Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Saturday, 12 October 2024

The Picture of Deon Meyer

 


We hadn’t seen Deon Meyer in the UK for a few years, much of the interruption being the COVID-19 global pandemic – which was eerily echoed in his extraordinary novel FEVER released in the summer of 2017.

FEVER was met with huge acclaim – here’s the Shots Magazine review HERE – it also enjoyed a second burst of interest in 2020-2021 during the global pandemic years due to its apocalyptic themes that had migrated from fiction into fact.

I enjoyed spending an afternoon with him back in 2017 discussing our mutual interest in post-apocalyptic fiction both literary and film.

Deon highlighted his favourite Post-Apocalyptic works HERE and when we compared notes naturally Stephen King’s The Stand as well as Robert McCammon’s Swansong and Richard Matheson’s I am Legend came up.  We were also both readers of John Christopher [though he was actually Sam Youd and deployed an array of pennames over the years of which the John Christopher is the one he was most associated with]. From the pen of Christopher would come many science fiction novels that featured apocalyptic and post-apocalyptic fiction. It was his 1956 novel The Death of Grass that allowed him to write full-time [filmed as No Blade of Grass] which he wrote while working in South Africa.

We had both read work such as Neville Shute’s On the Beach, A Canticle for Leibowitz by Walter M. Miller, Jr., John Wyndham’s The Day of the Triffids, PD James’ Children of Men, and then we discussed the films that evoke that Mad Max world, as well as the myriad disaster movies of this sub-genre.

The article that came from that afternoon in 2017 is archived HERE

But back to 2024, post pandemic…..

Hodder and Stoughton had organised a small gathering of London Book Reviewers at the renowned Vivat Bacchus restaurant in the Farringdon district of London.  We were treated to fine South African wine and exotic delicacies, while we chatted to Deon and his charming wife Marianne and our host Naimh Anderson from Hodder and Stoughton publishing.

Joining the Shots Teams of Mike Stotter and Ayo Onatade were the ubiquitous [and knowledgeable] Barry Forshaw from the Financial Times [among others], Jon Coates, editorial from The Express and other journalists.

Of great interest was the extraordinary Netflix action thriller Heart of the Hunter written by Deon Meyer and Willem Grobler based on Deon’s novel of the same name.

Deon’s book HEART OF THE HUNTER was first published in Afrikaans in 2002 (as PROTEUS) and has since been translated into 14 different languages worldwide. It is published in South Africa in Afrikaans by Human & Rousseau and translated into English by K.L. Seegers: in the UK it is published by Hodder & Stoughton, and in the US and Canada by Grove Atlantic. It was selected as one of Chicago Tribune’s 10 best mysteries and thrillers of 2004, longlisted for the IMPAC Literary Award 2005 (now the Dublin Literary Award) and won the Deutsche Krimi Preis, International Category, 2006.

In the Netflix Original film adaptation, Zuko Khumalo is an unassuming family man with a deadly past – but his tranquil world is abruptly turned upside down when an old colleague calls on him to honour an oath he made and save the country from venal political interests. Though he resists being pulled back into his previous life, it becomes clear that events already pose a deadly threat to his domestic ambitions and the peaceful family life he holds so dear. HEART OF THE HUNTER is a tale of one man’s struggle for survival against a corrupt government, a group of bloodthirsty killers and, most of all, against his past.

Read More from Blake Freidman Agency HERE

Though the main talking point was Deon’s upcoming novel LEO which I just read –

It has been a little while since we’ve been riding shotgun with Detective Benny Griessel in South Africa but the wait is finally over with the release of this explosive and violent thriller.

While preparing for his upcoming wedding, Griessel with partner Vince Cupido get involved investigating the death of a female student cyclist on a desolate mountain pass, as well as the principal suspect Basie Small found dead with all the trappings of a professional assassination. Their superiors seem keen to dismiss Basie Small’s murder as a robbery gone tragically wrong. What Basie Small was ‘doing’ may lead Benny and Vince into dangerous intrigue and a conspiracy of sorts that lies at the heart of the country – or does it?

Read the full Shots Magazine review HERE

We present a few photos of the evening as well as Deon’s previous UK visits – I remarked to Deon Meyer that he must have a special painting in his attic, as he has not aged at all over the years we’ve known him – Oscar Wilde’s The Picture of Dorian Gray comes to mind I said - which produced a roar of laughter. 

