Wednesday, 16 November 2022

Femicide author PASCAL ENGMAN on being published in the UK for the first time

My first novel, The Patriots, came out in Sweden in 2017. Since then, I feel very fortunate to have published five further titles and had my books translated into over 20 languages. Each new translation feels special in its own way, but it’s been a long-standing ambition of mine to be published in English, so I was delighted when Legend Press wanted to publish my Vanessa Frank series here. Femicide came out in late September and its publication has given me the opportunity to experience some wonderful things about the UK crime fiction scene. 

One of the first things I noticed was how incredibly supportive members of the crime writing community are of one another. As a newcomer to the UK crime fiction scene, I really valued fellow writers who supported Femicide and who understood the importance of raising awareness of the social problem which it highlights. 

Femicide explores the pressing issue of misogyny in today’s social landscape, specifically focusing on the online extremist ‘incel’ or involuntary celibate community. The story investigates the seemingly separate murders of three women and follows Detective Vanessa Frank as she links them together to the incel movement. Best-selling crime author Peter James generously gave me my first endorsement from a UK crime writer, and his kind words appear on the front cover of the UK edition of Femicide. Having the support of such a successful writer in the UK crime fiction scene made me feel instantly welcome. I also received support from Chris Merritt, a talented crime writer and psychologist who has also written a novel about the incel movement. Chris hosted a Q&A with me at the launch event for Femicide, and his experience made the conversation such an interesting one. 

I wanted to write about incels and draw attention to the issue because I’ve seen how it’s a particular problem in Sweden, and how it’s becoming a more widespread threat online. Journalists and commissioning editors in the UK have really understood this mission and I was grateful to have the opportunity to write about this in detail for Sunday Times Crime Club, Metro and LadBible. I found it extremely humbling when Mark Sanderson at Sunday Times Crime Club made Femicide the ‘Star pick’, and I always appreciate when I have the chance to talk about my work – so a special thank you to Shots for inviting me to write this piece! I was so pleased that I had the chance to write about the issue of incels not only in my fictional work, but in a more journalistic manner; these articles allowed me to share my findings from the time I spent studying incel forums online to learn more about how they operate. I think fiction is an incredibly powerful tool in communicating the emotional impact of such intense topics, but I was thrilled that I could share the facts to a wide UK audience to make people aware of the danger that this extreme misogyny poses to all of us. 

I was also delighted to have the chance to write about my literacy initiative for The Bookseller, and to have the opportunity to chat to the National Literacy Trust while learning about some of the amazing work that they do here in the UK. I officially launched my charitable foundation in 2021 with the goal of working to promote reading among children and young people in Sweden, so I really appreciated the opportunity to promote a cause that’s so important to me. 

Another brilliant thing about the UK crime fiction scene is the incredible amount of enthusiasm that British crime fiction fans have. The passion of the team behind the UK Crime Book Club on Facebook, for example, was phenomenal. They are so brilliant and I loved talking to them about Femicide.

This is only the beginning of my journey in the UK – Legend will be publishing more of my Vanessa Frank novels in the coming years, and I'm so excited for what's to come. In particular I'm really hoping to come back for some of the crime festivals, which you have such an amazing array of in the UK – from Capital Crime to CRIMEFEST and Harrogate to Bloody Scotland – and to have the opportunity to meet more UK crime fans face-to-face.

Femicide by Pascale Engman (Legend Press) Out Now

When 25-year-old Emelie is found murdered in her Stockholm apartment the same week her ex-partner is released from prison, it feels like an open and shut case for Detective Vanessa Frank. Who else would launch such a frenzied attack on the young woman? But Frank suspects there is something they're missing. Could the killing be linked to the rising online movement of men who want to punish women, the so-called 'incels'? When a survivor of brutal sexual assault comes forward, Frank uncovers more about this shadowy group who, in their own words, have weaponised the gender war and will stop at nothing to make themselves heard. Desperate to stop any further attacks, Frank escalates the investigation when a music festival intended to be a safe space for women becomes a potential target.

More information about the author can be found on his website.

You can also find him on Facebook. He can aslo follow him on Twitter @pascalengman


Thursday, 10 November 2022

MacLehose Press unveils New Dragon Tattoo Title, The Girl in the Eagles Talons

 

Maclehose Press have announced that the English-language title for the much-anticipated 7th novel in the Millennium series by Swedish author Karin Smirnoff will be The Girl in the Eagle’s Talons. It will be translated by Sarah Death, the award-winning translator of Selma Lagerlöf and Tove Jansson. Total sales figures for all six Millennium books, by Stieg Larsson and David Lagercrantz, have hit over 100 million copies worldwide across all editions and languages.

In a huge global event, The Girl in the Eagle’s Talon will be published simultaneously on 29 August 2023 by MacLehose Press and in Hachette UK’s international territories, and by Knopf PRH in the US and Penguin Random House in Canada.

The Swedish hardback edition was published as Havsörnens Skrik on 4 November to huge fanfare and rave reviews. Karin Smirnoff was interviewed on live TV and radio and the novel immediately hit the coveted no.1 slots on Sweden’s major online bookselling platforms, including Ad Libris and Bokustoppen. In the first five sales days, Swedish bookshops have sold over 7000 copies of the book (in a country of 10 million). In an innovative move by Swedish publisher Polaris, the e-book and audio releases of the Swedish editions will take place a month after hardback release, on 1 December 2022.

Karin Smirnoff’s take on the Lisbeth Salander story moves the plot from Stockholm to northern Sweden, an area vast and beautiful, but also dealing with economic and social problems and the effects of climate change and environmental exploitation. Karin Smirnoff and Stieg Larsson were both born in the northern county of Västerbotten, and both writers were shaped by the stark and empty landscapes of their birthplace.

