Showing posts with label Remi Kone. Show all posts
Showing posts with label Remi Kone. Show all posts

Friday, 29 May 2026

Bute Noir 2026

 

Bute Noir Programme


Friday 7th August

4.00pm – 5.00pm 

Heard it Through The Grapevine

Craig Robertson & Alexandra Sokoloff

Interviewed by Louise Fairbairn


5.30pm - 6.30pm 

It’s The Police

G.R. Halliday, William Shaw & G.D. Wright

Chaired by Nicola Meighan


7.00pm - 8.00pm 

Hard Truths

Claire McGowan & Andi Osho

Interviewed by Nicola Meighan


8.30pm – 9.30pm 

Criminal Complexities

Louise Candlish & Liz Nugent

Interviewed by Bryan Burnett


10.00pm – 11.00pm 

The Friday Night Quiz

Or it might be a game show, we haven’t decided yet... But there will be a bunch of crime writers and lots of laughs. More to come!


Saturday 8th August

10.00am – 11.00am 

Crime, Coffee and Croissants

Kick off a crime-filled day with a chat, a cuppa, and a croissant or two in the company of Myra Duffy & Alex Gray


11.30am – 12.30pm 

Pride and Prejudice

D.V. Bishop, Allan Gaw & Louise Welsh

Chaired by Bob McDevitt


1.00pm – 2.00pm 

In Conversation:

Harriet Tyce & Erin Kelly

Two of the UK’s best writers talk books


2.30pm – 3.30pm 

Good Cop, Bad Cop

Remi Kone, Jay Stringer & Luca Veste

Chaired by Heather Fitt


4.00pm – 5.00pm

Scandi Noir

Ørjan Karlsson & Jenny Lund Madsen

Interviewed by Craig Sisterson


5.30pm – 6.30pm 

Missing Without A Trace

Tim Weaver

Interviewed by Ayo Onatade


7.00pm – 8.00pm 

21st Century Christie

Ruth Ware

Interviewed by Bryan Burnett


8.30pm – 10.00pm 

Dead Good Anniversaries

Chris Brookmyre & Doug Johnstone

Celebrating 30 years of Brookmyre and 20 years of Johnstone.

Interviewed by Marisa Haetzman


Sunday 9th August

10.00am – 11.30am Island Bus Tour

10.30am – 11.30am 

Hunting Shadows: Peter Tobin

Jane Hamilton

Interviewed by Craig Robertson


12.00pm – 1.00pm 

Thrillers and Killers

Ilona Bannister, Gavin Bell & Ajay Chowdhury

Chaired by Colin Sinclair


1.30pm – 2.30pm 

First Blood

Debut panel with Frances Crawford, Linda Duncan McLaughlin & May Rinaldi

Chaired by Craig Robertson


3.00pm – 4.00pm 

Gangland Girls

Alex Kane & Anna Smith

Interviewed by Alistair Liddle


4.30pm – 5.30pm 

Soldier, Soldier

C.J. Howell & Alan Parks

Interviewed by Craig Sisterson


Bute Museum

7 Stuart Street, Rothesay,

Isle of Bute, PA20 0EP

Opening Times

Summer: April - Sept (incl)

Monday to Saturday ~ 10.30 – 3.30

Sunday ~ 1.30 – 3.30

Winter: Oct - Nov and Feb - Mar (incl)

Tues, Wed, Thurs & Sat. ~ 1.30 – 3.30

Closed : Dec -Jan

Admission: Adults £5.00 ~ Concessions £4.00

Children (15 & under) – Free if accompanied by a paying adult

Bute Museum

Bute Museum, one of our original venues, will continue to host pop-up author events throughout the year and their volunteers remain an integral part of our Bute Noir team.

More information can be found on the Bute Noir website.

The programme can be found here.


Thursday, 21 May 2026

Shortlist for McDermid Debut Award 2026 Revealed

                                                                    






Showcasing ‘original’ and ‘highly entertaining’ new crime fiction from rising star authors

Festival Dates: 23-26 July 2026

www.harrogatetheakstoncrimeaward.com

#TheakstonsAwards #TheakstonsCrime

 Thursday 21 May 2026: Harrogate International Festivals has announced the shortlist for the McDermid Debut Award for new UK and Irish writers. The winner will be revealed on the opening night of the Theakston Old Peculier Crime Writing Festival, Thursday 23 July.  

The shortlist for this year’s McDermid Debut Award, named in recognition of world-famous crime writer Val McDermid, showcases ‘original and assured’ new voices writing across a broad range of subgenres - including serial killer thrillers, detective fiction, cosy crime and dystopian chillers - and introducing a range of unforgettable protagonists, including a 12-year-old Glaswegian dog walker and a Windrush generation retiree who is Birmingham’s answer to Miss Marple. Now in its third year, the award has established a successful track record for discovering emerging talent, with the two previous winning books, Deadly Animals by Marie Tierney (2024), and A Reluctant Spy by David Goodman (2025), going on to become bestsellers.


