Showing posts with label Brian McGilloway. Show all posts
Showing posts with label Brian McGilloway. Show all posts

Wednesday, 11 December 2024

Forthcoming books from Little Brown Publishers

 January

Detective Galileo, returns in a case where hidden history, and impossible crime, are linked by nearly invisible threads in surprising ways. The body of a young man is found floating in Tokyo Bay. But his death was no accident-Ryota Uetsuji was shot. He'd been reported missing the week before by his live-in girlfriend Sonoka Shimauchi, but when detectives from the Homicide Squad go to interview her, she is nowhere to be found. She's taken time off from work, clothes and effects are missing from the apartment she shared. And when the detectives learn that she was the victim of domestic abuse, they presume that she was the killer. But her alibi is airtight-she was hours away in Kyoto when Ryota disappeared, forcing Detectives Kusanagi and Utsumi to restart their investigation. But if Sonoko didn't kill her abusive lover, then who did? A thin thread of association leads them to their old consultant, brilliant physicist Manabu Yukawa, known in the department as "Detective Galileo." With Sonoko still missing, the detectives investigate other threads of association-an eccentric artist, who was Sonoko's mother figure after her own single mother passed; and an older woman who is the owner of a hostess club. And how is Sonoko continuing to stay one step ahead of the police searching for her? It's up to Galileo to find the nearly hidden threads of history and coincidence that connect the people around the bloody murder- which, surprisingly, connect to his own traumatic past-to unravel not merely the facts of the crime but the helix that ties them all together. Invisible Helix is by Keigo Higashino.

The Bone Fire is by Martina Murphy. A fatal fire in a holiday let on Slievemore, Achill Island, leaves one person dead and another missing. Deemed arson, DS Lucy Golden and her team are tasked with solving the murder and locating the missing woman, Moira Delaney. As the case develops, the pressure builds when it transpires that Moira's father is a gangland figure, a suspect in three unsolved murders. If Lucy doesn't uncover what happened that morning in Slievemore, he will deploy his men to deal out his own sort of justice. Things get even more complicated when a laptop is uncovered that could ruin all that Lucy holds dear. And as the net on the suspect tightens, Lucy faces a hard choice - will she use it to save herself and bring a murderer to justice, or bury it and save her family and her career?

Dead men sometimes do tell tales. When the death of an old friend calls him back to Northern Ireland, Connor Fraser sees it as a way to distract himself from his growing troubles at home in Stirling. He's estranged from his partner, Jen, and can't seem to find a way to bridge the growing gap between them. Meanwhile, his beloved grandmother's health is deteriorating, while all Connor can do is watch on helplessly. But, after spotting three familiar faces at the funeral, faces with ties to Northern Ireland's bloody past, Connor quickly learns that there's a lot more to the death of his old friend than just a random traffic accident. But before he can properly investigate, he's lured into a trap and attacked. Pursued by ruthless professionals who don't care if they bring Connor to their powerful masters alive or dead, he must go off grid and on the run. As he tries to untangle the web of deceit and lies that has ensnared him, Connor is faced with choices and losses that threaten to break him. With his back to the wall, can he unravel a mystery from the past that could shatter the peace of the future, before it's too late? Exit Wounds is by Neil Broadfoot. 

February

With his lover imprisoned in a Russian gulag, the Gray Man will stop at nothing to free her in. A winter sunrise over the great plains of Russia is no cause for celebration. The temperature barely rises above zero, and the guards at Penal Colony IK22 are determined to take their misery out on the prisoners - chief among them, one Zoya Zakharova. Once a master spy for Russian foreign intelligence, then the partner and lover of the Gray Man, Zakharova has information the Kremlin wants, and they don't care what they have to do to get it. But if they think a thousand miles of frozen wasteland and the combined power of the Russian police state is enough to protect them, they don't know the Gray Man. He's coming, and no one's safe. Midnight Black is by Mark Greaney.

Hamish Macbeth:Death of a Smuggler is by M C Beaton with R W Green. All Hamish Macbeth ever really wants is a quiet life in the peaceful surroundings of his home in the Highland village of Lochdubh. Unfortunately for him, the time he would normally find most relaxing, after the tourists have gone and before the winter sets in, turns out to be far from peaceful. The new love in his life, Claire, is keen for them to take a holiday and Hamish is mulling over the idea when his newly-assigned constable arrives, presenting Hamish with both a surprise and a secret. Getting to the bottom of the secret becomes the least of Hamish's problems when, at the opening of the revamped village pub, he meets a family who have a score to settle with a sinister man who has mysteriously gone missing. Discovering a murdered woman's body puts further pressure on Hamish, especially when it becomes clear that the murdered woman and the missing man were linked, although their true identities become yet another mystery.  To Hamish's horror, he then finds himself working on the murder case with the despicable Detective Chief Inspector Blair, his sworn enemy, who has been drafted in under curious circumstances. With a growing list of suspects, ever more bewildering circumstances and Blair hindering him at every turn, Hamish must find the murderer before anyone else falls victim. 