The first Swedish press reviews for Havsörnens Skrik (The Girl in the Eagle’s Talons) have poured in and are extremely positive:

Svenska Dagbladet said: “We more than approve of Smirnoff's debut as a crime novelist … what impresses is the thrilling plot, the environmental depiction, and above all the unexpected and poignant relationship between Lisbeth and [her young protégé] Svala. Something tells me that the dark tale of Millennium will continue for a long time.”

Skånska Dagbladet, one of the largest daily newspapers in Sweden, emphasised the strong feminist angle to Karin Smirnoff’s new take on the Millennium series: “A really, really good crime novel. It is also a serious and successful attempt to keep Stieg Larsson’s commitment alive and let commercial literature speak serious truths about our time.”

Nya Tidning said that “letting Karin Smirnoff take over the baton from David Lagercrantz is a stroke of genius. It is hard to believe anyone could have done it better than Smirnoff. Apart from Stieg Larsson himself”.

Västerbottenskuriren said “The connections to Smirnoff's previous books become clear. This is as it should be, as there is the feminist anger, the fundamental connection that unites her with Stieg Larsson. A connection that is, quite literally, carried through smoke and shell fire by Lisbeth and Svala together.”


Thursday, 3 November 2022

Petrona Award Longlist announced

 

OUTSTANDING CRIME FICTION FROM DENMARK, FINLAND, ICELAND, NORWAY AND SWEDEN LONGLISTED FOR THE 2022 PETRONA AWARD

Twelve outstanding crime novels from Denmark, Finland, Iceland, Norway and Sweden have made the longlist for the 2022 Petrona Award for the Best Scandinavian Crime Novel of the Year.


They are:

Fatal Isles by Maria Adolfsson tr. Agnes Broomé (Sweden, Zaffre)

The Assistant by Kjell Ola Dahl tr. Don Bartlett (Norway, Orenda Books)

The Butterfly House by Katrine Engberg tr. Tara Chace (Denmark, Hodder & Stoughton)

The Therapist by Helene Flood tr. Alison McCullough (Norway, MacLehose Press)

The Commandments by Óskar Guðmundsson tr. Quentin Bates (Iceland, Corylus Books Ltd)

Smoke Screen by Jørn Lier Horst & Thomas Enger tr. Megan Turney (Norway, Orenda Books)

Everything Is Mine by Ruth Lillegraven tr. Diane Oatley (Norway, AmazonCrossing)

Silenced by Sólveig Pálsdóttir tr. Quentin Bates (Iceland, Corylus Books Ltd)

Knock Knock by Anders Roslund tr. Elizabeth Clark Wessel (Sweden, Harvill Secker)

Cold as Hell by Lilja Sigurðardóttir tr. Quentin Bates (Iceland, Orenda Books)

Geiger by Gustaf Skördeman tr. Ian Giles (Sweden, Zaffre)

The Rabbit Factor by Antti Tuomainen tr. David Hackston (Finland, Orenda Books)


The quality of the entries for the Petrona Award, now in its tenth year, remains consistently high, so much so that for the first time, the judges have decided to release a longlist. These twelve titles will be whittled down to a shortlist, to be announced on 16 November 2022.

The longlist contains a number of new faces as well as Petrona Award-winning authors, Jørn Lier Horst and Antti Tuomanen and the previously shortlisted Kjell Ola Dahl and Thomas Enger. 

Both large and small publishers are represented on the longlist, with Orenda Books leading with four entries, and the breakdown by country is Norway (4), Iceland (3), Sweden (3), Denmark (1) and Finland (1) with translator Quentin Bates being longlisted for all three Icelandic titles.

The Petrona Award 2022 judging panel comprises Jackie Farrant, the creator of RAVEN CRIME READS and a bookseller/Area Commercial Support for a major book chain in the UK; Miriam Owen, founder of the NORDIC NOIR blog and creator of content for communities, and Ewa Sherman, translator and writer, and blogger at NORDIC LIGHTHOUSE. The Award administrator is Karen Meek, owner of the EURO CRIME blog and website.


Write What you ...by Sofia Slater

The conventional advice to writers is Write what you know. That doesn’t always work with crime. I’m glad to say I couldn’t follow it for my book, Auld Acquaintance, because I’ve never been trapped on an island with a murderer. But the next best piece of advice I know is Write the kind of book you want to read. And that’s what I did with Auld Acquaintance. 

It's good advice for one reason above all: motivation. Even a short novel is a long project, so it takes some sticking to. It’s hard to keep working on something you don’t like. Like it and, just maybe, you’ll want to be at your desk every day slogging it out against the empty page.

There’s another reason this advice comes up so often. Sometimes you have to write what you want to read because you can’t find it out there by someone else. I was after that too. Crime comes in so many flavours, and there are masterly examples of each sub-genre. But certain strains tend to dominate at any one time, and before I started writing, I’d found myself longing for a kind of book that had dropped out of fashion. Not cosy crime exactly, but what you might call hygge crime: the kind of comfort you can only get in a properly dark winter.

On the one hand, there’s crime so cosy it could keep your tea warm. You know how it goes: an elderly but mentally undimmed protagonist (I love Miss Marple, but she has too many heirs), characters with faintly silly names, a Home Counties village, perhaps a celebrity author, often the presence of cats. Crime with the aesthetic of a chocolate box, only there’s a corpse behind the cottage door.

Then there’s the hard stuff, inspired-by-if-not-actually-Scandi-noir. Every detective an alcoholic estranged from their children, every criminal a child molester or human trafficker, every corpse missing a limb or gouged somewhere. And every relationship proved to be hollow: a lie, a sinister fabrication that ultimately only highlights the terrible and universal isolation of humanity. Particularly our detective, whose only friend is a half-empty glass of aquavit. 

Although I’ve read and enjoyed plenty of these books, I’ve often put them down with a feeling that something was missing. For me, the peak of crime as a genre is still to be found with the Golden Age novelists writing in Britain during the first half of the twentieth century: Agatha Christie, Josephine Tey, and their brethren.

