Showing posts with label Sarah Pinborough. Show all posts
Showing posts with label Sarah Pinborough. Show all posts

Thursday, 2 July 2026

Crime Writers’ Association Announce 2026 Dagger Winners

 


The winners of the prestigious 2026 Crime Writers’ Association (CWA) Dagger Awards, which honour the very best in the crime-writing genre, have been announced.

Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

The awards were announced on 2 July at the CWA gala dinner at De Vere Grand Connaught Rooms, London.

The coveted KAA Gold Dagger, sponsored by Kevin Anderson & Associates, which is awarded for the best crime novel of the year, went to Abigail Dean for The Death of Us, a haunting literary thriller that examines how a violent crime reverberates through a marriage over decades. Dean transitioned from a successful legal career—including working as a lawyer at Google—to become one of the UK's most acclaimed contemporary thriller writers.



S.A. Cosby, the only author to be shortlisted for an unprecedented three Dagger awards, took home the Ian Fleming Steel Dagger, which honours the best thriller of the year, with his book, King of Ashes.

Cosby is one of the most celebrated crime writers working today, regularly praised by Barack Obama in his Books of the Year selections, known for blending fast-paced noir thrillers with sharp explorations of race, class, masculinity, and life in the modern American South. He worked in construction, retail and security, writing on the side, before breaking through with the acclaimed novel, Blacktop Wasteland

King of Ashes, is a Southern Gothic crime epic inspired in part by The Godfather. The novel combines family drama, organised crime, revenge, and long-buried secrets.

Nadine Matheson, Chair of the CWA, said: “It is a genuine pleasure to congratulate every winner of this year's Daggers. The range and quality on display are a reminder of just how much vitality there is in crime fiction and how it continues to push at its own boundaries, and this year's winners are leading that charge. Congratulations.

Nina Allan received the Historical Dagger for A Granite Silence, an atmospheric mystery that uses the disappearance of a young girl in 1930s Aberdeen to explore memory, truth, and the stories communities tell themselves about tragedy. Nina made a name for herself in the Science Fiction genre, but her literary thrillers cross categories and have been highly praised by critics.

The Twisted Dagger for psychological suspense went to Sarah Pinborough, for her haunting Gothic novel, We Live Here Now. Pinborough is best-known for her New York Times bestselling breakout novel (and hit Netflix show) Behind Her EyesWe Live Here Now was praised for its eerie atmosphere and signature Pinborough-style ending.

The Whodunnit Dagger for books with an intellectual challenge at the heart of a good mystery, sees Mel Pennant take home the award for A Murder for Miss Hortense

A playwright, screenwriter, and novelist A Murder for Miss Hortense is Pennant’s breakthrough novel featuring the sharp-witted Jamaican-born retired nurse living in Birmingham who investigates a murder. The book was praised for combining a compelling mystery with a warm portrayal of the Windrush generation and Caribbean-British life.

The global reach of the genre is showcased in the Crime Fiction in Translation Dagger. Finland’s Antti Tuomainen came top in a hotly contended category, with The Winter Job. Tuomainen is one of Finland's most internationally acclaimed crime writers, often described as the "King of Helsinki Noir" and dark comedy. His translator David Hackston, is also recognised in the award, which is sponsored in honour of Dolores Jakubowski.

The ALCS Gold Dagger for Non-Fiction was awarded to Susannah Stapleton for That Dark Spring

Stapleton is a historian specialising in uncovering forgotten stories from the early twentieth century, particularly women’s stories. That Dark Spring is an absorbing true-crime mystery that reopens the unsolved 1929 death of an eccentric British artist in Provence, revealing a world of secrets, rivalries, and unanswered questions.

The Daggers are one of few high-profile genre awards that celebrate the short story. This year’s recipient of the Short Story Dagger goes to Ambrose Parry for The Apple Falls Not Far. Ambrose Parry is the joint pen name of Scottish crime novelist Chris Brookmyre and his wife, former consultant anaesthetist Marisa Haetzman.



The Dagger in the Library, voted for by librarians, recognises authors whose bodies of work have resonated with readers over time. Tim Sullivan took the accolade in a stellar shortlist that included Paula Hawkins, Clare Mackintosh, Freida McFadden, and Abir Mukherjee.

An accomplished television writer-director, Tim Sullivan reinvented himself as a bestselling crime novelist through the hugely successful DS George Cross mysteries, combining classic detective fiction with a distinctive neurodivergent protagonist.

The CWA Daggers are also known for providing a platform for emerging talent, with the much-anticipated ILP John Creasey First Novel Dagger and the Emerging Author Dagger competition, sponsored by Fiction Feedback; over two dozen past winners and shortlisted debut authors have signed publishing deals to date. 

The Emerging Author Dagger went to Michael Nikitin for Blind Side of the Sun.

 

Laura McCluskey received the Creasey First Novel Dagger with The Wolf Tree. The Australian writer, editor, actor and filmmaker worked across theatre and film, before becoming a novelist. The Wolf Tree is an atmospheric crime thriller set on the fictional Hebridean island of Eilean Eadar, partly inspired by her Scottish family heritage and research into Scottish folklore.

The Best Crime and Mystery Publisher category recognises the publishers behind the genre’s success. The respected independent publisher Bitter Lemon Press beat heavyweights including Faber & Faber, Pan Macmillan, No Exit Press and Simon & Schuster to the award.

