Showing posts with label Quercus Books. Show all posts
Showing posts with label Quercus Books. Show all posts

Tuesday, 8 July 2025

‘Crime writer Elly Griffiths awarded Theakston Old Peculier Outstanding Contribution Award 2025

‘Remarkable’ crime writer Elly Griffiths awarded 

Theakston Old Peculier Outstanding Contribution Award 2025

Festival Dates: 17 – 20 July 2025

www.harrogateinternationalfestivals.com

#TheakstonsCrime

Tuesday 8 July 2025: Bestselling novelist Elly Griffiths will be honoured with the Theakston Old Peculier Outstanding Contribution Award in recognition of her remarkable crime fiction writing career and ‘unwavering commitment to the genre.’ The award will be presented at the Theakston Old Peculier Crime Writing Festival, the world’s most prestigious celebration of crime fiction and thriller writing, on Thursday 17th July. 

Elly Griffiths is the author of the Dr Ruth Galloway Mysteries; the Brighton Mysteries, the Detective Harbinder Kaur series and an exhilarating new series featuring time-travelling detective Ali Dawson. Her intricately plotted novels told with wry humour and featuring engaging characters have sold over 5 million copies worldwide, winning her fans across the globe. Griffiths, who has been shortlisted an impressive seven times for the Theakston Old Peculier Crime Novel of the Year, was highly commended in 2023 for The Locked Room and served as Festival Programming Chair in 2017. She is shortlisted for the Theakston Old Peculier Crime Novel of the Year 2025 for The Last Word (Quercus Books.)  

Elly Griffiths is the latest in a line of acclaimed authors to have received the coveted Outstanding Contribution Award, with previous winners including Sir Ian Rankin, Lynda La Plante, James Patterson, John Grisham, Lee Child, Val McDermid, P.D. James, Michael Connelly, Ann Cleeves and last year’s recipient, Martina Cole.  

The award will be presented alongside the Theakston Old Peculier Crime Novel of the Year 2025, the UK and Ireland’s most prestigious crime fiction award, and the McDermid Debut Award for new writers, on the opening night of the Theakston Old Peculier Crime Writing Festival, Thursday 17 July.   

Simon Theakston, Chairman of T&R Theakston, said: 

Elly Griffiths has been awarded the Theakston Old Peculier Outstanding Contribution award in recognition of her exceptional contribution to crime fiction, captivating readers with her distinctive characters, rich sense of place, and unwavering commitment to the genre over a remarkable career. Beloved by readers around the world, Elly Griffiths has an amazing ability to combine tough subjects with the greatest warmth. Her characters may have their eccentricities, but they are all believable and their dilemmas as easy to share.”  

Elly Griffiths said: 

It means the world to me to receive this award. Sixteen years ago, when I wrote my first crime novel, I received such a warm welcome from the Theakston Old Peculier Crime Writing Festival and from other, more established, authors. Now, 32 books later, I’m thrilled to be honoured in this way and humbled to join the ranks of previous winners. I hope to continue the tradition of welcoming new writers and giving back to the crime-writing community.

The Theakston Old Peculier Crime Writing Festival is delivered by the north of England’s leading arts Festival organisation, Harrogate International Festivals, and forms part of their diverse year-round portfolio of events, which aims to bring immersive cultural experiences to as many people as possible. For more details about the Festival see here


Tuesday, 16 July 2024

In The St Hilda's Spotlight - Elly Griffiths

 Name:- Elly Griffiths

Job:- Author

Website:- https://ellygriffiths.co.uk

Facebook:- EllyGriffithsAuthor

X:- @ellygriffiths

Instagram:- @ellygriffiths17

Introduction:-

Elly Griffiths is the Edgar Award winning author of the Dr Ruth Galloway mysteries, The Brighton Mysteries, the Harbinder Kaur series and the Justice series as well as a number of standalone novels. She was awarded the CWA Dagger in the Library in 2016. In 2020 she won an Edgar Award for Best Novel for The Strangers Diaries. In 2021 The Postscript Murders was shortlisted for the CWA Gold Dagger. Her most recent book is The Man In Black and Other Stories.

Current book? (This can either be the current book that you are reading or writing or both)

Currently reading: The Examiner by Janice Hallett. It’s the story of a murder told through the emails and coursework of six students on a multimedia MA. The reader is the examiner and, such is the author’s brilliance, I have no idea what’s going on!

Currently writing: The Frozen People, the first book in what I hope will be a series about a time-travelling detective.

Favourite song: 

Thunder Road by Bruce Springsteen

Which two musicians would you invite to dinner and why?

Bruce Springsteen and Giuseppe Verdi. I’m half Italian (as is Bruce!) and I’d love to talk to Verdi about his role in the Risorgimento, the unification of Italy. We could end by singing Va Pensiero with Bruce on the harmonica. 

How do you relax?

I swim every day and, however knotty the plot problem, I usually find that I’ve solved it after a few lengths. Otherwise I like to read, do crosswords and listen to podcasts. 

