Thursday, 8 June 2023

Investigating Death of a Solicitor by Marion Todd

It seemed like a good idea at the time. Turning a detective novel on its head by having a solicitor as the victim. Yes, it did seem like a good idea.

Then I started to think about the likely evidence – statements from family members, from staff and colleagues, legal associates and of course the clients. And that’s when the good idea suddenly became a bit more complicated.

I mistakenly thought that in the case of a solicitor’s murder, the police would have immediate and unrestricted access to his client files. But, being cautious in nature, I decided to check and thank goodness I did. I could not have been more wrong. 

I had reckoned without what is known as client privilege and The Law Society of Scotland is quite clear on the point. A solicitor has a duty to maintain client confidentiality and that duty does not wane over time; nor, I was dismayed to learn, does it expire if the solicitor dies, even if his death is thought to be suspicious.

I took some time to reflect on how this would affect the plot of my book. Normally I put myself in the detective’s shoes and consider how she would proceed. If the victim had been, say, a recruitment consultant or a marketing specialist my detective would likely have been granted a warrant to search their home and business premises, seizing any documents which could be relevant. But for a solicitor’s murder, a rethink was required.

My initial thought was to have another solicitor working alongside my murder victim – a business partner, perhaps. He or she would be able to judge what information could be given to the police without prejudicing clients’ interests. And then I thought maybe not…

There is a quotation attributed to St Augustine which goes something like, ‘Oh Lord, make me chaste, but not yet.’ It comes into my mind every time I plot a crime novel. I want my detective to solve the mystery, but ‘not yet’. Keeping readers turning pages to find out the truth is, after all, the job of the crime novelist. And thus I realised I had stumbled upon a useful plot device. 

I made my solicitor a sole practitioner with the only staff a receptionist, a paralegal and a trainee who had recently left the firm. Then I introduced a complication in the life of the paralegal and made the trainee temporarily inaccessible (she was off grid, climbing cliffs in the north of Scotland with no mobile reception). Thus, I had created a few more obstacles, delaying the uncovering of evidence.

Then I stepped back and considered what might happen next. How would the police proceed with such a tricky investigation? 

I returned to the Law Society website and learned they would appoint another solicitor to manage the clients’ interests. It seemed reasonable for this to take a few days which would further frustrate my detective.

But, once that solicitor had been appointed, what then? What information would the police be given, and would a warrant be required? It was time for some legal advice.

A fellow author put me in touch with two solicitor friends, Euan and Katie, who kindly agreed to help. Over an exchange of emails they confirmed a warrant would be needed to access any information held about clients. But, they cautioned, if the scope of the warrant was too broad, any evidence found during a search might be challenged by the defence in court and declared inadmissible.

I was briefly tempted to have my detective pursue this course of action, snatching evidence away at the eleventh hour. But it seemed unlikely the police would draw up such a warrant in the circumstances and I do try to be as realistic as possible. So I weighed up how little information they might need. Euan and Katie suggested restricting the terms of the warrant to client contact details only. Keep it specific and narrow, they said, and it’s more likely to be granted.

And so I built my specific and narrow warrant into the plot. I took the paralegal and former trainee out of the picture for a few days, and I put my unfortunate solicitor to death. The book which resulted, A Blind Eye, was a challenge to write but it also gave me great heart, knowing the legal profession protects the interests of its clients with such vigour and integrity. I certainly won’t be murdering another solicitor any time soon!

A Blind Eye by Marion Todd (Published by Canelo) Out Now

Can DI Clare Mackay unravel a dead man's secrets? Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play... Can she find out who's behind the murders before they turn their attention to her?

More information about Marion Todd and her work can be found on her website. You can also follow her on Twitter @MarionETodd and find her on Facebook and on Instagram @mariontoddwriter.



Tuesday, 6 June 2023

Heather Critchlow on The Rise of the True Crime Podcast

©Photography by Helen Rosemier

Ever since the first series of US podcast Serial aired in 2014, millions have been fascinated by true crime podcasts and the dynamics behind them. That series, which ultimately led to an innocent man being released from jail, lit a spark and inspired countless others to follow.

These podcasts form a steady backdrop to my life. I take them walking, running and driving, cook and clean with them as the soundtrack. The voices trickle into my mind and the stories they tell stay there, haunting, terrifying, raging with injustice. 

The podcast has breathed new life into audio and the beauty of it is that it’s a democratic medium. There are media organisations making slick and well-funded series, but the barrier to entry is low and plenty start out as a couple of people with an iPhone. The sheer number of true crime podcasts out there means families of victims have a greater chance to be heard, with an audience invested in finding answers and fresh sets of eyes on the way their loved one’s case was handled.

My preferred type of true crime podcasts are those that dive into cold cases and attempt to find new evidence to solve these decades-old mysteries. To do this, podcasters travel to remote places, doorstep unlikely and uncommunicative people and lend a voice to those who have been forgotten by the wider world. The Teacher’s Pet, an Australian podcast about missing woman Lynette Dawson, led to a conviction, while US series Up and Vanished has help solve the mystery of what happened to missing teacher Tara Grinstead. It’s heartening that people who think they’ve got away with murder now have something else to fear.

Unlike TV documentary series, which are usually commissioned for a set number of episodes, true crime podcasts have been known to go on much longer than originally planned, with podcasters returning to review developments in ad hoc episodes. Some spend years working on the cases they investigate, often becoming far more drawn into a case than they expected when they set out. What drives them to do this and what is the impact on their own lives?

That is one of the questions at the heart of Unsolved, my debut novel about a true crime podcaster. In the first book, Cal Lovett travels to Aberdeenshire to investigate the cold case of a missing woman who rode her horse into the woods thirty-five years ago and never came out.

