025 Crime Writers of Canada Awards of Excellence in Canadian Crime Writing.

 

Crime Writers of Canada (CWC) announced the Winners of the 2025 Crime Writers of Canada Awards of Excellence in Canadian Crime Writing. 

THE 2025 AWARDS OF EXCELLENCE WINNERS

The Miller-Martin Award for Best Crime Novel Sponsored by the Boreal Benefactor with a $1000 prize

Prairie Edge by Conor Kerr Strange Light (an imprint of Penguin Random House Canada)

Best Crime First Novel (Sponsored by Melodie Campbell with a $1000 prize)

 Twenty-Seven Minutes by Ashley Tate, Doubleday Canada

Best Crime Novel Set in Canada Sponsored by Shaftesbury with a $500 prize

As We Forgive Others by Shane Peacock, Cormorant Books

The Whodunit Award for Best Traditional Mystery Sponsored by Jane Doe with a $500 prize

Black Ice by Thomas King, HarperCollins Publishers Ltd.

Best Crime Novella Sponsored by Carrick Publishing with a $200 prize

The Windmill Mystery by Pamela Jones, Austin Macauley Publishers

Best Crime Short Story

 “Hatcheck Bingo”, by Therese Greenwood, from The 13th Letter, Mesdames and Messieurs of Mayhem, Carrick Publishing

Best French Language Crime Book

Une mémoire de lion by Guillaume Morrissette, Saint-Jean

Best Juvenile / YA Crime Book Sponsored by Superior Shores Press with a $250 prize

Shock Wave by Sigmund Brouwer,  Orca Book Publishers

The Brass Knuckles Award for Best Nonfiction Crime Book Sponsored by David Reid Simpson Law Firm (Hamilton) with a $300 prize

It’s a tie!

Out of Darkness: Rumana Monzur's Journey through Betrayal, Tyranny and Abuse by Denise Chong, Random House Canada

and 

The Knowing, by Tanya Talaga, HarperCollins Publishers Ltd.

Best Unpublished Crime Novel manuscript written by an unpublished author Sponsored by ECW Press with a $500 prize

Govern Yourself Accordingly by Luke Devlin,

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About Crime Writers of Canada

Crime Writers of Canada was founded in 1982 as a professional organization designed to raise the profile of Canadian crime writers. Our members include authors, publishers, editors, booksellers, librarians, reviewers, and literary agents as well as many developing authors. Past winners of the Awards have included such major names in Canadian crime writing as Mario Bolduc, Gail Bowen, Stevie Cameron, Howard Engel, Barbara Fradkin, Louise Penny, Peter Robinson and Eric Wright. We thank our sponsors and volunteers, and the many participating publishers, authors and judges for their continued support.

Setting as Character By Ashley Tate

 Although I am a writer (and a soon to be published author!), I consider myself a reader first and foremost; starting as a child when I’d read from sunup to sundown, and whenever I can squeeze a book in now. And as an avid reader and lover of storytelling, I want to be pulled into a book from the outset; I want to become so immersed in the pages that everything else slips away. Reading is my absolute favourite thing to do—imagine! You can fall in love, be horrified, be inspired all from the comfort of your couch or bed—but it also serves as a great escape from reality. Nothing pulls me out of the stresses and anxieties of the real world (of which there are many, especially in the last handful of years) like getting lost in a good book. And I think that one of the best ways to ensure that a reader is hooked (whether that’s me reading or someone reading my book) is with setting. So, it’s probably no surprise then, that creating and crafting setting is my favourite part of the entire writing process.

I treat setting as though it’s just as important as the plot and characters and structure—this is how I ensure my sense of place and world building leaps directly off the page to pull my reader all the way in. In this way setting can become a character in its own right. A city or town or planet or dystopian hell-scape on a far-away star that can live and breathe and be its own multi-dimensional character.

Some authors prefer to write about places and locations that exist in the world, but I prefer fictionalizing them, so that my reader can picture themselves being dropped right there without any preconceived idea of what the place is really like. My debut thriller, Twenty-Seven Minutes, takes place in fictional West Wilmer, a small rural town that could be found anywhere in North America. The kind of town that everyone knows; surrounded by a patchwork of razed fields, a long dusty highway, and rusting water tower. A town where there’s one Main Street and one local bar, in the case of my debut this bar is Flo’s, and where everyone knows everyone else and has for generations; where no one really leaves, where the secrets linger within the town’s borders and gossip can take on an insidious life of its own.