Founded in London in 2003 by François and Frédéric von Hurter and Laurence Colchester, Bitter Lemon Press specialises in bringing award-winning crime, noir, mystery, and thriller novels from around the world into English, often through new translations.

The CWA Diamond Dagger, sponsored by Karen Baugh Menuhin, is awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring and in 2026 was awarded to Mark Billingham.

Mark Billingham said: “I could not be more thrilled or honoured. To be added to a list that features most of my literary heroes is fantastic.”

The winners in full:    

                                  

CWA KAA Gold Dagger

The Death of Us by Abigail Dean (HarperCollins/Hemlock Press)

Ian Fleming Steel Dagger 

King of Ashes by S. A. Cosby (Headline)

ALCS Gold Dagger for Non-Fiction 

That Dark Spring by Susannah Stapleton(Pan Macmillan/Picador)

Historical Dagger

A Granite Silence by Nina Allan (Quercus/riverrun)

Crime Fiction in Translation Dagger

The Winter Job by Antti Tuomainen (Orenda Books) translated by David Hackston

Whodunnit Dagger

 A Murder for Miss Hortense by Mel Pennant (John Murray Press/Baskerville)

Twisted Dagger

We Live Here Now by Sarah Pinborough (Orion Fiction)

ILP John Creasey (First Novel) Dagger

The Wolf Tree by Laura McCluskey (HarperCollins/Hemlock Press)

Short Story Dagger

‘The Apple Falls Not Far’ by Ambrose Perry (Canongate)

Emerging Author

Blind Side of the Sun by Michael Nikitin

Dagger in the Library

Tim Sullivan  

Best Crime & Mystery Publisher

Bitter Lemon Press

Diamond Dagger

Mark Billingham

 




Thursday, 28 May 2026

Crime Writers’ Association Announce 2026 Dagger Awards Shortlist

 


The shortlist for the Crime Writers’ Association’s prestigious Dagger awards has been announced.

Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

This year’s shortlists showcase the range and depth of the genre, from historical fiction to thrillers and classic whodunnits.

As well as championing established authors of the genre, it also provides a platform for debut and emerging talent.

Nadine Matheson, Chair of the CWA, said: "This year’s shortlist is a fantastic reflection of the extraordinary breadth and diversity of crime fiction today, and a celebration of authors from debuts to established names, whose creative talents ensure that the genre continues to grow from strength to strength.

The coveted KAA Gold Dagger, sponsored by Kevin Anderson & Associates, is awarded for the best crime novel of the year.

Shortlisted novels are S.A Cosby with King of Ashes, Abigail Dean’s The Death of Us, Holly Jackson with Not Quite Dead Yet, Vaseem Khan’s The Girl in Cell A, Ariel Lawhon with The Frozen and Lara Shepherd-Robinson’s The Art of a Lie, a novel that also makes the Historical Dagger shortlist.

S.A. Cosby is the only author to be shortlisted for an unprecedented three Dagger awards. As well as Gold, the American author of “Southern noir” is also in contention for the Short Story Dagger and the Ian Fleming Steel Dagger, which honours the best thriller of the year.

Also shortlisted for the Steel Dagger is the standalone thriller by BookTok sensation Noelle W Ihli, Such Quiet Girls inspired by the real-life 1976 Chowchilla kidnapping. She’s up against the global bestselling author Karin Slaughter for We Are All Guilty Here, Tariq Ashkanani’s The Midnight King, Robert Crais with The Big Empty, Mark Ezra’s A Sting in her Tale and Liam McIlvanney’s The Good Father.

Joining Laura Shepherd-Robinson, authors Nina Allan, Rob McInroy, Donna Moore, Alan Parks and Sally Smith make the Historical Dagger shortlist. The historical novels span 18th century London to 1920s Glasgow, from stories inspired by gritty true crimes to a cosy Christmas mystery.

The Twisted Dagger for psychological suspense shortlist features Sarah Pinborough, the author behind the New York Times bestselling breakout novel (and hit Netflix show) Behind Her Eyes with a haunting Gothic novel, We Live Here Now. She’s up against Kia Abdullah, Nicci Cloke, Fiona Cummins, Carole Hailey and Sam Lloyd.

The Whodunnit Dagger for books with an intellectual challenge at the heart of a good mystery, sees Alexandra Benedict, Victoria Goldman, Anna Fitzgerald Healy, Robert Holtom, Mel Pennant and CJ Wray in the running.

The global reach of the genre is showcased in the Crime Fiction in Translation Dagger.

International authors include two German writers - Karsten Dusse with his bestselling dark comedy series, Murder Mindfully and Leonie Swann with her mystery novel, Big Bad Wool, the anticipated follow-up to her breakout hit, Three Bags Full that follows a flock of sheep as they try to solve a murder.

The shortlist also sees Norway’s Jørn Lier Horst, the Croatian writer and journalist Jurica Pavicic, Finland’s Antti Tuomainen, and Strange Pictures – a novel from the Japanese YouTuber and writer, Uketsu.

Their translators are also recognised in the award, which is sponsored in honour of Dolores Jakubowski.