I’ve taken inspiration from the real world in creating him. David Ridgen, the Canadian journalist behind podcast Someone Knows Something is a master at delving into complicated cases that remain unsolved. Ridgen has a poetic style of narration and tenacity backed with kindness that I wanted my protagonist to emulate. He has also been known to take his son with him when investigating cases and in Unsolved Cal’s teenage daughter Chrissie accompanies him for a time.

And then imagination takes flight. Cal has particular reasons for seeking justice in cold cases – his own older sister vanished when he was nine years old and has never been found. Like those of us who listen to true crime podcasts, Cal desperately wants to know the truth. For him, it is deeply personal.

Time changes everything: people age and perspectives alter, allegiances shift and guilt seeps through relationships where someone knows something. As well as scientific advances moving things on, sometimes the simple truth is that people are now just ready to talk. 

When I started writing Unsolved, I was interested in this willingness to speak, the motivations behind people opening up years on from events and the possibility that even in the present day they have their own agenda, shame about their actions and secrets they want to hide. How do we know those opening up are telling the truth? These are themes I am keen to explore in the series.

Undoubtedly, the true crime podcast taps into our burning desire to know. It’s not only the podcaster that becomes entwined in the search for the truth – they take the audience with them, creating an unofficial workforce and network of investigators. The best of them give voices to the families of victims who have been forgotten by the wider world, shining a light on corruption or ineptitude. If we’re lucky, then they also deliver justice to those who have been waiting a very long time for it.

Unsolved by Heather Critchlow (Canelo Books) Out Now. 

He won't rest until he finds out the truth... Cal Lovett is obsessed with finding justice for the families of missing people. His true crime podcast is his way of helping others, even if he can't help himself. His sister, Margot, disappeared when he was a child. Only one man seems to know something. But he's behind bars and can't be trusted. So when the family of a missing Scottish woman begs for his help, he heads to Aberdeenshire in search of the truth. Does Cal have what it takes to unearth the secrets hiding in the hills? And what if he finds something that leads him back to the heart of his own family's past?

More information about Heather Critchlow and her writing can be found on her website. She tweets @h_critchlow and can also be found on Instagram @heather.critchlow







Sunday, 4 June 2023

International Thriller Writers 2023 Thriller Awards

International Thriller Writers (ITW)  2023 Thriller Awards have been announced.

Best Hardcover Novel

Sundial by Catriona Ward (Macmillan)

Best Audiobook

Things We Do in the Dark, by Jennifer Hillier; narrated by Carla Vega (Macmillan Audio)

Best First Novel

The Resemblance, by Lauren Nossett (Flatiron)

Best Paperback Original Novel:

The Housemaid, by Freida McFadden (Grand Central)

Best Short Story:

Stockholm,” by Catherine Steadman (Amazon Original Stories)

Best Young Adult Novel:

Daughter, by Kate McLaughlin (Wednesday)

Best E-Book Original Novel:

The Couple at Causeway Cottage, by Diane Jeffrey (HarperCollins)


Charlaine Harris and Walter Mosley received the 2023 ThrillerMaster Lifetime Achievement Awards. Minotaur Books was named the winner of the 2023 Thriller Legend Award.


Congratulations to all the winners.

Saturday, 3 June 2023

June Books from Bookouture

Hold Your Breath is by Helen Phifer. The biting wind whips around the crystal-clear waters of the lake. The girl sits with her eyes open, as if transfixed by the waves on the shoreline, but she has taken her last breath… When Detective Morgan Brookes is called to Lake Thirlmere one frosty night, she’s devastated to find the body of a young woman positioned in front of the glistening reservoir. She has ligature marks on her limbs, glue residue on her eyes, and her beautiful face is as cold as ice. Knowing only a dangerous serial killer would arrange a scene so carefully, Morgan is in a race against time to stop them before more innocent lives are lost. The victim is twenty-year-old Jasmine Armer and her mother is distraught to hear that her beautiful daughter is gone. And Morgan is shocked when she learns that Jasmine’s father recently died by suicide at the same picturesque spot. The killer must have known the family. Then Morgan receives a terrifying package at the station of an intricate death mask. She immediately recognises Jasmine’s long lashes and perfectly-plump lips. With the killer taunting her, Morgan knows time is running out. And then Morgan gets the heart-shattering call that her friend, Emily, has been killed. Ligature marks on Emily’s arms are identical to Jasmine’s. Heartbroken Morgan knows this isn’t the end of the killer’s twisted game, butcan she track them down before they take another life?

A new home. A loving wife. A secret that could kill… With its peeling wallpaper and overgrown garden I know our new home isn’t perfect. But my husband Ben promises it’s the fresh start we need. I remind myself that he’s an amazing father to our two children, and that we have years of happy marriage behind us. He’s been distant for months but I’m desperate to believe the move will bring us back together. When I meet our next-door neighbour Sara, I’m immediately relieved. She’s so welcoming and full of local gossip. But the moment she meets Ben I’m sure an angry frown flickers across her smiling face. Later he says I’m imagining things… Why is my husband lying?  Then one night as I tuck our children into bed, the silence is broken by a knock on the front door. A stranger is standing on our doorstep. I turn to look at Ben’s face as he stares at her with unconcealed fury. Has he met this woman before? Nothing could prepare me for what she says:I know who you are. Get out of my house. How well do I know the man I married? And by moving to this house, did I put my children’s lives in danger? My Husband's House is by Sheryl Browne.