What these writers manage beautifully is a balance of elements which have since been separated and concentrated by the workings of the market. The Golden Age writers knew that while true evil does lurk under the sun, when we’re not fighting it we want to drink, dance, eat well and enjoy each other’s company. Their novels manage to communicate both the dark heart of existence, and the trust and affection that still flourish around it – without slipping into either tweeness or bleakness. 

Christie is, of course, the reference point for so many cosy crime practitioners, but what inspired me while writing Auld Acquaintance was the way she creates a reassuring rhythm of cocktail parties, country houses, and dressing for dinner only in order to disrupt it. It’s a trick that shows civilisation up not as a lie but a defence mechanism. Her books are simultaneously completely reassuring and genuinely chilling. Think of the sudden swerve into darkness caused by the murder of a thirteen-year-old girl in the apple-bobbing tub at the beginning of Hallowe’en Party – not even one of Christie’s best. She never forgets the price to be paid for the cosiness we like to enjoy.

It is Tey, though, who remains my favourite crime novelist. She is the mistress of the slowly building sense that something’s wrong. Her detective, Alan Grant, has quite a nice life, really: full of friendships and genial colleagues, even if he struggles with the occasional bout of claustrophobia or a broken back. Yet, time and time again, he finds himself preoccupied by a flaw in his surroundings, something that seems minor at first, then shifts and grows, a kink in the mirror reflecting life which soon becomes all he can see. This approach – subtle disquiet developing into obsession – reaches an almost experimental acme in The Daughter of Time, a book in which nothing happens at all. An injured and bed-bound Grant, left with nothing else to do, lies in hospital thinking through the story of Richard III and the murdered Princes in the Tower, and decides that history has enacted a miscarriage of justice. It's gripping and brilliant, without the central character even leaving his bed.

In the end, the best crime novels are good for the same reason Shakespeare is. Even if we see it as entertainment rather than high art, all the best tragedies have comedy mixed into them. Life is not cosy, but nor is it unrelenting in the suffering it causes. Crime is, like life, an ironic genre. That’s what I tried to keep in mind when writing Auld Acquaintance: somewhere there’s a fireside and a jumper worth getting back to, on the other side of all these bodies. If there wasn’t, I for one, wouldn’t want to read it. 

Sofia Slater is the debut author of Auld Acquaintance (£12.99, Swift Press)

Should auld acquaintance be forgot. And never brought to mind? Millie Partridge desperately needs a party. So, when her (handsome and charming) ex-colleague Nick invites her to a Hebridean Island for New Year’s Eve, she books her ticket North. But things go wrong the moment the ferry drops her off. The stately home is more down at heel than Downton Abbey. Nick hasn’t arrived yet. And the other revellers? Politely, they aren’t exactly who she would have pictured Nick would be friends with. Worse still, an old acquaintance from Millie’s past has been invited, too. Penny Maybury. Millie and Nick’s old colleague. Somebody Millie would rather have forgotten about. Somebody, in fact, that Millie has been trying very hard to forget. Waking up on New Year’s Eve, Penny is missing. A tragic accident? Or something more sinister? With a storm washing in from the Atlantic, nobody will be able reach the group before they find out. One thing is for sure – they’re going to see in the new year with a bang.



Wednesday, 2 November 2022

Solving Crime With Your Ex by Jónína Leósdóttir

Being an incurable Anglophile, I have long intended to have a British main character in one of my novels. I found the perfect opportunity to do exactly that when I was sketching the storyline of Deceit, my 6th book in the crime mystery genre. (Before I turned to crime, I had written 13 books in different genres, both fiction and non-fiction.)

In my first five crime novels, the protagonist was an amateur sleuth called Edda – a clever, energetic woman in her late sixties, recently retired after a successful career as a bookshop manager. A modern, Nordic character with an undeniable nod to Miss Marple. But when I started preparing a new series, I wanted to have two very different protagonists who complemented each other as a crime-solving team. 

First to take shape, was hard-working, Icelandic detective, Soffía – an independent, no-nonsense woman in her forties who lets nothing stand in her way. And who would be her complete opposite? An easy-going, polite and a bit old-school Englishman, of course. Thus, Adam the psychologist sprang to life. 

To have more fun, I decided to make Soffía and Adam a divorced former couple. Thus, they know each other extremely well, which is a bonus for people solving crimes together, but they are also fed up with each other, which inevitably creates tension. 

The couple had met when Soffía was a student in the UK and naturally, from her point of view, they moved to Iceland when she graduated. Adam simply had to adapt, learn Icelandic and forge a career in a foreign country. (It’s rather telling that his parents called their daughter-in-law The Bulldozer.)

They lived happily ever after … well, for about 15 years. By then they had a teenage daughter, Magga, that Adam couldn’t bear to be parted from by moving back to Britain. In other words, he moved to Iceland for Soffía but stayed for Magga. And, perhaps, for mystery woman, Jenny, too. Jenny, who? Now, that would be telling.

I thoroughly enjoyed creating Adam’s back-story, especially making him grow up in the lovely village of Wivenhoe in Essex, which I had got to know when I was a student at The University of Essex. Several years later, in the late eighties, when I was editor of a weekly newspaper in Iceland, I discovered by chance that the actor Joan Hickson lived in Wivenhoe. At that time, the Miss Marple series that Hickson starred in, was the most popular programme on Icelandic television. 

So, because of my love of Wivenhoe and Miss Marple, it became my mission to get an interview with the actor who portrayed Agatha Christie’s sleuth so charmingly and had the majority of the Icelandic population glued to their television sets once a week.

Although this was years before the birth of Google, I somehow managed to procure the name and phone number of Ms. Hickson’s agent. Perhaps, I have some of DI Soffía’s strong will and stubbornness. And I didn’t give up until the agent spoke to the actor who agreed to an interview over the phone. (Alas, my paper couldn’t afford to send me to Wivenhoe.)