The full McDermid Debut Award 2026 shortlist (in alphabetical order by surname) is: 

A Bad, Bad Place by Frances Crawford (Transworld, Penguin Random House) 

The Exes by Leodora Darlington (Penguin Michael Joseph)  

Innocent Guilt by Remi Kone (Quercus)  

The Quiet by Barnaby Martin (Pan Macmillan) 

A Murder for Miss Hortense by Mel Pennant (Baskerville, John Murray)  

How to Get Away With Murder by Rebecca Philipson (Transworld, Penguin Random House) 

The shortlist in more detail:  

Award winning playwright Mel Pennant is shortlisted for A Murder for Miss Hortense, a warm, witty crime novel introducing a formidable retired nurse turned amateur detective. Her sharp eyes and sharper wit uncover truths buried deep within the quiet Birmingham suburban community she’s belonged to since emigrating from Jamaica in the ‘60s. Also shortlisted is The Exes by writer and editor Leodora Darlington, a serial killer thriller with a twist as a young woman with a history of blackouts begins to wonder if she is responsible when her new husband winds up dead – just like all her exes. Both Leodora Darlington and Mel Pennant have been selected for Theakston Old Peculier Crime Writing Festival’s prestigious Critics New Blood panel for 2026.

British Nigerian Emmy-nominated producer, Remi Kone, who has worked on TV dramas such as ‘Killing Eve’ and ‘Spooks,’ is shortlisted for Innocent Guilt, a suspenseful cat-and-mouse thriller where a detective and a journalist compete to solve the puzzling case of woman who appears at a police station covered in blood that isn’t her own and refuses to disclose what’s happened. Also shortlisted is A Bad, Bad Place by Frances Crawford, a gritty and heartfelt thriller set in 1970s Glasgow about the far-reaching effects of murder on a community. A 12-year-old dog walker discovers the body of a murdered woman - the daughter of a local gangster - on an abandoned railway, and becomes tangled up in the police investigation. Scottish writer Frances Crawford graduated from Glasgow University aged sixty, before started her writing career.

Award-winning composer, video essayist and writer, Barnaby Martin, has been shortlisted for engrossing science fiction thriller, The Quiet. Set in a dystopian future where humans are forced to live at night to avoid the deadly daytime heat, a mother must do everything to protect her son from an autocratic government, while keeping the truth about her own past a secret. Completing the list is writer and true-crime blogger from County Durham, Rebecca Philipson, who has been shortlisted for How to Get Away With Murder, a propulsive thriller which follows a detective investigating the connection between the murder of a teenage girl and a chilling manual for aspiring killers written by an elusive serial killer. Rebecca is an alumnus of Creative Thursday, an immersive and inspiring day of workshops and talks designed to nurture new crime writing talent, which takes place annually on the opening day of the Festival. 

Honouring internationally bestselling crime writer, Val McDermid, who co-founded the Theakston Old Peculier Crime Writing Festival in 2003 and whose dedication to fostering new voices in crime fiction is legendary, this Award seeks to continue her legacy, celebrating and platforming the best debut crime writers in the UK. The shortlist was selected by a panel of established crime and thriller writers, and the winner will be decided by a panel of expert judges, chaired by Val McDermid. All shortlisted authors receive a full weekend pass to the Theakston Old Peculier Crime Writing Festival and the Winner will receive a £600 cash prize and an engraved, handcrafted beer barrel from T&R Theakston.  

Val McDermid said:

This festival has a rich and long-established reputation for plucking out the debut gems from the crime writing pack. This year is no exception. Dive into the Debut Award shortlist and I guarantee you'll find six novels with something special to offer.

Simon Theakston, Chairman of T&R Theakston, said: 

Congratulations to all the talented writers shortlisted for the McDermid Debut Award this year. The Theakston Old Peculier Crime Writing Festival has always celebrated the very best in crime fiction and thriller writing, and we are proud to turn the spotlight on a new generation of rising star debut authors. Readers are in for a real treat with these six new extraordinary novels to enjoy.” 

Sharon Canavar, Chief Executive of Harrogate International Festivals, said:
We’re delighted to reveal the shortlists for the McDermid Debut Award, celebrating new talent. The six shortlisted books are compelling and highly entertaining novels by truly original and assured rising star authors. Supporting and platforming exciting new authors is at the heart of the festival, and we can’t wait for readers to discover these wonderful new novels.

 The winner will be revealed on the opening night of the Theakston Old Peculier Crime Writing Festival,Thursday 23 July.

Tuesday, 14 April 2026

THEAKSTON OLD PECULIER CRIME WRITING FESTIVAL - Programme announced


 

THEAKSTON OLD PECULIER CRIME WRITING FESTIVAL returns for biggest year EVER as new stage announced and all-star programme revealed

 

Festival Dates: 23 – 26 July 2026

www.harrogateinternationalfestivals.com

#TheakstonsCrime

Tuesday 14th April: Harrogate International Festivals today revealed the full programme for the 2026 Theakston Old Peculier Crime Writing Festival, the world’s largest and most prestigious celebration of crime fiction, at a special reception at Hachette, Carmelite House in London.