Which book do you wish you had written and why?

The Woman in White by Wilkie Collins. For me, it’s the perfect novel: thrilling, moving and endlessly inventive. It also has the best heroine, Marian Halcombe, and the best villain, Count Fosco. 

What would you say to your younger self if you were just starting out as a writer.

 Keep going! I wrote my first novel at 11 so had many rejections before I was finally published at 40.

How would you describe your latest published book?

The Last Word is the story of an ill-matched group of private detectives investigating the death of a writer. The trail leads them to a sinister writers’ retreat and an even more sinister book group…

With A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Born to Run by Bruce Springsteen

The Kick Inside by Kate Bush 

Neapolitan Songs by Giuseppe Di Stefano

If you were given the ability to join a band which, would it be and why? 

Well, it has to be the E-Street Band. I could take over the position currently held by Patti, Bruce’s wife, shaking the tambourine and looking soulful (OK, she sings quite well too).

If you were to re-attend a concert which, would it be and why

Bruce Springsteen, Wembley 1985. It was the first time that I saw Bruce in concert. I’ve seen him on every subsequent visit to the UK but I’d like to relive that first time. 

What are you looking forward to at St Hilda's?

Everything: the talks, the discussions, the chance to overact in the murder mystery play…but mostly just meeting old friends and making new ones in a beautiful, inspiring setting. 


The Man in Black and Other Stories by Elly Griffiths (Quercus Publishing) Out Now

This collection of tales by the No 1 bestselling author features all her best-loved characters: Dr Ruth Galloway, Harry Nelson, Max Mephisto, Detective Harbinder Kaur and more. It features several stories never published before, including a brand new Ruth and Nelson story. A must for all her fans. Have you been wondering what happened to your favourite characters Ruth Galloway and Harry Nelson? Dive into this fabulous collection of stories and find out. Here are stories to suit all tastes. There are ghost stories and mini cosy mysteries; tales of psychological suspense and poignant vignettes of love and loss. There's a creepy horror story to make you shiver and a tale narrated by Flint, Ruth Galloway's cat, to make you smile.


Information about 2024 St Hilda's College Crime Fiction Weekend and how to book online tickets can be found here. 

Thursday, 20 June 2024

Climate change comes to crime by Martin Walker

 The international bestseller explores how the backdrop of climate change in France has become important to Bruno’s story in his latest Dordogne Mystery.

Sherlock Holmes had his fogs. Hercule Poirot had ‘the chill of an early autumn morning.’ Maigret had those magical April days in Paris ‘when the sun bounced off the Seine.’ And Raymond Chandler had those hot dry Santa Anas ‘that come down through the mountain passes...On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks.’

We get climate change. Last summer the surface of the seas around the French and British coasts warmed by as much as five degrees, sending vast shoals of fish fleeing north to cooler waters. Evaporation soared and the westerly winds that carried the sodden air began to dump it as rain once as they reached high ground. And in France, that meant the Massif Central, the ancient volcanoes and sub-Alpine pastures that are the source of every French river from the Loire down to the Spanish border.

So, not for the first time, we had floods. Indeed, we now get them every year, cutting us off from the main road west to Bergerac and the vineyards. We cannot say we weren’t warned. Carved into the stone gateway at Limeuil, a town whose prosperity was built from the trade that boomed where the river Vezere met the much larger Dordogne, are the high points of floods in 1944, 1922 and 1898. They show us that the rivers were forty feet and higher than usual.

The last eighty years saw nothing like that, mainly because of the recurrent dams that have been built all the way up to the Massif, providing us with cheap electricity. But now, year after year, the dams are having to open the sluices to prevent overflows, so we get floods. We’ve had to remove the streetlamps along the quayside, and even evacuate the town’s famous aquarium.

And we get more and more forest fires, more and more days when you can smell them before you see the smoke and you keep an ear tuned to the radio for warnings. It’s almost too hot to stay outside and the water in the swimming pool starts to feel like a bath. Last year, it reached 43 Centigrade (108 degrees Fahrenheit) in my garden in the shade.

We also get hailstorms, so dense that within an hour the table in the courtyard is eight inches deep in hailstone the size of my thumb. We used to get them in late autumn, sometimes early enough to threaten the wine harvest. Now we get them in April and early May, viciously timed to devastate the young grapes on the vines. I have winemaker friends who lost two-thirds of their crop this spring. In the vineyards they say they used to reckon on one bad year in five, but in the last five years we had only one good vintage.

So more and more these days the weather has become a regular feature of my books, almost a character, just as the Perigord itself has become much more than a backdrop for the lives of Bruno, the chief of police of the small town of St Denis. I was hugely fortunate to stumble on this region, home to more prehistoric cave paintings and engravings than anywhere else on earth. Picasso came out of the 18,000-year-old art gallery of the Lascaux cave, saying, ‘We have learned nothing in all these thousands of years.’