Lt. Eve Dallas is back with a murder case with its roots in loyalty, treachery, espionage and the long shadow of war... gHis passport reads Giovanni Rossi, retired businessman. But decades ago, during the Urban Wars, he was part of a small, secret organization called The Twelve. Responding to an urgent summons from an old compatriot, he returns to New York. To his death... Bonded in Death is by J D Robb

March

The Mouthless Dead is by Anthony Quinn. A powerful and gripping crime novel based on the Wallace Murder, a national cause célèbre of the 1930s and still unsolved today. One night in 1931 William Wallace was handed a phone message at his chess club from a Mr Qualtrough, asking him to meet at an address to discuss some work. Wallace caught a tram from the home he shared with his wife, Julia, to the address which turned out, after Wallace had consulted passers-by and even a policeman, to not exist. On returning home two hours later he found his wife beaten to death in the parlour. The elaborate nature of his alibi pointed to Wallace as the culprit. He was arrested and tried, found guilty of murder and sentenced to hang, but the next month the Court of Criminal Appeal sensationally overturned the verdict and he walked free. The killer was never found. Fifteen years on, the inspector who worked the case is considering it once more. Speculation continues to be rife over the true killer's identity. James Agate in his diary called it 'the perfect murder', Raymond Chandler said 'The case is unbeatable. It will always be unbeatable'. And on a cruise in 1947, new information is about to come to light.

Lazarus Man is by Richard Price. In Lazarus Man, Richard Price, one of the greatest

chroniclers of life in urban America, creates intertwining portraits of a group of compelling and singular characters whose lives are permanently impacted by the disaster. East Harlem, 2008. In an instant, a five-story tenement collapses into a fuming hill of rubble, pancaking the cars parked in front and coating the street with a thick layer of ash. As the city's rescue services and media outlets respond, the surrounding neighborhood descends into chaos. At day's end, six bodies are recovered, but many of the other tenants are missing.  Anthony Carter--whose miraculous survival, after being buried for days beneath tons of brick and stone, transforms him into a man with a message and a passionate sense of mission.  Felix Pearl--a young transplant to the city, whose photography and film work that day provokes in this previously unformed soul a sharp sense of personal destiny.  Royal Davis--owner of a failing Harlem funeral home, whose desperate trolling of the scene for potential "customers" triggers a quest to find another path in life.  And Mary Roe--a veteran city detective who, driven in part by her own family's brutal history, becomes obsessed with finding Christopher Diaz, one of the building's missing.

Acts of Malice is by Alex Gray. DSI William Lorimer first meets Meredith St Claire when he is giving a careers talk at his goddaughter's school. The popular and glamorous drama teacher is distraught, begging him to investigate her fiancé's recent disappearance, but with a report already made to the relevant authorities, there's nothing more Lorimer can do.  But then a body is discovered on the outskirts of Glasgow. Guy Richmond was a wealthy and charismatic actor, adored by everyone. Or so it first seems. But as Lorimer and his team are drawn deeper into the peculiar world of professional theatre, they find themselves caught in a web of confidences and rivalry, thwarted dreams and ruthless ambition. For it seems the finest actors of all are those with the darkest secrets to hide.

Even on the most desirable street, there's a dark side . . .The Hill is the kind of place everyone wants to live: luxurious, exclusive and safe. But now someone is breaking and entering these Cheshire homes one by one, and DS Leo Brady suspects the burglar is looking for something, or someone, in particular. Over the border in Wales, DC Ffion Morgan recovers the body of an estate agent from the lake. There's no love lost between Ffion and estate agents, but who hated this one enough to want her dead - and why? As their cases collide, Ffion and Leo discover people will pay a high price to keep their secrets behind closed doors . . . Other People's Houses is by Clare Mackintosh.

Death on the Adriatic is by Georgina Stewart. In the picturesque Slovenian seaside resort of Koper, on the Adriatic shore, a body is found in a lonely, rocky spot on a coastal path. When it is identified as that of a police inspector, Ivan Furlan, his brother is arrested without further investigation, since it is well known that the brothers had fallen out over inherited property. Then a whistle-blower sends an anonymous message to headquarters in the capital, Ljubljana, asking for urgent assistance to prevent a miscarriage of justice, and Petra Vidmar, the youngest serving female police inspector in the Slovenian police, is despatched to sort things out.