Shots Magazine would like to pass our thanks to Niamh Anderson of Hodder and Stoughton for managing a wonderful launch for Deon - and thanks to his wife Marianne for a wonderful chat.

Foot Note: In memory of Saul Reichlin (1943-2023) from Ali Karim

I would encourage our readers to seek out Deon’s audiobooks narrated by the late Saul Reichlin. His narration / readings are excellent, bringing Deon Meyers’ [and other authors] work to vibrant life.

I was fortunate to have been seated next to him during Crimefest 2009’s Gala Dinner – we had a memorable evening and he is without doubt one of the most interesting people I have met. To cap the evening in style, Saul Reichlin was presented with the best audiobook of the year as voted by Crimefest delegates for The Girl with the Dragon Tattoo. We kept in contact for a number of years, and I so miss his laughter.

Saul Reichlin worked for six decades as an actor, writer, producer and director, but was most in demand for his rich, warm vocal tones, which he lent to many video games and audiobooks. He narrated more than 245 books including work by Deon Meyer.

He was a tremendous man of the arts, and great raconteur.

Read More HERE



Friday, 29 April 2022

2022 Edgar Awards announced

 

Mystery Writers of America have announced the Winners for the 2022 Edgar Allan Poe Awards, honouring the best in mystery fiction, non-fiction and television published or produced in 2021 

Best Novel

Five Decembers by James Kestrel (Hard Case Crime)

Best First Novel by an American Author 

Deer Season by Erin Flanagan (University of Nebraska Press)

Best Paperback Original

Bobby March Will Live Forever by Alan Parks (Europa Editions – World Noir)

Best Fact Crime

Last Call: A True Story of Love, Lust, and Murder in Queer New York by Elon Green (Celadon Books)

Best Critical/Biography

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense by Edward White (W.W. Norton & Company)

Best Short Story

The Road to Hana,” Alfred Hitchcock Mystery Magazine by R.T. Lawton (Dell Magazines)

Best Juvenile

Concealed by Christina Diaz Gonzalez (Scholastic – Scholastic Press)

Best Young Adult

Firekeeper’s Daughter by Angeline Boulley (Macmillan Children’s Publishing – Henry Holt and Company BFYR)

Best Television Episode Teleplay

Boots on the Ground” – Narcos: Mexico, Written by Iturri Sosa (Netflix)

Robert L. Fish Memorial Award 

Analogue,” Ellery Queen Mystery Magazine by Rob Osler (Dell Magazines)

The Simon & Schuster Mary Higgins Clark Award 

Clark and Division by Naomi Hirahara (Soho Press – Soho Crime)

The G.P Putnam's & Sons Sue Grafton Memorial Award. 

Runner by Tracy Clark (Kensington Books)

Special Awards

GRAND MASTER

Laurie R. King

RAVEN AWARD

Lesa Holstine – Lesa’s Book Critiques; Library Journal Reviewer

ELLERY QUEEN AWARD

Juliet Grames – Soho Press – Soho Crime

Congratulations to all the winners and nominated authors. 

The Edgar® Awards were presented at the New York Marriott Marquis Times Square and livestreamed on YouTube.


The Edgar Awards, or “Edgars,” as they are commonly known, are named after MWA’s patron saint Edgar Allan Poe and are presented to authors of distinguished work in various categories. MWA is the premier organization for mystery writers, professionals allied to the crime-writing field, aspiring crime writers, and those who are devoted to the genre. The organization encompasses some 3,000 members including authors of fiction and non-fiction books, screen and television writers, as well as publishers, editors, and literary agents.

Mystery Writers of America would like to emphasize our commitment to diversity and fairness in the judging of the Edgar Awards. Judges are selected from every region of the country, from every sub-category of our genre, and from every demographic to ensure fairness and impartiality.

The EDGAR (and logo) are Registered in the U.S. Patent and Trademark Office by the Mystery Writers of America, Inc.


Thursday, 3 March 2022

Sarah Alderson on The Weekend Away

 

As I wandered around Lisbon with my best friend, an idea sprung into my mind for a story about a woman who goes missing on a weekend away. If you’d told me then that the book would one day wind up being a best-seller, as well as a movie on Netflix, and that Leighton Meister would be playing the character inspired partly by my best friend, I’d have laughed, and then eaten another custard tart. 

