Friday, 24 February 2017

Deal Noir Programme


9.00      Registration

9.45        Deal or No Deal – is there such a thing as Kent Noir? Katerina Diamond, Frances Fyfield, Susan Moody & William Shaw - Moderator – Ayo Onatade

10.45     New Blood – debut authors talk about their road to publication: Fiona Cummins, Claire Evans, Paul Harrison & Mark Hill
Moderator – Sarah Ward

11.45     A Suitable Job For A Woman – what profession do you give a female protagonist if  she is not a police officer: Steph Broadribb, Janet Laurence, Nicola Upson & Louise Voss - Moderator – William Shaw

12.45     Lunch

2.00      Killers: Home and Away – British authors who use foreign locations – where and why? Quentin Bates, David Hewson, Barbara Nadel & Daniel Pembrey - Moderator – Andy Lawrence

3.00       Tough Nuts & How To Crack Them – the grittier side of crime fiction writing? Hugh Fraser, Simon Michael, Linda Regan & Rod Reynolds - Moderator – Barry Forshaw

4.00        Series Characters & Locations – how to create them so they keep on giving? Guy Fraser-Sampson, SJI Holliday, Leigh Russell &Sarah Ward-Moderator – Craig Sisterson

5.00        My Favourite All-time Crime Book
                Panel to be announced

5.55        Presentation of the Deal Noir 2017 Flash Fiction Award and Closure
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Thursday, 23 February 2017

Granite Noir


Granite Noir Headliners
Friday 24 February

1.30pm – 2.30pm, The Lemon Tree Studio
Crime-stoppers Turned Crime Writers: Denzil Meyrick and Kate London
Chaired by Stuart MacBride £9.50
 Authenticity matters, so do ex-cops have the edge when it comes to crime writing? Come along and find out, as Stuart MacBride talks with Denzil Meyrick and Kate London.  Meyrick, author of the popular DCI Daley series, served with Strathclyde Police in Glasgow. His latest DCI Daley novel, The Rat Stone Serenade, is set in snowbound Kintyre, where ghosts and ancient curses rise out of the past, causing mayhem and murder.  Kate London was an actress, theatre writer, and teacher before joining London’s Metropolitan Police. After qualifying as a detective constable she went on attachment with France’s police nationale, and finished her career as part of a Major Investigation Team on the Met’s Homicide Command. The Sunday Times said her debut, Post Mortem, “vividly recreates the everyday experience of uniformed police [offering] rare insights into how the police operate.” The follow up, Death Message, comes out in April.  Stuart MacBride works closely with forensic professionals and local police forces when researching his popular Logan McRae novels.

7.00pm – 8.00pm, The Lemon Tree Studio
In Conversation with Stuart MacBride £9.50
Who better to kick off our opening night than local legend Stuart MacBride, whose novels have sold more than 2.5 million copies — and counting! He’ll be talking to Gordon J Brown, one of the founders of Bloody Scotland, about his bestselling Sergeant Logan McRae novels, which have earned Aberdeen pride of place on the Noir map of Scotland. The latest, In the Cold Dark Ground was his sixth number 1 The Sunday Times bestseller in as many years. MacBride has said: “They always say, ‘write what you know’ so I did – using Aberdeen as the backdrop for a series of horrific crimes, murders, serial killers, and much eating of chips and drinking of beer. Of these, the only ones I have any direct experience of are beer and chips, but some nice local police officers helped me fill in the rest.”

9.00pm – 10.00pm, The Lemon Tree Studio
In Conversation with Chris Brookmyre £9.50
Winner of the McIlvanney Prize at this year’s Bloody Scotland, Chris Brookmyre is one of our finest, and funniest writers. He’ll have you crying with laughter one minute, quivering with anxiety the next and marvelling at the inventiveness of his... vocabulary... throughout. Join us for the paperback launch of the award-winning Black Widow, a feminist psychological thriller set in Inverness. It’s a hair-raising ride through the back alleys of cyberspace, where reputations are built — and destroyed — with the stroke of a key. This story is so surprising that even the twists have twists. Chris may also give us a sneak preview of his new novel, out this summer.