The Night Out is by Wendy Clarke. Sean pulls me to him, and we both laugh happily, as we stroll home from our favourite wine bar. It’s our first evening out since our baby girl was born. I’ve only thought about Kitty a couple of times, wondering if she’s settled without my goodnight kiss. But our perfect night is shattered when I see the police car and the two officers on the front steps of our home… Someone has reported our sweet baby missing. When I rush inside the house and mercifully find our little girl tucked up inside her crib, you’ll think that’s the end of the story. And when Sean says a prayer of thanks, the police close the case and I hold Kitty in a tight embrace, you’ll feel grateful it was all one big mistake. But you’ll be wrong. You don’t know what I did fifteen years ago, the lies I’ve told or the reason I desperately want the police out of my house. I’m sure the person who reported Kitty missing knows everything about my past… You don’t know how much danger I’m in. Or how far I’ll go to keep my family safe…

I pull back the blanket to take another peek at my beautiful baby boy. My heart flatlines. He isn’t there. “Where is he?” I cry, my whole body trembling. But my husband just shakes his head. “Darling… we don’t have a baby.” What is he talking about? Stumbling to my feet, I look frantically at the highchair, the playmat in the corner, the sofa. I need to find my little boy. Limbs like ice, I rush toward the stairs, shouting my son’s name. But my husband grabs my arms and gently reminds me there is no baby here. I can’t listen. I don’t understand how our child isn’t in our home. I don’t know who could have taken him. I just know I have to find him. Climbing the stairs two at a time, my hand is already stretching toward the nursery door, but my husband overtakes, blocking my way. He forces me to face him. I think I can hear the baby mobile over the crib. I can practically smell the newborn smell. But my husband sighs and shakes his head. He says it again, firmly this time, as a tear tracks down my cheek: “We don’t have a baby.” I blink rapidly, my breathing ragged. I think he expects me to agree. But I know that my son is real. I can feel his weight in my arms. And I will stop at nothing to get him back… The Homemaker is by Shari J Ryan.

Their Wicked Games is by D K Hood. As she scans the dark pine forest, the unmistakable sound of a twig snapping breaks the silent stillness. She isn’t alone. She begins to run but she hardly has time to scream before her world goes black… On a secluded path near Black Rock Falls, three bodies lie bloodied and still—the arrows that killed them removed, and polished penny coins carefully placed on their frozen eyes. When Sheriff Jenna Alton and Deputy David Kane are called in, they are shocked to recognise the hallmarks of an infamous serial killer. But he’s been in prison for ten years. Jenna is convinced that the attacker knew the trio and lured them into the forest. But who would want to harm three innocent teenagers? And how does a convicted murderer fit in? Jenna knows she must question James Earl Stafford—one of America’s most dangerous killers—if she’s to save more innocent young lives. With Stafford refusing to give answers, Jenna is convinced that a copycat killer is stalking her small town. And her worst fears are realised when a local fisherman discovers another teenager’s lifeless body floating in the shallows of a local watering hole with the same penny coins covering her eyes. As parents panic for their children’s lives, Jenna works around the clock to track down the murderer, but little does she know that one of her own team is now being watched. Can Jenna play the killer’s wicked game and prevent another life from being taken?

I finally have everything I’ve ever wanted: a career saving lives, my dream home among the pines, and my caring fiancé, Elton. He doesn’t know about my past. And I’ll do anything to keep it that way… I’m so excited for my life with Elton—we’ve even discussed which room would make the perfect nursery. And we’re working together in our new jobs in the ICU at Portland General hospital. But when I walk in on my first day, I see my ex-husband Jameson. His familiar broad shoulders are unmistakable in his white doctor’s coat. The shock knocks the air from my lungs. I’m thrown back to the moment Jameson and I gathered around that hospital bed as the steady beeping on the monitor slowed. We did something unforgivable that day. And for the first time, I saw who Jameson truly was. The truth scared me more than I can explain. So I ran. If Jameson tells Elton what I did, I’ll lose everything. Will he destroy my new, perfect life? Is he still a danger to the innocent patients all around us? And how far will I have to go to stop him? The Good Doctor is by Jessica Payne.

Her Deadly Truth is by L A Larkin. She stumbles into the street in a thin cotton nightdress, tripping in her haste to get away from her house. Her feet are bare, her movements frantic. “I have to get out of here,” she pleads. “He’s killing me.” For weeks, Carolyn Tate’s suspicions that her husband is trying to kill her have been ignored—by her neighbors, her friends and even her family. But just two hours after her last attempt to make someone listen, her body is discovered. Carolyn’s neighbor, ex-police officer Sally Fairburn, is determined to seek justice for her friend’s death. But although Carolyn suspected her husband, Sally finds no evidence he was involved. And Carolyn’s best friends are strangely quick to defend him… Sally knows one of Carolyn’s friends, Lauren, is hiding something. She can see it in her tear-stained cheeks, averted eyes and tense shoulders: Fear. But just as Lauren’s finally ready to come clean, she is murdered in a brutal hit and run. Reeling from Lauren’s death, Sally is horrified to receive a series of dropped calls and anonymous flowers, leaving her with the unsettled feeling that she, too, is being followed… Then, on edge but feeling closer than ever to the truth, Sally watches a stranger threaten her teenage son—a finger drawn across his throat. Her world stops. It’s not just Sally at risk—everyone she loves is in danger unless she finds the truth… Can Sally stop a brutal killer before more innocent lives are lost?

Next Girl Missing is by L A Larkin. The little girl fidgets in her seat, wringing the ends of her scarf in a rush of panic. She tugs at the car door handle but it doesn’t open. Tears well in her eyes. “I want my mommy.” Four years ago, six young girls were snatched from the streets of quiet, suburban Pioneer Heights—chilling, fake “missing” posters of each victim hung around town just before they were taken. Ex-police officer Sally Fairburn has always been haunted by the case and their inability to bring the girls home. Having lost her own daughter, she knows only too well the pain it brings… Four years on, the wide brown eyes and neat braids of twelve-year-old Anna Moorhouse—the last girl to disappear—still plague Sally’s dreams. She has never stopped fighting to bring the devastated families back together, but all leads have gone cold. Until Sally receives a chilling call out of the blue: their former main suspect, in prison for another crime, wants to talk to her… alone. Desperate for answers, Sally races to interview him. But a horrifying discovery stops her in her tracks: a missing poster—on her daily running route, in the same style used four years ago—with Sally’s own face on it… Not only is Sally in grave danger, but the more threats she receives, the more convinced she becomes that the killer is a lot closer to home than she ever could have imagined… But can Sally finally catch him before any more innocents disappear—and before Sally herself becomes his next victim…?