The history never stopped. Julius Caesar’s legions fought the Gaul's here and captured a hilltop fort which then became a Roman oppidum, and then one of the guard posts Charlemagne built against Viking raids, and then the English and French battled over the castle for three hundred years. And then the French Catholics took up arms against the Protestants for another bloody century.

On top of all that, the region has become famous as one of the true heartlands of French cuisine, home to foie gras and the sublime black truffles, the confit de canard and the seven different types of strawberries, each protected by an Indication Géographique Protégée. ‘Great food and fine wines, this place is paradise on earth,’ said King Henri IV, the only French monarch to have given his name to a classic dish.

Naturally, therefore, Bruno is as much a cook as a policeman, and these days helps the volunteer firemen to control forest fires and organize evacuations from low ground and protect the town bridges from the floods. He’s not sure yet what he can do about the hailstorms but he’s working on it.

A Grave in the Woods by Martin Walker (Quercus Books) Out Now)

The long arm of history reaches into the present in Bruno's latest case when three sets of bones are discovered, buried deep in the woods outside the Dordogne town of St Denis. It appears that the remains have lain there since World War 2. Bruno must investigate who the bones belong to and whether their burial amounts to a war crime. Bruno has other concerns too. After weeks of heavy autumn rain, the normally tranquil Dordogne River has risen to record levels, compromising the upriver dams that control the Vezere that flows through St Denis, bringing the threat of a devastating flood. As ever, Bruno must rely on his wits, tenacity, and people skills to ensure that past wrongs do not result in present violence, and to keep his little town and its inhabitants safe from harm.

You can find Martin Walker on Facebook.

Saturday, 9 December 2023

Forthcoming Books from Quercus Books (Incl Riverrun and MacLehose Press

January 2024

A long, hot summer in Wiltshire is broken by a sudden downpour. Flash floods bring something sinister to the surface - a human skeleton. When forensic testing matches the bones to a man named Lee Geary, reported missing nine years earlier, the case is passed to DI Matt Lockyer. Geary was a known drug user, so it could be a simple case of misadventure, but Lockyer isn't so sure. Geary was a townie, and had learning disabilities, so what was he doing out on the Plain all alone? Lockyer soon learns that the year he disappeared, Geary was questioned in relation to another crime - the murder of a young woman named Holly Gilbert. With the help of DC Gemma Broad, Lockyer begins to dig deeper, and discovers that two other persons of interest in the Holly Gilbert case have also either died or disappeared in the intervening years. A coincidence? Or a string of murders that has gone undetected for nearly a decade...? Laying out the Bones is by Kate Webb.

The Last Word is by Elly Griffiths. Natalka and Edwin, whom we met in The Postscript Murders, are running a detective agency in Shoreham, Sussex. Despite a steady stream of minor cases, Natalka is frustrated, longing for a big juicy case such as murder to come the agency's way. Natalka is now living with dreamer, Benedict. But her Ukrainian mother Valentyna has joined them from her war-torn country and three's a crowd. It's annoying to have Valentyna in the tiny flat, cooking borscht and cleaning things that are already clean. To add to Natalka's irritation,Benedict and her mother get on brilliantly. Then a murder case turns up. Local writer, Melody Chambers, is found dead and her family are convinced it is murder. Edwin, a big fan of the obit pages, thinks there's a link to the writer of Melody's obituary who pre-deceased his subject. The trail leads Benedict and Edwin to a slightly sinister writers' retreat. When another writer is found dead, Edwin thinks that the clue lies in the words. Seeking professional help, the amateur investigators turn to their friend, detective Harbinder Kaur, to find that they have stumbled on a plot that is stranger than fiction.

Oxford, city of rich and poor, where the homeless camp out in the shadows of the gorgeous buildings and monuments. A city of lost things - and buried crimes.  At three o'clock in the morning, Emergency Services receives a call. 'This is Zara Fanshawe. Always lost and never found.' An hour later, the wayward celebrity's Rolls Royce Phantom is found abandoned in dingy Becket Street. The paparazzi go wild.  For some reason, news of Zara's disappearance prompts homeless woman Lena Wójcik to search the camps, nervously, for the bad-tempered vagrant known as 'Waitrose', a familiar sight in Oxford pushing his trolley of possessions. But he's nowhere to be found either.  Who will lead the investigation and cope with the media frenzy? Suave, prize-winning, Oxford-educated DI Ray Wilkins is passed over in favour of his partner, gobby, trailer-park educated DI Ryan Wilkins (no relation). You wouldn't think Ray would be happy. He isn't. You wouldn't think Ryan would be any good at national press presentations. He isn't. And when legendary cop Chester Lynch takes a shine to Ray - and takes against Ryan - things are only going to get even messier. Lost and Never Found is by Simon Mason.