Sunday 26th February
3pm – 5pm, 1906 Restaurant at HMT
Poisoned High Tea, with Dr Kathryn Harkup £18, £25 with Prosecco
What could be more inviting on a chilly Sunday afternoon than a plate piled high with warm scones, pastries and dainty sandwiches, washed down with strong coffee or aromatic tea? But beware! Dr Kathryn Harkup, author of A is for Arsenic, is here to remind us that in the hands of literary Grande Dame Agatha Christie, everything on the menu could — and did — become a lethal weapon.  While you dine, Dr Harkup will talk about some of Christie’s favourite poisons, describing how the Queen of Crime deployed them, and where she found her inspiration. It all adds up to one unforgettable meal!

9pm – midnight, The Belmont Filmhouse
Noir at the Bar, (with Gunnar Staalesen) hosted by Russel D Mclean FREE ENTRY
Host Russel D McLean (founder of Glasgow’s Noir at the Bar) hosts this informal gathering of festival and local talent for a night of readings and hijinks in the bar of the Belmont Filmhouse, and we’ll be kicking things off with an appearance by Gunnar Staalesen. The format originated in Philadelphia and has sprung up around the world to become an international phenomenon. Anything can happen: you’re likely to hear new work, readings from published novels, maybe even a song or two. Get up close and personal with some of your favourite writers in a relaxed setting.

IN CONVERSATION – Interrogations

Friday 24 February 3.30pm – 4.30pm, The Lemon Tree Studio
Atmospheric Pressure: Doug Johnstone and Sarah Ward £7.50
Discover why choosing the right location for a novel is as important as identifying the killer. Doug Johnstone’s new novel Crash Land is set in Orkney, while Sarah Ward’s A Deadly Thaw takes place in the Peak District. Both evoke a vivid sense of place as integral to the story as its characters and plot. Johnstone says: “Orkney is tremendously atmospheric, and all the old archaeological sites. . . give a real feeling that the past is absolutely intertwined with the present in everyday life. There’s an innate sense of claustrophobia, that exists on islands that’s hopefully tailor-made for tense and suspenseful writing.” The Financial Times said A Deadly Thaw “bristles with the same persuasive psychological detail and atmosphere that distinguishes Nordic noir.”

Saturday 25 February 11am - 12 noon, The Lemon Tree Studio
Pantsers Versus Planners with Chris Brookmyre, Kati Heikkapelto,
Doug Johnstone and Kate London £7.50
When writing a novel, is it better to plan meticulously or fly by the seat of your pants, seeing where the story takes you? Should you start with charts and character profiles, or a couple of scribbled-on post-it notes? Do you have to know ‘whodunit’ before launching into your opening paragraph? Join authors Chris Brookmyre, Kati Heikkapelto, Doug Johnstone and Kate London for a frank discussion about working methods that’s sure to offer aspiring authors.

Saturday 25 February 1pm - 2pm, The Lemon Tree Studio
Blurred Lines: with Denise Mina and Nicola White £7.50
Why are so many of us suspicious of true crime books, when we gobble up crime fiction? Who decided that fiction contains a moral centre that is missing from reportage, or that enjoying true crime books is as unseemly as rubbernecking at the scene of an accident? Why do certain real life tragedies capture the public — and so many writers’ — imagination? And don’t most crime novels have roots in real events? These are some of the issues these award-winning authors will tackle in a provocative, idea-filled session.  Denise Mina’s new novel, The Long Drop, is based on serial killer Peter Manuel and set in 1950s Glasgow. Nicola White’s In the Rosary Garden, winner of the 2013 Dundee International Book Prize, was inspired by the Kerry Babies tribunal of the 1980s.