Music from the busy dancefloor echoes into the deserted room where the Prom Queen lies deadly still. A tiara rests on her soft blonde curls, but her face is frozen with fear, and her painted red lips are forever sealed shut in a silenced scream… When Detective Amanda Steele’s niece, Ava, begs her to look for a missing schoolfriend, she immediately agrees to take on the case. Eighteen-year-old Reese left home three nights ago after fighting with her mother and hasn’t been seen since. But when the teenager’s body is discovered brutally murdered, poised dramatically at the prom venue, Amanda is devastated she didn’t save the girl in time. Haunted by the scene, Amanda dives headfirst into the case. Chasing every lead, she is horrified when she discovers a potential key witness strangled in her own home. It soon becomes clear that the killer will stop at nothing to silence anyone who might reveal their identity. So when Ava mentions she saw someone acting strangely at the prom venue that night, Amanda’s heart stops. And when Amanda’s worst nightmare comes true, and her beloved niece is taken, she knows that every second counts to uncover this twisted killer’s identity and bring Ava home safely. But can she crack the secrets of this killer’s deadly game before it’s too late? Taken Girls is by Carolyn Arnold.

The Mother at Number 5 is by Jill Childs. You thought you’d escaped. But then she moved next door.  As the moving van pulls up at number 5, a mother and daughter hop out. ‘Lovely to see you again,’ the mother says, giving me a knowing smile. ‘I’m so glad you told us about this lovely town’. As I take in her tanned arms and her neat dark bob, my blood runs cold with recognition. We met once on a summer holiday. I let slip a terrible secret, something no one here must ever know… but why has she moved to my street? I look into the mother’s sparkling blue eyes. The kind of eyes you just want to trust. And shouldn’t. I watch her sad little daughter, who never says a word. Fear rushes through me as I remember the night we met. I’m sure I never told her where we live. As if she can read my mind she leans in close and says, ‘Don’t worry, you’d had a few drinks. Your secret’s safe with me.’ But then my kind, loving husband comes home in pieces. She’s accused him of something terrible, something I know he would never, ever do. The idea of losing my husband is terrifying. My new neighbour has gone too far. The mother at number 5 has underestimated me ever since the night we met. And she has no idea what I’ll do to protect those I love… 

It was only supposed to be a small wedding. Intimate and perfect. But my blood turns to ice when I see someone I know wasn’t invited. My first husband – who I thought was dead. My world shattered when Declan disappeared five years ago. My grown-up children fell apart without their father, and it was up to me to pick up the pieces of our broken lives. I never thought I’d get married again but then I met George. Some people might think we’re moving too fast. But as I look round on our wedding day at our little family, the sounds of laughter and clinking glasses ringing out, I know that I’ve made the right decision. Until Declan steps out the shadows. He says he still loves me, and now he’s back for good. But where has he been all this time? My legs shake so much that I can barely stand… Even though he lied to me so many times, as I stare into Declan’s sparkling blue eyes I realise that my new husband can’t compare to the love we once shared. But at least I can trust George. Can’t I? Before I even have a chance to decide, Declan is found murdered. A chill races down my spine as I realise – his killer must be one of our wedding party. Did Declan bring back secrets that should have stayed buried? Now, we’re trapped in this house in the middle of nowhere and my heart pounds as I realise there’s no escape. Why is Declan dead? And can I get me and my children out of here before one of us is next…? The Party is by Triona Walsh.

Death in the Highlands is by Fliss Chester. There’s a dangerous killer lurking by this loch… and only canny Cressida can track them down. Scotland, June 1925. Socialite Cressida Fawcett has been invited to cast her interior design eye over the Stirling family’s new seat, Ayrton Castle, up in the Scottish Highlands. Thrilled to be spending the summer at the historic estate, Cressida fills her suitcase with this season’s hunting jackets – and some tartan for her little pug Ruby, of course! But before the party is ready to tramp through the glens, shocking news puts paid to their plans. Hamish Glenkirk, former owner of Ayrton, has been found dead inside a turret room of the castle. The door was bolted from the inside, and the room is three storeys up, surrounded by impenetrable stone walls… How did the murderer get in? And out? With Detective Andrews of Scotland Yard at least a day’s journey away, Cressida knows she needs to get to the bottom of this case – and fast. There’s no end of suspects among the hunting party. Could it be the local doctor whose wife left him for a fling with the now-dead laird? Or is the gamekeeper hiding secrets under his kilt? Just as Cressida is closing in on the truth, a blood-curdling scream echoes through the mist. Another member of the party, and one of the suspects, has been shot. With a wee dram in hand, can Cressida find the killer before the bagpipes play for another victim?

They lie on the hillside, wearing matching white dresses, tiaras in their blonde hair. Each of them clutches a red rose. They could be sleeping, but frost shines on the lashes of their wide blue eyes, frozen open forever… Detective Lexi Bennett is devastated when she finds the two teenagers lying side by side on the quiet green hillside, their throats cut. Convinced this is no ordinary killer, she vows to draw on all her profiling experience to find justice for these beautiful girls who will never have the chance to grow up. But when the victims are identified as Lucy and Eden Carter, Lexi’s blood turns cold. The sisters were triplets – and the third girl, Paige, is missing. The case suddenly feels frighteningly personal. Lexi was a triplet too, and she and her sisters were abducted as teens. Two of them escaped but Lexi’s dreams are still haunted by memories of the faceless man who took them, and her sister Rose, who she never saw again. Her boss thinks she’s too close to the case, but Lexi is sure the monster who took her is back with a message. She throws herself into the investigation, hunting down every clue, certain that time is running out to save Paige. Then she returns home to find the back door open and Rose’s diary on the kitchen table. As she traces her beloved sister’s handwriting, her heart breaking, Lexi swears she will not rest until this brutal monster is caught. Will the diary help her find him before Paige is killed? Or is she walking into a trap designed just for her? The Girls on Chalk Hill is by Alison Belsham.

