Showing posts with label Nikki Crutchley. Show all posts
Showing posts with label Nikki Crutchley. Show all posts

Wednesday, 22 June 2022

Dark Deeds and Fresh Blood: 2022 Ngaio Marsh Award longlist revealed

 


Intrigue and betrayal in Renaissance Florence and 1930s Singapore, the ghostly voice of a ‘pretty dead girl’ in New York City, and a romp of a whodunnit fizzing through 1990s Auckland that took 25 years to write are among the ‘fresh blood’ in a diverse array of Kiwi storytellers named today on the longlist for the 2022 Ngaio Marsh Award for Best Novel.

A dozen years after we launched the Ngaio Marsh Awards to celebrate Kiwi crime, thriller, and mystery writing, it’s really gratifying to see how our local authors, experienced and new, continue to raise the bar and produce world-class stories,” says founder Craig Sisterson.“This year’s longlist is a terrific showcase of exciting and innovative storytelling, with our authors harnessing a diverse array of characters, settings, and styles, challenging tropes, and bringing fresh perspectives to a genre that’s thrilled readers globally for 150-plus years.

The longlist for the 2022 Ngaio Marsh Award for Best Novel includes three past winners, several past finalists and longlistees, and five first-time entrants. “It was a really strong group of entrants this year, with many books our judges thoroughly enjoyed missing out,” says Sisterson. “Our local ‘yeahnoir’ scene keeps going from strength to strength. It’s high time more Kiwis realised that just like we accept and even expect our local sportspeople to compete at the highest levels on the world stage, likewise our authors – not just in crime and thriller writing, but across many genres and styles – are among the best in the world. The Ngaio Marsh Awards have celebrated the best New Zealand crime, mystery, thriller, and suspense writing since 2010. The longlist for this year’s Best Novel prize is:

City of Vengeance by DV Bishop (Macmillan)

Before You Knew My Name by Jacqueline Bublitz (Allen & Unwin)

The Quiet People by Paul Cleave (Upstart Press)

To The Sea by Nikki Crutchley (HarperCollins)

Polaroid Nights by Lizzie Harwood (The Cuba Press)

Isobar Precinct by Angelique Kasmara (The Cuba Press)

Nancy Business by RWR McDonald (Allen & Unwin)

She's a Killer by Kirsten McDougall (Te Herenga Waka University Press) 

The Last Guests by JP Pomare

The Devils You Know by Ben Sanders (Allen & Unwin)

Quiet in her Bones by Nalini Singh (Hachette)

Waking The Tiger by Mark Wightman (Hobeck Books)

The longlist is currently being considered by an international judging panel of crime and thriller writing experts from the United States, United Kingdom, Australia and New Zealand.

The finalists for both the Best Novel category and Best First Novel will be announced in early August. The finalists will be celebrated, and winners announced, as part of a special event at this year’s WORD Christchurch Festival, held from 31 August to 4 September 2022. 

For more information on this year’s Best Novel longlist, or the Ngaio Marsh Awards in general, please contact founder and judging convenor Craig Sisterson, (craigsisterson@hotmail.com)

Click on the link for the online video highlighting the long listed authors and their books.


Friday, 17 September 2021

2021 Ngaio Marsh Awards finalists announced

 Beyond whodunnit: 2021 Ngaio Marsh Awards finalists offer thrills 

and varied perspectives on violence and justice


From journalists hunting justice to communities upturned by sudden violence, the authors of the 2021 Ngaio Marsh Awards finalists explore the motives and impacts of some of the starkest criminal justice issues facing Aotearoa. 

In a tough year for so many, including our entrants and international judges who’ve been living through a variety of rāhui and lockdowns, I’m grateful we can take this moment to celebrate some of our talented Kiwi authors whose compelling books give us insight into other lives and explore some big issues,” says Ngaio Marsh Awards founder Craig Sisterson. 

Now in their twelfth season, the Ngaio Marsh Awards celebrate excellence in mystery, thriller, crime, and suspense writing from New Zealand storytellers. 

As people smarter than me have said, including Val McDermid and Dennis Lehane, if you want to better understand a place, read its crime fiction,” says Sisterson. “Crime writing in its wider sense can deliver plenty of deep insights alongside rollicking entertainment, and is an ideal form for delving into character and the whydunnit, as well as broader societal issues.”

From corporate crime to sexual violence, gangs to mental health, a variety of such issues are explored through the fiction and non-fiction books honoured as finalists in the 2021 Ngaios. 