Saturday 25 February 3pm - 4pm, The Lemon Tree Studio
Does Evil Exist? With Denise Mina, Richard Holloway and Dr Zohar Hadromi-Allouche £7.50
Transgression lies at the heart of every crime novel. Some acts are so horrific that we label their perpetrators born devils. Are there malevolent forces in the universe capable of overriding free will and morality? Or does the idea that someone is evil enable us to step away and ignore the real roots of anti-social behaviour?  Denise Mina, Richard Holloway, and Dr Zohar Hadromi-Allouche discuss historical concepts of evil and our perceptions of wrong-doers. Whether you’re a reader, or a writer wrestling with these dilemmas on the page, this is a conversation you won’t want to miss.  Denise Mina is the author of more than 12 acclaimed novels and a member of the Crime Writers’ Association Hall of Fame. Richard Holloway, FRSE, is a writer and broadcaster, whose most recent book is A Little History of Religion. He is a former Bishop of Edinburgh and was Primus of the Scottish Episcopal Church from 1992 to 2000. Dr Zohar Hadromi-Allouche is a lecturer in Islam at Aberdeen University’s department of Divinity and Religious Studies. Her research interests include the relations between religious and folk literature.

Saturday 25 February 5pm - 6pm, The Lemon Tree Studio
The Customs of the Country: Gordon J Brown and Quentin Bates £7.50
Gordon J Brown, a co-founder and director of Bloody Scotland, splits his time between the UK, the U.S.A. and Spain. The hero of his US-based series, Craig McIntyre, is ex-military turned bodyguard — and a man who attracts violence like a magnet. Quentin Bates, a co-founder of the Iceland Noir festival, spent more than a decade living in Iceland, where his Gunnhildur Gísladóttir series is set. As well as his journalism and novels, Bates also translates Scandi Noir for English-speaking readers. Join them for a discussion delving into the different sensibilities and expectations of American versus Scandi crime fiction and a look at how these physical and emotional terrains have shaped their own work.

Nordic Noir International Noir from our Nordic neighbours

Saturday 25 February 7pm – 8pm, The Lemon Tree Studio
Hot Scandi Crime: Thomas Enger and Thomas Rydahl £9.50
Former sports journalist Thomas Enger plunges us into Oslo’s dark underbelly and the fast-moving world of 24-hour news with his popular Henning Juul novels, which are published in 26 countries. His most recent in English, Cursed, involves a missing woman, a dead man and a wealthy family guarding terrible secrets. Juul is also coming to terms with his son’s death. Enger has been called “one of the most unusual and intense writers in the field. ”Denmark’s Thomas Rydahl is a writer and translator. He’ll be talking about his debut, The Hermit, which won the Danish Debutant Award — the first time it has ever gone to a thriller. He’s also won the Glass Key Award for the best Nordic crime novel, and the Harald Mogensen Prize for the best Danish crime novel.  Set on a deserted beach on the Spanish island of Fuerteventura, it features a distinctive — and highly unlikely — detective.

Saturday 25 February 9pm – 10pm, The Lemon Tree Studio
Meet Sweden’s Queen of Crime with Kristina Ohlsson £9.50
Superstar Kristina Ohlsson is beloved in Sweden for both her crime fiction and her children’s books. Her novels The Chosen and Hostage, feature investigative analysts Fredrik Bergman and Alex Recht. Ohlsson did her research at the coalface: she’s worked for Säkerhetspolisen, the Swedish Security Service; the Ministry of Foreign Affairs; the Swedish National Defence College; and the Organization for Security and Co-operation in Europe (OSCE), where she was a Counter-Terrorism Officer. Her novels have been shortlisted for Best Crime Novel of the Year by the Swedish Academy of Crime Writers.

Sunday 26 February 1.30pm – 2.30pm, The Lemon Tree Studio
Challenging Conventions, With Antti Tuomainen and Russel D McLean £7.50
Once you’ve mastered the rules, all the fun is in breaking them! Meet two accomplished authors unafraid to tweak conventional formats to their own nefarious ends. In Ed’s Dead, McLean delivers a fast-paced domestic psychological thriller with a satiric twist, proving once and for all that the female of the species is deadlier than the male.  In 2013, the Finnish press dubbed Tuomainen The King of Helsinki Noir. He was one of the first to challenge the Scandinavian crime genre formula, and his work has been praised not only for the heart-stopping twists in his tales, but also for his use of language. The Mine is a gripping, beautifully written tale of corruption and revenge, set in northern Finland. He’s a past winner of the Clue Award for Best Finnish Crime Novel of 2011.