This was an absolute “hold the front page” moment, a few hours before the paper went to print. I will never forget it: Joan Hickson was finally on the phone, I started my recording device and the interview took off. Half an hour later, I thanked Ms Hickson from the bottom of my heart for the wonderful chat, put the phone down and discovered that the recording had failed. I didn’t even have any notes, as I had trusted the equipment completely.

In my mind, it was out of the question to bother the agent and this kind, elderly lady in Wivenhoe again. But we had an empty front page. So, I put a “Do not enter!” sign on my office door and sat down to write all my questions and Hickson’s answers from memory – and, as everyone knows, blind panic is not particularly good for your memory. 

However, we ended up with a great front page and an exclusive interview with the most popular actor on Icelandic television at the time. Of course, I added a description of the village I missed from my university days and secretly envied Ms Hickson for living in. And now, decades later, I have included Wivenhoe in my crime series by making it Adam’s childhood home and the place where his parents still live.


Deceit by Jónína Leósdóttir Published by Corylus Books (Translated by Quentin Bates) Out now.

Reykjavík detective Soffía finds herself struggling to cope with a single-handed investigation into a spate of malicious acts taking place across the city, and enlists help from an unexpected direction. Her psychologist ex-husband Adam has advised the police before, but with Covid raging in the city, would prefer to stay holed up in his basement flat as he deals with challenges in both his working and private life. He grudgingly agrees to work with Soffía, as the stakes in the investigation are continually raised. Working out who bears a grudge that goes deep enough to lead to murder, they unravel complex family ties, lingering enmities and a dark past that the victims would prefer to keep secret, while Adam encounters a young woman in a race against the clock to find the father she has never seen, but for what purpose?




Saturday, 29 October 2022

Whose Line is it Anyway with The Northern Crime (writing) Syndicate

 

Tickets are now on sale for the first ever live version of Whose Crime Is It Anyway? Seven crime writers from the NCS make up a best-selling story in one hour with the help of the audience. Fresh from a hugely successful zoom run the NCS are going live! It's at the Lit and Phil in Newcastle on Saturday November 26th at 2pm. 

Tickets are available here but you have to scroll down to the date and time to find them - persevere, you know it's worth it. The bigger the audience the more fun so please come along if you can The Northern Crime (Writing) Syndicate.

Sunday, 23 October 2022

November Books by Bookouture

She was lying as if asleep on the wooden kitchen floor, beneath the fridge covered with a child’s colourful crayon drawings. But her frozen expression showed she would never wake again… When Detective Jackie Cooke is called out to the scene, she’s expecting a routine check. The bottle of pills on the kitchen table, next to the note with the single word SORRY written in a shaky hand, make it seem obvious what’s happened. But Jackie is shocked when she recognises her old schoolfriend Claire – and she is convinced Claire would never take her own life. Determined to dig deeper, Jackie soon discovers evidence that proves her right: a roll of notes has been thrust down the victim’s throat. And when she finds another woman killed in the same way, she realises someone may be targeting lonely single mothers. As Jackie talks to Claire’s distraught children, one of them too young to understand his mummy is never coming home, she vows to find answers. Both victims were in touch with someone calling himself Nice Guy – could he be the killer? Pursuing every clue, Jackie is sure she’s found a match in dead-eyed Tyler, part of a dark world of men intent on silencing women for daring to reject them. But just as she makes the arrest, another single mother is found dead – a woman who never dated at all. Forced to re-evaluate every lead she has, with her boss pressuring her to make a case against the obvious suspect, Jackie knows she is running out of time before another innocent woman is murdered. And, as a single mother herself, she cannot help but wonder if she is in the killer’s sights. Can she uncover his true motivation and put an end to his deadly game… or will he find her first? The Silent Dead is by Marnie Riches.

Your new husband has a shocking secret. Would your mother-in-law kill to protect it. From the moment I meet my new mother-in-law in her beautiful country house, she makes it clear I’m not welcome. Lilian Fletcher hates me for marrying her precious boy on a golden beach far away from her. Starting our marriage living in the Fletchers’ family home is a nightmare. Then I discover Seb was married before and his first wife is dead. I wonder why the man I love didn’t tell me the truth. And I wonder what happened to her: the woman who came before me. How did she die? Lilian’s steely blue gaze follows me everywhere. Then the accidents start to happen, and I know she is behind them. It starts with small things, like a dropped birthday cake, a spilt glass of wine. But then my mother-in-law accuses me of something terrible. This woman is determined to get me out of her son’s life. Now I wish I’d never met my handsome, clever husband. Or come to this luxurious house that feels more like a prison. But I have secrets too. And no-one knows who I really am… The Daughter in Law is by Shalini Boland.

A Body at Lavender Cottage is by Dee MacDonald. Nurse Kate Palmer is Cornwall’s answer to Miss Marple! But when a body turns up in her own garden can Kate solve the crime? Or is the murder a bit too close to home? Kate Palmer is stunned when she wakes up one morning to discover the body of a man in the beautiful garden of Lavender Cottage. She’s spent the last few years renovating her cozy, clifftop cottage with its gorgeous views of the sparkling Cornish sea. And a death right under her nose is more than a little unsettling… When Woody Forrest, Kate’s new husband and the village’s retired detective inspector, takes a closer look he realises the victim is none other than Frank Ford – Woody’s old nemesis. Now, Frank is lying dead amongst the daisies… strangled with Woody’s blue police tie. Kate is certain the man she loves is not a murderer and is determined to prove his innocence. But who would want to kill Frank and frame Woody? As Kate investigates, Frank’s family seem to be the obvious suspects. Could it be Jason Ford, the youngest son, who has an odd obsession with birdwatching? Sid Kinsella, the angry father-in-law? Or Sharon Mason, the troublesome daughter? When another member of the Ford family bites the dust while Woody is tending his allotment, it’s clear the killer is determined to bury Woody’s reputation. But when a chance conversation on Bluebell Road provides Kate with a clue, she must find a woman named Rose, who could hold the answers Kate is looking for. But Kate needs to dig up the truth – and fast! – before poor Woody is thrown behind bars. Can she solve the case and save her husband before it’s too late?