April 2025

The Margaret Code is by Richard Hooton. 89-year-old Margaret has lived on Garnon Crescent all her life, except for those few years she never talks about. She knows all the neighbours; their hopes, their heartbreaks.  Only recently, Margaret's memory isn't what it used to be. She is sure Barbara, her best friend and neighbour, told her something important. Something she was supposed to remember.  When Barbara is found dead, Margaret determines to recover her missing memory. She and her grandson James begin to investigate, but soon strange incidents occur in her home. Margaret's daughter thinks her memory is getting worse, but Margaret knows somebody wants her out of the way. Because Margaret holds the key to solving this crime. If only she could remember where she put it.

Secrets only survive in the dark. When journalist Ben Harper is asked to help re-examine an unsolved murder case from thirty years ago, he immediately agrees. It's not just that the victim was also a journalist, murdered after she'd published a series of shocking interviews with victims of domestic abuse. It's also that he understands all too well the need of victim's daughter, Doctor Uma Jha, for answers. But it's not long before their investigation leads to threats being made on Uma's life. Ben needs to unravel this crime before it's too late, but instead he finds himself tangled in a web of lies and deception. After all, a crime like murder has implications for many people. People who have been keeping secrets for thirty years, and will do whatever it takes to protect them. Nine Hidden Lives is by Robert Gold.

Major Bricket and Circus Corpse is by Simon Brett. Introducing a new but not-so-amateur sleuth from another peaceful English village with an alarmingly high death rate! Meet Major Bricket, an infrequent resident of Highfield House in Stunston Peveril, Suffolk. In the past the Major's work assignments, frequently in foreign countries, have prevented him from spending much time there and a result, there is an air of mystery around him while everyone in the village speculates on the nature of his occupation. But now the Major has retired and has come home for good in his open-topped little red sports car... and what a homecoming it is, for lying spreadeagled on his lawn in the summer sunshine is the corpse of a clown. Coincidence that the circus has come to Stunston Peveril for the annual four-day village fair? Yet none of their quota of clowns is missing - or at least, nobody is saying. Or is the body that of an unfortunate early guest at the village's highlight of the social calendar, the Fincham Abbey Costume Ball? Fortunately Major Bricket's past clandestine career means that he is now very well placed to solve the mystery of the dead clown on his camomile lawn...

The Dead City is by Michael Russell. In this dead city, the vultures are circling... Berlin 1944. The beginning of the end for Nazi Germany. And the beginning of a dark journey for Garda detective Stefan Gillespie as he makes his way through war-ravaged Europe to the German capital. He carries secret instructions for the Irish ambassador, who is clinging on in the growing chaos - even though it's time to get out. Bombs fall and bodies fill the streets. People starve. The true horrors of Nazi terror are everywhere now... and the Russians are coming. As Stefan searches for an Irishman trapped in Berlin who has betrayed his country and his friends, who cares if people are murdered along the way? And Stefan has to ask himself if saving one life matters in this devastation. And if it does, is it worth him risking his own?

May 2025

Pam, Nancy and Shalisa once imagined retirement would mean setting aside their worries, picking up their margaritas, and lying back in a hot tub. Right up until their husbands lost their life savings in a reckless investment. Now, with the men on their last nerve, the life insurance policies are starting to sound more appealing than growing old together. But enlisting the help of the local barber/hitman isn't just the most daring thing Pam, Nancy and Shalisa have done in years - it's also where the trouble really begins. Because the friends don't realise their husbands have a plan of their own. And there's no turning back now . . . From the first laugh to the final twist, The Retirement Plan is full of characters who will steal your heart while plotting their dark deeds. The Retirement Plan is by Sue Hincenbergs.

The One You Least Suspect is by Brian McGilloway. Katie lives a quiet life. She likes her small Derry neighbourhood. She likes her job as a barmaid at O'Reillys. And she loves her daughter, Hope. But everything changes when she is approached by two detectives. They want Katie to tell them the things she hears at work. To become their informant. In this city, Katie knows the dangers of talking to the police. Yet with Hope's safety at risk should she refuse, she is trapped between two impossible choices. Crossing the O'Reilly brothers could cost her everything. Her only chance of survival is if she can remain the one that they least suspect . . . A gripping, heart-wrenching thriller that explores the fine line between right and wrong, justice and revenge, and how you choose your side when everyone is guilty . . .

Hidden Nature by Nora Roberts is a new novel about an injured cop fighting to bring down a pair of twisted killers. When a woman mysteriously vanishes, leaving her car behind in a supermarket parking lot, injured police officer, Sloan Cooper, determines to keep herself busy looking for any similar cases. She finds them, spread across three states. Men and women, old and young―the missing seem to have nothing in common. But the abductions keep on coming. It will take every ounce of Sloan's endurance to get to the dark heart of this bizarre case―and she's willing to risk her life again if that's what it takes...