The ALCS Gold Dagger for Non-Fiction includes The Spy in the Archive by Gordon Corera and Shaun Walker’s The Illegals, profiling Russia’s most audacious spies, reflecting the enduring fascination with espionage and true crime, alongside Shadow of The Bridge by Áine Cain and Kevin Greenlee, John Curran’s The Murder Game, Caroline Fraser’s Murderland, and Susannah Stapleton with That Dark Spring.

The Short Story Dagger features S.A. Cosby, alongside the acclaimed Scottish author Denise Mina and the bestselling Abir Mukherjee. The Daggers are one of the few high-profile awards celebrating short-form storytelling.

The Dagger in the Library, voted for by librarians, recognises authors whose bodies of work have resonated with readers over time. On this year’s shortlist are Paula Hawkins, best known for her huge hit, Girl on the Train alongside JD Kirk, Clare Mackintosh, Freida McFadden, Abir Mukherjee and Tim Sullivan.

The CWA Daggers are also known for providing a platform for emerging talent, with the much-anticipated ILP John Creasey First Novel Dagger and the Emerging Author Dagger competition, sponsored by Fiction Feedback; over two dozen past winners and shortlisted debut authors have signed publishing deals to date.

The Best Crime and Mystery Publisher category recognises the publishers behind the genre’s success, with leading imprints including Faber & Faber, Pan Macmillan, and Simon & Schuster shortlisted against Bitter Lemon Press, No Exit Press and Viper.

The CWA Diamond Dagger, sponsored by Karen Baugh Menuhin, is awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring and in 2026 was awarded to Mark Billingham.

The winners are announced at the CWA gala dinner awards night in July.


The shortlists in full:                


CWA KAA Gold Dagger

King of Ashes by S. A. Cosby (Headline)        

The Death of Us by Abigail Dean (HarperCollins/Hemlock Press)

Not Quite Dead Yet by Holly Jackson (Penguin Random House/Michael Joseph)

The Girl in Cell A by Vaseem Khan (Hodder Fiction).

The Frozen by Ariel Lawhon (River Swift Press)          

The Art of a Lie by Laura Shepherd-Robinson (Pan Macmillan/Mantle)

          

Ian Fleming Steel Dagger

The Midnight King by Tariq Ashkanani (Profile Books/Viper)

King of Ashes by S. A. Cosby (Headline)

The Big Empty by Robert Crais (Simon & Schuster UK)

A Sting in her Tale by Mark Ezra (Bedford Square Publishers/ No Exit Press)

Such Quiet Girls by Noelle W Ihli (Pan Macmillan/ Pan)

The Good Father by Liam McIlvanney (Bonnier Books UK/Zaffre)

We Are All Guilty Here by Karin Slaughter (HarperCollins Publishers)

ALCS Gold Dagger for Non-Fiction

Shadow of The Bridge: The Delphi Murders and The Dark Side of The American Heartland by Áine Cain and Kevin Greenlee (Pegasus Books/Pegasus Crime)          

The Spy in the Archive: How One Man Tried to Kill the KGB by Gordon Corera (HarperCollins/ William Collins)

The Murder Game by John Curran (HarperCollins/Collins Crime Club)

Murderland by Caroline Fraser (Little, Brown Book Group/Fleet)

That Dark Spring by Susannah Stapleton (Pan Macmillan/Picador)

The Illegals by Shaun Walker (Profile Books)


Historical Dagger

A Granite Silence by Nina Allan (Quercus/riverrun)

Barvick Falls by Rob McInroy (Tippermuir Books)

The Devil's Draper by Donna Moore (Fly on the Wall Press)

Gunner by Alan Parks (John Murray Press/Baskerville)

The Art of a Lie by Laura Shepherd-Robinson (Pan Macmillan/Mangle)

A Case of Life and Limb by Sally Smith (Bloomsbury Publishing/Raven Books)


Crime Fiction in Translation Dagger

Murder Mindfully by Karsten Dusse (Faber) translated by Florian Duijsens

The Lake by Jørn Lier Horst  (Penguin Random House) translated by Anne Bruce

Red Water by Jurica Pavicic (Bitter Lemon Press) translated by Matt Robinson

Big Bad Wool by Leonie Swann (Allison & Busby) translated by Amy Bojang

The Winter Job by Antti Tuomainen (Orenda Books) translated by David Hackston

Strange Pictures by Uketsu (Pushkin Press) translated by Jim Rion


Whodunnit Dagger

The Christmas Cracker Killer by Alexandra Benedict (Simon & Schuster UK)

Little Secrets by Victoria Goldman (Three Crowns Publishing UK/self-published)

Etiquette for Lovers & Killers by Anna Fitzgerald Healy (Little, Brown Book Group/Fleet)

A Queer Case by Robert Holtom (Titan Books)

A Murder for Miss Hortense by Mel Pennant (John Murray Press/Baskerville)

Bad Influence by CJ Wray (Orion Fiction)


Twisted Dagger

What Happens in the Dark by Kia Abdullah  (HarperCollins/HQ Ficiton)

Her Many Faces by Nicci Cloke (Penguin Random House UK/Harvill)

Some of Us are Liars by Fiona Cummins (Pan Macmillan/Macmillan)

Scenes From A Tragedy by Carole Hailey (Atlantic Books/Corvus)

The Bodies by Sam Lloyd (Transworld/Bantam)

We Live Here Now by Sarah Pinborough (Orion Fiction)         