Sunday 26 February 3.30pm – 4.30pm, The Lemon Tree Studio
Crime with a Social Conscience: Kati Hiekkapelto and Eva Dolan £7.50
Sharp social criticism and dark home truths are a hallmark of modern crime fiction, and these talented authors are so adept at weaving controversial social issues through their thrilling mysteries that you never spot the join. In The Exiled, Hiekkapelto sends Anna Fekete back to her Balkan birthplace, but the investigator’s holiday turns into a murder investigation. Hiekkapelto won Best Finnish Crime Novel of the year for The Defenceless in 2014. Eva Dolan’s DS Ferreira and DI Zigic, members of Peterborough’s Hate Crimes Unit, investigate crimes against people who can’t always speak for themselves. Tell No Tales was shortlisted for the Theakston’s Crime Novel of the Year and After You Die, was long-listed for CWA’s Gold Dagger. Eva’s new book, Watch Her Disappear, is set in the transgender community.

Sunday 26 February 6pm – 8.30pm, The Belmont Filmhouse
Nordic Noir, Cold Hearts film screening £10
One of the fathers of Nordic Noir, Gunnar Staalesen introduced the world to PI Varg Veum in 1977. Forty years later, his complex, engaging anti-hero is still going strong, despite a stint in rehab and a string harrowing cases that might have broken a lesser man. Jo Nesbo calls Staalesen “The Norwegian Chandler” and Bergen honoured him by erecting a life-sized statue of Veum in the city centre.  We are delighted to welcome Staalesen to Granite Noir to introduce a rare UK screening of Cold Hearts. While investigating a case of missing sisters in Bergen’s prostitution network, Varg Veum faces an impossible choice: let the criminals go free or expose his pregnant wife to mortal danger. (2012. Director: Trond Espen Seim. Writers: Geir Meum Olsen, Gunnar Staalesen) After the film there will be a conversation and audience Q&A with Staalesen.

Crimewatch Granite Noir screenings at the Belmont Filmhouse

Monday 27 February 8.30pm, The Belmont Filmhouse Easy Money £10/£8 concession
A Swedish thriller based on the 2006 novel by Jens Lapidus, Easy Money (Snabba Cash) sees Joel Kinnaman star as Johan Westlund, a poor man who leads a double life among Stockholm’s elite. After meeting a wealthy girl, he has to go to increasingly criminal lengths to fund his lavish lifestyle, shortly finding himself far from his depth. Easy Money was well received by critics and audiences alike and had a UK release in 2013. (2010. Director: Daniel Espinosa)

Tuesday 28 February 6pm, The Belmont Filmhouse Jar City £10/£8 concession
A classic Scandinavian, world-weary detective played to perfection by Ingvar Eggert Sigurdsson (Of Horses And Men) searches for answers in a murder case in this film based on the novel Myrin by author Arnauld Indridason. Jar City, like much Scandi drama, is grim, bleak and black, so it feels appropriate that much of the murder case revolves around genetics – clearly there’s something in Scandinavian DNA.  (2006. Director: Baltasar Kormákur)
Tickets booked through Belmont Filmhouse box office or www.belmontfilmhouse.com