When crafting my setting, I want the reader to feel it and smell it and live in it for the duration of the story. To that end, setting is one of the first parts of my writing process—where do I want this story to take place? When? How? Further: How can this small fictional town of West Wilmer help tell the story of its characters? And as a thriller writer, how can it help add tension for the reader?

Twenty-Seven Minutes is a thriller about the transformative nature of grief and what happens when long-standing secrets become impossible to keep buried. The decision to set this in a small town meant that I could draw on the aspects of one—how close-knit communities can sometimes feel claustrophobic (adding tension to the story), how everyone knows everyone’s business (making it hard to hide from your past) and how those hard-to-hide secrets can weigh so heavily on someone that they begin to unravel (adding more tension and a propulsive sense of a ticking clock) for the reader.

The irony here is that I grew up in the middle of a very large, very busy city. But I spent many childhood summers on the farm where my mother grew up, in a rural town on the East coast of Canada. During those idyllic summers, I learned to swim in the Ocean, hang laundry on a clothes’ line, eat vegetables pulled directly from the garden, borrow books from the Book-Mobile that would rumble by the old farmhouse, and hear nothing at night but crickets, and nothing in the morning but crows. I learned the art of “visiting” neighbours, and the smell of barns and old churches and the joy of pulling into the parking lot of an ice-cream bar on the side of the highway (trust me, nothing tastes as good as when it comes from a bored teenager behind a splintered wooden counter).

As writers, we must be keenly observant and attuned to noticing even the tiniest of details—this is how we add layers of reality to our stories, how our characters come alive, and in terms of setting, how readers can really feel themselves in that place—and it was that incredibly stark contrast of those quiet rural summers spent on the farm, to my loud and busy and boisterous city life, that made such an impression on me during those formative and impressionable years as a wide-eyed young girl, that I fell in love with setting, and especially small towns.

 

Twenty-Seven Minutes by Ashley Tate (Headline, £20)

THE QUESTION- For the last ten years, the small town of West Wilmer has been struggling to answer one question: on the night of the crash that killed his sister, why did it take Grant Dean twenty-seven minutes to call for help? If he'd called sooner, Phoebe might still be alive. THE SECRET - As the anniversary of Phoebe's death approaches, Grant is consumed by his memories and the secret that's been suffocating him for years. But he and Phoebe weren't the only ones in the car that night. Becca was there too - she's the only other person who knows what really happened. Or is she? THE TRUTH - Everyone remembers Phoebe, but local girl June also lost someone that night. Her brother Wyatt has been missing for ten years and, now that her mother is dead, June has no one left - no family, no friends. Until someone appears at her door. Someone who knows what really happened that night. And they are ready to tell the truth?

Ashley Tate can be found on X @tate_ab and on Instagram @ashleytateauthor

Forthcoming Books from Headline Publishing.

 January 2024

Cover the Bones is by Chris Hammer. No one is ever innocent in paradise. A small town. A closely guarded secret, stretching back decades. And blood in the water. A body has washed up in an irrigation canal, the artery running through Yuwonderie, a man-made paradise on the border of the Outback. Stabbed through the heart, electrocuted and dumped under cover of night, there is no doubt that detectives Ivan Lucic and Nell Buchanan are dealing with a vicious homicide.  The victim is Athol Hasluck, member of one of the seven dynasties who have controlled every slice of bountiful land in this modern-day Eden for generations. But this is not an isolated incident. Someone is targeting the landed aristocracy of this quiet paradise in the desert. Secrets stretching back decades are rising to the surface at last - but the question remains, who stands to gain most from their demise?  Can Ivan and Nell track down a killer before the guilt at the heart of these seven families takes the entire town down with it?

Everything she is about to tell them is a lie... Evie Porter has everything a girl could want: a doting boyfriend, a house with a picket fence, a fun group of friends.  The only catch: Evie Porter doesn't exist. First comes the identity. Once she's given a name and location by her employer, she learns everything there is to know about the town and the people in it.Then the mark: Ryan Sumner. The last piece of the puzzle is the job. For Evie, this job feels different. Ryan has gotten under her skin and she's started to picture another kind of life for herself - one where her boss doesn't pull the strings.   But Evie can't make any mistakes. Because the one thing she's worked her entire life to keep clean, the one identity she could always go back to - her real identity - just walked right into this town. A woman, who looks just like her, has stolen her name - and she wants more. As Evie's past begins to catch up with her, can she stay one step ahead to save her future? First Lie Wins is by Ashley Elston

In a harsh Alaskan landscape, four solitary are brought together by a desperate hunt to find a missing child. A blizzard rages in an isolated corner of Alaska. Few inhabitants live in this desolate place. Scattered across the vast, white expanse, they shelter in solitude from the tempest and the extreme cold. But amid this storm and far from home, a woman walks alone with the child. She stops for a moment to re-tie the laces of her boots filled with snow. Instants later she looks up and the child under her care has vanished. In desperation she searches for him, knowing that every minute that goes by in this snowstorm is a threat to both of their lives. Soon she is joined in the hunt by the other neighbours. And as the search intensifies to save the missing child from certain death, she too will become the object of pursuit. Blizzard is by Marie Vingtras.