ILP John Creasey (First Novel) Dagger

The Peak by Sam Guthrie (HarperCollins Publishers)

The Lost Detective by Elspeth Latimer (Story Machine)

The Wolf Tree by Laura McCluskey (HarperCollins/Hemlock Press)

The Vanishing Place by Zoë Rankin (Profile Books/Viper)

Coram House by Bailey Seybolt (Bloomsbury Publishing/Raven Books)

Holy City by Henry Wise (Bedford Square Publishers/No Exit Press)

Short Story Dagger

Split Your Silver Tongue’ by SA Cosby in Birds, Strangers and Psychos (No Exit Press)

The Karpman Drama Triangle’ by Denise Mina in Birds, Strangers and Psychos (No Exit Press)

Full Circle’ by Abir Mukherjee in Playing Dead: Short Stories by Members of the Detection Club (Severn House)

 ‘The Apple Falls Not Far’ by Ambrose Perry (Canongate)

 ‘Strangers on a School Bus’ by Peter Swanson in Birds, Strangers and Psychos (No Exit Press)

 ‘Waiting’ by Michael Wood in Criminal Pursuits: This Is Me (Telos Publishing)

Emerging Author

Ill Met By Murder by Rod Cookson, 

 The Man Who Fit the Case by Sophia Georghiou

Just a Simple Wedding by Kate Koester

The Fixer by Lorna Mathew, 

The Madam of Morningside by Rebecca McFarland

Blind Side of the Sun by Michael Nikitin

The Pattern of Absence by Melisssa Smith


Dagger in the Library

Paula Hawkins   

JD Kirk  

Clare Mackintosh             

Freida McFadden             

Abir Mukherjee 

Tim Sullivan       


Best Crime & Mystery Publisher

Bitter Lemon Press

Faber & Faber

No Exit Press (Bedford Square)

Pan Macmillan

Simon & Schuster

Viper (Profile Books)


Wednesday, 13 May 2026

FINGERPRINT Awards Shortlists: Capital Crime Festival

 

The Capital Crime Festival  (London, UK) announced the shortlists for its annual Fingerprint Awards, which champion the very best in crime writing from the past year across the globe, as voted for by readers. The shortlists were selected by the festival’s board members from a longlist curated by the Tastemakers Committee, a panel of leading independent bloggers and reviewers, who championed their standout titles across each category. 

Readers can now vote for their preferred winners in each category on the Capital Crime website through Saturday, May 30th. The winners will be revealed at the Fingerprint Awards on the evening of Thursday, June 18th as part of the Capital Crime event in London at the Royal Leonardo Hotel. Congrats to this year's finalists!

 

Audiobook of the Year

Don’t Let Him In by Lisa Jewell 

King of Ashes by  S A Cosby

We Live Here Now by Sarah Pinborough 

Beautiful Ugly by Alice Feeney

Artificial Wisdom by Thomas R. Weaver


True Crime Book of the Year

Story of a Murder by Hallie Rubenhold 

Nobody’s Girl by Virginia Roberts-Guiffre 

Murderland: Crime and Bloodlust in the Time of Serial Killers by Caroline Fraser 

A History of Modern Britain in Twenty Murders by Prof. David Wilson 

A Flower Travelled in My Blood by Haley Cohen Gilliland  


Debut Crime Book

Broken by Jón Atli Jónasson

Deadline by  Steph McGovern 

Death at the White Hart by Chris Chibnall

The Day of the Roaring by Nina Bhadreshwar

This is Not A Game by Kelly Mullen


Genre-Busting Book

Kill Them with Kindness by Will Carver 

Little Red Death by A. K. Benedict Book

Blood Like Ours by Stuart Neville

Small Fires by Ronnie Turner

Manhattan Down by Michael Cordy  


Historical Crime Book of the Year

The Art of A Lie by Laura Shepherd-Robinson 

The Rush by Beth Lewis 

Dangerous by Essie Fox

Burning Grounds by Abir Mukherjee

Marble Hall Murders by Anthony Horowitz 


Thriller Book of the Year

The Chemist by A A Dhand

Don’t Let Him In by Lisa Jewell 

Human Remains by Jo Callaghan 

The Man Made of Smoke by Alex North

Some of Us Are Liars by Fiona Cummins


Overall Crime Book of the Year

The Midnight King by Tariq Ashkanani

The Final Vow by M W Craven

Quantum of Menace by Vaseem Khan

The Good Father by Liam McIlvanney

We Live Here Now by Sarah Pinborough


Thursday, 30 April 2026

Longlist for Theakston Old Peculiar Crime Novel of the Year 2026 Announced

 





LONGLIST FOR THEAKSTON OLD PECULIER 

CRIME NOVEL OF THE YEAR 2026 

New talent competes with established global bestsellers for the UK and Ireland’s most prestigious crime fiction prize

Festival Dates:-23rd -26th July 2026


www.harrogatetheakstoncrimeaward.com

#TheakstonsAwards #TheakstonsCrime

Thursday 30 April 2026: Harrogate International Festivals today announced the 18 titles longlisted for the Theakston Old Peculier Crime Novel of the Year Award 2026, the UK and Ireland’s most prestigious crime fiction award, now in its twenty second year. 