North-East Noir Crime Writing from Aberdeen City & Shire

Sunday 26 February 11.30am – 12.30pm, The Lemon Tree Studio
In Conversation with Claire MacLeary and Clio Gray £7.50
Cross Purpose heralds the arrival of a distinctive new voice, debut novelist Claire MacLeary. When Maggie Laird’s disgraced husband, an ex cop, dies unexpectedly, her life is turned upside down. To pay off debts she takes on his struggling detective agency, enlisting the help of her neighbour, ‘Big Wilma’. The discovery of a mutilated body draws them into the unknown world of Aberdeen’s sink estates, clandestine child-minding and dodgy dealers. Gritty and funny, Cross Purpose is also a paean to friendship, demonstrating how women of a “certain age” can defy the odds.  Acclaimed author Clio Gray’s exciting new Scottish Mystery Trilogy begins with Deadly Prospects. It’s set in Sutherland, in 1869, when a big corporation rolls into town determined to reopen its mine and reinvigorate the harsh conditions in this remote Highland enclave. When a body is found next to some strange inscriptions, things take a sinister turn. Grey’s previous historical thrillers were bestsellers. The Anatomist’s Dream, was nominated for the Man Booker prize in 2015, and long-listed for the Bailey’s Prize in 2016.

Little Criminals Granite Noir Family Events

Saturday 25 February 2pm – 3pm, Children’s Library What Happens Next? With Vivian French FREE - BOOKING REQUIRED
Fancy writing a mystery but not sure where to start? Acclaimed author Vivian
French leads budding writers on a hair-raising trip into Aberdeen’s past. Using an historical ‘Wanted’ poster from the city’s archives, you’ll create a participatory story that solves a 100-year-old-mystery. No pencil or paper needed, just bring your imagination!

Sunday 26 February 2pm – 3pm, Children’s Library Drawing Baddies with Shoo Rayner FREE - BOOKING REQUIRED
Sharpen your pencils for a fun session with bestselling author and YouTube
sensation Shoo Rayner, who promises: “If you can make a mark on a piece of paper, you can draw.” With his trademark wit and style, Rayner will demonstrate how to master basic drawing shapes so you can create creepy criminals. You’ll learn how to polish your pictures of nefarious nasties, super sleuths and naughty no-good-nicks to make them truly spine-tingling. Paper and pencils will be supplied.

Sunday 26 February 12.30pm – 1.30pm, Central Library
Taking Inspiration from the Past with Elly Griffiths and S G MacLean £7.50
Two masters of the form reveal their top tips for writing historical fiction, including how and where to do your research, when to stop swotting and start writing, how to keep facts from derailing your plot the art of listening to your characters, and how to know when to deviate from the facts to keep the story moving. 2016 CWA Dagger in the Library winner Elly Griffiths is renowned for her Ruth Galloway mysteries. In 2015, she launched the Stephens and Mephisto series, set in 1950s Brighton. They draw from archival documents and live research, including interviews with her grandfather, a former music hall comedian. The Chalk Pit, her ninth Galloway novel, comes out this week, and Elly is this year’s Programming Chair of the Harrogate Crime Writing Festival. S G MacLean is the author of the acclaimed Alexander Seaton historical crime novels, set in Banff, Northern Ireland and Aberdeen. She found inspiration in the archives while doing a PhD in 17th century history at the University of Aberdeen.  Curious about the lives behind the statistics, she created the thwarted clergyman turned schoolmaster, forced to clear his name after being framed for murder. Her new series, set in Oliver Cromwell’s Commonwealth, includes The Seeker, which won the CWA Historical Dagger Award, and The Black Friar.

Sunday 26 February 2pm – 3pm, The Town House
Who killed David Dun? With William Hepburn of the University of Aberdeen £7.50
Burgess, shipmaster and all-round rogue, David Dun had plenty of enemies in Medieval Aberdeen and appeared in court on a monthly basis. When he is found murdered you, as the town clerk with access to the town’s legal records, must attempt to work out which of Dun’s many enemies was behind the killing. Using real extracts from historic Aberdeen Burgh records, this live narrative game will allow the audience to vote on decisions and try to solve the crime!

Wednesday, 22 February 2017

Where the Spies Live by Mick Herron


Good spies, as everyone knows, get to wear jetpacks and exploding wristwatches; they have abundant sex partners and more lives than a cat. They travel the world, visit vast, hollowed-out volcanoes, zip into space and throw bad guys from jet-aircraft.

Bad spies go to Slough House.