June 2025

Death of a Diplomat is by Eliza Reid A remote Icelandic island. A diplomatic dinner party. And a murderer in the midst. The stakes at dinner couldn't be higher. The Canadian embassy are visiting a remote Icelandic island and the great and the good have gathered to welcome them. But beneath the glamour, tensions are bubbling. When the deputy Canadian ambassador is poisoned at dinner, suspicion falls on everyone present, but particularly on the ambassador himself. Jane, the ambassador's wife, knows that she has to solve the murder if she is to save her husband and her marriage. But Jane knows better than anyone that, when it comes to protecting scandalous secrets, there are no lengths to which people won't go.  So soon the question becomes: can she track down the killer before they strike again?

What the Night Knows is by Mark Billingham. "Three dead coppers, Tom, maybe four by lunchtime." The targeted murder of four officers is only the first in a series of attacks that leaves police scared, angry and, most disturbingly of all, vengeful. As Tom Thorne and Nicola Tanner dig into the reasons for the violence, a deeper darkness begins to emerge: the possibility that these murders are payback. The price paid for an unspeakable betrayal. To uncover the truth, Thorne will be forced to question everything he stands for. He can trust nobody, and the shocking secrets revealed by one terrible night will fracture his entire world.

Four strangers on a train. An unlikely introduction: 'Actually I'm a Murderer.'Set in the north-east of England in the seventies, the lives of an actor, tech pioneer and political advisor are thrown into turmoil when sharing a carriage with an unremarkable little man with round glasses, on the night train back to Newcastle. By the end of the following day, one of them will be dead, one will turn blackmailer and another forced to commit a crime. And all of them will be under the astute and watchful observation of Aline, the local police officer with her own agenda to fulfil... And then the body count begins to rise which begs the question - just how many actual murderers are out there... and who will be the next victim? Actually I'm a Murderer is by Terry Deary.

Closer Than She Thinks is by Zoe Lea. Louise never thought she'd be the sort of woman to have an affair. She's a good wife, a good mother and a good daughter - even if she is far from happy. But everything changes when Louise crosses paths with Oscar, a man fifteen years her junior. She knows what they're doing is wrong, but she just can't stop... When odd messages begin to arrive, it seems clear that someone has been watching Louise, and that they know her secret. They don't just want Louise to stop her affair with Oscar though - they want much more. And they will stop at nothing to get it.

As the daughter of a London crime boss, PC Philomena McCarthy walks a thin blue line keeping the two sides of her complicated life apart. On patrol one night she discovers a child in pyjamas, wandering alone. Taking Daisy home, Phil uncovers the aftermath of a deadly home invasion, as three miles away a prominent jeweller is found strapped to an explosive in his ransacked store. The crimes are linked, and all the evidence points to Phil's father as the mastermind. Phil's two worlds are colliding, trapping her in the middle of a vicious gang war that will threaten her career and everyone she loves. Who can she trust - the badge or her own blood? The White Crow is by Michael Robotham.

Also to be published in June is The Third Light by M W Craven.








Thursday, 21 October 2021

Blood Ties and the return of Ben Devlin by Brian McGilloway

 

In 2011, I wrote the final words of The Nameless Dead, the fifth in the Ben Devlin series. It was a strange experience. I already knew as I wrote the book that my publisher at the time would not be continuing with the series. The book then, while always intended as another instalment in Devlin’s story, also revisited some of the characters from Borderlands, bringing the series full circle in a way so that, if it was the end, it could serve as a satisfying conclusion.

My leaving Devlin behind also reflected the status of the Border itself in some ways. When I started Devlin, in 2002/2003, the Good Friday Agreement had, in effect, facilitated the removal of the last of the military infrastructure off the border crossings. Still, after so many years, the border was still a very real presence, at a psychological level at least, even after the border posts had gone. But, as I wrote the Devlin books over the next seven or eight years, charting the development of his growing friendship with Jim Hendry in the north, that psychological border began to weaken too. In the real world, I drove back and forth across the frontier without any awareness of its presence. My children were growing up, not really knowing what it meant in any concrete way. That may be why, by the time I’d written four Devlins, I turned my attention to the North and introduced a new character in Lucy Black with Little Girl Lost. I went back to Devlin for that fifth novel in 2011 to round out his story.

And then he stopped speaking to me., just as the border itself seemed to vanish.

The Nameless Dead came out in 2012 and, with that, I was out of contract. And then, for some reason, a year later, Little Girl Lost began to take off, both here and in the US, selling over half a million copies in a few months between the two territories and offering me a chance to keep telling stories. But the readership, and my focus, seemed to be on Lucy and her stories. Once or twice, I began to write a new Devlin story but found his voice was not there. The story was not his.

Brexit changed that. All at once, the border became a feature of conversation again, of discussion in the media – over here at least, though, strangely, seemingly not in Britain. Sides were redrawn, tribal identities reasserted. The psychological border reappeared. And with that, Devlin re-emerged in my consciousness.