This year’s programme has been curated by bestselling psychological thriller writer Lisa Jewell and features over 140 crime and thriller writers, making it the biggest event ever in the festival’s illustrious twenty-three-year history. An all-star line-up of bestselling authors and crime fiction names including Richard Armitage, Ardal O’Hanlon, Andi Osho, Denise Mina, Adam Kay, Abir Mukherjee, Elly Griffiths, Vaseem Khan, Val McDermid and M.W. Craven join Special Guest headliners Ann Cleeves and Brenda Blethyn, Anthony Horowitz, Holly Jackson, Chris Brookmyre, Chris Whitaker, Jane Harper, LJ Ross, Nadine Matheson, Gillian McAllister, Steve Cavanagh, Alice Feeney, and US crime superstar David Baldacci, on the packed programme.

Taking place at Harrogate’s Old Swan Hotel from 23-26 July, this year’s Festival offers crime fiction fans even more opportunities to hear from superstar writers and discover new talent with the launch of the Swift Half Stage. This innovative new space championing brilliant storytellers, rising stars and boundary-pushing creatives in a series of bite-size events, features authors including Broadchurch creator Chris Chibnall, Mick Herron, Ahana Virdi, Will Carver, Clare McGowan, Kia Abdullah, and Traitor’s star Harriet Tyce.

Festival highlights include the prestigious Theakston Old Peculier Crime Awards Ceremony and the much-anticipated Critics’ New Blood panel showcasing four extraordinary debut novelists, Anna Maloney, Leodora Darlington, M.K. Oliver and Mel Pennant, selected by leading crime fiction critics. For aspiring writers, Creative Thursday offers an immersive day of workshops and talks led by industry experts and bestselling writers including A.A Dhand, GR Halliday, and Julie Mae Cohen, with the rare opportunity to pitch work in the ‘Dragon’s Pen.’  

From dark domestic noir to the impact of technology on the criminal mind and a celebration of Agatha Christie’s enduring influence on the genre fifty years after her death, there is plenty to thrill everyone on this year’s programme. Evenings offer exclusive opportunities for fans to engage with authors at relaxed events, include the hilarious Interview Bingo and the hotly contested Late Night Quiz, compèred by Val McDermid and Mark Billingham. Two Author Dinners will see readers join forces with crime writers K.T. Nguyen, Sean Watkins, Emma Christie, Rupa Mahadevan, William Hussey, and many others to solve a fiendishly twisty murder mystery, hosted by Mel Pennant.  

Lisa Jewell, bestselling author and 2026 Festival Programming Chair said:

This year marks Theakston Old Peculier Crime Writing Festival’s twenty-third year. Every year it gets a bit better, a bit bigger, more polished, and more exciting, and 2026 promises to be the best Festival yet. We were spoiled for choice when we compiled this year’s programme; never before have there been as many rich pickings in the fields of crime, thrillers and debuts, and this year’s programme is overflowing with new voices, old voices, literary legends, and Festival favourites. So, here’s to 2026; let the sunshine, the drinks flow and a bounty of brilliant writers cast their spells as we gather together to enjoy an unmissable year at the best crime-writing Festival in the world.

Simon Theakston, Chairman of T&R Theakston Ltd, said:  

We are extremely proud to support this world class event for an incredible twenty-third year and welcome over 140 writers for what promises to be our biggest and boldest Festival ever. Lisa Jewell and the committee have delivered an outstanding programme packed with legends of the genre, massive internationally bestselling authors, rising stars, thrilling panels, and exclusive events. We look forward to an unforgettable Festival as we celebrate the very best in global crime writing this summer.

Sharon Canavar, Chief Executive of Harrogate International Festivals, said:

We are thrilled to reveal the full programme for this year’s Theakston Old Peculier Crime Writing Festival, curated by Lisa Jewell and the Programming Committee. As we celebrate the 60th anniversary of Harrogate International Festivals, we are excited to expand the festival by introducing the Swift Half Stage to offer even more for our community of crime fiction fans to discover and enjoy this year. Whether you are a reader or a writer – and whether you’ve been coming to the festival for twenty-three years or this will be your first time - we look forward to welcoming you to Harrogate in July.

PROGRAMME HIGHLIGHTS:

THURSDAY 23 JULY:

Creative Thursday: Crime Fiction Writing Workshops (9am-5.45pm)

An immersive day of workshops and talks for aspiring crime writers with bestselling authors and industry experts including A.A. Dhand, Nikki Allen, GR Halliday, LC Winter, Becca Day, Sophie Flynn, Julie Mae Cohen, N.J. Cooper, Laura Sherlock and Mark Billingham.

Theakston Old Peculier Crime Awards & Festival Opening Party (9.00pm)

A celebratory event as the winner of Theakston Old Peculier Crime Novel of the Year, crime fiction’s most prestigious prize, is announced, with the McDermid Award for debut fiction and the Outstanding Contribution to Crime Fiction Award also presented.

FRIDAY 24 JULY:

Special Guest: Nadine Matheson & Steve Cavanagh (9.00am, Theakston Stage)

Two former lawyers, Nadine Matheson and Steve Cavanagh, discuss how they use their legal training to brilliant effect in their latest compelling novels.

Conversation: Truth, Lies & Alibis (10.00am, Swift Half Stage)

Join crime writers Harriet Tyce and Anna Mazzola for a fast, fun game of secrets and deception guaranteed to test your detective skills to the limit, chaired by C.B. Everett.

