Thursday, 27 March 2014

Write what you know or should one? by Emma Kavanagh

Today's guest blog is by Emma Kavanagh whose debut novel Falling is published today. A  former police and military psychologist who trained firearms officers, command staff and military personnel in the UK and Europe she also has a Phd in psychology.

They say that you should write what you know.  I’m not so sure that this is an absolute myself, but I do believe that when you know a world, when you understand it, then your writing of it can come to life, can be real in a way that would be difficult for someone who hasn’t experienced it.  I spent seven years as a police and military psychologist, providing training to police forces and NATO officers throughout the UK and Europe, and I can say, beyond a shadow of a doubt, that what I write is fed by what those years have taught me.


I have always been fascinated by the way in which normal people react to highly stressful environments.  A gun battle, an airplane crash, and a terrorist attack.  These are challenges that, whilst common fodder for the world of the crime writer, are quite rare in the life of the average person.  However, for the individuals that it was my job to train, these threats were worryingly real.  What interested me was the way in which, in situations like this, you see people’s behaviour change, turn into something you wouldn’t have predicted from them.

I’ll give you a little bit of the science - don’t worry; I’ll keep it brief.  When a person is under a great deal of stress, the blood flow in their brain changes.  What you see is a decrease in blood flow to the frontal lobe, the part of the brain that deals with logic and reason, and an increase in blood flow to the limbic system - the older, far more instinctual part of the brain.  What that means for us, in a nutshell, is that, when you are under stress, instinct and those behaviours that are so well rehearsed as to be essentially instinctual are in charge.


This is a powerful bit of knowledge.  It is understanding this basic fact that has allowed us to adapt police and military training so that the kind of behaviours that we need to see in people when they are under stress is drilled into them, again and again and again.  We make the behaviours we need them to replicate almost instinctive, so that when the frontal lobe isn’t working so well and they start relying on the limbic system, they have the right kind of response just sitting there waiting for them.


My job was to teach this, to police officers (from PC to Chief Constable), to soldiers and officers, because the more we understand how the brain works, the better we can predict and explain the kind of behaviours that we see in life threatening situations.  And that is part of the reason why I love writing, and why I think novels are so critical for us as a society.  We very rarely get the chance to experience in real life the kind of things that we read about in crime novels (thankfully!).  However, the brain is an incredible learning tool, and it will take its knowledge from anywhere it can get it.  You don’t need someone to hold a gun to your head in order to learn from that situation - reading about it will generate the same kind of neural activity (albeit on a substantially reduced level).  What this means for us is that reading about characters in life threatening situations gives our brains a template, a way to respond should we ever find ourselves in a similar situation.  Essentially, novels can help us learn how to handle the world and the myriad of people in it.


I’m not very nice to my characters.  These people truly are put through the mill.  They are forced to deal with horrendous and desperately traumatising situations.  They don’t always deal with them well, but what I do try to do is ensure that their responses - whilst sometimes ineffectual and downright annoying - are psychologically genuine, based on who they are as characters and the kind of things they have been exposed to.


Novels are important because people are able to see themselves in them, to identify with the characters, their quirks, their talents, and even their failings.  And that matters.  That matters hugely!  As humans we are deeply social creatures.  It is important to us that we are not alone in our experiences, that others have gone through them, have reacted in a similar way.  In essence, that we are normal.


In my role as a police and military psychologist, I found day in and day out, that one of the greatest stressors for the people I was dealing with was the sense that there was something wrong with them, that they were somehow abnormal, because they had behaved in a way that they weren’t expecting to when their life was in danger.  And often all it took was an explanation of what it was their brain had been experiencing, an understanding that at that time their actions were dictated by their biology. That was my job then, to give people an opportunity to see themselves in a new light, one that hopefully made more sense to them.  And it’s still my job now - providing readers with a cast of fictional characters, all of whom are forced to deal with tough situations, all of whom react differently, but all of whom will hopefully allow the reader to see themselves, and to ultimately see that they aren’t that different after all. 

You can follow Emma Kavanagh on Twitter @EmmaLK

Shots review of Falling can be read here.




FALLING by Emma Kavanagh is published by Century on March 27th, hardback £9.99

Wednesday, 26 March 2014

Parsley, Sage, Rosemary and...Crime. (The Iceman Cometh.)



I’m not entirely sure how I got involved co-running the new Scarborough Book Festival, Books By The Beach.  My big mouth, I expect.  I’d been hosting events at the Library Service’s Literature Festival (note the distinction) in the town for years so when the Library decided it couldn’t carry on the local paper emailed me for a comment.

I thought I said something innocuous about what a shame it was.  The headline in the Scarborough News a couple of days later blared: ‘Festival favourite host to save scrapped Festival’.  That would be me, then.

