2024 CWA Dagger Short lists announced

 

The 2024 shortlists for the prestigious Crime Writers’ Association (CWA) Dagger awards, which honour the very best in the crime-writing genre, have been announced.

Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

 The shortlist for the Gold Dagger, which is awarded for the best crime novel of the year, includes the debut novel Black River from Nilanjana Roy. She is up against stalwarts of the genre, Mick Herron for The Secret Hours, and Dennis Lehane, with Small Mercies. 

The bestselling children’s author Maz Evans also makes the list with her debut adult novel, Over My Dead Body. As does the Irish-American author Una Mannion, with her haunting second novel, Tell Me What I Am, and the Chinese-Indonesian author, Jesse Sutanto, with Vera Wong’s Unsolicited Advice for Murderers.

Past winners of the prestigious Gold Dagger, include Ian Rankin, John le Carré, Reginald Hill, and Ruth Rendell.

The Ian Fleming Steel Dagger, sponsored by Ian Fleming Publications Ltd, showcases the thriller of the year.

The shortlist sees relative newcomer Jordan Harper, with his second thriller, Everybody Knows, up against TJ Newman, the former flight attendant who became a Hollywood sensation, with her latest thriller, Drowning, and Japanese author Kotaro Isaka for The Mantis; Kotaro is best-known for Bullet Train, which was adapted into a Brad Pitt movie. 

They’re joined on the Fleming shortlist by SA Crosby, Eli Cranor, and Femi Kayode.

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels.

Among the rising stars of 2024 is Jo Callaghan with her BBC Between the Covers Book Club pick, The Blink of an Eye; and the Victorian gothic, The Tumbling Girl from Bridget Walsh. The shortlist also includes Amy Chua’s The Golden Gate, Kate Foster with The Maiden, Dan McDorman’s West Heart Kill and Go Seek by Michelle Teahan.

The Historical Dagger shortlist sees Voices of the Dead by Ambrose Parry in contention with A Bitter Remedy by Alis Hawkins. 

They’re joined by Lucy Ashe with Clara & Olivia, Louise Hare’s Harlem After Midnight, Jake Lamar’s Viper’s Dream, and Scarlet Town by Lenora Nattrass.

The ALCS Gold Dagger for Non-Fiction shortlist sees Nicholas Shakespeare’s Ian Fleming: The Complete Man, up against The Art Thief by Michael Finkel, the true story of the world’s most prolific art thief who accumulated a collection worth over $1.4 billion. 

Also in the Non-Fiction category are Matt Johnson and John Murray for No Ordinary Day, Jennifer McAdam with Douglas Thompson for Devil’s Coin, Alex Mar’s Seventy Times Seven and How Many More Women? by Jennifer Robinson and Keina Yoshida.

The shortlist for the Crime Fiction in Translation Dagger includes The Prey from the Icelandic author Yrsa Sigurðardóttir’s, translated by Victoria Cribb, and Maud Ventura’s My Husband, translated by Emma Ramadan, which was a sensation in France, likened to Patricia Highsmith and Gone Girl. 

They’re joined by the Spanish journalist and author, Juan Gómez-Jurado, Sweden’s Âsa Larsson, French author Cloé Mehdi, and Korea’s Im Seong-sun. 

Maxim Jakubowski, Chair of the CWA Daggers’ committee, said: “Once again, our independent judges across all the Dagger categories have come up trumps. Their selections feature well-established authors and new faces, a refreshingly diverse palette highlighting the talent of writers from all origins and publishers large and small, and a steadfast affirmation of how healthy the crime and mystery field is right now. We at the CWA couldn't be prouder.”

 The CWA Daggers are one of the few high-profile awards that honour the short story.

This year sees the bestselling juggernaut Lee Child with his story Safe Enough. He’s up against Mia Dalia, J Benedict Jones, Sanjida Kay, Ambrose Parry, and FD Quinn.

The Dagger in the Library nominees are voted by librarians and library users, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre on the shortlist: Louise Candlish, MW Craven, Anthony Horowitz, Cara Hunter, and LJ Ross.

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, pits big publishing houses Headline (Hachette), Michael Joseph (Penguin Random House), Simon & Schuster, and Pushkin Vertigo (Pushkin Press) against independent publishers Joffe Books and Canelo Crime. 

The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring and in 2024 it was jointly awarded to Lynda La Plante and James Lee Burke.

The CWA Dagger shortlists were announced on 10 May at the UK’s largest crime fiction convention, CrimeFest, hosted in Bristol.

The winners will be announced at the award ceremony at the CWA gala dinner on July 4.