Panel: From Poirot to Podcasts (10.30am, Theakston Stage)

It is fifty years since the death of Agatha Christie and one hundred years since her hideaway in the Old Swan Hotel. Leading contemporary crime writers Ruth Ware, Ragnar Jónasson, Lucy Foley and Ross Montgomery explore Christie’s enduring influence on the genre with chair Val McDermid.  

Conversation: When Two Become One: how do writing partnerships stay in synch? (11.30am, Swift Half Stage)

A sharp, insightful session for crime fans, aspiring writers and anyone interested in the creative process, as one half of Evelyn Clark joins duo Ellery Lloyd to discuss the art of collaborative writing.

Special Guests: Holly Jackson & Gillian McAllister (12.00pm, Theakston Stage)

Ingenious and original rising stars Gillian McAllister and Holly Jackson discuss their exciting new novels and how TV and TikTok have proved vital to their successes! 

Panel: Can’t Get You Out of My Head (2.00pm, Theakston Stage)

Bestselling authors Abigail Dean, Erin Kelly, Jo Murray and Yemi Dipeolu discuss crime, control and dark psychological landscapes through a distinctly female lens, chaired by Andrew Hunter Murray.

Conversation: Still Killing it: 20 Years of Doug Johnstone (3.00pm, Swift Half Stage)

A celebratory event as Doug Johnstone marks 20 years since the publication of his debut novel - and the release of his twentieth book - in conversation with Chris Brookmyre.

Panel: Man About the House (3.30pm, Theakston Stage)

Bestselling writers John Marrs, CM Ewan, Mark Edwards and TM Logan examine domestic noir and what draws male writers to themes of home and family with journalist Lisa Howells.

Conversation: Unspoken: Why are secrets so powerful in crime fiction? (4.30pm, Swift Half Stage)

Join two of crime writing’s most psychologically astute voices, Clare McGowan and Kia Abdullah for an in-depth conversation about the power of hidden truths in storytelling.

Special Guest: Chris Brookmyre (5.00pm, Theakston Stage)

A special event celebrating thirty years since the publication of Chris Brookmyre’s debut novel Quite Ugly One Morning – and the return of wisecracking investigative journalist, Jack Parlabane, in 2026 sequel Quite Ugly One Evening. Chris will be in conversation with Mark Billingham.

Come Di-n-e With Me Friday Author Dinner (6.15pm)

A unique opportunity for readers to solve a murder mystery hosted by Mel Pennant, with crime writers Foluso Agbaje, Alice Bell, Nina Bhadreshwar, Hannah Brennan, Ronnie Brown, L.M. Chilton, Alex Hay, Sarah Hilary, Louise Jensen, Chris McDonald, K. T. Nguyen, Lauren North, Daniel Sellers and Paula Sutton.

Panel: Nothing But the Truth (6.30pm, Theakston Stage)

An exciting panel bringing together writers whose novel tackle complex societal issues through the unique lens of crime fiction, with Dorothy Koomson, Adam Kay, Saima Mir and Garry Disher in conversation with Matt Nixson.

Special Guest: David Baldacci (8.30pm, Theakston Stage)

One of the world’s leading crime writers, David Baldacci, in conversation with journalist Julia Wheeler about his hugely successful career and his latest novel, ‘Hope Rises’ featuring compelling anti-hero Walter Nash.

Interview Bingo (10.00pm, Theakston Stage)

Four authors and questions submitted by readers – ranging from the insightful to the ridiculous. Expect a funny, fast-paced and entirely unpredictable evening with Abir Mukherjee, Elly Griffiths, Andi Osho and Holly Stars – with chair Luca Veste.  

SATURDAY 25 JULY:

Special Guest: Anthony Horowitz (9.00am, Theakston Stage)

One of the UK’s best loved and most prolific writers Anthony Horowitz discusses his brilliant new novel A Deadly Episode with TV presenter Matthew Stadlen.

Conversation: From Page to Screen (10.00am, Swift Half Stage)

Is a crime story more powerful on the page or on screen?  M.J. Arlidge and Chris Chibnall compare the craft of writing novels and television drama, chaired by Julia Wheeler.

Panel event: What Happened to all the Serial Killers? (10.30am, Theakston Stage)

As technological advances make it ever easier for police to catch criminals, how do killers, crooks – and crime writers – navigate this new world? Crime writers Ajay Chowdhury, Vaseem Khan, Dame Sue Black and G.D. Wright discuss with chair Clare Mackintosh.

Conversation: Dark Minds & Twisted Tales (11.30am, Swift Half Stage)

Why do we enjoy being unsettled? Two of the most exciting voices in contemporary crime and psychological fiction, Ahana Virdi and Will Carver discuss pushing genre boundaries and using darkness and humour to challenge readers. 

Panel: Critics’ New Blood (12.00pm, Theakston Stage)

Showcasing the stars of tomorrow, four outstanding debut novelists Anna Maloney, Leodora Darlington, M.K. Oliver and Mel Pennant, selected this year by a panel of the UK’s top crime fiction critics, will be in conversation with critic and writer Natasha Cooper.