I’m a novelist and a screenwriter too, so I always write my books with a view to adapting them for television or for features, and The Weekend Away was no different. As I walked around Lisbon, I was mentally imagining what the movie version would look like and where I would set what scenes. Ironically, due to budget and covid reasons, we ended up shooting the movie in Croatia, but the atmosphere is very much the same and Split is a fantastic alternative to Lisbon on screen.

The Weekend Away very naturally fit into a feature structure with a clear three acts, an inciting incident kicking things off (her friend’s disappearance), a heroine who finds herself in a strange world, a mentor figure who helps her navigate it, and a classic ‘all is lost’ moment towards the end. 

Once I had written the book, I wrote out a synopsis for the movie version. It didn’t differentiate wildly from the book, though I did alter the ending slightly, wanting to end the film on a more definitive note than the book in order to give the audience more satisfaction. 

While I started out as a novelist, I’ve now worked in Hollywood for six years, in TV and film, as a writer and a producer. That experience - working with networks, studios, directors and actors - and also the experience of being on set, dealing with issues as they arise while filming, and working with budgets, crews, actors and stuntmen, has been invaluable in helping me better understand how to adapt a book into a movie, not just from a creative point of view, but also a logistical one.

My film agents shopped The Weekend Away to Netflix. The low budget independent department were interested and so I pitched the outline of the movie on Zoom to the executives. This was at the very beginning of the covid outbreak and Hollywood was just moving to online meetings. They loved the pitch and immediately commissioned a script. I set about writing it, already feeling confident in the structure and able to visualize all the scenes already on screen. 

The process was fairly simple and very fast. Netflix loved my first draft and greenlit the movie off of it. As with most scripts though, by the time it comes to shooting, you’ve rewritten it twenty times or more. 

Unlike with books, scripts are much more collaborative. Feature writers are very often replaced at each draft stage with a new writer. Most movies end up with several writers taking credit. I was lucky to remain the sole writer on this project and worked very closely with the director, Kim Farrant, as well as the execs to shape the script and to adapt it based on locations and the budget.

Netflix also wanted me to change the nationality of the main characters, making the lead American, though keeping her best friend, Kate, English. I was thrilled when Leighton Meester (Gossip Girl) came on board to play Beth, the main character. She is a fantastic actress and embodies the role. Ziad Bakri, a Palestinian actor, who plays a taxi driver who helps Beth in her search for her missing friend, also looks like he’s stepped out of the pages of the book. I’d seen him in the French series The Bureau and had been a huge fan, so was very excited when his name appeared on the casting list.

Watching the final cut with my daughter a few days ago, I found myself on the edge of my seat during several scenes, which considering the fact I’ve seen the movie a dozen times during the editing process and had written the scenes, felt like a good sign. 

It’s always nerve-wracking to put your work into the world, even more so with a feature that will be shown on the biggest streamer in the world, so I’m nervously awaiting its premiere in March.

In the meantime, I’m onto adapting my next book as a feature! 

The Weekend Away will be out on Netflix March 3rd.

The Weekend Away by Sarah Alderson (HarperCollins) Out Now

Miles from home. Trust no one. Suspect everyone. Orla and Kate have been best friends forever. Together they've faced it all - be it Orla's struggles as a new mother or Kate's messy divorce. And whatever else happens in their lives, they can always look forward to their annual weekend away. This year, they're off to Lisbon: the perfect flat, the perfect view, the perfect itinerary. And what better way to kick things off in style than with the perfect night out? But when Orla wakes up the next morning, Kate is gone. Brushed off by the police and with only a fuzzy memory of the night's events, Orla is her friend's only hope. As she frantically retraces their steps, Orla makes a series of shattering discoveries that threaten everything she holds dear. Because while Lisbon holds the secret of what happened that night, the truth may lie closer to home...



Friday, 1 January 2021

Criminal Splatterings

The 37th Deutscher Krimipreis (German Crime Prize) has been announced. The national winner was Zoë Beck with Paradise City. The international winner was Denise Mina with her novel Götter Und Tiere (Gods and Animals).  The whole list complete list of winners and second and third places can be found here.


Not sure how I missed this bit of award news regarding the Staunch Prize. The winner of the 2020 prize for fiction is Attica Locke with her novel Heaven, My Home.  Heaven is my Home is the second book in her Highway 59 Series.  More information can be found here.