The Shortlists in Full:

GOLD DAGGER

Over My Dead Body by Maz Evans, Headline

The Secret Hours by Mick Herron,  Baskerville (John Murray)

Small Mercies by Dennis Lehane, Abacus (Little Brown)

Tell me What I Am by Una Mannion, Faber & Faber

Black River by Nilanjana Roy, Pushkin (Vertigo)

Vera Wong’s Unsolicited Advice for Murderers, by Jesse Sutanto  HQ (Harper Collins)

IAN FLEMING STEEL DAGGER

All the Sinners Bleed by S A Cosby , Headline (Hachette)

Ozark Dogs, by Eli Cranor  Headline (Hachette)

Everybody Knows by Jordan Harper, Faber & Faber

The Mantis, by Kotaro Isaka Harvill Secker (PRH) 

Gaslight, by Femi Kayode Raven Books (Bloomsbury)

Drowning by T J Newman, Simon & Schuster

 

ILP JOHN CREASEY (NEW BLOOD) DAGGER

In The Blink of An Eye by Jo Callaghan Simon & Schuster UK

The Golden Gate by Amy Chua, Corvus (Atlantic Books)

The Maiden by Kate Foster, Mantle (Pan Macmillan)

West Heart Kill by Dann McDorman, Raven Books

Go Seek by Michelle Teahan, Headline Publishing Group

The Tumbling Girl by Bridget Walsh, Gallic Books

 

HISTORICAL DAGGER

Clara & Olivia by Lucy Ashe, Magpie (Oneworld Publications)

Harlem After Midnight by Louise Hare, HQ (HarperCollins)

A Bitter Remedy by Alis Hawkins, Canelo

Viper's Dream by Jake Lamar, No Exit Press

Scarlet Town, by Leonora Nattrass Viper (Profile Books)

Voices of the Dead by Ambrose Parry, Canongate Books

CRIME FICTION IN TRANSLATION DAGGER

 Red Queen by Juan Gómez-Jurado  (translated by Nick Caistor,) Macmillan

The Sins Of Our Fathers by Âsa Larsson, (translated by Frank Perry), Maclehose Press

Nothing Is Lost by Cloé Mehdi (translated by Howard Curtis), Europa Editions UK

The Consultant by Im Seong-Sun, (translated by An Seong Jae) Raven Books

The Prey by Yrsa Sigurdardottir (translated by Victoria Cribb), Hodder & Stoughton

My Husband by Maud Ventura, (translated by Emma Ramadan), Hutchinson Heinemann

 

ALCS GOLD DAGGER FOR NON-FICTION 

The Art Thief by Michael Finkel, Simon & Schuster

No Ordinary Day by Matt Johnson with John Murray, Ad Lib Publishers

Devil’s Coin by Jennifer McAdam with Douglas Thompson  Ad Lib Publishers Ltd

 Seventy Times Seven, by Alex Mar Bedford Square Publishers

How Many More Women? by Jennifer Robinson & Keina Yoshida  Endeavour

Ian Fleming: The Complete Man by Nicholas Shakespeare  Vintage

 

SHORT STORY DAGGER

Safe Enough by Lee Child from An Unnecessary Assassin, edited by Lorraine Stevens, Rivertree

The Last Best Thing by Mia Dalia from Bang!:An Anthology of Modern Noir Fiction, edited by Andrew Hook, Head Shot Press

The Also-Rans by Benedict J Jones from Bang!:An Anthology of Modern Noir Fiction edited by Andrew Hook, Head Shot Press

The Divide by Sanjida Kay from The Book of Bristol edited by Joe Melia and Heather Marks, Comma Press

The Spendthrift and the Swallow by Ambrose Parry, Canongate Books

Best Served Cold by FD Quinn  from An Unnecessary Assassin edited by Lorraine Stevens, Rivertree

 DEBUT DAGGER

Burnt Ranch by Katherine Ahlert

Unnatural Predators by Caroline Arnoul

Makoto Murders by Richard Jerram

Not a Good Mother by Karabi Mitra

Long Way Home by Lynn McCall

The Last Days of Forever by Jeremy Tinker

The Blond by Megan Toogood

DAGGER IN THE LIBRARY

 Louise Candlish 

MW Craven

Cara Hunter

Anthony Horowitz

LJ Ross 

 

PUBLISHERS’ DAGGER

 

Canelo

Headline (Hachette)

Joffe Books

Michael Joseph (PenguinRandomHouse)

Pushkin Press

Simon & Schuster

Louise Hare on Writing the Women of the Past

One of my starting points for research for my novels is often reading what was written at the time. An absolute joy when writing a murder mystery set in the 1930s because it meant revisiting the Golden Age of crime, a time when female novelists ruled the genre. However, even with so many women in charge, there were very few female sleuths. Of course, from a practical point of view it makes sense. At a time when women were so constricted by social convention, not even able to open a bank account in their own name, it would have been very difficult for them to overcome those obstacles. Even Christie’s most well-known female sleuths get away with it for particular reasons: Jane Marple because she’s of a certain age, practically invisible so that people dismiss her as a threat; Tuppence Beresford who works alongside her husband Tommy.