Farewell Dinner for a Spy is by Edward Wilson. 1949: William Catesby returns to London in disgrace, accused of murdering a 'double-dipper' the Americans believed to be one of their own. His left-wing sympathies have him singled out as a traitor. Henry Bone throws him a lifeline, sending him to Marseille, ostensibly to report on dockers' strikes and keep tabs on the errant wife of a British diplomat. But there's a catch. For his cover story, he's demobbed from the service and tricked out as a writer researching a book on the Resistance. In Marseille, Catesby is caught in a deadly vice between the CIA and the mafia, who are colluding to fuel the war in Indochina. Swept eastwards to Laos himself, he remains uncertain of the true purpose behind his mission, though he has his suspicions: Bone has murder on his mind, and the target is a former comrade from Catesby's SOE days. The question is, which one.

February 2024

Last Seen is by Anna Smith. Life has changed for Private Investigator Billie Carlson. After years of chasing down every lead possible, she's finally found her son, Lucas, and brought him safely home to Glasgow. One afternoon, Billie gets a call from an unknown number. The man on the end of the phone refuses to tell her his name, but he explains that his brother, Omar, is being held in prison after stabbing two men outside a block of flats. He wants Billie to investigate what happened that night and find out any information that might help Omar. Reluctantly, Billie takes on the case. But as she starts to untangle what happened that night, she can't shake the feeling that she's being watched. With Lucas depending on her, Billie is determined to avoid any dangerous encounters. But trouble seems to have a way of tracking her down....

Some people think foxes go around collecting qi, or life force, but nothing could be further than the truth. We are living creatures, just like you, only usually better looking. Manchuria, 1908: A young woman is found frozen in the snow. Her death is clouded by rumours of foxes, believed to lure people into peril by transforming into beautiful women and men. Bao, a detective with a reputation for sniffing out the truth, is hired to uncover the dead woman's identity. Since childhood, Bao has been intrigued by the fox gods, yet they've remained tantalizingly out of reach. Until, perhaps, now. Snow is a creature of many secrets, but most of all, she's a mother seeking vengeance. Hunting a murderer, the trail will take her from northern China to Japan, with Bao following doggedly behind. And as their paths draw ever closer together, both Snow and Bao will encounter old friends and new foes, even as more deaths occur.  The Fox Wife is by Yangsze Choo.

The Winter Visitor is by James Henry. Essex, February, 1991. The weather is biting cold. Everyone would rather be somewhere warmer, which is why it's a big surprise when a wanted drug smuggler, Bruce Hopkins, risks a return to his old haunts in Colchester after a decade long exile on the Costa del Sol. Lured back by a letter from the wife Hopkins left behind, no one is more surprised than him when he finds himself abducted and stripped bare only to be sent to a watery grave in the boot of a stolen Ford Sierra. The police wonder if it could be retaliation from a Spanish gang, sending a warning to their English counterparts? DS Daniel Kenton is teamed up with the unorthodox DS Brazier to investigate a crime wave which takes in not only the murder of an expat dope smuggler, but a sophisticated arson attack on a Norman church and the unexpected suicide of an ageing florist. Could there possibly be a thread that connects them?

Red Menace is by Joe Thomas. Live Aid, July 1985. The great and the good of the music scene converge to save the world. But the TV glitz cannot disguise ugly truths about Thatcher's Britain. Jon Davies and Suzi Scialfa have moved on since the inquest into the death of Colin Roach, but they're about to be drawn back into the struggle - Jon by his restless curiosity and Suzi by the reappearance of DC Patrick Noble. Noble's other asset, the salaried spycop Parker, is a pawn in a game he only dimly comprehends. First, he's ordered to infiltrate the Broadwater Farm Estate in Tottenham; next will come Wapping, ground zero of a plot to smash the print unions. But who is Noble working for, and how far can he be trusted? The Iron Lady is reforging the nation, and London with it. Right to Buy may secure her votes, but who really stands to benefit? Corruption is endemic and the gap between rich and poor grows wider by the day. Insurrection seems imminent - all that's needed is a spark.

March 2024

How to Solve Your Own Murder is by Kristen Perrin. Frances always said she'd be murdered... She was right. In 1965, seventeen-year-old Frances Adams was told by a fortune teller that one day she'd be murdered. Frances spent the next sixty years trying to prevent the crime that would be her eventual demise. Of course, no one took her seriously - until she was dead. For Frances, being the village busybody was a form of insurance. She'd spent a lifetime compiling dirt on every person she met, just in case they might turn out to be her killer. In the heart of her sprawling country estate lies an eccentric library of detective work, where the right person could step in and use her findings to solve her murder. When her great-niece Annie arrives from London and discovers that Frances' worst fear has come true, Annie is thrust into her great-aunt's last act of revenge against her sceptical friends and family. Frances' will stipulates that the person who solves her murder will inherit her millions. Can Annie unravel the mystery and find justice for Frances, or will digging up the past lead her into the path of the killer?

