Showing posts with label AI. Show all posts
Showing posts with label AI. Show all posts

Thursday, 21 November 2024

Lou Gilmond: On researching for PALISADE

 It started with an honourable member: Harry Colbey, although he wasn’t always called that. The member of parliament for Gloucester East had several names before that one stuck, and even then, I had to rob from the grave.

That’s the problem with research. It throws up complications. Neither the man nor the parliamentary constituency exist, but I write political thrillers set in Westminster and like to make sure there are no unfortunate coincidences. No accidental similarities of name that might set tongues wagging and confuse fiction with fact. Particularly since corruption and the choice between right and wrong are major themes of my Kanha and Colbey series of political thrillers.

As I was writing Dirty Geese, the first in the series, I was at the same time digging into MPs connected to scandal. Firstly, to ping out ideas for plot twists for that book and Palisade, the next in the series. But also, to be sure I didn’t use names for my two MP protagonists that were similar to those of anyone who really existed, particularly if linked to disgraceful goings-on or – as it tends to be called when connected to our politicians – sleaze.

Before I turned to writing, I worked for many years in regulatory affairs, which often involved lobbying MPs, ministers, and civil servants. During that time, I visited both the Houses of Parliament and the government departments of Whitehall on a regular basis, and even No 10 on occasion. It didn’t matter how many times I went, I still felt it an honour to be there; to stand, for example, in central lobby, an octagonal room at the centre of the Houses of Parliament and the beating heart of Westminster. Anyone can meet or lobby an MP in this room. It sits at a crossroads, one corridor leading off it to the Lords and another, on the other side, to the Commons. It is a place where members of both sides of the commons and members of both houses meet and mingle, and where the lobby press can interview ministers and backbenchers alike.

From my time visiting Westminster, I had a good grounding on the culture there and of the differing characters of MPs, of ministers and civil servants, but I’m one of those writers who like to be thorough when it comes to research, so I dug on in.

Affairs, theft, bribery, blackmail and sexual harassment: that was just for starters. Call girls, rent boys, aggressive pimps who call late at night, inappropriate content on computers, watching pornography at work, misrepresentation of educations and prior careers, drugs in the workplace, drugs outside of the workplace, vendettas, violence, and fraud.

It seemed that if there was a list of things that MPs shouldn’t be doing, every single item on it had been covered off in some form or other, at some time other.

It didn’t take too long to discover that the name I had chosen for one of my protagonists bore a resemblance to that of a real-life MP connected to one of the more salacious events in my research notes. I won’t say which one. Just a single letter differentiated their surnames. Annoying. The name of my male protagonist had to change. I picked another, and as my research continued, found the exact same thing happened again. Frustrating.

The name of a protagonist is an important cornerstone of any book and as I floundered about, my male protagonist was nameless while that first book, Dirty Geese was written. Then, at the last minute, when the manuscript was due in to my editor, I saw a name on a grave in a little churchyard on the south coast. ’Colbey.’ It was perfect. An honourable sounding name for an honourable MP, and as far as I knew – or to put it more accurately as far as google was aware – there had not been a British MP with that name since Thomas Colby died in 1588, and his version of the name had a different spelling. The given name of Harry came easily after that.

Harry Colbey, a truly honourable member of parliament. A rare and fine thing.

By the time I came to write Palisade, Harry Colbey felt as real as any of the MPs I met with in my time lobbying or in my subsequent research. He was an honest man, a family man, his kids grown up and just recently flown the nest. He had disappointed his wife with his choice of career, leaving his relatively well-paid position at a bank to stand for parliament.

His plan had been to serve his constituents well and represent their interests in the House of Commons to the best of his ability. He had had a brief moment of political stardom, promoted to a junior minister early on, but he wouldn’t do what they told him. He wouldn’t compromise his morals to toe the party line, so he had been kicked back to the backbenches.

There he disappeared from view, working quietly and tirelessly on behalf of his constituents, all ambition for advancement forgotten, much to his wife’s embarrassment and shame. But when Colbey uncovers a corrupt plot between senior ministers and a big tech organisation, he feels he must abandon his hopes of a quiet slide towards retirement and instead stand up and fight for what he believes in, no matter the cost.