Panel event: A Way With Words (2.00pm, Theakston Stage)

Celebrating the writers who describe the dark stuff with a dazzling touch of poetry as Denise Mina, Sabine Durrant, Tracy Sierra and Calum McSorley join chair Tariq Ashkanani.

Conversation: The First Crime is the Hardest (3.00pm, Swift Half Stage)

Rebecca Philipson – whose journey to publication began at Creative Thursday – discusses her debut novel How to Get Away With Murder with Val McDermid.

Panel event: You Don’t Have To Say You Love Me (3.30pm, Theakston Stage)

Unlikeable characters are central to many of the most-loved crime novels. Liz Nugent, Araminta Hall, Callie Kazumi and Chris Bridges discuss perfecting the art of imperfect protagonists with chair Shari Lapena.

Conversation: Are Spies Heroes Anymore? (4.30pm, Swift Half Stage)

An entertaining look at the evolution of the spy hero – from glamorous Cold War operatives to today’s flawed protagonists - with two of the genre’s best-loved writers Mick Herron and David McCloskey.

Special Guests: LJ Ross & Jane Harper (5.00pm, Theakston Stage)

Meet two natural storytellers, LJ Ross and Jane Harper, who both use remote and atmospheric locations – Northumberland and smalltown Australia – to spin beguiling stories of murder and mystery.

Come Di-n-e With Me Saturday Author Dinner (6.15pm)

‘Who dunnit?’ A second chance for crime fiction fans to test their detective skills by solving a murder mystery written with authors: Emma Christie, Jane Corry, Samantha Dooey-Miles, James Ellson, William Hussey, Fiona Keating, Nasheema Lennon, Rupa Mahadevan, Simon McCleave, Anna McPartlin, Ian Moore, David Tuch, Bridget Walsh, Paul Waters and Sean Watkin.

Panel: Whiteboards Versus Empty Screens: How Do They Do It? (6.30pm, Theakston Stage)

Four very different writers - Richard Armitage, Ardal O’Hanlon, Adele Parks and Remi Kone - discuss the joys of writing and the mystery of technique, and their very different approaches to writing a crime novel, with author Sophie Hannah.  

Special Guests: Lisa Jewell (8.30pm, Theakston Stage)

Multi-million copy bestselling psychological thriller writer Lisa Jewell discusses her addictive new novel It Could Have Been Her in conversation with crime writing icon and creator of Jack Reacher, Lee Child.

Late Night Quiz (10.15pm, Theakston Stage)

Authors and readers go head-to-head in a battle of crime fiction wits with quizmasters Val McDermid and Mark Billingham.

SUNDAY 20 JULY:

Special Guests: Alice Feeney & Chris Whitaker (9.00am, Theakston Stage)

Two hugely popular global sensations Alice Feeney and Chris Whitaker tell the inspiring and moving stories behind their journey to becoming writers and discuss their latest bestselling novels.   

Panel: Your Local Crime Writer (10.30am, Theakston Stage)

An author’s workspace is their home from home, and four writers Amen Alonge, M.W. Craven, Frances Crawford and Marie Tierney discuss how their environment affects their work, with broadcaster and crime writer Jeremy Vine.

Special Guests: Ann Cleeves & Brenda Blethyn (12.00pm, Theakston Stage)

Two incredible creatives, novelist Ann Cleeves and actor Brenda Blethyn discuss how they bought iconic detective DCI Vera Stanhope to life on our screen and on the page. 

Monday, 5 January 2026

Bad Apples: Crime Fiction's Enemies and Anti-Heroes

 

The theme for the 33rd St Hilda's Crime Fiction Weekend has been announced



Tickets are now on sale to the general public from 5th January 2026 and the link can be found here.

This is always a wonderful weekend do join us!


Monday, 24 November 2025

Forthcoming books from Quercus Books (Including Maclehose Press)

 January 2026

They know she killed them. They've just never known why. Connie Cross was a trusted pharmacy assistant when she was arrested for the gruesome murders of at least seven strangers. Now, she's serving a whole-life order for the shocking crimes she refuses to explain. Olivia Lang never forgot Connie, the awkward teenager from a south London estate she first met while working for the police. Twenty years later, Olivia is desperate to understand what made Connie turn into a murderer. But as she begins to uncover the truth about the UK's most notorious female serial killer, Olivia risks revealing secrets she's kept hidden for years. Connie is by Charlotte Duckworth.

Darling Mine is by Romy Hausmann. She went missing decades ago. He is still looking for her . . . Julie Nowak has been missing since 7th September 2003. It broke her family. Only her father, Theo, doesn't give up on her. On the 20th anniversary of her disappearance, Theo is contacted by podcaster Liv. She's come across a new lead. But if Theo wants to find out the truth he must be quick before his progressing dementia smothers everything in darkness. Who has taken his daughter? Why does Julie's ex-boyfriend Daniel keep his mother's bedroom door locked, years after she passed away? And is there anything more gruesome than the uncertainty of not knowing what happened to your own child?