When thinking of the Ipcress File Sir Michael Caine usually comes to mind as he played the iconic character Harry Palmer.  ITV have commissioned a six-part series of the classic Len Deighton novel.  Joe Cole from Gangs of London and Peaky Blinders, Lucy Boynton from Bohemian Rhapsody and Murder on the Orient Express and Tom Hollander who stared in The Night Manager and Birdbox are all due to take part with Joe Cole playing Harry Palmer. The Ipcress File will be filmed on location in Liverpool and Croatia during 2021.   More information can be found here.

Not strictly speaking crime fiction but great to hear that there will be a third season of His Dark Materials which is based on the novels by Phillip Pullman of the same name.  More information can be found here.

Look out for Traces a suspense filled crime thriller that is based on an original idea by crime writer Val McDermid.  Traces is set in the world of forensic science in Dundee, Scotland.  The first episode of the six-part series is due to be shown on Monday 4 January at 9:00pm on BBC 1.  More information can be found here.

True crime enthusiasts will welcome the new 15-part series programme Moment of Proof that is due to start on BBC 1 on Monday 4 January 2021 at 11:45am.  The series will be told through interviews, reconstructions and evidence from the cases, the officers behind major historic criminal inquiries give us access to the crimes they solved through the leads they followed.  More information can be found here.

Over on BBC Radio 3 look out for Peking Noir (drama on 3) where historian Paul French presents a true crime docudrama about the secrets of a Russian refugee, Shura, who ran the 1930’s Peking underworld.  More information can be found here.  The transmission date and time to be confirmed.

Radio 4 Extra are due to transmit A Fatal Inversion by Ruth Rendell.  It is a tale of murder set in the hot summer of 19576.  More information can be found here.  It is due to be transmitted on Saturday 9 January 2021 at 06:00am.

To celebrate the 100th birthday of Patricia Highsmith BBC Radio 4 Extra will be transmitting The Cry of The Owl on Tuesday 19 January at 06:30am.  The first of a four-part episode.  More information can be found here.

From Walter Presents comes a stylish Norwegian thriller that follows a police case spinning out of control. Monsters a seven-part series due to be shown on Channel 4 from 1 January. More information can be found here.

100 years of Agatha Christie – An interesting article by freelance journalist Nandhu Sundaram about the work of Agatha Christie and their timeless appeal.  The article can be read here.

If you missed it, there is a brilliant article in the Guardian on Will Dean and writing his new book Last Thing to Burn.  It can be read here.

Peter Swanson has also written an article in the Guardian about his top ten Christmas stories.  The article can be read here.

In the “i” there is an interview with Tana French who talks about the characters in her work.  The interview can be read here.

Also in the “i” an article about Becky Cooper’s debut novel We Keep The Dead Close, which is based on the mysterious death of a Harvard graduate student.  The article can be read here.

 Over on Dead Good Books they have not only listed debut novels to look out for in 2021 that can be found here but also 20 crime TV shows not to be missed in 2021 that can be found here. Amongst the TV crime shows that will be coming to the small screen are Grace which are based on the Roy Grace novels by Peter James, series 11 of Vera, Sweetpea based on the novel by C J Skuse and Val McDermid’s Karen Pirie series!

For those of you that like your history of crime fiction will be pleased to know that Netflix will be showing Lupin which is inspired by the adventures of Arsène Lupin the French gentleman thief.  The information can be found here.  It starts on 8 January and the trailer can be seen below.



Friday, 8 February 2019

Netflix picks up Karin Slaughter


See the source image


The New York Times best-selling thriller Pieces of Her from crime author Karin Slaughter is being adapted as a Netflix original series.

The series has been given an initial eight-episode order, with Lesli Linka Glatter (Homeland, Mad Men) attached to direct the first two episodes. Charlotte Stoudt (Homeland, House of Cards) is on board as writer, showrunner and executive producer.

Also serving an EP is Bruna Papandrea (Gone Girl, Big Little Lies, Wild) of Made Up Stories—a development, production and finance company committed to creating content with female figures at the center and enabling female directors, writers, actors and fellow producers to tell the stories they want to tell. Casey Haver, Jeanne Snow and Steve Hutensky will shepherd the project for the company.

The story follows as an adrift young woman’s conception of her mother is forever changed after a Saturday afternoon trip to the mall together suddenly explodes into violence. As figures from her mother’s past start to resurface, she is forced to go on the run and on that journey, begins to piece together the truth of her mother’s previous identity and uncovers secrets of her childhood.