truly American character type―from Race Williams to Philip Marlowe and from Mike Hammer to Jessica Jones.Lee explores how this character type morphs to fit an increasingly troubled world, offering compelling interpretations of The Wire,True Detective, and Jessica Jones. Suddenly, in the present day, the hard-boiled detective wears his―or her―fatigue outwardly, revealing more vulnerability than ever before. But the detective remains resolute in the face of sinister forces, ever the person of honor. For anyone interested in crime fiction and television, or for those wanting to understand America's idolisation of the good guy with a gun.

From Aconite to the Zodiac Killer: The Dictionary of Crime by Amanda Lees (Little Brown). This is an indispensable guide for fans of true crime and crime fiction, whether in books, film or on TV, who want to look behind the crime, to understand the mechanics of an investigation, to walk in their favourite detectives' shoes and, most importantly, to solve the clues. To do that, one needs to be fluent in the language of the world of crime. We need to know what that world-weary DI is talking about when she refers to another MISPER. We have to immediately grasp the significance of the presence of paraquat, and precisely why it is still a poison of choice. If you want to know how many murders it takes for a killer to be defined as a serial killer, what Philip Marlowe means when he talks about being 'on a confidential lay' and why the 'fruit of a poisonous tree' is a legal term rather than something you should avoid on a country walk, this is the reference book you've been waiting for. It covers police and procedural terms and jargon of many different countries; acronyms; murder methods; criminal definitions, including different types of killers; infamous killers and famous detectives; notorious cases often referred to in crime fiction and true crime; gangster slang, including that of the Eastern European mafia; definitions of illegal drugs; weapons; forensic terminology; types of poisons; words and phrases used in major crime genres, including detective fiction, legal thrillers, courtroom dramas, hardboiled crime, Scandi and Tartan Noir, cosy crime and psychological thrillers; criminology terms; and the language of the courts and the legal systems of British, American, French, Nordic and other countries.

The Reacher Guy: The Authorised Autobiography of Lee Child by Heather Martin (Little Brown) The Reacher Guy as a compelling and authoritative portrait of the artist as a young man, refracted through the life of his fictional avatar, Jack Reacher. Through parallels drawn between Child and his literary creation, it tells the story of how a boy from Birmingham with a ferocious appetite for reading grew up to become a high-flying TV executive, before coming full circle and establishing himself as the strongest brand in publishing. Heather Martin explores Child's lifelong fascination with America, and shows how the Reacher novels fed and fuelled this obsession, shedding light on the opaque process of publishing a novel along the way. Drawing on her conversations and correspondence with Child over a number of years, as well as interviews with his friends, teachers and colleagues, she forensically pieces together his life, traversing back through the generations to Northern Ireland and County Durham, and following the trajectory of his extraordinary career via New York and Hollywood until the climactic moment when, in 2020, having written a continuous series of twenty-four books, he finally breaks free of his fictional creation.

Southern Cross by Craig Sisterton (No Exit Press) Southern Cross Crime is the first comprehensive guide to modern Australian and New Zealand crime writing. From coastal cities to the Outback, leading critic Craig Sisterson showcases key titles from more than 200 storytellers, plus screen dramas ranging from Mystery Road to Top of the Lake. Fascinating insights are added through in-depth interviews with some of the prime suspects who paved the way or instigated the global boom, including Jane Harper, Michael Robotham, Paul Cleave, Emma Viskic, Paul Thomas, and Candice Fox.

Unspeakable Acts: True Tales of Crime, Murder, Deceit, and Obsession by Sarah Weinman (Ecco) The appeal of true-crime stories has never been higher. With podcasts like My Favorite Murder and In the Dark, bestsellers like I'll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable. Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today. Michelle Dean's "Dee Dee Wanted Her Daughter To Be Sick" went viral when it first published and is the basis for the TV show The Act and Pamela Colloff's "The Reckoning," is the gold standard for forensic journalism. There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.