Finlay Donovan Jumps the Gun is by Elle Cosimano. Finlay Donovan is ready to bite the bullet. She's done with her accidental life of crime. But first, there's the small matter of her debt to the Russian mob. Her task should be simple: locate a rogue hitman before the cops do. The catch? This killer might be a cop himself. From inside the citizens' police academy, run by distractingly hot Detective Nicholas Anthony, Finlay needs to sleuth out her target - and some fresh ideas for her new crime novel. Can she get to her edits and the hitman in time? She'll give it her best shot.

February 2024

Life Inside is by Linda Calvey. A chilling look into the brutality of life behind bars and what it's like to be locked away with some of the world's most dangerous criminals. Widely known in the criminal underworld as the 'Black Widow', Linda Calvey spent the first half of her life running with the UK's top gangsters, robbing banks and rubbing shoulders with the Kray twins. That is, until, in 1990, her lover Robbie Cook was murdered at point-blank, and she found herself falsely convicted. Linda was sent away for decades, and would go on to become Britain's longest-serving female prisoner. This is her story of life inside, and how she learnt to survive the many years she spent behind bars. Detailing the systems, characters and rules of prison life, as well as her encounters with notorious criminals Charles Bronson, Rose West and Myra Hindley, Linda gives a full account of her time locked up. Featuring stories of fights, riots, dodgy dealings and what happens when a prison officer gets taken hostage, this is a gritty and eye-opening look at prison life from a woman who has seen it all.

The question - For the last ten years, the small town of West Wilmer has been struggling to answer one question: on the night of the crash that killed his sister, why did it take Grant Dean twenty-seven minutes to call for help? If he'd called sooner, Phoebe might still be alive. The Secret - As the anniversary of Phoebe's death approaches, Grant is consumed by his memories and the secret that's been suffocating him for years. But he and Phoebe weren't the only ones in the car that night. Becca was there too - she's the only other person who knows what really happened. Or is she? The Truth - Everyone remembers Phoebe, but local girl June also lost someone that night. Her brother Wyatt has been missing for ten years and, now that her mother is dead, June has no one left - no family, no friends. Until someone appears at her door. Someone who knows what really happened that night. And they are ready to tell the truth. With a shocking twist that will leave you breathless, Twenty-Seven Minutes is by Ashley Tate and is a gripping story about what happens when grief becomes unbearable, dark secrets are unearthed, and the horrifying truth is revealed.

Mayday is by Grethe Bøe. Fighter pilot Ylva Norvahl has returned to her hometown, Bodø, in Norway's frozen north where tension is escalating across the border with Russia. NATO has launched the "Arctic Blizzard" excercise, mobilising 60,000 soldiers, many of them American. All it takes is one false move to trigger a major political crisis, or even a war. When her plane is forced down over Russian territory, Ylva and the veteran U.S. Major John Evans must race against time across a frozen landscape to avoid capture by the Russian Spetsnaz special forces in pursuit. Complicating their journey is Evans' involvement with an American military contractor Titans Security which has its own agenda across international frontiers. As the hunt closes in, Ylva uses her local Sami knowledge to survive in the excruciating cold, and her family history reveals dark secrets of its own in this geopolitical game of chess.

Bus driver Dave Kellock is a pillar of the community in Portobello, Edinburgh. But he's got a terrible secret. His past is dragged into the present when an unexpected passenger steps onto his bus: the woman he killed almost twenty years earlier. Dave's still reeling from the shock of it when police turn up at his door, accusing him of an entirely different crime. As he battles to track down a dead woman and maintain his hard-won reputation, Dave makes a terrifying realisation. Wherever he goes, someone is watching. In Her Shadow is by Emma Christie.