The Silver Bone is by Andrey Kurkov. Kyiv, 1919. The Soviets control the city, but White armies menace them from the West. No man trusts his neighbour and any spark of resistance may ignite into open rebellion. When Samson Kolechko's father is murdered, his last act is to save his son from a falling Cossack sabre. Deprived of his right ear instead of his head, Samson is left an orphan, with only his father's collection of abacuses for company. Until, that is, his flat is requisitioned by two Red Army soldiers, whose secret plans Samson is somehow able to overhear with uncanny clarity. Eager to thwart them, he stumbles into a world of murder and intrigue that will either be the making of him - or finish what the Cossack started. Inflected with Kurkov's signature humour and magical realism, The Silver Bone takes inspiration from the real life archives of crime enforcement agencies in Kyiv, crafting a propulsive narrative that bursts to life with rich historical detail.

April 2024

Her Last Summer is by Emily Freud. No body. No crime? Twenty years ago, Mari vanished while backpacking through Thailand with her boyfriend, Luke. He was accused of murder, but has always insisted he's innocent. Besides, her body was never found. Now, he's finally ready to talk. And filmmaker Cassidy Chambers wants to be the one to uncover what really happened, back then, in the dark of the jungle. But as she delves deeper into the past, Cassidy begins to fear what lies ahead, and the secrets buried along the way.

May 2024

The Wild Swimmers is by William Shaw. The body of a local woman is found washed up on the Folkstone shoreline. Cupidi must find the missing link between a group of wild swimmers, an online dating profile and a slippery killer who feels remarkably close to home. In the latest instalment of the D S Cupidi series low tide reveals a mysterious crime.

Between Two Worlds is by Olivier Norek. Undercover police officer Adam Sirkis needs to flee Syria. He knows it's a risk and he's ready for it. First, he sends his wife and daughter to Libya, where they will find boat heading for the Italian coast. Meanwhile, Adam himself winds up in France in the

Calais Jungle, the infamous camp for migrants awaiting passage to the UK. Bastien Miller, a police lieutenant freshly transferred to the Calais police force, arrives at about the same time as Adam. His wife is depressed and his teenage daughter isn't exactly happy with the move. When a murder occurs in the Jungle, Adam and Bastien team up to get to the bottom of it. Between Two Worlds is one of these vital books that illuminate an impossible political and humanitarian situation without sugar-coating it in any way.

June 2024

The Man in Black and Other Stories is by Elly Griffiths. Here are bite-sized tales to please and entertain every thriller taste as well as all Elly Griffiths' fans. There are ghost stories and mini cosy mysteries; tales of psychological suspense and poignant vignettes of love and loss. There's a creepy horror story to make you shiver and a tale narrated by Flint, Ruth Galloway's cat, to make you smile. These stories illustrate the breadth and variety of Elly Griffiths' talent. Even the darkest of them is leavened with light touches of humour. 

The long arm of history reaches into the present in Bruno's latest case when three sets of bones are discovered, buried deep in the woods outside the Dordogne town of St Denis. It appears that the remains have lain there since World War 2. Bruno must investigate who the bones belong to and whether their burial amounts to a war crime. Bruno has other concerns too. After weeks of heavy autumn rain, the normally tranquil Dordogne river has risen to record levels, compromising the upriver dams that control the Vezere that flows through St Denis, bringing the threat of a devastating flood. As ever, Bruno must rely on his wits, tenacity and people skills to ensure that past wrongs don't result in present violence, and to keep his little town and its inhabitants safe from harm. A Grave in the Woods is by Martin Walker. 

The Trial is by Jo Spain. 2014, Dublin: at St Edmunds, an elite college on the outskirts of the city, twenty-year-old medical student Theo gets up one morning, leaving behind his sleeping girlfriend, Dani, and his studies - never to be seen again. With too many unanswered questions, Dani simply can't accept Theo's disappearance and reports him missing, even though no one else seems concerned, including Theo's father. Ten years later, Dani returns to the college as a history professor. With her mother suffering from severe dementia, and her past at St Edmunds still haunting her, she's trying for a new start. But not all is as it seems behind the cloistered college walls - meanwhile, Dani is hiding secrets of her own.

The White Circle is by Oliver Bottini and is the final book in the Black Forest Investigations series. Louise Bonì, Chief Inspector of the Freiburg criminal police, gets intelligence from an informer that two guns have been bought from a Russian criminal network. Desperate to prevent a fatal act of violence, Bonì is swift to investigate. Before long she identifies the vehicle used to collect the weapons, but the car's owner has a watertight alibi. The man driving that night was Ricky Janisch, a neo-Nazi and member of the extreme right-wing group, the Southwest Brigade. Bonì and her team put Janisch under surveillance, and identify others belonging to the extreme right. The further they probe, the more shocking their discoveries. Could this be part of a much more powerful neo-Nazi network which will stop at nothing? And how will they prevent an attack when the perpetrators are always a step ahead and they don't know the target? By the time Bonì pinpoints the victim, it may already be too late . . .