Devlin has always been a punchbag for me – a chance for me to work out how I feel about things, and to explore my own responses and reactions based on his. Two years ago, I lost my dad after a short illness. It left me reeling – we were very close and Devlin’s kindness and decency were very much a reflection of my father, a truly kind, gentle man himself. So, while I did not set out to write a book that reflected on the loss of my father, it was natural that when I heard Devlin’s voice again, had his story begin to compel itself on me, it should be a story of loss and grief. One that looks at how family changes over time and the relationship between fathers and their sons.

It was important to me that Devlin should be the voice who tells that story in Blood Ties. The Devlin books have always explored the borderlands – the grey areas between certainties – and Devlin himself has always reflected an awareness that, here in the border area especially, there are no simple answers, no simple definitions. Devlin is father to both his son and his own father in this book, and yet also still a son himself, learning from both his parent and child. But now his children are moving on to college and his parents have passed: all the things by which he defined himself have changed. And, in the book, he must redefine himself. Or, at the very least, learn to accommodate those changes in his own sense of self-identity.

So, identity became the key theme of the novel, as reflected by the epigraph from the wonderful Elizabeth Jennings poem of that name. Issues of victimhood and the habit (in Northern Ireland especially) of creating a hierarchy of worthiness among victims, as if one person’s grief is more deserving than another’s, feed into that same theme of how we create an identity for ourselves and how it is created for us by others. In this book, the lines between victim and perpetrator are blurred and Devlin must constantly reassess how others are defined by his community even as he tries to redefine himself.

I am grateful to have found Devlin’s voice again, though in all honesty, it is not far from my own. I’m grateful to have him as a way to work out how I feel about the world. And I’m hugely grateful that anyone else would be kind enough to continue following both of us on that journey by reading one of these stories.

Blood Ties by Brian McGilloway (Constable) Out Now 

How can a dead woman avenge herself on her killer twelve years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts.

More information about Brian McGilowaay and his books can be found on his website. You can also follow him on Twitter @BrianMcGilloway.



Thursday, 22 July 2021

Chris Whitaker wins Theakston Old Peculier Crime Novel of the Year with We Begin at the End


 

Chris Whitaker’s We Begin at the End has been crowned Theakston Old Peculier Crime Novel of the Year 2021 at the opening night ceremony for Theakston Old Peculier Crime Writing Festival – presented by Harrogate International Festivals at the Old Swan Hotel.

A powerful story of crime, punishment, love and redemption set in coastal California, We Begin at The End is credited by Whitaker as saving his life after being brutally mugged and stabbed as a teenager.

Whitaker has clinched the title on his very first nomination after being chosen by a public vote, the prize Academy and a panel of expert judges, receiving £3,000 and an engraved oak beer cask, hand-carved by one of Britain’s last coopers from Theakstons Brewery.

An unprecedented decision has been taken to recognise Northern Irish author Brian McGilloway’s exceptional political thriller The Last Crossing as Highly Commended. McGilloway will also receive a handmade, engraved beer barrel provided by Theakston Old Peculier for his novel which explores The Troubles from the perspective of former operatives who like to think they have moved on.

Executive director of T&R Theakston, Simon Theakston, said: “The contest for this year’s Theakston Old Peculier Crime Novel of the Year award has been fiercely fought – a reflection of the outstanding quality of all the longlisted and shortlisted crime fiction published within the last year. I offer Chris Whitaker my hearty congratulations for clinching the title on his first ever nomination for his powerful and insightful We Begin at the End.

Gary Jones, Express Editor-in-Chief, said: "It's a great pleasure to be associated with the world's most famous celebration of crime writing and we're thrilled the Theakston Old Peculier Festival is back this year in the flesh and better than ever. Congratulations to all the shortlisted authors for crime book of the year and especially to winner Chris Whitaker."

Special presentations were also made to Ian Rankin OBE and Mark Billingham, the winners of the Theakston Old Peculier Outstanding Contribution to Crime Fiction Award for 2021 and 2020, respectively.

Simon Theakston added: “It was an absolute pleasure to award crime fiction legends Ian Rankin and Mark Billingham with the Theakston Old Peculier Outstanding Contribution to Crime Fiction Award 2021 and 2020 respectively. They are two titans of crime fiction and richly deserving of this latest recognition of their mastery of the genre.”

Ian Rankin OBE, recipient of Theakston Old Peculier Outstanding Contribution to Crime Fiction Award 2021, said: “It’s such a privilege and an honour to receive this award, and especially to be in Harrogate to receive it in person. I’ve been a published writer for over thirty years but this past year has been uniquely challenging - for writers, readers and booksellers. It’s heartening to see the Theakston Festival rise like a phoenix. Books continue to provide us with that wonderful mix of food for thought and escapism. I couldn’t be prouder to be a crime writer.”