The Party on Laurel Street is by Ruth Heald. Only she knows what really happened that night… It was meant to be a time of celebration, of neighbours chatting over sparkling glasses of wine, enjoying the decadent surroundings of the huge mansion house which overlooked all the houses on Laurel Street. But then my troubled friend Gabbie has a heated argument with her husband. She leaves the party and disappears without a trace. Gabbie’s neighbours rally round, painfully aware that Laurel Street has already had its share of tragedy. Years ago, when we were children, my best friend Erin vanished, never to be seen again, after having a secret party in the woods with me and Gabbie as our families celebrated the new year. I want Gabbie to be found safe. I need her to come home. Because if she doesn’t, I know that all eyes will be on me as they were years ago. But then I discover that my husband Luke was the last person to see Gabbie alive and I’m reminded of all the times I saw them getting close. As much as I pushed it to the back of my mind, I have to ask, can I really trust them? And worse, is someone about to make me pay for the secret I’ve been keeping for so long?

Glitzy parties, sightseeing at the Statue of Liberty and strolls through Central Park with Gladstone the bulldog… Lady Eleanor Swift is loving her first trip to the city that never sleeps, until she witnesses a murder! After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party too. But when she witnesses the charming doorman of her building, Marty, knocked down and killed in a hit-and-run, she finds fashionable society suddenly closes rank. The only local detective interested in helping her find the culprit is street-smart beat cop, Officer Balowski. Resolved to get justice for Marty and his family, Eleanor searches Marty’s tiny apartment and is shocked to find five rolls of banknotes tucked under the floorboards. Money talks, but Marty was struggling to make ends meet, so where did the cash come from? The next day, wealthy entrepreneur and flashy philanderer Ogden P. Dellaney – a man Marty used to work for – is found dead downtown, miles away from his swanky Upper East Side mansion. Eleanor and Balowski are sure the deaths are connected, but not even Dellaney’s wife is willing to answer their questions. Then Eleanor is served with an eviction notice and Balowski is fired from the NYPD. It becomes clear that something is rotten in the Big Apple and Eleanor is determined to get to the core of the mystery before the murderer strikes again…Murder in Manhattan is by Verity Bright.

The Truth About the Accident is by Nicole Trope. I gaze at my husband’s once-handsome face, so still and pale in the hospital bed. The doctors say I should keep talking. He might be able to hear me even after the terrible accident that left him fighting for his life. But all I have to whisper to my husband is this: I know what you did. Every day I wave my husband Damon off with a kiss and a smile, drive our precious children to school, and make sure our house is pristine before preparing a delicious meal. I pretend I’m not filled with fury that he once nearly destroyed our perfect life. It’s important to carry on as normal. That is, until the accident. My husband was hit by a car. It was pouring with rain. Nobody saw what happened. But the police are asking questions… Do they know about the terrible argument we had that day? Do they know about the text message I sent, telling someone to Delete everything? And do they know that no-one is happier that my husband is in a hospital bed, than me?






Friday, 2 June 2023

Bute Noir 2023 Programme Announced

 


FRIDAY AUGUST 4

5.30-6.30 Bute Yard

The Rest is History: Abir Mukherjee and Ambrose Parry

Meet two – or is it three – of the most entertaining writers of historical crime at work today. Abir’s captivating Wyndam and Bannerjee series, set in 1920s India, has an army of fans. Ambrose Parry, better known as Chris Brookmyre and Marisa Haetzman, returns with the brilliant Voices of the Dead.

7.00-8.00 Bute Yard

Pyscho Thriller: Fiona Cummins, Stuart Neville, and Luca Veste

A twisty session with three fine writers who like to mess with your head. Fiona’s new novel All of Us Are Broken is breathtaking; Stuart’s The House of Ashes is haunting and thought-provoking; Luca’s You Never Said Goodbye is an electric thriller with real heart.

8.30-9.30 Bute Yard

Val McDermid and Mick Herron

Spend an hour in the company of two of the best in the business. Val is firmly established as the Queen of Crime and her Karen Pirie series was a huge TV hit last year. Mick’s superb Slough House spy series is a TV smash on Sky as Slow Horses starring Oscar-winner Gary Oldman. 

10.00-11.00 Bute Yard

LATE AND LIVE: Red Hot Chilli Writers Podcast with Special Guests

Authors Abir Mukherjee and Vaseem Khan bring their hilarious podcast to Bute; late, live and dangerous. Expect the unexpected as a line-up of special guests submit to whatever mad scheme, game or quiz that these two fiends dream up to entertain you.

SATURDAY AUGUST 5

11.30-12.30 Bute Yard

The Long Arm of the Law: Claire Askew, Neil Lancaster, Marion Todd

Meet three experts in the art of the police procedural. There are now five books in Claire’s award-winning DI Birch series; Neil Lancaster’s Max Craigie series has stormed the book charts in the last few years; while Marion’s DI Claire Mackay series has gained a deserved army of fans.

1.00-2.00 Bute Yard

Science fact: Lin Anderson and Elly Griffiths

Two authors with a forensic eye for detail and two much-loved, long-running series. The Wild Coast is the 17th novel featuring Lin’s forensic scientist Rhona Macleod, while Elly’s forensic anthropologist Ruth Galloway says a sad farewell in The Last Remains.