July 2024

Nordland. A region in the Norwegian Arctic; a remote valley that stretches from the sea up to the mountains and the glacier of the Blue Man. It is May. In Nordland it's a time of spring and school-leavers' celebrations - until Daniel, a popular teenage boy, goes missing. Conflicting stories circulate among his friends, of parties and wild behaviour.  As the search for Daniel widens, the police open a disused mine in the mountains. They find human remains, but this body has been there for decades, its identity a mystery. The story is told through characters impacted by these events: misanthropic Svea, whose long life in the area stretches back to the heyday of the mines, and beyond. She has cut all ties with her family, except for her granddaughter, Elin, a young misfit. Elin and her friend Benny, both impacted by Daniel while alive, become entangled in the hunt for answers, while Svea has deep, dark secrets of her own. The Long Water is by Stef Penney.


Thursday, 19 January 2023

Why Hackney? By Joe Thomas


When I was a boy, an Irish woman called Lil would clean our house from time to time. Her son, Tony, was older than me, Hackney-born. He became a builder, started off working with our next-door neighbour, Harry, which meant a fair few lunchtimes in the public bar of the Prince of Wales trying to keep up with the older labourers. He’d do odd bits and pieces at ours, too. I was fourteen, I think, when he suggested we go for lunch at a caff on Chatsworth Road. I got in his car – I remember it was very low to the ground – and we drove off. Just past Rushmore, my old school, there were a couple of blokes about Tony’s age waving at him and he pulled over. There was also a young lad with them, younger than me. Wait here, Tony told me, and he got out. I watched the three older blokes in animated conference. When they were finished, Tony and another fella climbed back in, and the other one and the young one got into another car. I remember we drove around for about five minutes before coming to a sudden stop, a teenage boy panicking on the pavement. Engine running, Tony and the bloke jumped out, grabbed the kid, and then pinned him against the wall. The other one and the young one got out of the other car and went over. They were carrying a baseball bat. I could see the young one answering questions, nodding. The teenager handed over a watch, crying. Nothing happened for a moment, and I waited, nervous. What would be the punishment? Clearly this bigger kid had nicked this younger kid’s watch, and the younger kid had got his big brother to sort it out, which he had. Let’s have lunch, then, I was thinking. Then I watched as the teenager was force-fed the watch. He was eating the watch, I realised, eating it. Punishment fitting the crime and all that. In the caff, over bacon, egg, chips, and beans, no one really talked about it, and I certainly never told anyone.

I wanted to write about where I grew up, Hackney, in the late-seventies and eighties. Although White Riot is very much a political novel, it is also hugely personal: I accessed the sights, sounds, and smells of my childhood to try and recreate the sensual experience of it. I thought about how the place changed, who moved away, who stayed, why, who had power, who was disenfranchised, and why.

I’ve never wanted to write a whodunnit; I’ve always wanted to write about place, about fiction based on fact. My fiction addresses the discourses of power and the specificity of crime, why something happened precisely where it did, and is an attempt to illuminate the reasons why. You can strip away the layers of city in a crime narrative.

In the author’s note to her epic French Revolution novel, A Place of Greater Safety, Hilary Mantel writes: ‘The reader may ask how to tell fact from fiction. A rough guide: anything that seems particularly unlikely is probably true.’ 

In White Riot, the more outlandish political events, the most shocking violence, the most brazen corruption scams are all real, or based very closely on real-life incidents. It has always seemed to me that real life offers the best structural and societal models around which to thread a fictional narrative. Crime is political, I think, and more politics is criminal than we’d care to admit. 

There’s that old adage: ‘You couldn’t make it up.’ 

More and more, I’m beginning to think that you shouldn’t.

White Riot by Joe Thomas (Quercus Books) Out Now

1978:The National Front is gaining ground in Hackney. To counter their influence, anti-fascist groups launch the Carnival Against Racism in Victoria Park. Observing the event is Detective Constable Patrick Noble, charged with investigating racist attacks in the area and running Spycops in both far-right and left wing groups. As Noble's superiors are drawn further into political meddling, he's inveigled into a plot against the embattled Labour government. 1983: Under a disciplinary cloud after a Spycops op ended in tragedy, Noble is offered a reprieve by an old mentor. He is dispatched in the early hours to Stoke Newington police station, where a young black man has died in suspicious circumstances. This is Thatcher's Britain now, a new world that Noble unwittingly helped to usher in, where racial tensions are weaponised by those in power.

Photo credit: Oliver Holms

Thursday, 26 May 2022

Anna Smith - from investigative journalist to crime writer

As a frontline daily newspaper journalist for more than twenty years, I encountered at first hand dozens of characters that could have walked into any crime novel.

From Glasgow hard men ruling their criminal empires, to Loyalist and Republican paramilitaries on the streets of Belfast; from gangsters living the champagne life on the Costa del Sol, to young female heroin addicts propped up in shop doorways selling their bodies for sex. Throw in a few dodgy cops and lawyers and you’ve got a raft of material that might make a novel. 

I worked at the Daily Record for more than 20 years – ten of them as Chief Reporter, travelling the world to cover conflicts from Rwanda to Kosovo. So many of the stories and the harrowing cruelty I witnessed have stayed with me, so whenever I’m writing about the struggle of refugees fleeing their homeland, I can call up so many haunting images. 