Writing my accidental sleuth Lena Aldridge, who has had a run of the worst luck in terms of being close to murder on several occasions, I had some extra impediments to consider. A young woman who grew up in the East End of London, of mixed heritage, she’s not the usual Golden Age heroine. Her one advantage is that she’s a singer and actress. Used to playing a role and not minding if she’s the centre of attention, she survives a transatlantic crossing in her first outing, Miss Aldridge Regrets, by faking it. For the sequel, Harlem After Midnight, I began reading up on the women of the Harlem Renaissance. 

One of my favourite novels, Nella Larsen’s 1929 novel Passing, is considered a literary classic but it is also a psychological thriller. Two old acquaintances meet accidentally in a fancy hotel restaurant in Chicago after not seeing one another for years, both hiding the same secret: they’re both African American but light skinned enough to pass the hotel’s colour bar. While one of the women lives openly with her heritage, the other lives as a white woman with her openly racist husband. Of course, the rebirth of their friendship throws both women’s lives into chaos and a final tragedy that I pay homage to in Harlem After Midnight.

Larsen herself gave me permission to be freer with what Lena is able to get away with in 1930s Harlem. A former nurse and librarian, she was at the heart of the Harlem Renaissance despite her working-class background (most members of that group were of the Black middle class with university educations). After becoming the first African American woman to receive a Guggenheim Fellowship she travelled alone around Europe, staying for longer periods in Mallorca and Paris. 

If Nella Larsen could do these things, then so could Lena. What I love about history is its ability to surprise through the stories of individual people. Writing the women of the past is always interesting both in terms of those pioneers who were breaking all the rules and effecting change, but also in remembering how far we’ve come. 

Harlem After Midnight by Louise Hare.

1936, September 17th, 1am. In the middle of Harlem, in the dead of night, a woman falls from a second storey window. In her hand, she holds a passport and the name written on it is Lena Aldridge. Nine days earlier. Lena arrived in Harlem less than two weeks ago, full of hope for her burgeoning romance with Will Goodman, the handsome musician she met on board the Queen Mary. Will has arranged for Lena to stay with friends of his, and this will give her the chance to find out if their relationship is going anywhere. But there is another reason she's in Harlem – to find out what happened in 1908 to make her father flee to London. As Lena's investigations progress, not only does she realise her father lied to her, but the man she’s falling too fast and too hard for has secrets of his own. And those secrets have put Lena in terrible danger.

Harlem After Midnight by Louise Hare is published by HQ, HarperCollins in paperback, eBook and audiobook on the 11th April. 

More information about Louise Hare and her books can be found on her website. Louise Hare can also be found on “X” and on Instagram at @Lourhare. You can also find her on Facebook.

Books to Look Forward to From HarperCollins

January 2022 

All For You is by Louise Jensen. Lucy: Mother. Wife. Falling to pieces . . .Aidan: Father. Husband. In too deep . . . Connor: Son. Friend. Can never tell the truth . . . Everyone in this family is hiding something, but one secret will turn out to be the deadliest of all . . . Will this family ever recover when the truth finally comes out?

They all have opinions, they all have secrets. In a small town like West Burntridge, it should be impossible to keep a secret. Rachel Saunders knows gossip is the price you pay for a rural lifestyle and outstanding schools. The latest town scandal is her divorce - and the fact that her new girlfriend has moved into the family home. Laura Spence lives in a poky bedsit on the wrong side of town. She and her son Jake don't really belong, and his violent tantrums are threatening to expose the very thing she's trying to hide. When the local school introduces a new inclusive curriculum, Rachel and Laura find themselves on opposite sides of a fearsome debate. But the problem with having your nose in everyone else's business is that you often miss what is happening in your own home. Other Parents is by Sarah Stovell.

February 2022

Take Your Breath Away is by Linwood Barclay. It's always the husband, isn't it? One weekend, while Andrew Mason was on a fishing trip, his wife, Brie, vanished without a trace. Most people assumed Andy had got away with murder, but the police couldn't build a strong case against him. For a while, Andy hit rock bottom - he drank too much, was abandoned by his friends, nearly lost his business, and became a pariah in the place he had once called home. Now, six years later, Andy has put his life back together. He's sold the house he shared with Brie and moved away for a fresh start. When he hears his old house has been bulldozed and a new house built in its place, he's not bothered. He's settled with a new partner, Jayne, and life is good. But Andy's peaceful world is about to shatter. One day, a woman shows up at his old address, screaming, 'Where's my house? What's happened to my house?' And then, just as suddenly as she appeared, the woman - who bears a striking resemblance to Brie - is gone. The police are notified and old questions - and dark suspicions – resurface. Could Brie really be alive after all these years? If so, where has she been? It soon becomes clear that Andy's future, and the lives of those closest to him, depends on discovering what the hell is going on. The trick will be whether he can stay alive long enough to unearth the answers...