This year, a special award honouring outstanding YA and children’s books has also been introduced. The finalists for the Ngaio Marsh Award for Best YA/Kids Book are: 

  • KATIPO JOE by Brian Falkner (Scholastic)

  • RED EDGE by Des Hunt (Scholastic)

  • A TRIO OF SOPHIES by Eileen Merriman (Penguin)

  • DEADHEAD by Glenn Wood (One Tree House)

 “Many of us develop our love for reading, and all the benefits that brings throughout our lives, thanks to children’s authors,” says Sisterson. “We’re delighted to now celebrate some of our best local exponents of kids’ mysteries and thrillers with a special award.” 

The finalists for this year’s Ngaio Marsh Award for Best Non-Fiction, a biennial prize previously won by Michael Bennett in 2017 for IN DARK PLACES, a book about the wrongful conviction of Teina Pora, and by Kelly Dennett in 2019 for THE SHORT LIFE AND MYSTERIOUS DEATH OF JANE FURLONG, are: 

  • WEED: A NEW ZEALAND STORY by James Borrowdale (Penguin)

  • ROCK COLLEGE: AN UNOFFICIAL HISTORY OF MOUNT EDEN PRISON by Mark Derby (Massey University Press)

  • FROM DOG COLLAR TO DOG COLLAR by Bruce Howat (Rangitawa Publishing)

  • GANGLAND: NEW ZEALAND’S UNDERWORLD OF ORGANISED CRIME by Jared Savage (HarperCollins) 

  • BLACK HANDS: INSIDE THE BAIN FAMILY MURDERS by Martin van Beynen (Penguin)

Each of this year’s non-fiction finalists delivered compelling stories that immersed readers in the subject matter of their books, from our most notorious prison to one of our most notorious cases, along with insights into life during and after a police career, New Zealand’s potted history with marijuana, and the rising underworld of organised crime and violent gangs. 

The finalists for the 2021 Ngaio Marsh Award for Best First Novel, an annual award for crime and thriller tales from debut authors that was first won by Raymond Berard in 2016 for INSIDE THE BLACK HORSE, recently adapted into the screen drama Vegas, are: 

  • THE GIRL IN THE MIRROR by Rose Carlyle (Allen & Unwin)

  • THE BEAUTIFUL DEAD by Kim Hunt (Bloodhound Books)

  • WHERE THE TRUTH LIES by Karina Kilmore (Simon & Schuster)

  • FOR REASONS OF THEIR OWN by Chris Stuart (Original Sin Press)

  • WHILE THE FANTAIL LIVES by Alan Titchall (Devon Media)

It’s really heartening each year to see a range of new voices infusing fresh perspectives into the crime and thriller backstreets of our local literary landscape,” says Sisterson. “Hopefully we’ll see many of this year’s debut entrants keep on publishing exciting tales in future.” 

Two past Best First Novel finalists who have done just that, Nikki Crutchley and JP Pomare (who won in 2019), are among this year’s Ngaio Marsh Award for Best Novel finalists: 

  • THE MURDER CLUB by Nikki Crutchley (Oak House Press) 

  • SPRIGS by Brannavan Gnanalingam (Lawrence & Gibson)

  • THE TALLY STICK by Carl Nixon (Penguin)

  • THE SECRETS OF STRANGERS by Charity Norman (Allen & Unwin) 

  • TELL ME LIES by JP Pomare (Hachette)

It’s a strong group of finalists to emerge from a dazzlingly varied field,” says Sisterson. “This year’s entrants gave our international judging panels lots to chew over, and plenty of books judges enjoyed and admired didn’t become finalists. ‘Yeahnoir’, our local spin on some of the world’s most popular storytelling forms, is certainly in fine health.”

The winners of the 2021 Ngaio Marsh Awards will be announced at a special streaming event on Saturday 30 October, held in association with WORD Christchurch.

A video. of the finalists can also be seen below.


Friday, 3 August 2018

Vanda Symon on Fresh Blood from the Ends of the Earth


New Zealand crime writing is going from strength to strength, with the quality of #yeahnoir being increasingly recognised on the international stage. There are ever-increasing numbers of writers tapping out crime on their keyboards, scribbling murder into notebooks.

Part of this renaissance of New Zealand crime writing can be attributed to the establishment of our national awards. Excellence in Kiwi crime, thriller, mystery, and suspense writing has been recognised by the Ngaio Marsh Awards since 2010.  