While Jamie’s cold, lifeless body lay in the morgue, Detective Kim Stone stared at the empty board in the incident room and felt her anger boil. Why were there no photos, details, or lines of enquiry? When a nineteen-year-old boy, Jamie Mills, is found hanging from a tree in a local park, his death is ruled a suicide. Detective Kim Stone’s instincts tell her something isn’t right – but it’s not her investigation and her temporary replacement is too busy waiting for the next big case to be asking the right questions. Why would a seemingly healthy boy choose to end his life? Why does his mother show no sign of emotional distress at the loss of her son? Still mending her broken mind and body from her last harrowing case, Kim is supposed to be easing back into work gently. But then she finds a crucial, overlooked detail: Jamie had a recent injury that would have made it impossible for him to climb the tree. He must have been murdered. Quickly taking back charge of her team and the case, Kim visits Jamie’s parents and is shocked to hear that they had sent him to a clinic to ‘cure’ him of his sexuality. According to his mother, Jamie was introverted and prone to mood swings. Yet his friend speaks of a vibrant, outgoing boy. The clues to smashing open this disturbing case lie behind the old Victorian walls of the clinic, run by the Gardner family. They claim that patients come of their own accord and are free to leave at any time. But why are those that attended the clinic so afraid to speak of what happens there? And where did the faded restraint marks identified on Jamie’s wrists come from? Then the body of a young woman is found dead by suffocation and Kim makes two chilling discoveries. The victim spent time at the clinic too, and her death was also staged to look like a suicide. Scarred from an ordeal that nearly took her life, is Kim strong enough to stop a terrifying killer from silencing the clinic’s previous patients one by one? Hidden Scars is by Angela Marsons.

Mystery at Southwood School is by Clare Chase. Eve Mallow’s going back to school! But when a former student is murdered, Eve must discover who taught her a deadly lesson…Eve Mallow is delighted when she’s asked to cater Founders’ Day at Southwood School. It’s the best – and most secretive – school for miles around, and Eve can’t wait to see what it’s really like. But when she arrives, the atmosphere is far from scholarly. Natalie Somerson, ex-pupil and professional gossip, is the guest of honour, but nobody seems to want her there… especially when her speech stirs up an old scandal about a secret love affair. So why was she invited? The next morning, Natalie is found dead in a locked attic room. To make matters worse, Eve’s boyfriend Robin becomes the police’s prime suspect. Determined to prove his innocence, Eve starts to investigate everyone with a stake in the school. Is it the prudish principal, worried about Natalie’s influence? Her former teacher, whose life Natalie made miserable? Or the head girl, who seemed to hate Natalie one day and adore her the next? When strange letters arrive at the school and Eve finds a bottle of Natalie’s perfume in the most unexpected place, she senses time is running out to save Robin’s good name. Eve had better study her suspects and unmask the real killer…before they give her a fatal mark!

She’s there to keep your baby safe… Or is she? I’ve always wanted a baby, more than anything. I never meant to do it alone, but it’ll be a fresh start. I can finally leave the past behind me. I’m so lucky to have Jackie, my midwife, who understands how hard this is. She supports me more than anyone could have hoped or expected. But as I sit in this cold white room, that was meant to be full of other mothers to be, a chill creeps up my spine. There’s only one other mother here, and she’s clutching her bump nervously. And as she squirms under Jackie's questions, Jackie can’t stop staring at me. And then something clicks, and my blood freezes. She recognises me, doesn't she? The Midwife is by Victoria Jenkins.


Next to the lake’s dappled water, a woman lies on her yoga mat, her limbs twisted as if she is trying to crawl away. Her mug of tea steams into the cool air and her lips, still warm, are parted mid-sentence. But she will never speak or see again... When Sandra Ashville is found murdered in a sleepy town near Oakhurst, Detective Jo Fournier is first at the scene. Jo is shaken by the similarities between herself and the dead assistant District Attorney, a dedicated woman with a heart for justice. And as she examines Sandra’s body, Jo discovers something that chills her to the bone: the bullet hole is covered by an intact blindfold. Why was Sandra only blindfolded after her death? The very next morning Jo receives a shocking call. A judge has been brutally killed, before she too was blindfolded. Soon it becomes clear that the twisted serial killer is working with a deadly countdown: every morning, another body will be found. Working around the clock, Jo makes an important break-through: all the victims are connected to the same murder trial. And Jo’s dear friend and partner Bob Arnett could be next… With the next morning rapidly approaching, Jo and her team pull out all the stops to catch the killer. But when she uncovers a stain of corruption that includes Bob, Jo faces an impossible choice. Can she trust her partner, when the evidence suggests he turned a blind eye to a grave miscarriage of justice? And as the body count rises, can Jo catch the killer before it is too late for her oldest friend? What They Saw is by M M Chouinard.

Bookshop owner and amateur detective Flora Steele teams up with handsome crime writer Jack Carrington to unravel a curious murder in the village of Abbeymead! Sussex, 1956:When Flora and her partner-in-crime-solving, Jack, arrive at the charming church of St Saviour’s the last thing they’re expecting to find is the curate, Lyle Beaumont, lifeless on the flagstone floor beneath the belltower, with a mysterious note in his hand. Flora is dismayed to find the poor curate dead. But she can’t help being intrigued by the eclectic mix of bell ringers present at the old church –Mr Preece, the local butcher, Dilys Fuller, the busybody postmistress, and Stephen Henshall, a newcomer to the close-knit community. Any one of them could be the culprit – and Flora needs to act fast before someone gets away with murder… When Flora and Jack begin their sleuthing, they quickly realise all is not what it seems with the victim, and the certainty of the dead man’s identity becomes the first twist in the investigation. Just as they’re getting closer to the answer, the death of one of the suspects changes everything. As a series of unexplained accidents unfolds across the village, it seems no-one who was present at the church on the night of the curate’s demise is safe. Has the bell tolled on Flora and Jack’s detective days? And will they work out the truth in time to save themselves? Murder at St Saviours is by Merryn Allingham.