The longlist, voted for by an academy of journalists, reviewers, booksellers, bloggers, podcasters and industry representatives, showcases stories that transport readers from gangland Yorkshire to a haunted Dartmoor country house, from wartime Glasgow to a remote Scottish island, and features a host of remarkable sleuths - from the world’s first AI detective, to a time-travelling cold case investigator. 

The Longlist includes:

    Six talented authors are longlisted for the first time, including bestselling authors A.A. Dhand and Alice Feeney, who both have smash hit TV adaptations to their names. 

    5 former winners - 2024 champion Jo Callaghan, Mick Herron, Denise Mina, Belinda Bauer - and two times winner Mark Billingham - feature on the longlist. Belinda Bauer and Jo Callaghan are both alumni of the Theakston Old Peculier Crime Writing Festival’s celebrated ‘New Blood’ initiative championing emerging talent. 

    The longlist features writers from across the UK, including Bradford, Manchester, Birmingham, Sussex, Cardiff and Oxfordshire, with four Scottish authors, Tariq Ashkanani, Callum McSorley, Denise Mina and Alan Parks nominated. 

    Celebrating innovative and entertaining storytelling, the 2026 longlist showcases a thrilling range of crime fiction subgenres, from gritty gangland thrillers and locked room mysteries to enthralling court room dramas, dark domestic noir and atmospheric historical murder mysteries. 

The full Theakston Old Peculier Crime Novel of the Year 2026 longlist (in alphabetical order by surname) is:  

    What Happens in the Dark by Kia Abdullah (HarperCollins, HQ Fiction) 

    The Midnight King by Tariq Ashkanani (Profile Books, Viper) 

    The Impossible Thing by Belinda Bauer (Penguin Random House, Bantam) 

    What The Night Brings by Mark Billingham (Little, Brown Book Group, Sphere) 

    Human Remains by Jo Callaghan (Simon & Schuster) 

    The Death of Us by Abigail Dean (HarperCollins, Hemlock Press) 

    The Chemist by A.A. Dhand (HarperCollins, HQ Fiction) 

    Beautiful Ugly by Alice Feeney (Pan Macmillan, Pan Fiction) 

    The Frozen People by Elly Griffiths (Quercus Books) 

    The Examiner by Janice Hallett (Profile Books, Viper) 

    The Blue Hour by Paula Hawkins (Penguin Random House, Doubleday) 

    Clown Town by Mick Herron (John Murray Books, Baskerville) 

    Quantum of Menace by Vaseem Khan (Bonnier Books, Zaffre) 

    Paperboy by Callum McSorley (Puskin Press, Vertigo) 

    The Good Liar by Denise Mina (Penguin Random House, Harvill)

    Gunner by Alan Parks (John Murray Books, Baskerville) 

    We Live Here Now by Sarah Pinborough (Orion Publishing Group, Orion Fiction) 

    A Schooling in Murder by Andrew Taylor (HarperCollins, Hemlock Press) 

Crime fiction fans are now invited to help whittle 18 down to 6 by voting for their favourite novels to reach the shortlist, with the winner of the coveted Award announced on the opening night of the Theakston Old Peculier Crime Writing Festival on Thursday 23rd July. 

The longlist in more detail: 

Five former winners are vying for top honours at this year’s Awards, including 2024 champion Jo Callaghan, who is longlisted for Human Remains, the third in her highly original series featuring detective duo DCS Kat Frank and her AI colleague Lock, alongside Belinda Bauer for The Impossible Thing, a historical mystery set in the world of rare egg trafficking. Both Jo Callaghan and Belinda Bauer are alumni of the Festival’s acclaimed ‘New Blood’ initiative supporting outstanding new voices. Also nominated are Denise Mina’s The Good Liar, a taut conspiracy thriller where a blood spatter expert is caught in a deadly dilemma about whether to reveal a miscarriage of justice, and Mark Billingham’s What the Night Brings, a pulsating Tom Thorne thriller where a series of targeted murders against police officers lead to an investigation into betrayal and vengeance. They are joined by Mick Herron who is longlisted for Clown Town, the latest instalment in the bestselling Slough House series, which sees a gang of washed-up spooks entangled in a dangerous game of blackmail with its roots in the Irish Troubles. Highly commended in 2023, Elly Griffiths receives an impressive eleventh longlisting for The Frozen People, the first in a new series with a time-travelling spin, as an unsolved mystery takes a cold cases investigator back to the freezing London of 1850.

Among the six hugely talented writers longlisted for the first time are Tariq Ashkanani, nominated for The Midnight King¸ a breathtaking thriller exploring the dark legacy of a serial killing author after his death, and Kia Abdullah for What Happens in the Dark, a courtroom drama about nightmare neighbours and how far ordinary people will go to defend loved ones. Also longlisted are We Live here Now by Sarah Pinborough, a twisty, genre-bending take on the haunted house mystery, set on Dartmoor, and Paperboy by Callum McSorley, an inventive, fast-paced and blackly comic slice of Glasgow Noir. They are up against A.A. Dhand’s gangland thriller, The Chemist where a community pharmacist finds himself in the middle of a turf war between two powerful Yorkshire drug cartels, and Alice Feeney’s Beautiful Ugly, a magnetic thriller about marriage and revenge set on a remote Scottish island. 