Dame Ngaio Marsh was New Zealand’s most successful crime writer. She wrote 32 novels starring Detective Chief inspector Roderick Alleyn from 1935 to 1982, as well as short stories and works of non-fiction, and was heralded as one of the Queens of Crime of the Golden Age of Detective Fiction alongside Agatha Christie, Margery Allingham, and Dorothy Sayers – esteemed company, indeed. Her works were published around the world, and such was her prestige that in 1949 Penguin Publishing and Collins produced the Marsh Million, where 100, 000 copies of ten of her novels were printed and released on a single day. This put her in the exclusive company of Agatha Christie, H.G. Wells, and George Bernard Shaw.

Ngaio Marsh received many accolades for her writing, including being awarded the Grand Master Award from the Mystery Writers of America, and the first honorary doctorate awarded by the University of Canterbury. She also was made an OBE, then later a Dame Commander of the British Empire in 1966 for her services to literature and theatre.

We are truly honoured to have Ngaio Marsh’s name for our awards recognising the best of New Zealand crime, thriller, mystery, and suspense storytelling. The awards are now in their ninth year, and 2018 attracted a record number of entries. The evolution of the awards has brought in new categories, with this being the third year of separately recognising the growing number of debut crime novels.

Here are the finalists for this year’s Ngaio Marsh Award for Best First Novel.

The Floating Basin by Carolyn Hawes
Detective Ru Clement has his hands full with the discovery of a body at the floating basin, a marina in a tidal basin on the outskirts of Westport. The victim, Richard Irwin, had recently returned to the town after thirty years, and had settled at a new sub-division that was causing problems of its own. The small West Coast town hides many secrets and Clement struggles to figure out where past and present collide to find the killer. His own volatile family situation does not make unravelling the mystery any easier.

Hawes beautifully captures the isolation and wildness of the West Coast, and the particular variety of people who inhabit it. She collects an intriguing cast of characters, and skilfully weaves Clements personal family life dilemmas through a well told story.

Broken Silence by Helen Vivienne Fletcher (HVF Publishing)
Seventeen-year-old Kelsey has a tough life. Her mother is hospitalised with dementia, her
father is absent and doesn’t want to know. She has ended up living with her brother and his two mates and she isn’t exactly welcome. She is in an abusive relationship and when her boyfriend Mike attacks her in a jealous rage at a party, she asks for help from a stranger who in turn beats Mike so severely he is left in a coma. But this is not the end of the stranger’s involvement. Kelsey receives more and more texts and phone calls from him. He seems to see everything, and is clearly watching her every move. When those around her start to be hurt, Kelsey realises that her friends and family are in danger, and the race is on to discover who the stranger is before more people suffer.

Broken Silence is a young adult psychological thriller that is tense and dramatic. With Kelsey, Fletcher presents a confused and vulnerable young woman and captures how difficult it is to escape abusive relationships. Her brittleness and unpredictable reactions to events evoke a multitude of emotions in the reader. With themes of violence and abuse this is a compelling and often uncomfortable read.

All our Secrets by Jennifer Lane (Rosa Mira Books)
Eleven-year-old Gracie Barrett is a young girl in a chaotic family living in the Australian town of Coongahoola. This may be a small town, but it has had its pivotal events in the past, including the notorious River Picnic of 1974, the results of which were the River Children, a group of kids born that certain period later, whose parentage was questionable. Now, when River Children start being killed the town is wrapped in fear and everyone is under suspicion, especially The Believers, a cult lead by the charismatic St Bede. Gracie fears for her brother Elijah, a river child, but her apprehensions are overridden by her dysfunctional family; her estranged Dad, her mother who is in the thrall of St Bede, not to mention her exuberant twin toddler siblings and her devout Grandma Bett. Gracie tries to take matters into her own hands, but it all gets out of her control when she realises who is responsible.

Jennifer Lane has created an extraordinary and fresh voice in the form of Gracie Barrett. She is an engaging character, warm and observant, offering a unique perspective on the events that occur in Coongahoola. Lane captures the complex nature of families, as well as the machinations of a small town under immense stress. This is a cracker story.

The Sound of Her Voice by Nathan Blackwell (Mary Egan Publishing)
Detective Matt Buchanan has seen a lot of pain and destruction in his time on the force – too much. He is haunted by the unsolved case of missing 14-year-old school girl Sam Coats, and sickened by the discovery of the time-weathered remains of another teenage girl in the mangroves of Auckland. He is bringing up his own teenage daughter, which makes the cases even closer to the bone, makes it feel personal. The investigation leads him on a trail of darkness that leaves Buchanan questioning everything he believes in and compels him to cross the line of right and wrong.