Irish whiskey, rolling green hills, a traditional Christmas feast and… a murder? Lady Swift will need the luck of the Irish to survive this holiday season! Christmas, 1923. Lady Eleanor Swift has received a rather unexpected invitation to the village Christmas party in the tiny, rural hamlet of Derrydee in the west of Ireland. Eleanor is thrilled about exploring her ancestral roots at her late uncle’s estate and spending the festive season in a castle. PackingGladstone the bulldog’scoziest Christmas jumper, they set off to the Emerald Isle with her butler Clifford in tow. Arriving late at night, Eleanor and Clifford are shocked when they find a body sprawled in the snow on the winding country lane outside the estate. The local constable is immediately suspicious and all but accuses the pair of murder. This isn’t the warm Irish welcome Eleanor imagined! Clifford is certain he recognises the poor fellow from the funeral of Eleanor’s uncle – but what was their connection? Undeterred by the villagers’ lack of gossip on the matter, Eleanor is determined to get justice for the victim. The man’s pockets are suspiciously empty of personal effects, but closer inspection reveals an old key hidden in the heel of his boot. Could this unlock more than one mystery for Eleanor? But when a fire breaks out at the castle on Christmas Eve, an even bigger question looms: is someone out to ensure the family line dies with Lady Swift? And will Eleanor’s first Irish Christmas be her last? Murder in an Irish Castle is by Verity Bright.

Missing Girl at Frozen Falls is by Leslie Wolfe. She lay in the frosted grass behind Frozen Falls. Her eyes were wide open, and the wind blew her hair, ash-blond locks reflecting the blue sky. Her face, beautiful even in death, was pale, as if the bitter cold from the mountain had drained the color from her cheeks. On a crisp autumn day in the small town of Mount Chester, Detective Kay Sharp comes face-to-face with the past she has spent the last decade running from. Her ex-husband, Brian, has been accused of murder. Seeing Brian brings a flood of painful memories—he betrayed her in the worst possible way. Yet despite her heartbreak, Kay is willing to put her career on the line to prove his innocence. Brian is accused of killing Kay’s former best friend, Rachel—the woman he cheated on Kay with, getting her pregnant. The blood drains from Kay’s face; she received a voicemail from Rachel two days ago. “I hope you’ll forgive me,” she’d said, her voice fraught with tears. “I know I have no right, but I need you.” Kay’s stomach plummets. By the time she called back, Rachel was already dead. Could Brian really be the murderer? Kay faces pressure from her crime team, who don’t want her working on an investigation so close to home. But she’s willing to risk everything—she vows to get justice for Rachel. When Kay visit’s Rachel’s mother, she uncovers a heart-stopping discovery that makes the case even more critical: Rachel’s eight-year-old daughter, Holly, is missing. Could the little girl still be alive? Up against the most complex—and most personal—case of her career, can she save precious Holly before it’s too late? And will Kay’s determination to find out the truth lead to justice—or be her undoing?





Thursday, 20 October 2022

Irish Book Awards shortlists 2022

 

The Irish Book Awards shortlists have been announced. The complete shortlists can be read here.

The shortlist of the Irish Independent Crime Fiction Book of the Year are 


Remember my Name by Sam Blake (Corvus)

Run Time by Catherine Ryan Howard (Corvus)

Breaking Point by Edel Coffey (Sphere)

The Accomplice by Steve Cavanagh (Orion)

The Interview by Gill Perdue (Sandycove)

Hide and Seek by Andrea Mara (Transworld)

To vote go here. Voting closes on 10 November 2022 with the winners being announced on 23rd November 2022.

Congratulations to all the nominated authors.


2023 CWA Debut Dagger Competition Opens for Entries

 

The most hotly contended competition for would-be crime novelists is now open for entries.

Aspiring crime novelists have until the end of February 2023 to enter the Crime Writers’ Association (CWA) Debut Dagger, renowned for opening doors for new writers.

Shortlisted authors often get representation by literary agents, with some going on to achieve publication deals.

The competition for the best new voices in the genre has been going for over 20 years and helped launch the careers of established crime writers, including M W Craven, who entered in 2013.

Craven went on to win the CWA 2019 Gold Dagger for Best Crime Novel of the Year for The Puppet Show, and more recently the 2022 Ian Fleming Steel Dagger for Dead Ground.

M W Craven said that, “The CWA Debut Dagger competition gave me a career. I can draw a direct evolutionary line from being shortlisted to the two-book deal I signed.” The decision to take a week off work and write 3000 words for the competition he said, “would go on to change my life.”

Created in 1955, the CWA Daggers are the oldest and most regarded awards in the genre, and for over two decades the CWA has been encouraging new writing with its Debut Dagger competition for unpublished writers.

The Debut Dagger is awarded every year by the CWA for the opening of a crime novel and a synopsis. Budding authors are invited to submit the opening 3,000 words and a synopsis of the full novel of up to 1,500 words before the competition deadline of Tuesday 28 February, 2023.

Maxim Jakubowski, Chair of the CWA, said: “The winner of the Debut Dagger receives £500, but the main motivation to enter is that shortlisting ensures that your work will be brought to the attention of leading agents and top editors, who have to date signed up over two dozen winners and shortlisted Debut Dagger competitors.”

Submissions are judged using a range of criteria including quality of prose, originality of plot, execution of plot, narrative voice, plausibility, characterisation, setting evocation, and good read factor.

From the hundreds of entries from around the world, around a dozen will be longlisted in April 2023. Longlisted authors are asked to submit a further 3,000 words from their novel. The shortlist is announced at CrimeFest in May 2023, and the winner at the Daggers event held in early July.

Judges comprise top crime fiction editors and literary agents, as well as bestselling author, Leigh Russell, who chairs the Debut Dagger competition.