2.30-3.30 Bute Yard

Science Fiction: Doug Johnstone and Christopher Priest

Award-winning crime writer Doug has turned his hand to science fiction for the first time with The Space Between Us, while leading sci-fi author Christopher has penned the classic The Prestige, and the much-anticipated new novel Airside.

2.30-3.30 Bute Museum

Blood Still Fresh: Ann Bloxwich, Heather Fitt, AJ Liddle, Christie J Newport

Meet four new(ish) authors who are making their mark in the world of crime writing. Ann Bloxwich’s second novel, Goodnight, God Bless sees abusers become victims; the killer in Heather Fitt’s The Flight is 30,000 feet up; AJ Liddle’s No Way Back is a thriller set in Georgia. Christie’s debut The Raven’s Mark has received the highest praise.

4.00-5.00 Bute Yard

Second Chances: Denise Mina, Liam McIlvanney, and Louise Welsh

Three of Scotland’s finest novelists in any genre get together. Denise’s new novel The Second Murderer features Chandler’s legendary detective Phillip Marlowe in 1920s LA. Liam’s The Heretic, set in Glasgow in the 1970s, is the follow-up to the prize-winning The Quaker. Louise’s The Second Cut is the long-awaited sequel to her astonishing debut, The Cutting Room.

4.00-5.00 Bute Museum

Elly Griffiths Children’s Event

A special event aimed at older primary school children and featuring Elly Griffiths’ acclaimed A Girl Called Justice series.

5.30-6.30 Bute Yard

Mark Billingham and Liz Nugent

Two outstanding authors who have created two memorable new characters. Mark’s first new series for 20 years features the eccentric Detective Miller in The Last Dance, while Liz’s latest offbeat creation is the wonderfullyStrange Sally Diamond.

7.00-8.00 Bute Yard

Not Your Average Crime Novel: Nina Allan, Rachelle Atalla, Susi Holliday

Three writers who are continually trying to push the boundaries of the crime novel. Nina Allan’s Conquest is a triumph of imagination and humanity; Rachelle’s Thirsty Animals is a terrifyingly plausible yet speculative thriller; Susi’s startingly original The Street is a creepy mystery.

9.00-10.45 Bute Yard

The Fun Lovin Crime Writers

The world’s #1 crime writing superband will rock the stage of Bute Yard, murdering songs for fun. Val McDermid, Mark Billingham, Chris Brookmyre, Doug Johnstone, Stuart Neville and Luca Veste come armed with new songs and old jokes, and are sure to get you dancing, and rocking in the aisles.

SUNDAY AUGUST 6

12-1 Rothesay Library

A Little Bit of History Repeating: Vaseem Khan, Anna Mazzola and Douglas Skelton

A trip back in time with three superb historical crime writers. Vaseem ’s Death of a Lesser God is the fourth in his Malabar House series; Anna’s The House of Whispers is set in Rome; A Thief’s Justice is the second in Douglas’s Jonas Flynt series.

1.30-2.30 Rothesay Library

JD Kirk and Johnny Shaw

We present two natural storytellers. Scotland’s JD Kirk has sold over two million copies of his Jack Loganseries, and his new book is the explosive In Service of Death. Award-winning American novelist Johnny Shaw’s latest in the UK is The Upper Hand, a brilliantly wild heist tale.

3-4 Rothesay Library

Heidi Amsinck, Myra Duffy and Alex Gray

Two festival favourites and a newcomer from Denmark. Alex’s Questions For a Dead Man is the 20th book in her DSI Lorimer series. Heidi’s The Girl in the Photo features violent attacks on the streets of her native Copenhagen. Myra’s latest Bute-set novel is Dead Drop at Bute Circus.

4.30-5.30 Rothesay Library

Glasgow Gone By: Gordon J Brown and Robbie Morrison

Two crime writers who’ve set terrific novels in 20th Century Glasgow. Gordon’s thrilling No More Games sees 12-year-old Ginger pursued by a gunman and a criminal in 1974. Robbie returns to 1930s Glasgow for his new Jimmy Dreghorn novel Cast a Cold Eye.


Thursday, 1 June 2023

Wilbur Smith Adventure Writing Shortlist Announced.

 

AN ADVENTURE FOR EVERYONE:

£10,000 WILBUR SMITH ADVENTURE WRITING SHORTLIST ANNOUNCED

LONDON, THURSDAY 1st JUNE, 2023: Six authors are shortlisted for the annual £10,000 Wilbur Smith Adventure Writing Prize, Best Published Novel award. They are:

My Name is Yip by Paddy Crewe (Doubleday, Penguin Random House)

Going Zero by Anthony McCarten (Pan Macmillan, Macmillan)

Black Butterflies by Priscilla Morris (Duckworth)

The Half Life of Valery K by Natasha Pulley (Raven Books, Bloomsbury Publishing)

No Country for Girls by Emma Styles (Sphere, Little, Brown Book Group)

Four Treasures of the Sky by Jenny Tinghui Zhang (Penguin Michael Joseph)


These exceptional novels reflect the diversity and ingenuity of the adventure genre, keeping readers on the edge of their seats with every turn of the page. The three modern and three historical novels encompass a tale of redemption during the gold rush of the American south, a road-trip thriller across the Australian outback, a journey of survival through China and America, an exploration of hope and love amidst the chaos of war in Sarajevo, a high-stakes nuclear experiment, and a race against time and technology. This list truly offers ‘An Adventure for Everyone’. 

Submissions were open to writers of any nationality, writing in English. British, New Zealand, Australian and Chinese-American authors are represented on the shortlist, the six being selected from almost 100 entries.

Niso Smith, Founder of the Wilbur & Niso Smith Foundation, said: ‘Wilbur believed that adventure stories are boundless, immersing readers in daring escapades, extraordinary quests, and mysterious discoveries. The genre celebrates the triumph of human strength, courage, and resilience, inspiring readers to embark on their own thrilling adventures within the pages of a book.