I got together with Heather French, the librarian who had been programming the Literature Festival for the past seven years, to create Books By The Beach, the new festival.  She worked really hard, off the clock, to put a programme together, whilst I took all the credit.  Worked for me.

Scarborough has always got good audiences for crime writers.  Mr Rankin, Ms McDermid, Ms Mina, Ms Welch and Mr McBride have all made the trip south from Scotland.  Ms Ann Cleeves, Mr Peter James, Mr David Hewson, Mr Mark Billingham, Mr Simon Kernick, Mr Lee Child and many others have also been there.

But this was a new festival.  We needed a crime writer who’d not been to Scarborough before.  (Plus none of these writers were available.  Except that the wonderful Mark Billingham is driving up especially to interview his mate, rock journo Mark Ellen, then driving straight back south again.)

 


 
Enter Jo Nesbo.  Let me rephrase that: ENTER JO NESBO.  The festival was running 24-27 April.  I knew from Bethan Jones, Jo’s magnificent PR at his UK publisher, that he had his new novel, The Son, out in April.  Any chance Jo could come to Scarborough?  Sorry, Bethan said, he doesn’t get in until 28 April.  Did I say the Festival ended 27 April, Bethan?  My mistake.  I meant 28th… or 29th… or – can we just do Nesbo Time?

Anyway, The Iceman Cometh.  Jo was up for it (maybe it was an ancestral thing: the Vikings used to live in Scarborough and nearby Jorvik/York for a hundred years or so) so we had our top of the bill (and a longer festival). 

We lined up some spy guys – Jim ‘Today’ Naughtie with his debut novel, Charles Cumming with his seventh and ex-head of Special Branch, Roger Pearce.  We tried for Ben McIntyre and his book on Kim Philby but got slapped down pretty quickly.

(I’m not saying this is Ben but some people have long enough memories to recall that movie An American Werewolf in London and get frightened at the thought of going to Yorkshire.  You can pitch All Creatures Great and Small as much as you want, they just see fog-shrouded moors with throat-ripping creatures waiting to pounce.  Frankly, so do I, but then I’m from Lancashire, the land of milk and honey.)


We had Mark Lawson until he dropped out for ‘personal reasons’, which always sounds a bit odd so we got paranoid about that until he dropped out of everything for ‘personal reasons’ and then we hoped he was going to be okay.  We even forgave him utterly that our brochure was at the printer and we had six hours to find someone else to take his place.

We’ve got two fine crime writers doing unusual things.  (No, not together, scandal-mongers.)  Lynn Shepherd (A Treacherous Likeness, Tom-All-Alone’s) is giving a talk at our Gothic literary dinner in the 1840s town hall about Dracula. (He landed in nearby Whitby when he came over from Transylvania.)  Sherlock Holmes expert, David Stuart Davies, is telling ghost stories in the company of movie star Greta Scacchi (no less) in the town’s abandoned Victorian prison.  Spooookie.

We’ve also got one-man crime and film encyclopaedia, Barry Forshaw, talking about British Gothic Cinema over lunch. (We’re prepared for unfinished meals.)

I’m running a crime-writing workshop in that very same prison.  I’m planning to lock participants in the cells to write.  (I’m funny that way – and isn’t that what public liability insurance was invented for?)
 



Check out the programme at www.booksbythebeach.co.ukwww.booksbythebeach.co.uk.  Follow us on Twitter on @scarboroughbook. We’re on Facebook too.  And come to see Jo and our other writers.  (High speed trains to York then 40 minutes cross-country to the coast.) There are no werewolves in Yorkshire, I promise.  Vampires, now, that’s something else again.

Tuesday, 25 March 2014

Hove Book Festival

The inaugural Hove Book Festival, founded and curated by bestselling author, Dorothy Koomson will run from Thursday 3rd April to Saturday 5th April 2014. Created to celebrate great storytelling for all ages, the launch line-up includes authors Lynne Truss, Alexandra Heminsley, Bethan Roberts, Araminta Hall, Simon Toyne and Eleanor Moran and a range of events including ‘Write by the Sea’; ‘The Big Book Quiz’ hosted by BBC Radio Sussex and Surrey presenter, Sarah Gorrell, appearances from ‘Stripy Horse’ and a series of ‘How to...’ writing sessions. 

Talking about the Festival, Dorothy Koomson says: “I wanted to celebrate and share my love of reading, books and really good story-telling so thought it’d be a great idea to start a festival near my home. We’re very fortunate with the line-up for the Festival – we have brilliant authors and experts on board, so I’m really excited to get the opportunity to buy their books and have them signed for me. Setting up Hove Book Festival has been a labour of love and I’m looking forward to hearing what all of the authors and experts have to say.” 