This year’s longlist showcases an extraordinary range of crime fiction subgenres. Vaseem Khan’s Quantum of Menace, a witty James Bond spin-off where a reimagined Q investigates the suspicious death of a scientist friend after losing his job at MI6, is nominated alongside Paula Hawkins’ atmospheric ‘locked room’ style mystery set on a tidal Scottish island, The Blue Hour. Joining them on the longlist are Abigail Dean’s psychological thriller The Death of Us, exploring trauma, grief and survival though the impact of a horrendous crime on one couple's relationship, and Janice Hallet’s The Examiner, an intricate mystery set in an art college, where a student is killed and suspicion falls on their dysfunctional classmates. 

Completing the 2026 line-up are two historical thrillers set in the Second World War. Gunner by Alan Parks sees a wounded former detective drawn into the case of a mutilated German found in Glasgow's bomb wreckage, and A Schooling in Murder by Andrew Taylor, set in a boarding school haunted by the ghost of a dead teacher whose replacement attempts to unmask the killer. 

Simon Theakston, Chairman of T&R Theakston, said: 

We are delighted to announce the 2026 longlist for the Theakston Old Peculier Crime Novel of the Year. It’s a pleasure to sponsor this Award and champion such an array of talented crime writers – from established global bestsellers and household names, to rising stars who are all set to become the superstar writers of tomorrow. We’re very much looking forward to finding out who the public vote for to reach the shortlist this year.

Sharon Canavar, Chief Executive of Harrogate International Festivals, said:  

Congratulations to all the hugely talented writers longlisted for this year’s Theakston Old Peculier Crime Novel of the Year. We’re excited to see such a compelling and inclusive longlist for this year’s Award. Readers are vitally important to the Award as they help to determine the outcome, and in this National Year of Reading we encourage everyone to go all in and vote for their favourite novel to reach the shortlist.

The Award is presented by Harrogate International Festivals and sponsored by T&R Theakston Ltd, in partnership with Waterstones and Daily Express, and is open to full-length crime novels published in paperback between 1 May 2025 to 30 April 2026. The public are invited to vote to help create a shortlist of six titles from 8am on Thursday 30 April at www.harrogatetheakstoncrimeaward.com 

Voting closes on Thursday 28 May at 23:59, with the shortlist announced on Thursday 18 June. Once the shortlist is announced, readers will have the chance to vote again to help determine the winner. The winner will be revealed on the opening night of Theakston Old Peculier Crime Writing Festival, Thursday 23 July, at a special awards ceremony hosted by Steph McGovern. They will receive £3,000 and a handmade, engraved beer barrel provided by T&R Theakston Ltd.

Thursday, 12 December 2024

Forthcoming Books from Orion Publishing

 January 2025

Notes on a Drowning is by Anna Sharpe. Alex knows she risks getting fired from her law firm if she takes on another unpaid case, but when she hears Rosa's desperate voice at the other end of the phone, she knows she has to help: the body of Rosa's shy teenage sister, Natalia, has been dragged, lifeless, from the Thames. Alex can't help but think of her own missing little sister. She knows how a lack of answers can eat you alive. Kat has worked hard to become Special Adviser to the Home Secretary, and is eager to finally put the dark and tragic part of her past behind her. But when she discovers a series of cover-ups, she begins to wonder whether her seemingly perfect new boss could be involved. Then she she's shocked to discover a letter that raises worrying questions about a girl found drowned in London... Natalia. There are complex and painful reasons for Alex and Kat not to work together, but when it becomes clear that there are powerful people involved in Natalia's death, and that other girls are at risk, Alex and Kat must overcome their differences to find answers. Will they save the girls and discover the truth? Or will the high-powered players in this game stop Alex and Kat for good?

Adrianna, heir to the multimillion dollar Kensington nightclub empire, is planning her dream wedding - a lavish ceremony funded by exclusive sponsors, on the Kensington's private tropical island Elysium. There's only one flaw in her perfect plans. Elysium holds traumatic memories as the place where she was kidnapped and held hostage for three days on her 21st birthday - a case that was never solved... When a bridesmaid is murdered the night before the dress fitting, it soon becomes clear that Adrianna won't be able to get hitched without a hitch. The body is staged in a gruesome display, chillingly reminiscent of Adrianna's kidnapping. When forensic expert Holly becomes embroiled in this alien world, the secrets that have dogged the bride and her bridesmaids since childhood start to come out. The answers lie on Elysium, if Holly can find her way into this playground of the rich and famous - and more importantly, if she can get out of it alive... The Bridesmaid is by Cate Quinn

The Time of the Fire is by Emma Kavanagh Northern California, end of summer. Fire Hazard Severity Zone: Very High. A mysterious death. On the anniversary of her mother's death, CEO-in-waiting Robyn Sandoval goes for a morning run. She knows her father - a local fire fighting hero - is desperate to speak to her, to tell her something he wants her to know before she starts her new job leading the corporation that owns most of their Northern Californian town of Destino. But when Robyn arrives, she finds him dead. A devastating fire. Meanwhile, after months of drought, a freak forest fire ignites on the mountain ridge looming over the town. Destino has never burned; its unique position protected by the seemingly insurmountable barrier of the ridge, a favourable wind direction, and a belief long held by the community that they are categorically safe. A life split in two. Robyn is shaken to the core by her father's death, and her life is shattered in two, the fabric of her reality shorn by the sheer force of her grief. The next time she wakes, everything is different: her father is alive, and there's no sign of the fire on the ridge. To understand what is happening, she has to confront not only the secrets of her past but both versions of her present. Because back in her world, the fire is spreading and the time to find answers is running out...