The titles on this shortlist will definitely captivate you with their vivid storytelling, compelling characters, and awe-inspiring settings. My sincere congratulations go to all six authors.

The shortlisted books were carefully selected by a team of librarians and library staff, to represent the very best of today’s adventure fiction. Tim Davies, Lead Librarian for North Lincolnshire Libraries, said: ‘this year was particularly enjoyable for both the diversity and high quality of the books submitted. I've been back in time, forward in time, to other continents on this world and to other worlds altogether - and always in the company of some strong, resourceful and engaging characters. This year's shortlist is incredibly strong, and bears witness to the long and difficult discussions we on the reading panel had to have in whittling it down to a mere six.’

These books now progress to the expert judging panel, comprising Felicity Aston MBE, renowned climate scientist, polar explorer, and expedition leader; Leon McCarron, award-winning adventurer, filmmaker, and writer; Simon Savidge, journalist, presenter, and founder of the popular blog and BookTube channel @SavidgeReads; and Giles Kristian, acclaimed author and winner of the 2022 Wilbur Smith Adventure Writing Prize for Best Published Novel.

When asked what the panel will be looking for this year, Kristian said: ‘For me, the adventure itself and the characters experiencing it must be inextricably connected. Without the adventure, the characters have nothing to overcome. Without compelling characters, we don’t care if they make it or not. As I read, I will of course be looking for danger, for unfamiliar environments and challenges that get my pulse racing. For high stakes that force me to keep turning the pages. I’ll be hoping for evocative, immersive writing and well-crafted prose. But most of all, I will be looking for engaging, complex characters with whom to share the adventure.’ 

One seat on the judging panel is reserved for readers. The Reader’s Vote is open 1st June - 31st August, and gives everyone three votes to award, whether they go all to one or to three different titles. Readers are encouraged to dive into the shortlist, to read, share and recommend, and decide where their votes are placed. The votes will be collated and awarded the equivalent weight to one seat on the panel, giving readers a voice in determining the winner.

The winner for the £10,000 Best Published Novel award will be revealed on 18th October 2023 at an Awards Ceremony hosted at London’s Royal Geographical Society. Also being celebrated on the same night will be the New Voices award for aspiring writers and the Author of Tomorrow award for writers aged 21 years and under who have completed a short piece of adventure writing.

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ABOUT THE FOUNDATION: The Prize is administered by the Wilbur & Niso Smith Foundation, a charity established in 2015 by the late bestselling author Wilbur Smith and his wife, Niso. The Foundation empowers writers, promotes literacy and advances adventure writing as a genre, working to uplift, inspire and educate writers and readers of all ages across the world.

Wednesday, 31 May 2023

Crime Writers’ Association Announce New Chair

One of the UK’s most prominent writers’ societies, the Crime Writers’ Association (CWA) has elected Vaseem Khan as its new chair.

Vaseem Khan is the author of two award-winning crime series set in India, the Baby Ganesh Agency series, and the Malabar House historical crime novels. He is the first non-white author to chair the CWA.

The CWA, which celebrates its 70th anniversary this year, was founded in 1953 by the prolific author John Creasey.

Vaseem Khan was voted in as chair on 20 May at the CWA’s Annual General Meeting, taking over from publishing polymath, Maxim Jakubowski.

 Vaseem Khan’s debut, The Unexpected Inheritance of Inspector Chopra, became a top ten bestseller, and was translated into 17 languages. He was awarded the CWA Historical Dagger for Midnight at Malabar House.

Vaseem also co-hosts one of the UK’s most popular crime fiction podcasts with Abir Mukherjee, The Red Hot Chilli Writers, and created an online course Writing Crime Fiction for Curtis Brown Creative.

Vaseem Khan said: “It goes without saying that following in the footsteps of crime fiction greats such as Ian Rankin, Dick Francis, Peter James, and Lindsey Davis, is a singular honour. Crime writing has led the way in opening itself up to new voices and new stories. I’ve often joked that criminals are the most inclusive members of our societies, happily willing to murder, rob, and cheat anyone regardless of creed, colour, and background. I’d put crime writers in that same bracket – albeit only in fiction!” 

The CWA’s determination to promote the genre remains central to its mission. Recent initiatives include its Debut Dagger, a competition for uncontracted writers, and National Crime Reading Month, both of which help to connect crime writers and readers, as well as supporting libraries and bookshops.

 Vaseem said: “When I was published, almost a decade ago, I didn't know anyone. I was told by my agent to join the CWA and I found some friends here, and suddenly I felt less alone in an industry that can be truly frightening and confusing. If I’ve had any writing success today it’s because I’ve had the support of friends and well-wishers, especially through the difficult times. That’s what I want the CWA to be.

He continued: “My vision for the CWA is for it to be a home for all crime writers, whether you’ve sold ten million copies or ten copies. It should be a place where writers of all backgrounds can come, and know that they will be treated with respect. Ultimately, the CWA should be about inspiring the next generation of crime writers.”

Outgoing CWA chair, Maxim Jakubowski, will formerly hand over the Creasey Bell to Vaseem Khan at the annual Dagger Awards hosted in London on 6 July, a tradition passed on from chair to chair for 70 years.

The CWA hosted its first awards ceremony in 1956; Agatha Christie was the principal guest. The oldest awards in the genre, the CWA Daggers are an annual fixture on the literary calendar, and this year the awards ceremony will be co-hosted by authors Victoria Selman and Imran Mahmood.

Maxim Jakubowski said: "After two years at the helm, I leave the CWA chair with a sense of great satisfaction, with membership at an all-time high and an organisation restructured to face a promising future and in great health. I am confident my erstwhile partner in crime Vaseem will take over the baton and continue to make the CWA even more prestigious and rewarding for our members. The Creasey Bell remains in great hands.