'Please take care of my baby. But don't try to find me. You'll put him in danger.' Profiler and therapist Kez Lanyon is shocked when she finds a baby on the backseat of her car, with an unsigned note asking her to take care of him. Kez has a pretty good idea who the mother is - Brandee, a popular social media star with a troubled background, who once lived in Kez's house. Brandee recently dropped out of the limelight and if the internet rumours are true, Kez knows Brandee's life is in danger. Kez is torn. Should she simply take care of the baby as she's been asked, or should she risk her whole family by using contacts from her previous job to save this young woman? Time is running out for Brandee. Can Kez find her before it's too late? Every Smile You Fake is by Dorothy Koomson. 

Four Our Sins is by James Oswald. The wages of sin is death. The partial collapse of a disused Edinburgh church reveals a dead body in the rubble, his head badly smashed by falling masonry. Soon identified as an old ex-con - Kenny Morgan - his death is put down to a heart attack and deemed non-suspicious. Tony McLean is approached by a notorious crime lord who suggests the police should be looking into Morgan's death more closely. Despite struggling with his recent retirement, he is reluctant to involve himself. But when a second man is found dead in another disused church, his forehead branded with a cross, this time it is clearly murder. There's a killer stalking the streets of Edinburgh. Is it time for McLean to get back to doing what he does best?

March 2024

A remote hotel, five guests, one murder. During a broiling heatwave, the inner circle of a high-profile charity attend a critical meeting at White Ash Ridge, a small hotel nestled in the Australian wilderness.  As the temperature rises, a body is found lying in the thick bush, bludgeoned to death.  One of the four remaining guests is a murderer - but who, and why, is a mystery. Detective Dana Russo knows the national spotlight will be sharply focused on the case. The charity was formed when the founders' teenage son was killed after intervening in a vicious assault - sparking public outrage and a damning verdict on the police investigation.  But under huge pressure and with few clues - plus suspects who instinctively distrust the police - how can Dana unravel the truth? White Ash Ridge is by S R White. 

There's blood on the water. No one is safe... 1999. A young Detective Constable Louise Mangan crosses the Thames one misty morning in pursuit of a killer. She finds a tranquil community on a leafy island close to Hampton Court Palace, but soon realises that all is not as it seems. There is something evil at play in this quiet suburb, and this junior detective's questions seem only to scratch the surface. Twenty years later, a horrific fire brings Detective Chief Superintendent Mangan back to that same island. Soon, she discovers that murder was just a drop in these dark waters. The river runs deep, and the tide is rising at last. Will the truth rise with it? Death on the Thames is by Alan Johnson. 

Blood Ties is by Veronica Llaca. Once upon a time, there was a woman the press called the Hyena-Woman. Infant Annihilator. Witch. Child-Chopper. Butcher of Little Angels. Monster. The Ogress of Colonia Roma. Julián and I called her Mother.  When the writer Ignacio Suárez is sent photographs of two murdered women, mirroring a passage of his very own detective novel, he drops everything to uncover who is responsible. What no-one suspects is that the origin of these crimes lies in the forgotten, real-life story of Felícitas Sánchez, the midwife turned child-killer who became known in the 1940s as "The Ogress of Colonia Roma". Diary entries and newspaper articles come together in this gripping tale to reveal how the woman called Felícitas, who grew up in a small community in La Huasteca, Mexico, became the infamous child trafficker and murderer in the country's capital, and how her long-ago crimes are linked to a wave of killings.

Cheater is by Karen Rose. Homicide Detective Kit McKittrick finds herself standing over a dead body in the Shady Oaks retirement centre. Frank Flynn has been stabbed and his room ransacked. Though he kept his background quiet at the centre, Kit recognises Frank from the San Diego Police Department. Had the former detective been following a trail that led to his murder? When the head of security is also found dead, it points to a conspiracy right at the heart of Shady Oaks. The one person who might be able to help uncover the truth is just who Kit has been avoiding: Dr Sam Reeves. As a volunteer at the centre and a friend of the victim, the forensic psychologist could be just what her case needs. But without access to CCTV of the day of the murder, how will Kit catch her killer? And can she do so before anyone else is put in danger?

April 2024

They say you can't always get what you want. But you can take it. Anna wants a fresh start. She doesn't believe she deserves it, but after three years behind bars she has finally paid her dues. Most of them, anyway. Lucy craves the attention of the only man she can't have, her alluring Oxford professor. He's married - not for the first time. Maybe she should be next in line? Marie the recluse has been locked up for too long. She's not ready to be free, but some rules are meant to be broken. Everyone wants a perfect life. But not everyone is prepared to take it. Unless someone decides to teach them a lesson. A Lesson in Cruelty is by Harriet Tyce.