Both Palisade, and its predecessor, Dirty Geese, are thrillers that look at corrupt links between politicians and big tech organisations, particularly those who now have advanced AI capabilities at their fingertips. They can be read standalone, or picked up in any order, as each book looks at different aspect of the same conspiracy – although chronologically, Dirty Geese comes first.

I tried hard to make sure that the politics within them is reflective of the way our parliamentary processes really work, or to be more accurate, on occasion don’t work. But both Dirty Geese and Palisade are crime thrillers at heart and they each start with a murder. They both involve jeopardy, deceit, international conspiracy, corruption and a whole catalogue of twists and turns. And they each turn on the hope that there is at least one MP out there who will do what needs to be done, who will stand up and say what needs to be said, and that is the honourable Harry Colbey.

 Palisade by Lou Gilmond (Fairlight Books) Out Now

When opposition Chief Whip Esme Kanha is handed a secret dossier containing evidence of government corruption, she suspects its original owner, a top journalist, was murdered for gathering it. Despite the danger, she feels she must investigate. Meanwhile, lowly backbencher Harry Colbey is working his own leads. A known campaigner against big tech, he is often sent data from anonymous sources and this time round he has something truly alarming. But both Colbey and Kanha must tread carefully in a world dominated by AI, where 'what can see watches, what can hear listens, and what can be followed is tracked'. As Kanha and Colbey again join forces, they are locked into a deadly race against political corruption, no matter what the cost. But when an old enemy returns, it may already be too la

Palisade by Lou Gilmond is published on 21st November and is available to buy in bookshops now.

More information about Lou Gilmond can be found on her website. You can also find her on Instagram @lougilmond



Thursday, 18 July 2024

Jo Callaghan wins Theakston Old Peculiar Crime Novel of the Year 2024

Rising Star Jo Callaghan wins 

Theakston Old Peculier Crime Novel of the Year 2024 

with AI inspired debut In the Blink of An Eye

Thursday 18 July 2024: In the Blink of An Eye by debut author Jo Callaghan has been announced as the winner of the Theakston Old Peculier Crime Novel of the Year 2024, the UK and Ireland’s most prestigious crime fiction award, presented by Harrogate International Festivals at a special ceremony on the opening night of the Theakston Old Peculier Crime Writing Festival.

In the Blink of An Eye introduces an intriguing detective double act as bereaved DCS Kat Frank is chosen to lead a pilot programme that sees her paired with AI colleague Lock, as human experience combines with logic to solve a complex missing persons case. 

Hugely talented rising star, Midlands-born Jo Callaghan was selected for the Festival’s prestigious ‘New Blood’ panel in 2023 and has used her background as a strategist specialising in the future of work to create an innovative – and at times humorous - story examining the role of AI in criminal investigation. The novel, which Callaghan started writing after losing her husband to cancer in 2019, also explores grief and learning to live with loss. 

Jo Callaghan receives a £3,000 prize, as well as an engraved beer cask handcrafted by one of Britain’s last coopers from Theakston’s Brewery. 

On winning the Theakston Old Peculier Crime Novel of the Year, Jo Callaghan said: 

I am so honoured to have won this award - this time last year I sat on the debut panel and I never imagined this is where I'd be now! Huge thank you to everyone on the judging panel, my fellow shortlistees and my biggest thanks go to all the wonderful readers who have taken Kat and Locke to their hearts.

In the Blink of An Eye was selected by a judging panel made up of journalists, broadcasters and representatives from the Award’s sponsors, with the public vote counting as the seventh judge, from an incredibly strong shortlist which also included The Last Dance by Mark Billingham, The Secret Hours by Mick Herron, Killing Jericho by William Hussey, None of This is True by Lisa Jewell and Strange Sally Diamond by Liz Nugent. 

The inaugural McDermid Debut Award, named in recognition of world-famous crime writer Val McDermid was won by Marie Tierney for Deadly Animals, it was also announced.

Deadly Animals features road-kill obsessed teenager Ava Bonney, who discovers the mauled body of a schoolmate and embarks on a daring quest to unravel the truth behind the string of chilling deaths plaguing her Birmingham community. Birmingham-born Marie Tierney, who now lives in the Fens, worked in education before becoming a full-time writer. She receives a £500 cash prize. Nicola Sturgeon presented the award on behalf of Val McDermid, who is Chair of judges and helped select the winner. 