Mark Billingham, recipient of Theakston Old Peculier Outstanding Contribution to Crime Fiction Award 2020, said: “It goes without saying that - presuming it’s not some sort of administrative error - this is an enormous honour. I’m as gobsmacked as I am grateful to be joining a list containing the likes of Ruth Rendell, PD James and Lee Child and while there are many individuals to whom I’m hugely indebted, first and foremost I want to say ‘thank you’ to the readers. Without them, there’s no point to any of it.

This year’s Theakston Old Peculier Crime Writing Festival continues until Sunday at the Old Swan Hotel, Harrogate. Special Guests this year include Mark Billingham, Ann Cleeves, Elly Griffiths, Mick Herron, Clare Mackintosh, Val Mcdermid and Richard Osman, curated by Festival Programming Chair Ian Rankin OBE.

The award is run by Harrogate International Festivals sponsored by T&R Theakston Ltd, in partnership with WHSmith and the Express, and is open to full length crime novels published in paperback 1 May 2020 to 30 April 2021 by UK and Irish authors. The longlist was selected by an academy of crime writing authors, agents, editors, reviewers, members of the Theakston Old Peculier Crime Writing Festival Programming Committee, and representatives from T&R Theakston Ltd, the Express, and WHSmith.





Tuesday, 15 June 2021

Shortlist for the Theakston Old Peculier Crime Novel of the Year revealed

 CRÈME DE LA CRIME

SHORTLIST REVEALED FOR THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR 2021






ELLY GRIFFITHS | ROSAMUND LUPTON | BRIAN MCGILLOWAY|

ABIR MUKHERJEE | CHRIS WHITAKER | TREVOR WOOD


Harrogate, 15 June 2021: The six authors shortlisted for the Theakston Old Peculier Crime Novel of the Year are today unveiled after being chosen by a public vote and the prize Academy. Now in its 17th year the most coveted prize in crime fiction – presented by Harrogate International Festivals – celebrates crime writing at its best, transporting readers around the world from Calcutta to California to the frigid North Sea.

This year’s longlist recognises author Chris Whitaker who hopes to claim the trophy on his first ever nomination with We Begin at The End – a powerful story of crime, punishment, love and redemption set in coastal California.

Sunday Times bestselling author Rosamund Lupton’s thrilling story of gunmen opening fire on a Somerset School has clinched a coveted spot on the shortlist. Three Hours sets the clock ticking for the hostages in a nail-biting exploration of white supremacy and radicalisation.

The creator of Norfolk’s best loved forensic archaeologist Ruth Galloway Elly Griffiths is hoping that her seventh prize nomination takes her one step further to take the title. The twelfth novel in the whodunnit series, The Lantern Men sees Galloway return to the fens to hunt down a serial killer.

Trevor Wood’s meteoric rise continues as the debut author goes from being selected for Val McDermid’s highly respected ‘New Blood’ panel at the 2020 Theakston Old Peculier Crime Writing Festival to being shortlisted for the coveted trophy with his acclaimed novel The Man on the Street. As a former naval officer, Wood brings to bear remarkable insight in this story of a homeless Falklands veteran with severe PTSD turned criminal investigator.

Scottish-Bengali author Abir Mukherjee is vying for his latest Wyndham & Banerjee novel Death in the East – described by The Times as “the best so far of an unmissable series”.A mesmerising portrait of India, Assam and East End London, perhaps this third nomination for will prove lucky for the account-turned best-selling author?

The final title on this year’s shortlist is Northern Irish author Brian McGilloway’s second nomination for political thriller The Last Crossing which looks at The Troubles from the perspective of view of former operatives who like to think they have moved on.


The six shortlisted books for the Theakston Old Peculier Crime Novel of the Year 2021 are:

The Lantern Men by Elly Griffiths (Quercus, Quercus Fiction)

Three Hours by Rosamund Lupton (Penguin Random House UK, Viking)

The Last Crossing by Brian McGilloway (Little, Brown Book Group, Constable)

Death in the East by Abir Mukherjee (VINTAGE, Harvill Secker)

We Begin At The End by Chris Whitaker (Bonnier Books UK, Zaffre)

The Man on the Street by Trevor Wood (Quercus, Quercus Fiction)

The public are now invited to vote for the winner via 

www.harrogatetheakstoncrimeaward.comand the winner will be announced on the opening night of Theakston Old Peculier Crime Writing Festival, Thursday 22 July, and will receive £3,000, and a handmade, engraved beer barrel provided by Theakston Old Peculier.

Executive director of T&R Theakston, Simon Theakston, said: “This is it: the crème de la crème of crime. This shortlist really does showcase the breadth and depth of the genre. It’s going to be a fiercely fought prize this year so make sure you vote for your favourite. Until then, I look forward to raising a glass of Old Peculier at the winner’s announcement on 22 July!