True Blue is by Joe Thomas. New Year's Eve 1988. An illegal rave in Hackney. Acid House has arrived in the UK. But the Second Summer of Love is no golden era for Britain. A decade of Thatcher is starting to bite and her planned "Community Charge" will only rub salt in the wounds. Privatisation has lined shareholders pockets, but at what cost? A nation stripped of its assets, going for broke. DC Patrick Noble is assigned to a task force working out of Stoke Newington, gathering evidence of police corruption to use against his new colleagues. But this is a dangerous game. And his underlings - spycop Parker and reluctant civilian Suzie Scialfa - are getting restive. Turns out blackmail and intimidation can only get you so far. Meanwhile, council solicitor Jon Davies is once again lifting stones that shouldn't be lifted - this time plumbing the depths of the deal to privatise water. As the country hurtles towards disorder, in the form of riots that even the Iron Lady can't withstand, Noble walks an inexorable path towards his own inescapable fate. Things can only get better. But first they have to hit rock bottom.

February 2026

The Killing Floor is by Elly Griffiths. Ali Dawson is a police detective who leads a unit that investigates cases so cold her team must travel to the distant past to solve them. But Ali and the team haven't been allowed to time-travel ever since their technical expert, Jones, got stuck in Victorian London, never to be seen again. To distract herself from meaningless tasks, Ali decides to look into a present-day case - an apparent suicide of a young man who fell to his death from a high building. She believes the death is linked to a psychic medium called Barry Power, who convinced the boy he could fly. Ali goes to one of Power's shows where he claims to be in contact with Jones. When Ali notices that evening that her cat, Terry, has gone missing, she decides to go back in time just long enough to prevent Terry from escaping through his open cat flap. A dangerous plan which backfires, and she finds herself once more in Victorian London, where she meets Jones, as well as Power, and the darkly mysterious Cain Templeton with whom Ali has unfinished business from her previous visit to the past . .

Cromarty, The Black Isle, 1831. As seagulls shriek and rise on the coastal winds, a circulating library in the bustling port town of Cromarty is meeting for the first time. Ostensibly united by a love of books, the demands of social convention have brought together a disparate group of people. Charlotte Mackenzie, the remote and fragile wife of the local laird, seeks an escape from a loveless marriage; her best friend, Rachel Mackay, a former governess who is ardently in love with her own older husband, the town's minister; the young schoolmaster, John Learmonth, newly arrived from Edinburgh with secrets in tow; and the gentle bank clerk, Ludovic Cameron who dreams of a new life across the ocean, far from his erstwhile schoolmate, the malevolent Farquhar Hossack. When the laird befriends a wounded officer, a chain of events is set into motion that threatens to upset the delicate equilibrium of the community. Against the backdrop of mass emigrations, an encroaching cholera epidemic, political unrest and the campaign to abolish chattel slavery in the British Caribbean, the people of Cromarty must negotiate their new world and each other, flitting in and out of each other's lives through one extraordinary year. The Cromarty Library Circle is by Shona Maclean.

The Widows is by Anna Smith. One false move could get them killed. Ruby, Bella and Cissy are used to the high life. Married to gangland bosses at the top of their game, the riches of Costa del Sol are at their fingertips, the world at their feet. But when Cissy's husband is brutally murdered, everything changes. With his lifelong friend - the notorious drug lord Tommy Mallon - hellbent on revenge, the three women are forced to go on the run. Soon they find themselves caught up in an explosive struggle for money and power. A new life awaits - but only if they can outrun the one they've left behind.

March 2026

The Move is by J P Delaney. Few beginnings can be deadly . . .  Kate and Matt Crowther are finally moving out of London, in search of a better life for their young family. Trade Cottage seems to be the house of their dreams - and they immediately hit it off with the sellers, Rosemary and Paul Finch, who brought up their own family there.  When Kate and Matt move in, they're pleased to discover the Finches still very much in evidence: offering advice, introducing them to the local community, and becoming honorary grandparents to Will, 11, and Tilly, 9. But when the Finches take exception to Kate and Matt's renovations, relations with the neighbours sour, and Kate and Matt find themselves subjected to a vicious campaign of hate. But Kate isn't giving up her dream home without a fight. And it turns out Trade Cottage has secrets of its own to reveal - secrets that may endanger the very family Kate has moved there to protect .

Vital Signs is by Kate Webb. Can a killer leave no trace? August 2010. The Tobins - a happy, well-off family - spend a sunny afternoon at a birthday party with friends. By dawn, most of them are dead. It's a crime that grabs headlines and shocks the nation. The key suspect, Aidan Tobin, was known as a loving husband and father, but his desperate attempt to take his own life is as good as a confession. The case begins and ends with him. August 2021. A survivor of the attacks regains a memory of that horrific night. Chloë Tobin never believed her father was guilty. Only six at the time, she is the sole witness to the brutal attacks. Now, she insists that somebody else was involved. Could she be right? DI Matt Lockyer and DC Gemma Broad of Wiltshire Police's cold case unit aren't so sure. But as they begin to investigate, they soon discover there's more to this case than meets the eye. After all, why would a man who had everything destroy it all?