They've faked your child's death. And if you don't give them what they want, they'll make it a reality. Things have been difficult for annie since her husband left; her teenage daughter, Ifsla, has become a ghost of her former self. Annie's terrified that Isla might do something desperate, and she'll lose her, too. So when Annie receives a video of herself crying at Isla's funeral, her blood runs cold. Confused and horrified, Annie races upstairs to check on Isla, who is alive and well. The video has been faked. But who sent it and what do they want? One dark truth soon becomes clear: Annie is the latest in a string of parents being blackmailed, and Isla will be killed if Annie goes to the police or if she fails to give the sender what they want. Annie has a deadly choice: comply with the demands, or try to unmask the dangerous criminal. Your Child Next is by M J Arlidge and Andy Maslen

February 2025

The Naming of the Birds is by Paraic O'Donnell. 'Some wrong was done long ago. It can never be righted, and it has not been forgotten. Someone remembers it.' London, 1894. Inspector Henry Cutter is in an unconvivial temper. Then the murders begin. The first to die is Sir Aneurin Considine, a decorated but long-retired civil servant, is found dead amongst his beloved orchid collection, killed by a wound inflicted with surgical precision. Soon, other victims suffer similar fates. More men in powerful positions; more murders that are gruesome but immaculately orchestrated. The perpetrator comes and goes like a ghost, leaving only carefully considered traces. Hot on the tails of this invisible adversary are Inspector Cutter, along with his hapless but endlessly enthusiastic sidekick, Sergeant Gideon Bliss. But as the pressure mounts, victims will start to look like perpetrators, murderers like truth-tellers, long-hidden failings will come resurface, and not even their very selves are safe from suspicion.

It's New Year's Eve in Edinburgh when Emily sees Nicky. Or at least she thinks she does. He looks, laughs, and moves just like Nicky. But how can that be? Nicky died when they were teenagers, in an accident on a remote road up in the Highlands... didn't he? A week later, Emily sees the man again. He says his name Nicholas. This man not only looks like an adult version of her friend, but he also knows things that only Nicky should know. As her encounters with Nicholas become more frequent and her fixation intensifies, the truth becomes murkier, and more unsettling. Is Emily being haunted, is she going mad - or is something altogether darker going on... One Came Back is by Rose McDonagh.

March 2025

Decisions were made: I made them. Violence was done: I did it. Crime scenes were fled: I fled them. People were hurt: I hurt them. Someone was loved: I loved them. Not everything I did was bad. Just most of it. A scholarship kid with straight As and big dreams, Evie Gordon always thought she was special, that she'd be someone. But after graduating from an elite university, she finds herself drowning in debt and working as an SAT tutor for the super-rich of Los Angeles. Everything changes one Sunday, when she arrives for a weekly lesson at the Victors' Beverly Hills mansion to discover pure carnage: the bloody remains of Mr. and Mrs. Victor sullying their beautiful back garden, and a woman crying for help from within the walls of the family's estate.  Within moments, Evie and the woman go from bystanders to suspects to fugitives. Anointed the new Charles Manson by the press, a bloodthirsty ninety-nine percenter hoping to spark a class war, Evie is finally someone. At the heart of a nationwide manhunt, Evie is desperate to clear her name. But first she'll have to break down the barriers of her new companion - who is inscrutable, surprisingly skilled at being on the run, and quickly becoming the most important person in Evie's upside-down life. Killer Potential is by Hannah Deitch.

The Grapevine is by Kate Kemp. Australia, 1979. It's the height of summer and on a quiet suburban cul-de-sac a housewife is scrubbing the yellow and white chequered tiles of her bathroom floor. But all is not as it seems. For one thing, it's 3 a.m. For another, she is trying desperately to remove all traces of blood before they stain. Her husband seems remarkably calm, considering their neighbour has just been murdered. As the sun rises on Warrah Place, news of Antonio Marietti's death spreads like wildfire, gossip is exchanged in whispers and suspicion mounts. Twelve-year-old Tammy launches her own investigation, determined to find out what happened, but she is not the only one whose well-meaning efforts uncover more mysteries than they solve. There are secrets behind every closed door in the neighbourhood - and the identity of the murderer is only one of them . . .Richly atmospheric and simmering with tension, The Grapevine is an acutely observed debut novel about prejudice and suspicion, the hidden lives of women, and how the ties that bind a community can also threaten .

What brings people together often throws them apart especially when it involves family. Ordinarily a close and loyal unit, the relationnships between detectives David Stone and Frankie Oliver is stretched to a breaking point when, without hwe knowledge he embarks on an investigation into the tragic open-unsolved murder of her sister. The past and present will collide with devastating consequences. A Truth More Painful than Murder is by Mari Hannah.

Murder at the Palace is by N R Daws. When one of the ladies in residence at Hampton Court Palace fails to answer her maid's call in the morning, Mrs Lydia Bramble, palace housekeeper, is called in to investigate. What Mrs Bramble finds sends shockwaves through the whole palace: Miss Philomena Franklin, slumped over her desk, a knife in her back.  With the police determined to bark up the wrong tree, Mrs Bramble decides to take up her own investigation with the help of Miss Franklin's maid. After all, as servants, they know just how many dangerous secrets and secret squabbles the genteel residents of the palace apartments harbour.