 Events will take place at Hove Library and The Hove Centre, Hove Town Hall, with support for The National Literacy Trust, the charity dedicated to raising literacy levels in the UK. WHSmith and British Bookshops, Hove are confirmed as the official Festival booksellers

The Festival in brief

Thursday 3rd April at 7pm, Hove Library 
Write By The Sea With Simon Toyne, Bethan Roberts & Dorothy Koomson Three best-selling authors talk about how they got published, how they come up with ideas for their books and what it’s like to be a writer who lives near the sea. 

Friday 4 April at 7.30pm, Hove Library 
The Big Book Quiz With Lynn Truss, Tom Bale, Joanna Rees, Mark Barrowcliffe and Alexandra Heminsley 5 well-known, local authors will head up 5 teams to find out who knows the most about books. BBC Sussex & Surrey radio host Sarah Gorrell will be asking the questions and interviewing the authors. 

Saturday 5 April at 10.30am, The Hove Centre/Hove Town Hall 
Stripy Horse Comes To The Seaside Award-winning children’s authors Karen Wall and Jim Helmore bring their most famous creation, the lovable Stripy Horse to the seaside. They’ll be reading from their first story Who Are You Stripy Horse? and involving the children in discussions about the book. (For 3-5 year-olds) 

Saturday 5 April from 1pm, The Hove Centre, Hove Town Hall 
How To Write A Bestselling Fiction Series With Elly Griffiths 1pm Elly Griffiths, the bestselling author of a series of crime books currently in development with the BBC, shares her secrets on how she puts together her complex, linked series of stories. 

How To Get Published With Jo Dickinson 2:30pm The Publishing Director of adult fiction at Simon & Schuster (one of the world’s biggest publishing companies) explains what she looks for when deciding to sign up an author and their book

How To Find Your Writing Voice With Lizzie Enfield & Araminta Hall 4pm 
These experienced authors and writing coaches will explain the importance of finding your own ‘voice’ when writing and how you can put that story bubbling away inside down on paper in your own unique way. 

How To Write For TV With Eleanor Moran 5:30pm Not only is Eleanor Moran a bestselling author, she’s also a TV drama producer who’ll be revealing how you can put together a story for the small screen. 

For tickets and further information please visit www.hovebookfestival.co.uk 

NOTES TO EDITORS: Dorothy Koomson is the international bestselling author of 9 novels and her sales exceed 1.5 million copies in the UK. Translated into 30 languages, Dorothy’s books are powerful, thought-provoking and compelling ‘emotional thrillers’ where moral dilemmas are central and where the complex emotions of family and friendships are intertwined. The Rose Petal Beach, Dorothy’s 8th novel, was shortlisted for a Specsavers National Book Award in 2012. Dorothy’s 9th novel, The Flavours of Love is published in paperback on the 10th April 2014. 

About The National Literacy Trust: The National Literacy Trust is a charity dedicated to raising literacy levels in the UK. Their research and analysis make them the leading authority on literacy. They run projects in the poorest communities, campaign to make literacy a priority for politicians and parents, and support schools. Visit www.literacytrust.org.uk to find out more For further information about the National Literacy Trust, please contact Claire Nevill, Media Manager on 0207 820 6275 or at Claire.Nevill@literacytrust.org.uk


The Hove Book Festival runs from 3rd – 5th April in Hove Library and The Hove Centre, Hove Town Hall.
For further information on authors, events or to speak to Dorothy Koomson please contact Emma Draude at ed public relations on
020 8299 4541 or email emma@edpr.co.uk
www.hovebookfestival.co.uk       @hovebookfest

Monday, 24 March 2014

Declan Burke on being phoney

Declan Burke is the Irish author of the Harry Rigby series.  The latest book in the series
being Slaughter’s Hound, which was shortlisted in the Ireland AM Crime Fiction Category for the Irish Book Awards 2012.  The first book in the Harry Rigby series is Eightball Boogie (2003) which was also shortlisted in the Crime Fiction category at the Irish Book Awards, 2003.  The Big O (2008) was shortlisted for the Goldsboro ‘Last Laugh’ Award in 2009.  His novel Absolute Zero Cool won the Goldsboro ‘Last Laugh’ Award at Crimefest, 2012.  It was also shortlisted for the Crime Fiction category at the Irish Book Awards, 2011.  In 2011, he edited Down These Green Streets, a collection of essays, memoir and short stories written by Irish crime writers about the current wave of Irish crime writing.  With John Connolly, Declan Burke is the co-editor of Books To Die For (2012), a collection of essays on the greatest crime and mystery novels written by the greatest living crime and mystery authors.  Declan Burke is also a freelance journalist and critic.  He has written and continues to write and broadcast on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent.  
    
Phoney.
           
Am I the only person who immediately thinks of Holden Caulfield every time – and that’s every time – I hear the word ‘phoney’?
            I doubt it.
       