Slough House is the upper part of a ramshackle building near Barbican Tube station: three storeys of soul-shriveling offices whose front door – which never opens – is wedged between a newsagent’s and a Chinese restaurant. In this miserable building the failures of the Secret Service are assigned their daily tasks, which involve acres of paperwork and deserts of digital boredom. It’s all a far cry from the life they signed up for, which they had imagined involved saving the world, or at least keeping it safe from terrorists. But “nobody left Slough House at the end of a working day feeling like they’d contributed to the security of the nation. They left it feeling like their brains had been fed through a juicer.” Having aimed for the spy’s life of thrills and subterfuge, Slough House’s occupants – the slow horses – have found themselves trapped in a humdrum existence, where the greatest danger is a paper-cut, and the most implacable enemy a dodgy WiFi connection.

Under the thumb of the gross, bad-tempered, flatulent and vile-mannered Jackson Lamb, the slow horses endure long days and sleepless nights, but if life in Slough House has taught them anything, it’s to seize any opportunity for excitement with both hands. In SPOOK STREET, this brings them up against a group responsible for the worst act of terrorism the nation has seen in a decade – led by a man whose secrets have shattering implications for young River Cartwright…


SPOOK STREET. You won’t find it on a map. But it’s where the spies live.

© 2017 Mick Herron

Read the Shots Review Here

Grab a copy of Spook Street, from the Shots Bookstore with a generous discount on RRP Here

More information about the work of Mick Herron available Here







Tuesday, 21 February 2017

The Books that Made Me – Rachel Abbott selects the 5 books that changed her life

When you’ve read as many books as I have, it’s nearly impossible to name the five that have most influenced me in one way or another. My mother was a great reader and was always recommending books to me from an early age, and so the first three of these books were recommendations from her, and all read when I was somewhere between eleven and thirteen years old.

Gone with the Wind (Margaret Mitchell): My mother’s favourite book, if I remember correctly. When I saw the size of the tome she was suggesting I read, I was a bit shocked but decided to give it a try. I was hooked in no time. This was the book that, in retrospect – because I don’t think I would have realised this at the time – made me appreciate the importance of characterisation. Each individual is so distinct in their actions, their words and the way they interact with others. And when I look back and think how much we all adored Rhett Butler, who was – let’s face it – not the best-behaved man around, and yet scorned the much nicer Ashley Wilkes. There was a lesson there, I’m sure.

Exodus (Leon Uris): I don’t remember why I decided to read this book, but it has never left me, although it’s many, many years since I read it. I believe its impact on me stemmed from the fact that although it was a work of fiction, so much was based on the truth. At that point I had no interest in politics, but it helped me to understand the horrific way in which people had been treated over the years – and still are – because of their religion. It’s one of those books that I keep promising myself I will read again.

Rebecca (Daphne du Maurier): A huge favourite of mine, I suspect this was the book that made me appreciate that stories don’t have to end with the ‘bad guy’ – ie the one who has committed murder – being caught. The tension was created in the book by all manner of elements that weren’t directly connected to the story of what happened to Rebecca and each in its own way developed the tension. Apart from the obvious and truly terrifying Mrs Danvers, the sea – always a forceful element to include – and the weather each played a part in making the reader aware that something was going to surprise us.

Tell No One (Harlan Coben): This was the first Harlan Coben book I read, and I was much older by this time, of course. I had been a fan of thrillers for years, but most of the ones I had read were largely predictable in that there would most likely be a policeman, and he would – after lots of scary moments – almost inevitably catch the villain. But this was just about an ordinary guy whose wife had been dead for eight years. And then he is told to log into a website, and he sees an image of his wife on a webcam. I think it’s the first time I had read a thriller in which the story was told from the point of view of a victim (or perpetrator) rather than from some member of law enforcement. Although I have a policeman – Tom Douglas – and some scenes are from his perspective, I always feel that my stories belong to the victims.

As this post is about books that changed my life, I have to give a mention to Only the Innocent. Okay, it’s my book – but no other book has changed my life as much as this. I wrote it for my own pleasure, with no intention of trying to have it published. The decision to upload it to Amazon was equally a spur of the moment one. But since that moment my life has changed more than I can possibly say. I’ve moved home (countries, even), have come out of retirement and written another five novels plus one novella, and have travelled around the country meeting truly wonderful readers who are so supportive. So I have to say that while the other books changed my perception of so many things, Only the Innocent truly changed my life.