It was these images and memories of my days as a reporter that compelled me to embark on my first series of crime novels, featuring the Rosie Gilmour character, a gritty Glasgow journalist who tears down the walls of corruption to get her story in the newspaper. 

When you write from your own experience like that, basing the character on many of your own traits, you are forced to expose yourself in ways you wouldn’t have to when you are reporting for a newspaper.

Although writing fiction was a departure from what I did as a reporter, I wasn’t really fazed by having to create a character a bit like myself—though not exactly like myself, I should stress! I write as honestly as I can, and I hope it comes across in my novels. 

The method of creating the Rosie Gilmour novels had to be different from a police procedural crime novel, where the objective of the story is to nail the criminal and put him/her behind bars. But for a journalist, the procedure is to investigate the story, follow the leads, gather the evidence, and finally expose the perpetrator on the front page of the newspaper. I approached each novel as I would a newspaper investigation, only the aim here was to create a work of fiction that would resonate with readers.

I rested Rosie for a bit to shift into the gangland genre and created a reluctant woman gangland boss in the shape of Kerry Casey, who takes over the reins of her Glasgow crime family. I really enjoyed the characters who walked into these novels and have been delighted at how popular this genre is. 

My latest series features Glasgow ex-female cop turned private eye, Billie Carlson, who’s half Swedish, half Glasgow-Irish, with a haunted backstory that makes her a desolate kind of figure. The novel is told in the first person, so I hope it pulls the reader in from page one. I’m really enjoying exploring the characters Billie meets as she takes on a case, and she doesn’t always use conventional practices. She has her own moral code that doesn't always match the police's. Billie is her own woman and if she thinks the end game is worth pursuing, she will always do it her way.

Until I Find You by Anna Smith (Quercus Books) Out Now.

When you've lost everything, you'll stop at nothing Billie Carlson left the police force under a cloud. Once a promising young officer she now works as a private investigator, rooting out insurance scams and spying on cheating spouses. One morning a distraught young woman comes into her office saying that her baby has been stolen. Her story seems unbelievable, yet something about her makes Billie want to help - Billie knows what it's like to lose someone too. To get to the bottom of the case Billie must rattle some dangerous cages and rely on old police friends for inside help. Soon she discovers a network of crime deeper and far more twisted than she ever could have imagined. But is she in way over her head?

More information about Anna Smith and her work can be found on her website. You can also find her on Twitter @annasmithauthor You can also find her on Facebook.


Tuesday, 5 April 2022

The Return of Lisbeth Salander




LISBETH SALANDER AND THE ‘DRAGON TATTOO’ SERIES GIVEN NEW LIFE BY ONE OF SWEDEN’S MOST SUCCESSFUL NOVELISTS


Karin Smirnoff lives on a farm in northern Sweden, just a short car journey away from Stieg Larsson’s birth place. She is a bestselling author whose novels have sold over 700,000 copies in her home country, has a black belt in karate, and enjoys spending time with her mother and kids. But now, her life is due to change completely as she is about to become one of the world’s most famous novelists after taking on the Stieg Larsson mantel to write about one of Sweden’s most iconic women, Lisbeth Salander. With approval of the Stieg Larsson estate, Karin Smirnoff has taken on the monumental task of writing the next three books in the ‘Dragon Tattoo’ series. The first novel (number 7 in the series) is due to be published in the UK on 31 August 2023. 

Karin was born in Umeå in the north of Sweden, grew up in Stockholm, and left school at 17 to travel. Now, she has returned to her birthplace and lives on a farm which has been in her family for many decades. Karin has hinted in interviews that the main storyline for Millennium 7 (as the as-yet-untitled novel is called) will move from Stockholm and the south to the wild expanses of northern Sweden that are so familiar to her. She read the Millennium novels when the first three books came out and is familiar with the universe created by Larsson and continued by fellow Swede David Lagercrantz.

With Karin Smirnoff as the new writer of the series, and its acquisition by Katharina Bielenberg of the MacLehose Press, an imprint of Quercus Books, the series – which has sold over 100 million copies worldwide – will have a female author and publisher, with a female translator also being lined up. 

Karin Smirnoff says, “It feels almost solemn to write the sequel to Millennium. I said yes to the project without hesitation, even though it postpones my own ideas for new novels. It’s an exciting opportunity to independently create and make something new based on a unique fictional universe that is known worldwide. The Millennium books are classics in their genre, where the combination of unforgettable characters and the strong political and societal engagement still fascinates readers. I will continue to build on Stieg Larsson's core themes, such as violence, abuse of power, and contemporary political currents.” 

Katharina Bielenberg says, “The Millennium series has been a constant at MacLehose Press and
Quercus since Christopher MacLehose acquired Stieg Larsson’s The Girl with the Dragon Tattoo back in 2008. Everything we know about Karin Smirnoff and her work tells us she has the perfect sensibility not only to continue on from David Lagercrantz’s trilogy with great drive and imagination, but also to make the series her own. And it feels just right that Lisbeth Salander’s universe should now be brought to life by a woman. We are absolutely thrilled to be working with Karin on these next instalments
.”