A Plague of Serpents is by K J Maitland. London, 1608. Three years after the Gunpowder Treason, the King's enemies prepare to strike again. Daniel Pursglove is tasked by royal command with one final mission: he must infiltrate the Serpents - a secret group of Catholics plotting to kill the King - or risk his own execution. But other conspirators are circling, men who would blackmail Daniel for their own dark ends. In the Serpents' den, nothing is quite as it seems. And when Daniel spies a familiar face among their number, the game takes a dangerous turn. As plague returns to London, tensions reach breaking point. Can Daniel escape the web of treason in which he finds himself ensnared - or has his luck finally run out?

May 2024

Winter 1953. Beneath a pitch-black Leningrad sky, two bodies lie near the towering statue of Lenin outside the Finland Station. 'Nothing sinister, here, just a simple hit and run,' an officer in the MGB secret police assures militia detective Revol Rossel. Now he knows it's murder. Only recently released from a brutal Siberian labour camp and determined to find his missing sister at last, Rossel wants nothing to do with this new case. But his alcoholic, broken superior officer, Captain Liphukin, seizes upon it as his salvation – a last chance to be a true Soviet hero .Along with sharp-witted Sergeant Lidia Gerashvili, and Major Nikitin, the interrogator who once cut off Rossel's fingers, Rossel sets off on the trail of a murderer whose crimes surpass those of even the deranged tsar Ivan the Terrible. A trail leading to a dark, hidden episode in Bolshevik history filled with unspeakable horrors. There is only one eyewitness – Vladimir Ilyich Ulyanov, better known as Lenin, whose giant right hand stretches out towards the frozen River Neva. Lenin, Rossel thinks, seems to be pointing at someone. But who? Man of Bones is by Ben Creed.

Faith is by Linda Calvey. Wakefield, 1964. Life is hardly rosy for Annie Wills – an unhappy upbringing and then married too young with husband Gary soon proving a lazy coward unable to hold down a job, his fists always ready to vent his anger on the world. The one shining star in Annie's life is her perfect little girl, Maria. When Gary foolishly ends up in debt to local crime family, the Waltons, the only way for Annie to keep a roof over their heads is to work at one of the Waltons' drinking clubs. There, for the sake of Maria, Annie does the unthinkable and keeps men happy, night after night. Maria grows into a stunning teenager who catches the eye of Fred Walton, volatile son of family boss, Ted. Despite Annie's desperate efforts to protect Maria from this seedy world, the young couple fall into a relationship and inevitably Maria falls pregnant. Fred is furious at the news, lashing out again and again with his hand, his ring with its secret razor tip leaving Maria with deep, livid scars criss-crossing one side of her beautiful face. Annie knows the marks on her daughter's face will never fade but they will be nothing compared to the trauma Maria will hold deep inside. Annie and Maria simply cannot stay in town. With Maria's face wrapped in bandages, they flee to London. Joyce, a fellow prostitute from the Walton's bar who has recently moved to Stepney, shows mother and daughter the only generosity and kindness they've ever known and helps them find a new life in the East End. But the secrets left behind in Wakefield fester. And while Annie and Maria may be finished with their hometown, the Waltons are far from finished with them.

June 2024

A young man has been murdered on the notorious Paradise estate in London. The police have their assumptions; out-of-work private investigator Dylan Kasper, more than familiar with the neighbourhood, has his own.  Kasper takes it upon himself to get to the bottom of the killing. He soon discovers the reason the boy was killed that the police will never find - or want to find. A highly incriminating piece of evidence tying an illegal production company to the government and police alike. But this is just the beginning. Kasper has made a name for himself getting under the skin of the most brutal killers in the capital. When those dearest to Kasper are suddenly thrust into view, he will have to make an impossible choice. Will the inhabitants of Paradise feel safe at last, if the price must be paid in blood? A Killing in Paradise is by Elliot F Sweeney.

Knock, Knock is by Michelle Yeahan. When a serial killer moves in next door to a say at home mum, he has no idea how much trouble he is in... After all there is no lengths she wouldn't go to. 

A ghost train, lost in Time, hurtles through the night... Two members of Team 236 are trapped on board. Not ideal under any circumstances but catastrophic when they're at each other's throats. Hot on their heels, but never quite able to catch up, can Lt Grint and his team overcome all obstacles in their way and save their fellow officers before the train disappears for good? Nor is TPHQ without its own problems as Matthew risks his sanity to track them through the Time Map. And a Mikey-experiment goes horribly wrong, exposing something better left concealed for all Time. What are the Time Police hiding?  And what will they do to keep their secret? Killing Time is by Jodi Taylor. 

Also published in June is an untitled Berlin thriller by Simon Scarrow.