Nathan Blackwell is an ex-detective and his experiences enable him to give authenticity and insight into the criminal world and the police. He has created a character in Buchanan who is a tortured soul, someone who is empathic and in tune with the victims, seeking justice and fairness for them at any cost. The prologue throws the reader straight into the thick of a desperate situation, giving a taste of some of the confronting style to come. This is a riveting read.

Nothing Bad Happens Here by Nikki Crutchley (Oak House Press)
Miller Hatcher is a journalist on a mission to write that feature that will get her the promotion she deserves. She is sent to the idyllic Coromandel town of Castle Bay to investigate when the body of missing tourist Bethany Haliwell is discovered nearby after four months. Hatcher is one of an influx of media intent on getting a scoop on the story and when the only accommodation she can find is at a wellness retreat she finds herself in the company of an eclectic group of women struggling with their demons, and with a unique insight into the local community. Following an anonymous tip, she attempts to uncover the truth behind the crime, and when another young woman disappears, Hatcher begins to realise Castle Bay is not the safe haven it may appear to be.

Nothing Bad Happens Here is a pacey and gripping read. Nikki Crutchly has created an intriguing protagonist in Miller Hatcher, whose flaws and demons make her both appealing and annoying, and whose position as a journalist allows her to tackle the mystery without being encumbered by the rules and restrictions placed on the police investigators. Great characterisation combined with a fantastic sense of place make this crime thriller a terrific read.



The winners of the 2018 Ngaio Marsh Awards will be named at the WORD Christchurch Festival on 1 September. The finalists will be celebrated at events as part of the festival.

Vanda Symon is a judge of the Ngaio Marsh Awards. She is a crime writer, radio host, and former pharmacist from Dunedin. She has written five crime novels, is a three-time Ngaios finalist, and recently completed a PhD looking at the communication of science in crime writing. Her first novel, OVERKILL, is now available in the UK and US from Orenda Books.

Tuesday, 10 July 2018

2018 Ngaio Marsh Finalists


The Shortlists for the 2018 Ngaio Marsh Awards. The Ngaio Marsh Award represents the very best in Kiwi Crime have been announced.

Decades after Ngaio Marsh ruled as a ‘Queen of Crime’ on the global stage, her literary heirs are laying siege to the local throne with the 2018 Ngaio Marsh Awards finalists named.

Now in their ninth year, the Ngaio Marsh Awards celebrate the best New Zealand crime, mystery, thriller, and suspense writing. “It’s been a year of record-breaking numbers of entries, and our judges were faced with tough decisions among a really diverse array of tales spread across varying styles, settings, and sub-genres,” says awards founder Craig Sisterson. “Some books our judges loved missed out, which underlines the growing strength and depth of our local writing. Kiwi readers devour tales of crime, thrills, and mystery. They’ve got lots of great choices here to encourage them to give our own storytellers more of a try.”


The finalists are as follows - 



Best Crime Novel
Marlborough Man by Alan Carter (Fremantle Press)
See You In September by Charity Norman (Allen & Unwin)
Tess by Kirsten McDougall (Victoria University Press)
The Sound of Her Voice by Nathan Blackell (Mary Egan Publishing)
A Killer Harvest by Paul Cleave (Upstart Press)
The Hidden Room by Stella Duffy (Virago)



Best First Novel 
The Floating Basin by Carolyn Hawes
Broken Silence by Helen Vivienne Fletcher (HVF Publishing)
All Our Secrets by Jennifer Lane (Rosa Mira Books)
The Sound of Her Voice by Nathan Blackwell (Mary Egan Publishing)
Nothing Bad Happens Here by Nikki Crutchley (Oak House Press) 

The finalists will be celebrated and winners announced at special events on 1 September as part of the 2018 WORD Christchurch Festival. The awards will be presented by top international crime writers.


The WORD programme launches on 17 July at 7pm. “We’re really looking forward to this year’s festival, and are grateful to Rachael King, Marianne Hargreaves and their team for their ongoing support,” says Sisterson. “It’s lovely to celebrate our best crime, mystery, and thriller writers in Dame Ngaio’s hometown.”

Recent Ngaios winners Fiona Sussman, Paul Cleave, and Liam McIlvanney will be appearing at the Bloody Scotland festival later in September, thanks in part to an exchange established with WORD Christchurch. 

An online video revealing the finalists can be seen below.

Craig Sisterson, organizer of the Ngaio Marsh Award, is a former Lawyer, and major Crime Fiction Fan and Writer who writes for magazines and newspapers in several countries. He also blogs at Crime Watch.