The CWA board also sees new faces with co-vice chairs Sarah Ward and William Shaw, who take over from Antony Johnson, who will continue to provide support to the organisation. It also welcomes new board members, Nadine Matheson, Stella Oni and Morgen Witzel.

Vaseem said: “Our board is now the most diverse it has ever been, in terms of age, gender, and background, reflecting the incredibly broad church that crime writing now represents. My hope is that this signals just how welcoming we intend to be, to old members and new.”



Friday, 26 May 2023

David Thompson Special Service Award announced

 


The Bouchercon Board announced that SARA PARETSKY is this year's recipient of the David Thompson Special Service Award!

The award is given by the Bouchercon Board to honor the memory and contributions to the crime fiction community of David Thompson, a beloved Houston bookseller who passed away in 2010. Recipients are recognised for their extraordinary efforts to develop and promote the crime fiction field.

Sara's contributions as a founder of Sisters In Crime; as a leader in helping to lay the publishing groundwork for women authors of mystery and crime fiction, and as an ongoing literacy activist, have been phenomenal.

The award will be presented during the General Members Meeting at the Bouchercon 2023 convention in San Diego. 


Thursday, 25 May 2023

A.A. Chaudhuri on the Fascination of Secrets and Lies between Friends and Family

As a psychological thriller writer, I love delving into the mindsets and motivations of my characters - what makes them tick and do the things they do - while setting this against everyday set-ups we can all relate to, as readers. Whether that be the workplace, on holiday, a marriage, or indeed in the context of a family or friendship scenario. It’s this close to the bone feeling that makes the genre so compelling for me, because we can all picture ourselves in a given situation, while the darker traits of human nature psychological thrillers tend to explore are all ones that we have the potential to fall foul of, as fallible human beings. Secrets and lies are a good example of this. At some point in our lives, all of us will have held a secret or told a lie, however big or small. It’s human nature. Secrets and lies permeate every level of society and in thrillers they tend to relate to something bad or unsavoury because of course this is what thriller fiction is about. It would be very bland and dull otherwise! Readers want to be intrigued, to feel on edge, to feel the tension, conflict and sense of dread and unease between characters as they turn the pages, so what better than a juicy secret to achieve this and keep them gripped? And when such secrets and lies exist between family and friends it can ramp up that intrigue and suspense we want from our thrillers that much more because we, as readers, know the ultimate reveal and impact is going to be huge and potentially very destructive. 

In my latest psychological thriller, The Final Party, three couples gather in a luxury villa high in the hills above the glamorous town of Sorrento for the seemingly perfect fortieth birthday celebration. But their idyllic week in paradise rapidly descends into the holiday from hell when one of the group starts receiving anonymous text messages threatening to expose a dark secret from their university days, and before long one of them is dead. 

But it is not just the fear of one secret from nearly two decades ago being exposed that is haunting my characters. Each of them is plagued by their own individual secrets which is driving a wedge between them, leading to the mind games and sense of mutual mistrust and unease which typifies the psychological thriller genre. As the plot unfolds the reader is gradually let into such secrets while the characters continue to keep them from each other. The continuing suspense for the reader lies in wondering when such secrets will be found out and what the fall-out will be when that happens. 

But what makes secrets and lies between friends and family so compelling for readers? For me, the answer to that questions lies in the fact that families and friends are our support systems, the people who we trust completely, and who we rely on to be honest with us and have our backs. That being said, when they lie to us and keep potentially harmful secrets from us, it’s a bitter pill to swallow, while the guilt and shame of the person at fault can take its toll and lead to the gradual erosion of such relationships along with escalating feelings of suspicion between them. There is a famous William Blake saying which I feel encapsulates this perfectly: ‘It is easier to forgive an enemy than to forgive a friend.’ What he of course meant by this is that we all expect our enemies to lie to us, but it’s the last thing we expect from our nearest and dearest, and so the potential for us to react in a rash or explosive way is that much greater. 

Guilt and fear are feelings that tend to feature heavily in psychological thrillers, and often stem from a character holding a dark secret they are at pains to keep buried because they fear the consequences of it being exposed, and yet at the same time the guilt and shame they feel for deceiving their loved ones almost destroys them. I think most people can empathise with this. It’s very rare for a person not to feel conflicting emotions of fear and guilt, unless they are a sociopath of course! Again, this is what makes the psychological thriller so relatable and therefore compelling.

Of course, just because a given character has a secret they are tormented by this doesn’t necessarily make them the ultimate culprit in the overall story, but what it does do is give them more complexity and depth as a human being, which I think readers appreciate because we all have light and shade to us, and it’s important to show a character’s redeeming side. It also serves as an effective red herring, particularly in multiple person narratives where the reader is privy to various characters’ secrets and lies, all of them with the potential to be the ultimate culprit in the overall story, and so keeps them guessing until the hopefully explosive denouement. 

It's human nature to be intrigued by secrets and lies when they aren’t your own, especially when they exist between friends and family because the potential outcome is that much more destructive. It’s a theme I’m sure will continue to hold infinite appeal for psychological thriller lovers far and wide until the end of time.

The Final Party by AA Chaudhuri. (Hera Books) Out Now

Six friends. In a luxury villa set high in the hills above the glamorous town of Sorrento, southern Italy, three couples gather for the perfect 40th birthday celebration. One body. Before the week is out, one of them is dead. Countless lies. Their perfect reunion quickly becomes the holiday from hell when one of the group starts receiving anonymous messages, threatening to expose a dark secret from their university days.  As old friendships are tested to the limit, it's clear that what happens in the dark past won't stay buried...

More information about A A Chaudhuri and her books can be ffound on her website. She can also be found on Twitter @AAChudhuri, Facebook. Instagram @a.a.chaudhuri