March 2o22

The Haven is by Amanda Jennings. Winterfall Farm, spectacular and remote, stands over Bodmin Moor. Wanting an escape from the constraints of conventional life, Kit and Tara move to the isolated smallholding with their daughter and a group of friends. Searching for a purer existence, they live off-grid and work the land, and soon begin to enjoy the fruits of their labour amid the breathtaking beauty and freedom of the moor. At first this new way of life seems too good to be true, but when their charismatic leader Jeremy returns from a mysterious trip to the city with Dani, a young runaway, fractures begin to show. As winter approaches, and with it cold weather and dark nights, Jeremy's behaviour becomes increasingly erratic. Rules are imposed, the outside world is shunned, and when he brings a second girl back to the farm, tensions quickly reach breaking point with devastating consequences.

You get away with murder. In a remote sea loch on the west coast of Scotland, a fisherman vanishes without trace. His remains are never found. You make people disappear. A young man jumps from a bridge in Glasgow and falls to his death in the water below. DS Max Craigie uncovers evidence that links both victims. But if he can't find out what cost them their lives, it won't be long before more bodies turn up at the morgue...You come back for revenge. Soon cracks start to appear in the investigation, and Max's past hurtles back to haunt him. When his loved ones are threatened, he faces a terrifying choice: let the only man he ever feared walk free, or watch his closest friend die... The Blood Tide is by Neil Lancaster.

April 2022

Breakneck Point is by Tina Orr Munro. CSI Ally Dymond follows the evidence wherever it leads. Her commitment to justice has cost Ally her place on the major investigations team. After exposing corruption in the ranks, she’s stuck working petty crimes on the sleepy North Devon coast. Only when the body of nineteen-year-old Janie Warren turns up in the seaside town of Bidecombe can Ally put her skills to good use. Yet the evidence she discovers contradicts the lead detective’s theory. And no one wants to listen to the CSI who landed their colleagues in prison. Time is running out to catch a serial killer no one is looking for — no one except Ally. What she doesn’t know is that he’s watching, from her side of the crime scene tape, waiting for the moment to strike. When he does, Ally will be forced to question the true nature of justice like never before.

A nightclub singer with more than one secret hastily leaves London on The Queen Mary after her best friend's husband is murdered...only to discover that death has followed her onboard, in this thrilling locked-room mystery. London, 1936. Lena Aldridge is wondering if life has passed her by. The dazzling theatre career she hoped for hasn’t worked out. Instead, she’s stuck singing in a sticky-floored basement club in Soho, and her married lover has just dumped her. But Lena has always had a complicated life, one shrouded in mystery as a mixed-race girl passing for white in a city unforgiving of her true racial heritage. She has nothing to look forward to—until a stranger offers her the chance of a lifetime: a starring role on Broadway and a first-class ticket on the Queen Mary bound for New York. After a murder at the club, the timing couldn’t be better, and Lena jumps at the chance to escape England. But when a fellow passenger is killed in a strikingly familiar way, Lena realizes that her greatest performance won't be for an audience, but for her life. Miss Aldridge Regrets is by Louise Hare.

May 2022

To The Grave by John Barlow.is the second in the series set in Leeds featuring half Sicilian detective Joe Romano.

June 2022 

Such a Good Mother is by Helen Monks Takhar. Rose O'Connell is barely surviving. Her relationship with her husband is on the rocks and their son has isn't fitting in at his new school, the prestigious Woolf Academy. Their tiny flat in a rapidly gentrifying neighbourhood--the very place Rose grew up as the daughter of an infamous local con artist--can barely contain her family. Rose can't catch a professional break either, trapped in the same junior bank teller role for years. Life as the only mom in a name tag and uniform at The Woolf's shiny school gates isn't easy. Not so for those in the elite and secretive Circle, a tight-knit group of mothers who rule the school, led by the charismatic and glamorous Amala Kaur. In exchange for supporting The Woolf's relentless fundraising and public image drives, the women enjoy lucrative business opportunities, special privileges for their children, and the admiration of the entire community. After the mysterious death of one of The Circle's members, Rose dares to hope that filling the vacancy could set her family up for success. And when Amala makes the shocking decision to invite Rose into their clique, her fortunes, self-esteem, and status soar. But the deeper Rose gets inside The Circle, the darker the secrets lurking within every perfectly Instagramable life. Far from being a dream come true, being inside The Circle could prove Rose's worst nightmare...