The award is run by Harrogate International Festivals sponsored by T&R Theakston Ltd, in partnership with WHSmith and the Express, and is open to full length crime novels published in paperback 1 May 2020 to 30 April 2021 by UK and Irish authors. The longlist was selected by an academy of crime writing authors, agents, editors, reviewers, members of the Theakston Old Peculier Crime Writing Festival Programming Committee, and representatives from T&R Theakston Ltd, the Express, and WHSmith.





Monday, 16 March 2020

No Alibis Crime Care Package

No Alibis Bookstore have teamed up with a group of local authors to give away a #CrimeCarePackage to the value of £25 to ten people each day this week, fifty packages in total, containing a selection of great books hand chosen for each recipient.


If you or someone you know is facing isolation in the coming days, we’d like to send you a curated selection of books to the value of £25, free of charge. Due to costs, we can only deliver to UK and Ireland. To enter the contest, just do the following: Tweet @NOALIBISBOOKS with the hashtag #CrimeCarePackage, and tell us about a book you love. If you’re selected as a recipient, we’ll use that as a guide for your selection of books. We will choose ten winners at random at the end of each day.


Remember, we’re giving away ten packages every day until Friday, so if you’re not chosen today, there’ll be lots more chances throughout this week. Just tweet us again to enter. This giveaway has been made possible by the generosity of these authors:


@ClaireAllan, @GerardBrennan, Lucy Caldwell (@beingvarious), @JanCarson7280, Steve Cavanagh (@SSCAV), John Connolly (@jconnollybooks), Kelly Creighton (@KellyCreighto16), Sharon Dempsey (@svjdempz), @SimonMaltman, …@BrianMcGilloway, Claire McGowan (@inkstainsclaire), @AdrianMcKinty, Eoin. McNamee (@mcnamee_eoin), @StuartNeville, and Anthony J Quinn (@ajpquinn). Our deepest thanks everyone who contributed!



Saturday, 15 February 2020

NOIRELAND Returns in 2020 with a One-Day Festival


Belfast’s NOIRELAND International Crime Festival is returning on 28 March 2020. This year’s one-day festival showcases some of Ireland’s greatest crime novelists, lends a helping hand to aspiring writers, and highlights Belfast significant impact on the world of crime fiction, on page and on screen. 

THE PROGRAMME 
This year the festival falls into three parts:’ The Writers’ Morning’, ‘A Noirish Afternoon in Belfast’ and ‘A Noirish Night of Stars’. Special guests include bestselling crime writers from the UK - #1 bestseller Mark Billingham, multi-award-winning novelist Abir Mukherjee, and Ann Cleeves creator of the Vera and Shetland series. The programme is packed to the brim with Ireland’s own international bestsellers: Liz Nugent, Brian McGilloway, Adrian McKinty, Jane Casey and Steve Cavanagh – with exclusive previews of their latest novels.

NUTURING TALENT

A keystone of NOIRELAND is the nurturing of new and emerging local talent. ‘The Writers’ Morning’provides an accessible and affordable introduction to creative writing, followed by a session with publishing professionals offering insights and practical advice on getting into print. Prices for these sessions have been kept deliberately low to encourage anyone with an interest in writing to join in. More information can be found on the NOIRELAND website. 

A ONE DAY FESTIVAL
  
While in previously NOIRELAND has taken place over the course of a weekend, this year it is a one day only event. When planning the festival in autumn 2019, concerns over Brexit and its impact on Northern Ireland convinced the programme committee that a digested version of the festival would be more appropriate in uncertain times. Plans are already being put into place for a return to the full-scale weekend event for 2021. 

NOIRELAND takes place 28 March 2020 at Belfast’s Clayton Hotel. The full programme can be found below. 

WRITER’S MORNING 
Our beginner’s guide to writing is the perfect introduction to the creative process, and a great kick start to following your dreams of being a novelist. Our experts will provide an overview of a book’s lifecycle, from writing your book to then getting it published. 

SO YOU WANNA BE A WRITER? 
10:00-11:45 
TICKETS: £20/£15
 -
Have you always fancied the idea of writing a novel but didn’t know where to start?
 Gerard Brennan, an acclaimed crime novelist and tutor, provides an introduction to the world of creative writing, to help get you started. Over the morning Gerard, will be discussing the importance of structure, plotting and how to create characters. A great taster for all aspiring authors. (Includes a break at 11am). 

ASK THE EXPERTS 
12:00-13:00 
TICKETS: £8/£6
. 
So, you’ve got your idea for a novel, you might even have a manuscript, but what’s the next step to getting published? NOIRELAND has brought together a panel of publishing experts – Katherine Armstrong, Editorial Director at Bonnier Zaffre, Angela McMahon, Director of Flow Communications and crime PR specialist, and Lisa Moylett, an experienced literary agent at the CMM Agency in London. 