The competition is only open to writers who have never had a publishing contract for fiction over 20,000 words, or self-published fiction more recently than February 2018. Authors of published short stories are eligible, as are authors of published non-fiction.

Also now open for entries is the annual CWA Margery Allingham Short Mystery Competition. Entrants have until Tuesday 28 February 2023 to enter.

The Margery Allingham Society, set up to honour and promote the writings of the great Golden Age author, works with the CWA to run the writing competition. Submissions have a limit of 3,500 words and stories must pay homage to the author’s definition of a mystery. The winner is awarded £500 and two passes to CrimeFest the following year.

Dea Parkin, Secretary of the CWA and competitions co-ordinator, said: “Crime continues to dominate as a fiction genre, and whether it’s celebrity authors such as Richard Osman or established, much-loved writers such as Elly Griffiths who make the headlines, crime and mystery stories are a key touchstone now for publishers. This short story competition is a fantastic way of developing your crime-writing craft and raising your profile.”

Whether you’re writing suspenseful psychological noir, historical crime or traditional whodunnits, the trend has resulted in hit books in the genre from authors such as Nicola Upson, Martin Edwards and Vaseem Khan.

Dea added: “These stories provide familiarity and comfort in an uncertain world as they offer clues, great characters and locations, with the mystery solved in the end and justice served.”

For writing tips, case studies of shortlisted and winning Debut Dagger entrants, and full details on how to enter both writing competitions, go to https://thecwa.co.uk/awards-and-competitions. To receive a regular enewsletter in the run-up to the deadline, join the Debuts https://thecwa.co.uk/supporting-crime-writing/join-the-debuts







Tuesday, 18 October 2022

Keep it in the Family Q & A with John Marrs

 Q:- In your own words, tell us a little about Keep It in the Family.

A:- It follows a young married couple, Finn and Mia, who buy a property that needs much renovation work. However, when pregnant Mia begins decorating the nursery, she find a message etched into the skirting boards. It reads, ‘I will save them from the attic.’ Together with her fractious in-laws, they go into the attic and discover it’s much smaller than the floorplan suggests – there’s a hidden room that has been bricked up. And inside, they find seven suitcases, each with a pile of children’s clothes in front of them. The novel is told from four perspectives, along with the person responsible for the secrets the house is hiding. 

Q:- The core idea of the book came to you in a dream. Would you be able to expand upon that? 

A:- It was literally just that. I’ve had dreams before with story ideas and I’ve woken up, telling myself I’ll remember them in the morning but failing to do so. I’ve also other dreams that seemed amazing at 3am but in the cold light of day, they’re just awful! For this book, I dreamed about a couple who bought a house and found suitcases in the loft complete with piles of clothing in front of them. I woke myself up, dictated it into my phone and fell back to sleep. Two days later I remembered vaguely dreaming about a plot, checked it my notes section and thought ‘I might be on to something here.’ By the end of the week, I had my entire story and characters mapped out. 

Q:- You’ve explored disturbed family relations in some of your previous books, including What Lies Between Us. What is it about this that you are keen to explore?

A:- I think I enjoy writing about twisted family relationships because the lives and experiences of my characters are so far removed from my own. My mum and dad were together until my father died 18 years ago, I’m happily married with a wonderful almost-three-year old. My life is nothing like those I write about. I like putting my cast through the wringer, making them suffer and seeing what comes out the other side for them. Some learn from their mistakes, others don’t. Maybe I’m living vicariously through them and and working out how far I’d need to be pushed before I reach breaking point.

Q:- Children are often in danger in your books. As a parent yourself, can this be hard to write about? 

A:- I purposefully don’t go into any great detail about what happens to the children in this book. I hope I give the reader just enough for them to use their own imagination and decide the hows and wherefores. What I found most disturbing was a book I read when researching what it must be like to have a killer in the family. Love As Always, Mum by Fred and Rosemary West’s daughter Mae is more disturbing than any fictional story a writer could come up with.

Q:- The early days of parenthood are so vividly drawn in Keep It In The Family. Did you draw on your own experience of fatherhood? 

A:- For some parts, yes. Our son was born two months prematurely, like Mia’s baby, and he spent the first month of his life in hospital. So I drew on experience of what a worrying time that was for my characters. He is now three so those sleepless lights, self-doubt, panic and apprehension you’re doing it all wrong are still very fresh in my mind! But to be honest, he’s been a great little lad and has made it relatively easy for us. 

Q:- Covid and lockdown make a couple of appearances. Why did you choose to include references to the pandemic, and how challenging was the experience of writing during lockdown? 

A:- I don’t think I could pretend it hadn’t happened, particularly with the dates this book was set in. But I didn’t want it to take precedence over the story. I didn’t include Covid at all in my original drafts, but my editor persuaded me to change my mind. It was the right thing to do or it would be like setting a book in the late 1940s and failing to mention World War 2. Its omittance would have stood out more than its inclusion. 

Q:- You write both speculative fiction and crime thrillers. What’s the process of writing them – do you write both simultaneously, or do you alternate?

A:- I alternate. But I usually have three books on the go at any one time. The one I have just started, the one I’m working on rewrites for with my editor, and the plotting out of the next. I am fortunate to be able to write two different styles of novel for two different publishers who are very patient with each other! So I’m able to alternate books – a speculative for one publisher and then a crime thriller for the next. My brain is constantly buzzing.

Q:- The One was adapted for Netflix last year. How has this changed your life? 

A:- On a day-to-day basis, I don’t know if it has really. But it has perhaps made me more widely known than I was and it’s helped to sell a lot more copies of The One. And as a result, my back catalogue sales have also expanded. Another result has been a project I’ve been working on for my social media channels. I started approaching other authors I didn’t know personally but admired, asking them to take part in my 60 Second Interview challenge on Instagram. And it surprised me how many said yes, and how many of them had heard of me through the Netflix series. So it’s opened up doors that way. I’ve also since had three other books optioned by different production companies so fingers crossed something might happen with them too. It was a very surreal time through, watching on television something I created in my head one evening on the way home from work, then becoming the number one most watched show in the world on Netflix that week. 


