Zachary
Baqué: zachary.baque@univ-tlse2.fr
Cristelle Maury: cristellemaury@gmail.com
David Roche: mudrock@neuf.fr
Selected Bibliography
Andrin, Muriel. Maléfiques, le mélodrame filmique américain et ses héroines, 1940-1953, Bruxelles, Berne, Berlin: Peter Lang, 2005.
Birch, Helen, ed. Moving Targets Women Murder and Representation. Berkeley: U of California P, 1994.
Burfoot and Lord, eds. Killing Women: The Visual Culture of Gender and Violence. Waterloo: Wilfried Laurier, 2006.
Cadiet, Loïc, ed. Figures de femmes criminelles : De l'Antiquité à nos jours. Paris: Publications de la Sorbonne, 2010.
Cardi, Coline and Geneviève Pruvost, eds. Penser la violence des femmes. Paris: La Découverte, 2012.
Clover, Carol. J. Men, Women and Chain Saws: Gender in the Modern Horror Film. Princeton, N.J.: Princeton UP, 1992.
Cowie, Elizabeth. “Film Noir and Women.” Shades of Noir: a Reader. Ed. Joan Copjec. London and New York: Verso, 1993. 121-65.
Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London and New York: Routledge, 1993.
---. Phallic Panic: Film, Horror and the Primal Uncanny. Manchester: Manchester UP, 2005.
De Laurentis, Teresa. Alice Doesn’t: Feminism, Semiotics Cinema. Bloomington: Indiana UP, 1984.
Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. London and New York: Routledge, 1991.
Gamble, Sarah, ed. The Routledge Companion to Feminism and Postfeminism. London and New York: Routledge, 2001.
Cristelle Maury: cristellemaury@gmail.com
David Roche: mudrock@neuf.fr
Selected Bibliography
Andrin, Muriel. Maléfiques, le mélodrame filmique américain et ses héroines, 1940-1953, Bruxelles, Berne, Berlin: Peter Lang, 2005.
Birch, Helen, ed. Moving Targets Women Murder and Representation. Berkeley: U of California P, 1994.
Burfoot and Lord, eds. Killing Women: The Visual Culture of Gender and Violence. Waterloo: Wilfried Laurier, 2006.
Cadiet, Loïc, ed. Figures de femmes criminelles : De l'Antiquité à nos jours. Paris: Publications de la Sorbonne, 2010.
Cardi, Coline and Geneviève Pruvost, eds. Penser la violence des femmes. Paris: La Découverte, 2012.
Clover, Carol. J. Men, Women and Chain Saws: Gender in the Modern Horror Film. Princeton, N.J.: Princeton UP, 1992.
Cowie, Elizabeth. “Film Noir and Women.” Shades of Noir: a Reader. Ed. Joan Copjec. London and New York: Verso, 1993. 121-65.
Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London and New York: Routledge, 1993.
---. Phallic Panic: Film, Horror and the Primal Uncanny. Manchester: Manchester UP, 2005.
De Laurentis, Teresa. Alice Doesn’t: Feminism, Semiotics Cinema. Bloomington: Indiana UP, 1984.
Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. London and New York: Routledge, 1991.
Gamble, Sarah, ed. The Routledge Companion to Feminism and Postfeminism. London and New York: Routledge, 2001.
Grant,
Barry Keith, ed. The Dread of Difference: Gender and the Horror Film.
Austin: U of Texas P, 1996.
Grossman, Julie. Rethinking the Femme Fatale: Ready For Her Close-Up. London: Palgrave, 2009.
Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of the Monster. Durham, NC: Duke UP, 1995.
---. Female Masculinity. Durham, NC and London: Duke UP, 1998.
Hanson, Helen. Hollywood Heroines Women in Film Noir and the Female Gothic Film. London and New York: I. B. Tauris 2008.
Hanson Helen and Catherine O’Rawe. The Femme Fatale: Images, Histories, Contexts. London: Palgrave, 2010.
Hildenbrand, Karen, ed. Cycnos 23.2 (2006) “Figures de femmes assassines, représentations et idéologies.” <http://revel.unice.fr/cycnos/index.html?id=618>.
Hooks, Bell. Real to Reel: Race, Class and Sex at the Movies. New York and London: Routledge, 2009 [1996].
Inness, Sherrie A. Tough Girls: Women Warriors and Wonder Women in Popular Culture. Philadelphia: U of Pennsylvania P, 1998.
---, ed. Action Chicks: New Images of Tough Women in Popular Culture.
Basingstoke, UK: Palgrave Macmillan, 2004.
Jones, Ann. Women Who Kill. Boston: Beacon Press, 1996.
Kaplan E Ann, ed. Women in Film Noir. London: BFI, 1978.
Kuhn, Annette. Women’s Pictures: Feminism and Cinema. London and New York: Verso, 1993.
Modleski, Tania. Loving with a Vengeance. London and New York: Routledge, 2006.
Nalepa, Laurie and Richard Pfefferman. The Murder Mystique: Female Killers and Popular Culture. Wesport, CO and London: Praeger, 2013.
Parker L. Juli, ed. Representations of Murderous Women in Literature,Theatre, Film and Television: Examining the Patriarchal Presuppositions Behind the Treatment of Murderesses in Fiction and Reality. Lewinston, NY: Edwin Mellen Press Ltd, 2010.