On winning the McDermid Debut Award, Marie Tierney said: 

I’m shocked and overwhelmed by winning this incredible award because the competition was incredibly fierce. Thank you to all the readers who appreciated Ava and her quirky ways.

Legendary writer, Martina Cole received the Theakston Old Peculier Outstanding Contribution Award in recognition of her impressive writing career. Headline’s publishing director Jennifer Doyle, accepted the award on Martina’s behalf. 

‘The undisputed queen of British crime thrillers,’ Martina Cole has forged a unique connection to readers with her powerful storytelling. She is the author of twenty-seven bestselling novels with worldwide sales of over 18 million copies. Many of her novels, including The Take, The Runaway, Dangerous Lady and The Jump, have been made into hit TV series, capturing the imagination of millions worldwide. Her new novel, Guilty, co-written with Jacqui Rose, will be published by Headline in October 2024. Cole has appeared at the Festival three times, most recently in conversation with Peter James as a Special Guest in 2016. 

Martina Cole said: ‘It is a tremendous honour to receive this award. I’d like to thank everyone in the crime writing community – my fans, my fellow authors, my publisher, Headline, and my agent, Darley Anderson - for supporting me over the last 32 years. Opening up new worlds to readers, some of whom had never read a book before they picked up one of mine, has always given me a huge sense of pride and pleasure.’

Cole is the latest in a line of acclaimed authors to have received the coveted award, with previous winners including Sir Ian Rankin, Lynda La Plante, James Patterson, John Grisham, Lee Child, Val McDermid, P.D. James, Michael Connelly and last year’s recipient, Ann Cleeves. 

2024 AWARD WINNERS: 

  • WINNER of the Theakston Old Peculier Crime Novel of the Year 2024: In the Blink of An Eye by Jo Callaghan (Simon & Schuster)

  • WINNER of the McDermid Debut Award: Deadly Animals by Marie Tierney (Bonnier Books)

  • Theakston Old Peculier Outstanding Contribution Award: Martina Cole (Headline)

Simon Theakston, Chairman of T&R Theakston, said: 

Tonight’s Theakston Old Peculier Crime Writing Awards winners truly represent the very best of crime and thriller writing. In the Blink of An Eye is a boundary pushing take on the police procedural genre, told with heart and humour and with a plot that kept me hooked until the very last page. I was chilled and thrilled by Deadly Animals, our first McDermid Debut Award Winner, and Marie Tierney really is a star of the future. We are delighted to celebrate Martina Cole’s illustrious career which has inspired readers and writers from around the world with our Theakston Old Peculier Outstanding Contribution Award.

Sharon Canavar, Chief Executive of Harrogate International Festivals, said: 

Awards night is always a special way to open the Festival and we are thrilled to celebrate the work of three extraordinary women crime writers this year. Jo Callaghan’s In the Blink of An Eye is a truly ground-breaking novel that changes the way we think about policing forever. We are delighted to reveal Marie Tierney as our first McDermid Debut Award winner. Her novel Deadly Animals impressed all the judges with the calibre of the writing and the assured handling of a harrowing story. We are thrilled to celebrate the work of the phenomenal Martina Cole with the Theakston Old Peculier Outstanding Contribution Award. Truly a crime fiction legend, Martina has amassed a legion of devoted fans over the course of her career, captivating readers with her extraordinary characters and compelling plots.” 

The award winners were revealed at the Old Swan Hotel in Harrogate, during the opening ceremony for the world’s largest and most prestigious celebration of crime writing, Theakston Old Peculier Crime Writing Festival (18-21 July), which this year features a stellar line up of bestselling authors and fan favourites including Richard Osman, Mick Herron, Elly Griffiths, Vaseem Khan, M.W. Craven, James Comey, Femi Kayode, Saima Mir, Peter James, Dorothy Koomson and Abir Mukherjee.

The Theakston Old Peculier Crime Novel of the Year 2024 is presented by Harrogate International Festivals and sponsored by T&R Theakston Ltd, in partnership with Waterstones and the Daily Express, and is open to full-length crime novels published in paperback between 1 May 2023 and 30 April 2024. The winner receives £3,000 and a handmade, engraved beer barrel provided by T&R Theakston Ltd.