A NOIRISH AFTERNOON IN BELFAST 
Explore the city’s dark side on Saturday afternoon with a choice of tours and a special screening of Odd Man Out, Belfast’s very own Film Noir. 

NOIRELAND WALKING TOUR 
14:00-15:15 
TICKETS: £10.  

We’re partnering with Belfast Hidden Tours for a very special NOIRELAND tour of the city. Simon Maltman, a crime writer and expert on the city’s ‘noirist’ corners, will take you on a special NOIRELAND walking tour. The walk, which lasts roughly 75 mins, visits locations from award-winning crime novels, iconic sites from television’s most popular dramas and explores the landmarks, pubs and alleyways featured in Odd Man Out, one of the best Film Noir movies of all time. 

ODD MAN OUT at the Movie House, Dublin Road

15:30-17:30

TICKETS: £6/£5
.  
We have teamed up with Belfast’s Movie House for a special screening of Odd Man Out(1947), Carol Reed’s masterpiece set in Belfast. It is one of the earliest examples of film noir to be made outside of the US and has been a major influence on some of cinema’s greatest filmmakers, including Roman Polanski who cites it as his favourite movie. The event includes a special introduction to our noir matinee, providing insight into its production, the crime novel that inspired it and how Odd Man Out has influenced film makers and writers since. 

A NOIRISH NIGHT OF STARS

AN ENGLISHMAN, AN IRISHMAN AND A SCOTSMAN 
WALK INTO THE NOIR 
18:00-19:00 
TICKETS: £10/£8.  

Three pals – and crime writing greats – get together for a bit of craic, to chat about where they come from, their writing and their latest novels. Last year three award-winning women crime writers had us rolling in the aisles, so this year Mark Billingham, Steve Cavanagh and Abir Mukherjee will be bringing their wit, wisdom and one-liners to NOIRELAND. No pressure lads, but your counterparts from last year were hysterical! 

A CRIME OF THE TIMES 
19:30-20:30 
TICKETS: £8/£6
. 
May you live in interesting times’ and we certainly do! Crime fiction is one of the best mediums to explore issues of the day, while still entertaining readers along the way.
  Paul Waters, the Belfast-born broadcaster, will be exploring the hottest topics around, talking to Jane Casey about the dark world of elite gentlemen’s clubs post #MeToo, Alan Judd on his latest thriller about spies at the heart of the Brexit negotiations, Gary Donnelly on how we deal with our past in his cop thriller set in contemporary Belfast, and Liz Nugent on her new novel exploring the cult of celebrity and its inherent dangers. 

ANN CLEEVES interviews BRIAN MCGILLOWAY 
21:00-22:00 
TICKETS: £10/£8
.  
One of the highlights of NOIRELAND 2019 was Brian McGilloway’s interview with bestselling crime novelist Ann Cleeves. The old friends are back again, but this time Ann will be interviewing Brian about his new novel The Last Crossing, described as ‘the peak of what crime fiction can do’ (Steve Cavanagh) and an ‘extraordinary novel’ (Adrian McKinty).
 A must-see event for fans of Brian McGilloway, Ann Cleeves and anyone who loves truly great crime writing. 

JACK-A-NOIR-Y: 
The Detective Up Late 
22:30-23:30 
TICKETS: £10/£8.  

NOIRELAND 2020 ends on Saturday night with Jack-a-noir-y, our bedtime story for grown-ups. So grab a drink, settle down and listen to an exclusive extract from a very hotly anticipated novel. This year our bedtime story will be from The Detective Up Late, a new Sean Duffy novel from Adrian McKinty, which won’t be hitting the shops until 2021! Adrian will be introducing the book in person and talking a little about his award-winning 
Sean Duffy series. 


TICKETS AND CONCESSIONS 
Tickets are available at the NOIRELAND box office: www.noireland.com/box-office, or at the venue on the day (28 March). 
People in receipt of Pension Credit, Universal Credit, Income Support, or Job Seekers allowance, Students, Children (12–18 years) and disabled people are entitled to a concession discount. 

PASSES 
A pass to all events at NOIRELAND is available to purchase: £75/£50 conc. A ‘Writers’ Morning Pass’ is available to purchase: £25/£18 conc.
A ‘A Noirish Night of Stars’ is available to purchase: £32/£22 conc. 
Terms & Conditions apply. See our website for more details: 
www.noireland.com 

GETTING TO NOIRELAND 
NOIRELAND takes place at the Clayton Hotel, 
22-26 Ormeau Avenue, Belfast BT2 8HS 
The venue is just 5 minutes from the train and bus centre on Great Victoria Street, with its links to Belfast International and Belfast City airports.
Visit www.translink.co.uk to plan your journey.