Keep It in The Family by John Marrs (Thomas & Mercer) Out Now

Mia and Finn are busy turning a derelict house into their dream home. At last, they’ll be able to move out of Finn’s parents’ house and start living alone. In the midst of this, Mia falls unexpectedly pregnant, adding a sense of urgency to the renovations. But just as the house is nearly ready, Mia discovers a chilling message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following this clue up to the eaves, the couple are shocked to find that their dream home was once a house of horrors. In the wake of the traumatic discovery, their baby arrives early. Plagued by nightmares and struggling with motherhood, Mia becomes increasingly obsessed with the terrible crimes that happened in what was to be their new home. Maybe once she uncovers the truth, she’ll be able to focus on her new baby boy Sonny. But in doing so, she is alienating her husband, and risking the fragile relationship between her and in-laws. Meanwhile, the terrible secrets the house has revealed are not confined to the past. A murderer is watching, and waiting for the perfect moment to strike... Mia will do anything to protect her son, but is it already too late? 

More information about John Marrs and his work can be found on his website. You can also find him on Facebook, On Twitter @johnmarrs1 and on Instagram @johnmarrs.author



Saturday, 8 October 2022

In Memoriam - Peter Robinson

 In Memoriam

Peter Robinson (17 March 1950 – 4 October 2022)

Copyright Hodder& Stoughton

The crime fiction community have been shocked to hear of the death of Peter Robinson that happened on 4th October 2022 after a short illiness. Peter Robinson was a great crime writer and his DCI Alan Banks series had legion of fans. He was also a great writer of short stories.

The statement from his publishers Hodder & Stoughton can be read here. The Guardian newspaper also have a piece on Peter Robinson that can be read here, the BBC here and also the Globe and Mail

The DCI Banks series were adapted into an ITV series with Stephen Tompkinson, which ran from 2011 to 2017. His 2001 novel Aftermath was the basis for the poilot.

In 2017 Hodder and Stoughton celebrated 30 years of Peter Robinson and DCI Alan Banks with a month long celebration of events.

A number of his books and short stories have been nominated for awards worldwide. The first novel in the series Gallows View (1987) was short-listed for the John Creasey Award in the UK and the Crime Writers of Canada best first novel award. The fifth Inspector Banks novel, Past Reason Hated, won the Arthur Ellis Award for Best Novel in 1992.

Innocent Graves which was published in 1996 was also nominated for a Hammett Award by the International Association of Crime Writers, and also won the Arthur Ellis Award.

In 1990 his short story Innocence won an Arthur Ellis Award for Best Short Story. His short Story The Two Ladies of Rose Cottage won a Macavity Award and was also nominated for both an Agatha and an Arthur Ellis Award.  Murder in Uptopia won Peter Robinson his fifth Arthur Ellis Award in 2001. 

In A Dry Season won the Anthony Award and Barry Award for Best Novel and was nominated for the Edgar, Hammett, Macavity and Arthur Ellis Awards in 2000. In 2001 it went on to win the France’s Grand Prix de Littérature Policière and Sweden’s Martin Beck Award.  Cold is the Grave, (2000) won the Arthur Ellis Award and was nominated for the Los Angeles Times Book Award. In 2006 it won the Danish Palle Rosenkrantz Award.

Peter was awarded an Edgar Award in 2020 for the Best Short Story Missing in Action. He also won a CWA Dagger in the Library in 2002.

Peter Robinson © Ayo Onatade
For three succesive years he was also nominated for a Macavity Award in 2005 for Playing With Fire, 2006 for Strange Affair and 2007 for Piece of my Heart. His 2013 book Before the Poison was a Dilys Award winner for Best Book and also Golden Crowbar (formerly Martin Beck) Award from the Swedish Crime Writers. In 2008 he won the Crimespree Magazine Award for best on-going series. 

In 2014 he also won awards in Finland for body of work and in 2016 the Great Calibre Award for body of work. Portal Kryminalny.(Poland) In 2006 he became a member of the illustrious Dectection Club.

In 2013 Peter Robinson gave a paper at St Hilda's Crime and Mystery Conference where he gave a paper on the increased popularity of true crime cases.

In 2020, he was granted the Grand Master Award from the Crime Writers of Canada, having previously been given their Derrick Murdoch Award in 2010. His books have been published in 25 countries.

Ayo and Peter Robinson © Ayo Onatade

Peter Robinson was a firm favourite with the Shots team and reviewers. Over the years the books have been consistently been reviewed and it is clear that they have been firm favourites with readers.

My abiding memory of Peter that will stay with me was his generosity. A number of years ago I found myself in Richmond, North Yorkshire visiting my judge Lady Hale. I can't remember how we found out that we would both be in Richmond at the same time but I found myself spending a very pleasant afternoon with Peter and his wife Sheila in their garden chatting away and being plied with food and drink. It was such an enjoyable vist and one that I will treasure.

His passing is a great loss to so many; his family, authors and readers. He will be sorely missed.

The latest Book in the series Standing in the Shadows is due to be published in 2023.

Standing in the Shadows by Peter Robinson (Hodder & Stoughton) Published 30 March 2023

Late November, 1980. English student Nick Hartley returns from a lecture to find his house full of police. He soon discovers that his ex-girlfriend has been found murdered in a nearby park, and her new boyfriend is missing. Nick quickly realises he is a suspect as he has no convincing alibi, but Nick has his own suspicions . . . Meanwhile, in late November 2019, an archeological dig near Scotch Corner unearths a skeleton that turns out to be far more recent than the Roman remains she is looking for. Detective Superintendent Alan Banks and his team are called in, and the investigation into the find begins but there is little to be gleaned from the remains themselves. Left with few clues, Banks and his team must rely on their wits to hunt down a killer. As the two cases unfurl, the investigations twist and turn to an explosive conclusion.