The Catcher in the Rye seems to have fallen out of favour with the cognoscenti these days, so I guess I can only give thanks that I read it long before I understood that you were only supposed to like books the cool people liked. And maybe, okay, if was to read again now, it mightn’t have the same impact. At the time, though, I was absolutely blown away by Holden Caulfield – the way he dropped in “all that David Copperfield crap” in the very first sentence spoke absolute volumes about who and what he was.
            ‘Spoke’ being the mot juste. Because The Catcher in the Rye was, at the time, easily the most compelling voice I’d ever heard in books. I was in my late teens, and a voracious reader, but until then I’d pretty much always read for story. Now, here was a story that was utterly compelling not for what was happening but for how it was told.
           
The next time I can remember being gripped that way was the first time I read The Big Sleep. When Marlowe told me that he was “neat, clean, shaved and sober, and I didn’t care who knew it”, I keeled over right onto my fainting couch.
            What a voice. Not only that, but there was a hell of a lot going on, too. All writers are readers first and foremost, readers so deranged by what they read that the only way to cure the fever – temporarily, and on a daily basis – is to write it out of their system. The Big Sleep was the book that so deranged me that I finally sat down and started typing. The result, eventually, was Eightball Boogie (2003), a Chandleresque homage (koff) set in contemporary Ireland, but I honestly believe that if Raymond Chandler had written romances in that voice, or science fiction, then I would today be trying to write romances, or science fiction.
            The same principle applies to Elmore Leonard, who heavily influenced The Big O (2007) and my new book, Crime Always Pays. The first Leonard I ever read was Freaky Deaky, which may not be his finest moment but certainly danced rings around anything else I was reading at the time, mainly because it all seemed so deceptively, casually conversational. “Chris Mankowski’s last day on the job, two in the afternoon, two hours to go, he got a call to dispose of a bomb.” Boom! And we’re off …
Leonard, of course, wrote westerns before he turned to writing crime, so had I read an early rather than a mid-career Leonard, The Big O and Crime Always Pays could just as easily have been westerns (or romance and / or science fiction). 
Of course, it’s not just about the voice. As with The Big Sleep, and Chandler’s novels in general, Freaky Deaky – and all Elmore Leonard’s novels – combined a masterful voice with a hell of a lot going on, story-wise.
If you’re an aspiring writer, that’s really all the advice you need. ‘A masterful voice with a hell of a lot going on, story-wise.’ It really is as simple, and almost impossible to achieve, as that.


Declan Burke’s Crime Always Pays is published by Severn House. He blogs at Crime Always Pays.




Sunday, 23 March 2014

Calamari Crime! Left Coast Crime Awards


The winners have been announced in four categories of awards presented during Left Coast Crime in Monterey at the Banquet on March 22 2014. (Winner in bold)

The Lefty: Best Humorous Mystery Novel –
The Hen of the Baskervilles by Donna Andrews (Minotaur Books)
The Fame Thief by Timothy Hallinan (Soho Crime)
The Last Word by Lisa Lutz (Simon & Schuster)
The Good Cop by Brad Parks (Minotaur Books)
Dying for a Daiquiri by Cindy Sample (Cindy Sample Books)

The Bruce Alexander Memorial Historical Mystery Award: Best Historical Mystery Novel Covering Events Before 1960
Heirs and Graces by Rhys Bowen (Berkley Prime Crime)
His Majesty’s Hope by Susan Elia MacNeal (Bantam)
Dandy Gilver and a Bothersome Number of Corpses by Catriona McPherson (Minotaur Books)
Murder as a Fine Art by David Morrell (Mulholland Books)
Covenant with Hell by Priscilla Royal (Poisoned Pen Press)
Leaving Everything Most Loved by Jacqueline Winspear (HarperCollins)

The Squid: Best mystery set within the United States
W Is for Wasted by Sue Grafton (Putnam, Marian Wood Books)
Purgatory Key by Darrell James (Midnight Ink)
Ordinary Grace by William Kent Krueger (Atria Books)
The Wrong Girl by Hank Phillippi Ryan (Forge)
A Killing at Cotton Hill by Terry Shames (Seventh Street Books)

The Calamari: Best Mystery Set Anywhere Else in the World
Murder Below Montparnasse by Cara Black (Soho Crime)
Hour of the Rat by Lisa Brackmann (Soho Crime)
As She Left It by Catriona McPherson (Midnight Ink)
How the Light Gets In by Louise Penny (Minotaur Books)
Mykonos After Midnight by Jeffrey Siger (Poisoned Pen Press)


Congratulations also go to William Kent Kruger who won the Dilys Award with his novel Ordinary Grace (Atria Books).
The Dilys Award is given annually by the IMBA (Independent Mystery Booksellers Association) to the mystery titles of the year which the member booksellers have most enjoyed selling. The Dilys Award is named in honor of Dilys Winn, the founder of the first specialty bookseller of mystery books in the United States. 

Congratulations to all the winners.