The Dangerous Stranger is by Simon Mason. On a warm and pleasant evening in Oxford, gentle city of poets and scholars, rioters outside a hotel full of asylum seekers set a young refugee on fire. The city - the country - convulses in shock. Is this who we are? It's international news of the very worst kind, and the Chief Constable demands immediate and exemplary action in bringing the perpetrators to justice. The detectives leading the investigation fill him with misgivings, however: DIs Ryan and Ray Wilkins (no relation), Thames Valley's detective pantomime horse, one Oxford-educated, the other Oxford-trailer park. He doesn't understand why they work together. 'Do they even get on?' 'Somehow that doesn't seem necessary,' their Superintendent replies. Who burned the boy alive? Was it a far-right extremist? Was it an ordinary person who had simply gone along to watch and got caught up in the emotion? Could it even be one of the children who were there? Deploying a range of investigative skills, some standard, some unconventional and some frankly nuts, the Wilkinses do what they do: results with chaos. But when they discover that the victim was not an asylum seeker after all, or even a resident of the hotel, the whole investigation kicks into a completely different configuration.

April 2026

Laura never meant to lie, but old habits die hard. When Annie Adams heads to London to visit her mother, Laura, the last thing she expects to find is a dead body. Least of all for it to be Fliss, the budding artist Laura had just taken under her wing.  Annie is no stranger to murder - after all, she's solved a few cases already. And something about the way Fliss died feels familiar. She's seen a case like this before. Or read about it, rather, in the journals of her dead Great Aunt Frances, whose close friend was killed in the 1960s in the exact same way: with her heart surgically removed from her chest. As threats pile up on Laura's doorstep, it soon becomes clear that she's next, and that she's hiding something . . . With her mother's life on the line, can Annie find the killer before it's too late?  From the gritty streets of 1960s Soho to the lofty galleries of present-day West London, follow Annie and Frances as they race to bring a killer to justice. How to Cheat Your Own Death is by Kristen Perrin.

Fresh from case of the stolen heart, one that shattered his belief in the regime he works for, Samson Kolechko is confronted with a mystery that borders on the impossible. How could a squad of Red Army soldiers have disappeared from the Galician bathhouse, leaving only their boots and their uniforms as evidence they ever existed? Faced with such a fantastical conundrum, Samson resorts to fantastical investigation method: stitching his operative severed ear into a bathhouse worker's jacket, he is able to eavesdrop on his every move. But he discovers far more than he bargained for, uncovering human remains in the stoves and the presence of a sinister religious cult in the city. With his quick-witted new wife Nadezhda at his side, Samson must not only solve the case but navigate the political turmoil that still grips Kyiv as civil war looms and trust between neighbours and comrades is eroded day by day. The Lost Soldiers is by Andrey Kurkov.

May 2026

Just Kill is by Remi Kone. London during a blistering heatwave. A man wakes in the middle of the night, hearing noises from downstairs. He assumes it's a burglar - nothing prepares him for what he finds. Across the city, DI Leah Hutch and DS Benjamin Randle are called to a murder scene outside their jurisdiction. A woman has been killed - the only suspect, a friend from Leah's past who refuses to speak to anyone but her. Meanwhile, fourteen-year-old Zed Okoro's mother has vanished. He will do anything in his power to find her - even if it means risking his own life. As Leah and Randle investigate, they discover a conspiracy with roots far from home. Three incidents. One connection. What secrets make people kill?

In a brilliant feat of literary detective work Master of Lies by Piers Blofeld tells the extraordinary untold story of Anthony Blunt's life as a spy. Based on extensive research into newly released files he is revealed as not simply "the fourth man", but the most dangerous spy of the twentieth century. During the war, as the fate of the world hung in the balance, Blunt's intelligence was being fed straight on to the desks of Hitler, Stalin and Churchill. His hand was secretly guiding our collective fate and his treason led to the deaths of tens of thousands. He casts a shadow which looms large to this day. The official narrative is that Blunt was the least of the Cambridge spies - and yet he was the one who got away with it. While the rest drank themselves to death in dingy Moscow flats, Blunt revelled in his brilliant career as an art historian, Surveyor of the Queen's pictures and Knight of the Realm. He was protected not just by his many friendships with the great and the good, but by the brilliance with which he played the game - his was a secret too big to be told.

June 2026

These are your neighbours. One is a killer. Reeling from a very recent divorce, Frankie has moved into a glamorous London neighbourhood. This is a new chapter in her life. She's decided to put down roots with the beautiful Persian cat she left her marriage with named Blue. But little niggles with her perfect new life start to grow and when Blue returns one night from slipping into places he shouldn't, Frankie's concerns solidify. Two words are roughly scratched into his collar: HELP ME. Unsettled and unwilling to ignore the incident, Frankie roots out an old unused "Cat Cam" collar. What slowly begins as a voyeuristic fascination with her neighbours and the secrets they're hiding soon turns into a perilous quest for the truth that threatens to bring untold terrors to her doorstep. These are your neighbours. One is a killer. Reeling from a very recent divorce, Frankie has moved into a glamorous London neighbourhood. This is a new chapter in her life. She's decided to put down roots with the beautiful Persian cat she left her marriage with named Blue. But little niggles with her perfect new life start to grow and when Blue returns one night from slipping into places he shouldn't, Frankie's concerns solidify. Two words are roughly scratched into his collar: HELP ME. Unsettled and unwilling to ignore the incident, Frankie roots out an old unused "Cat Cam" collar. What slowly begins as a voyeuristic fascination with her neighbours and the secrets they're hiding soon turns into a perilous quest for the truth that threatens to bring untold terrors to her doorstep. Nine Lives is by Catherine Steadman