Monday, 20 February 2017

Lee Cockburn on Why is Edinburgh a great place for a setting for a Crime Thriller?


Edinburgh, what can I say, it is a joy to live here, you have everything, history, beauty, the sea, scenery, culture, art, great architecture, wealth and poverty side by side, the Edinburgh festival, and even though it is a city, sometimes it feels like a small town, because you are always bumping into people you know.

Edinburgh is where I live, Edinburgh is where I work, all of my family lived here, so I know this as home and why would I write about any other place, when this city has everything.  If you have never been to Edinburgh, then I think you need to visit; it‘s a wonderful place.

The castle is magnificent as it stands high above Princess Street in the centre of town, almost watching over all of us, the royal mile leads you from the castle down this historic street, with many dark and mysterious alleyways leading away to other parts of the old town, filled with historic mystery, each of them telling many stories, of romance, crime and poverty of the past, all the way down to the palace and the parliament.

The centre of the city has great wealth, but hidden in many doorways of shops are the least fortunate in society, the homeless struggling to keep warm and safe, the contrast, so sad and unfair.

This takes me to the reason why I chose Edinburgh for my novels, having lived and worked here all of my life, you see everything, both good and bad, especially when you are in the police.  

In the police you learn quickly that there are many, many good people, which far outweigh the bad, and thank goodness for that, but you see the bad as a collective every day and you then notice them as you lead your normal life, constantly watching who is around you as you try to live your private life safely.  There are many areas where crime and violence are an every day occurrence, and this is where the police go, to try and help those that need help and want it, but unfortunately some don‘t want it and can‘t be helped, and have chosen their path of criminality, constantly clashing with the police and those in the law abiding society, trying to protect themselves and their property.

I chose this city because of the diversity it offers, the wide variety of people living side by side, wealthy areas metres away from those that have less, many good people in these areas struggling for a better life, sometimes suffering with those that have chosen crime and addiction living right next to them.  These choices lead to crime filtering through to the more affluent areas, hard working people, trying to protect their property from those who don’t respect others.

Edinburgh just offers so much, although my books don’t visit the more historic areas that often, they tend to keep to the outskirts, and try to make it more realistic to where criminality is more of an issue.

Saying all that, diversity is what life is all about, trying to understand the lives of others and what they are going through, everybody has a story and some are much harder to live through and there are reasons for everything. 

I love Edinburgh it just offers everything, especially for a crime writer. 

Porcelain: Flesh of Innocents 
Detective Sergeant Taylor Nicks is back and in charge of tracking down a sadistic vigilante, with a penchant for torturing paedophiles, in this unsettling crime thriller by a real-life police sergeant.  High-powered businessmen are turning up tortured around the city of Edinburgh with one specific thing in common — a sinister double life involving pedophilia. Leaving his ‘victims’ in a disturbing state, the individual responsible calls the police and lays bare the evidence of their targets’ twisted misdemeanours to discover, along with a special memento of their own troubled past — a chilling calling card. Once again heading the investigation team is Detective Sergeant Taylor Nicks, along with her partner Detective Constable Marcus Black, who are tasked not only with tracking the perpetrator down but also dealing with the unusual scenario of having to arrest the victims for their own barbarous crimes. But with the wounded piling up the predator’s thirst for revenge intensifies and soon Nicks discovers that she is no longer chasing down a sinister attacker but a deadly serial killer. 

Lee Cockburn has worked for Police Scotland for sixteen years including as a police sergeant in Edinburgh for seven years and also as a public order officer. Before joining the force, she played for Scotland Women’s rugby team for fifteen years, earning over eighty caps for the Scottish ladies and British Lionesses teams. She also swam competitively for twelve years, successfully representing Edinburgh at the age of fifteen in the youth Olympics in Denmark in 1984.


For more information you can follow Lee Cockburn on Twitter @lee_leecockburn.