Plain, Gill. Twentieth-Century Crime Fiction: Gender, Sexuality and the Body. Edinburgh: Edinburgh UP, 2001.
Rosalind, Gill. Gender and the Media. Cambridge: Polity Press, 2006.
Rosalind Gill and Christina Scharff, eds. New Femininities:Postfeminism, Neoliberalism and Subjectivity. Basingstone, UK: Palgrave Macmillan, 2011.
Russo, Mary. The Female Grotesque: Risk, Excess and Modernity. New York and London: Routledge, 1995.
Seal, Lizzie. Women, Murder and Femininity: Representations of Women Who Kill. London and New York: Palgrave Macmillan, 2010.
Stables, Kate. “The Postmodern Always Rings Twice: Constructing the Femme Fatale in 90s Cinema.” Women in Film Noir. Ed. E. Ann Kaplan. London: BFI, 1998. 164-82.
Tasker Yvonne. “Women in Film Noir.” A Companion to Film Noir. Ed. Andrew Spicer and Helen Hanson. Chichester: Wiley Blackwell, 2013. 353-68.
---. Soldiers’ Stories: Military Women in Cinema and Television Since World War II. Durham, NC: Duke UP, 2011.
Walker, Janet. “Hollywood, Freud and the Representation of Women: Regulations and Contradiction, 1945-early 60s.” Home is Where the Heart is, Studies in Melodrama and the Woman's Film. Ed. Christine Gledhill. London: BFI, 1994. 197-214.
Wallace, Marilyn. Sisters in Crime. New York: Berkley Books, 1989.
Williams, Linda. “When the Woman Looks.” The Dread of Difference: Gender in the Horror Film. Ed. Barry Keith Grant. Austin, TX: U of Texas P, 1996: 15-34.
Grossman, Julie. Rethinking the Femme Fatale: Ready For Her Close-Up. London: Palgrave, 2009.
Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of the Monster. Durham, NC: Duke UP, 1995.
---. Female Masculinity. Durham, NC and London: Duke UP, 1998.
Hanson, Helen. Hollywood Heroines Women in Film Noir and the Female Gothic Film. London and New York: I. B. Tauris 2008.
Hanson Helen and Catherine O’Rawe. The Femme Fatale: Images, Histories, Contexts. London: Palgrave, 2010.
Hildenbrand, Karen, ed. Cycnos 23.2 (2006) “Figures de femmes assassines, représentations et idéologies.” <http://revel.unice.fr/cycnos/index.html?id=618>.
Hooks, Bell. Real to Reel: Race, Class and Sex at the Movies. New York and London: Routledge, 2009 [1996].
Inness, Sherrie A. Tough Girls: Women Warriors and Wonder Women in Popular Culture. Philadelphia: U of Pennsylvania P, 1998.
---, ed. Action Chicks: New Images of Tough Women in Popular Culture.
Basingstoke, UK: Palgrave Macmillan, 2004.
Jones, Ann. Women Who Kill. Boston: Beacon Press, 1996.
Kaplan E Ann, ed. Women in Film Noir. London: BFI, 1978.
Kuhn, Annette. Women’s Pictures: Feminism and Cinema. London and New York: Verso, 1993.
Modleski, Tania. Loving with a Vengeance. London and New York: Routledge, 2006.
Nalepa, Laurie and Richard Pfefferman. The Murder Mystique: Female Killers and Popular Culture. Wesport, CO and London: Praeger, 2013.
Parker L. Juli, ed. Representations of Murderous Women in Literature,Theatre, Film and Television: Examining the Patriarchal Presuppositions Behind the Treatment of Murderesses in Fiction and Reality. Lewinston, NY: Edwin Mellen Press Ltd, 2010.
Plain, Gill. Twentieth-Century Crime Fiction: Gender, Sexuality and the Body. Edinburgh: Edinburgh UP, 2001.
Rosalind, Gill. Gender and the Media. Cambridge: Polity Press, 2006.
Rosalind Gill and Christina Scharff, eds. New Femininities:Postfeminism, Neoliberalism and Subjectivity. Basingstone, UK: Palgrave Macmillan, 2011.
Russo, Mary. The Female Grotesque: Risk, Excess and Modernity. New York and London: Routledge, 1995.
Seal, Lizzie. Women, Murder and Femininity: Representations of Women Who Kill. London and New York: Palgrave Macmillan, 2010.
Stables, Kate. “The Postmodern Always Rings Twice: Constructing the Femme Fatale in 90s Cinema.” Women in Film Noir. Ed. E. Ann Kaplan. London: BFI, 1998. 164-82.
Tasker Yvonne. “Women in Film Noir.” A Companion to Film Noir. Ed. Andrew Spicer and Helen Hanson. Chichester: Wiley Blackwell, 2013. 353-68.
---. Soldiers’ Stories: Military Women in Cinema and Television Since World War II. Durham, NC: Duke UP, 2011.
Walker, Janet. “Hollywood, Freud and the Representation of Women: Regulations and Contradiction, 1945-early 60s.” Home is Where the Heart is, Studies in Melodrama and the Woman's Film. Ed. Christine Gledhill. London: BFI, 1994. 197-214.
Wallace, Marilyn. Sisters in Crime. New York: Berkley Books, 1989.
Williams, Linda. “When the Woman Looks.” The Dread of Difference: Gender in the Horror Film. Ed. Barry Keith Grant. Austin, TX: U of Texas P, 1996: 15-34.
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