After Bruno misses several phone calls from Pamela, he worries that something has happened to his beloved horse he keeps at her riding school. But her reason for calling is entirely unexpected: Pamela’s new lodger has been murdered. Bruno knows that Pamela isn’t capable of killing anyone, but then who’s the culprit? And what’s the motive? The dead woman had only just moved to town to take a job at the local nursing home—she had no enemies in the village, and no friends, either. As Bruno wrestles with these complications, the force realizes that Bruno can’t be impartial when Pamela is involved, and assigns the case instead to their rising star rookie, Fabien. Bruno is happy for Fabien to take the lead. After all, Bruno’s been distracted—by his foundering relationship, by a documentary crew determined to transform the sleepy Vézère Valley into a tourist hotspot, by a group of opinionated small businesses Bruno wants to help organize a logistically complicated night market. He can’t seem to catch a break. But when Fabien realizes that the victim is connected to his past, Bruno has to step back in to help. The village has never felt more crowded, and the clock is ticking: Will Bruno and Fabien be able to catch a killer? A Murder in Springtime is by Martin Walker. 










Wednesday, 6 August 2025

Remi Kone - From TV Drama Producer to Crime Thriller Author

My first job in television was making up stories for a soap. I couldn’t believe such a role existed - I had loved telling stories all my life, and I was going to be paid for something I had been doing since I was a child. I joined a team of story liners and, over the course of a year, I wrote numerous stories about characters of all ages and backgrounds - some of whom had appeared on screen for decades; others whom I helped create. It was the best training I’ve ever had and, when I sat down to write my debut crime thriller novel, INNOCENT GUILT, those lessons I had learned at the start of my TV career proved invaluable.

INNOCENT GUILT began with an image: a woman covered in blood, carrying a baseball bat walks into a police station. She doesn’t say a word; she’s not injured, and the blood isn’t hers. Is she the victim or the perpetrator? Who is she? What has she done? I wasn’t sure at first, but I wanted to find out.

My lead character, Detective Leah Hutch, is outside the police station when the mute woman appears, and we mainly follow the investigation through her eyes. After several years of working in series television, I have first-hand experience of how attached audiences can become to characters, developing allegiances that bring them back to a TV show, season after season. I wanted to create a central character with whom readers would want to go on a journey across multiple books. I spent a while pondering who Leah is and how she sees the world, but it wasn’t until I started to think of the chapters as scenes that she really came to life. As I wrote, I imagined her in each scene - how would she react to each conflict - big and small? How did that drive the story forwards? The chapters became shorter and sharper, and the words started to flow. Sometimes Leah surprised me, and I had to change course from what I had originally planned. With each draft, I got to know her better and discovered layers I hadn’t envisaged. 

We mainly follow the story through Leah’s eyes, but hers isn’t the only point of view in the novel: A journalist called Odie Reid receives a mysterious tip-off about a dead body in a park. She has history with Leah and tries to link the dead body to the mute woman, determined to solve the case before Leah does. Thus begins a cat and mouse game between two women who don’t like each other, as they investigate the case in parallel.

When it came to structuring the novel from two different perspectives, I turned to the world of television once more. Since my days working on a soap, I have primarily worked on returning drama series. I have spent hours helping screenwriters plot multiple story strands across several episodes, building to the season climax, and I approached INNOCENT GUILT in much the same way. The main difference was that now, as opposed to working in a team, I was on my own. I have a fantastic agent and editor, but in those early stages, it was just me and the blank page.

I am often asked how working on a book differs from producing television drama and which I prefer: Writing books is in many ways solitary, whilst TV is more collaborative, particularly when it comes to the practicalities of TV production. Having said that, I’ve been pleasantly surprised by how useful my TV experience has been, and I’m thankful for those early days spent sitting in a room with my fellow story liners, creating imaginary characters and talking about their lives as if they were real.

Innocent Guilt by Remi Kone (Quercus Publishing) Out Now

Victim or murderer . . . Can she discover the truth? On a misty autumn afternoon, a woman covered in blood clutching a baseball bat walks silently into a London police station. The two officers assigned to her case are DI Leah Hutch and DS Benjamin Randle. But the woman refuses to speak. She is not injured and the blood on the bat is not hers. What has she done? Is she the victim or the perpetrator? As Leah and Randle start their inquiry, a man is found battered to death in a nearby park. Journalist Odie Reid receives a tip off and is determined to solve the case first, trying to link this death to the woman held in custody. Leah and Odie have history and very quickly their cat and mouse game becomes personal, leading them both to the very darkest corners of their pasts.      

A review of Innocent Guilt can be found here on the Shots Mag website.

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British Nigerian Emmy-nominated producer, Remi Kone has worked on a number of well-known television dramas, such as KILLING EVE, SPOOKS and LEWIS. She lives in London, and INNOCENT GUILT is her first novel.

 

Instagram: @remikonewriter