Jon Butler, MD at Quercus Books, says, “The Millennium series – ‘the Dragon Tattoo books’ to most people in the English-speaking world – of course constitute one of the biggest publishing stories of the last twenty years, selling over 100 million copies worldwide. Stieg Larsson’s iconic creation, and the brilliant sequels written by David Lagercrantz, reached people who rarely buy books, which is the holy grail for any publisher. So, we couldn’t be more excited to announce a new trilogy; except that I probably am more excited. Karin Smirnoff is a literary talent of the highest order, and a huge bestseller in her native Sweden. We can’t wait to launch her creation to the widest possible English-language readership next year.”

The trailer for the Millennium 7 can be watched below.


For further information, please contact Corinna Zifko, corinna.zifko@quercusbooks.co.uk / 07917 158 986. 

Friday, 21 August 2020

Why did I (temporarily) leave my Detective Avraham to write "Three" by D.A Mishani

©Yanay Yechieli
The idea for "Three" came to me while boarding a plane back from a crime fiction festival I attended in Lyon, France. 

It presented itself - how and why I will never know, this being the most mysterious part of writing – not as a story but as a pure structure: a book in three parts, with three different reading-processes, about three women meeting the same man. Who the three women are and why they are meeting the man I didn't know yet – but when I got off the plane in Tel Aviv, I had no doubts that it would be my next book. 

There was only one problem with my idea: it didn't include the detective who appeared in my first three novels, Inspector Avraham Avraham. For the time being, I kept the idea for "Three" a secret from him. 

*****

In retrospect, I think I have identified a few of the reasons why I needed a break from Avraham. 

After writing three more-or-less classically-structured detective novels, I felt I needed an adventure. And I believe that for a writer, an adventure is almost always an adventure in literary form, or a literary experiment. I wanted to write a novel with a structure that was new to me, and its writing experience - unexpected. 

Moreover, experiencing a few sad departures of close family members and friends in recent years, I wanted to write a book that would recreate the true shock of violence and death that one feels in real life. 

In a classic detective novel, the readers (and the writer too) are somewhat protected from the shock of death by structure itself: you know, when you open the book, that you'll find a corpse on page 15 or 20 and so you're ready; and seeing it through the detective's eyes helps with distancing or ‘regulating’ death.

"Three" had to be something else. It needed to strike the readers with the real grief caused by violence, and to achieve that I needed to turn the classic structure upside-down, to tell the story from the victim's perspective alone, and also to make the readers lose some of the protagonists in the middle of the book, like we sometimes lose our beloved in the midst of life's journey. In order to that I needed to part with my detective. 

Starting "Three", I felt all was going well. 

Writing the first part, I was becoming more and more attached to its protagonist, Orna; I enjoyed the new pace I found for the book, a pace that wasn't Avraham's almost-famous – or infamous – sluggishness. When I had doubts – Am I really not writing a detective novel?! - I calmed myself down by defining "Three" as a crime novel in which it isn't clear if a crime will happen or not, or a detective novel in which the detective might never appear. 

Written under the influence of a shift in my reading-diet in recent years – less realistic-psychological detective novels (Simenon, Sjowall\Wahloo, Mankell) and more novels that use the mystery or the detective story as a starting-point for an adventure in form or in storytelling (From Patricia Highsmith and Friedrich Durrenmatt to Ian MacEwan, Julian Barnes and Ricardo Piglia) – I told myself, and Avraham, that a detective is simply not always needed.

And then I got stuck. 

Writing Part 1 and Part 2 was such a pleasure that I overlooked something: there's a killer on the loose and somebody has to catch them. But since I left Avraham out of my office, who the hell will do that?

For more than two months I didn’t write a single word. My new adventure had derailed completely. I heard knocking on my office doors and I knew who that person was, outside. 

It was Inspector Avraham and he wasn't just offering his services but also telling me in his newly-gained confidence (after all, there's a TV series and a movie now, based upon him): "Let me in. You'll never catch the killer without me. In fact, you've never written a novel without me and you won't finish that one, if you don't let me in".

The truth is that I was tempted. Isn't a detective always right? 

But I didn't want to give up my literary adventure so quickly and I honestly believed in my three female protagonists – Orna, Emilia and Ella. I knew they could carry the novel by themselves. I knew they could catch the killer without Avraham too. 

When the book was out - and found more readers than all of the Avraham novels I wrote before – the knocking on my office door stopped. Was Avraham somewhat embarrassed about his vanity? It was only then, of course, that I could open the door to him again and invite him in – to work together on his new investigation.

Three by D. A Mishani (Published by Quercus Books) Out Now
Three tells the stories of three women: Orna, a divorced single-mother looking for a new relationship; Emilia, a Latvian immigrant on a spiritual search; and Ella, married and mother of three, returning to University to write her thesis. All of them will meet the same man. His name is Gil. He won't tell them the whole truth about himself - but they don't tell him everything either.