April 2025 

A Darker Side of Paradise is by R J Ellory. A masterful, gripping serial-killer thriller covering three killers over four decades, and the dogged police officer who tracks them down across small-town America. Rachel Hoffman enters a cat and mouse chasewith a shadowy killer who taunts her with passages from Dante's inferno. Over forty years of her life will be ripped apart and changed in her search for the truth. 

All Jay wants is to start again, to set himself up in a small, quiet town where no one knows him. Because here, no one will let him forget what they think he did the day his neighbour died in Flat 401. He just needs to keep doing what he's always done: treat people with kindness and respect, and try to stay out of trouble. But when a threatening note makes its way into the hostel he's forced to call home - Everyone is going to know what you really did - his hope for a fresh start begins to crumble. Jay fears that the secret he's fought so hard to hide, that he went to prison to protect, might finally come out. How far is he willing to go to keep his freedom alive? And with a shadowy figure from his past tracking Jay's every move, perhaps it's not just his freedom Jay should be worried about being taken from him, but his life... Flat 401 is by Kingsley Pearson.

The Castle is by John Sutherland. Alex and Pip are in desperate need of an escape. Their stressful roles as hostage negotiators are eased only by the fact that they get to come home to each other every night. When an old friend invites the couple up to the Scottish Highlands for an extended break, Alex and Pip jump at the chance. It's the rest they both need. But soon after they arrive at the castle, they hear the sound of gunshots, and their perfect escape turns into a perfect nightmare. The remote mountainous landscape is now the setting for a terrifying kidnap plot targeting one of the other guests. In the desperate hours that follow, Alex and Pip must call on all their years of negotiating experience to keep everyone alive. But with Pip gravely injured and the net closing in, it might be her life that needs saving most of all...

Venice is alive with the magic and bustle of Carnevale. A city of mysterious masks and gorgeous palaces, of riches, patricians, intellectuals and artists. And amidst it all, something new is being born: magnificent voices are soaring above the spires, astonishing costumes are being crafted, and audiences are being transported, for the first time, by the power of the Opera. And beneath it all: espionage, organised crime, and murder. Swordsman Richard Hughes has arrived on the banks of the Grand Canal looking for a simpler life, only to be plunged - alongside Phillip de Chambray, a remarkable woman unable to show her true self - into the thick of the murkiest, most dangerous European politics, at a moment when someone is trying to destroy the opera, and Venice itself. The Venetian Heretic is by Christian Cameron.

May 2025

Game, Set and Murder is by Judy Murray. Four close friends. One big secret. On a hot midsummer day in the Surrey countryside, close friends Kristin, Vee, Bibi and Hailey are celebrating their Ladies' Team victory at the exclusive Royal Oaks Tennis Club. But when their oh-so-charming coach, Jeremy, collapses after tucking into a carefully decorated sponge cake, it seems the season isn't just ending with a championship trophy - but with a murder. Off the court, it's clear that each of the four women has been keeping a dark secret, but surely no one would wish Jeremy dead? Or perhaps revenge truly is a cake best served cold...

You love your family. They make you feel safe. You trust them. But should you...? Exhausted mum Natalie struggles to put baby Erin down for the night, her tiredness exacerbated by the party preparations for her eldest's 16th birthday. It's supposed to be a joyful celebration, but the family is stretched to breaking point. As the alcohol flows at the birthday party, tensions come to a head. Later, there is widespread horror and panic when baby Erin disappears. Eventually the missing child is found in nearby woods, but any relief is short lived. Erin is rushed to ICU at the local hospital, a criminal investigation into her abduction and attempted murder begins. SIO Max Fleming tears this once loving family apart, as he investigates the crime. Minute by minute, hour by hour, he dissects the events of that fateful night, as a host of secrets and lies are revealed. This will be a party to remember. For all the wrong reasons. The Mistake is by MJ Arlidge and Lisa Hall 

June 2025

Death on Set (Location) is by Richard Coles. Canon Daniel Clement is back. In the spring of 1990, we return to Champton, where the characters we've come to love are all aflutter as a glamorous movie set takes over the village. As the actors don their bonnets, gowns and crowns, a murder interrupts filming on set - and it's an ingenious murder. Can Daniel solve the mystery with help from his sidekick Detective Sergeant Neil Vanloo - even when things are so sticky between them?

Margate is in the grip of a heatwave when David Whitehouse stumbles across the mysterious story of a local woman who lived on the ground floor of Saltwater Mansions, a block of flats not far from the sea. On paper, Caroline Lane was unremarkable. She paid her mortgage every month. She always paid her bills. But nobody had seen or heard from her for 13 years, and no one had ever come looking. She had disappeared completely. David quickly becomes as fascinated by this missing woman as the residents of Saltwater Mansions, all of whom have their own theories to share, and their own unique stories to tell. As his obsession grows, David unearths vital clues that private detectives and amateur investigators alike have failed to spot. But the closer he gets to the truth, the clearer it becomes that this mystery was never meant to be solved, and that some stories don't want to be told. What if this one was never about Caroline Lane at all? From acclaimed and award-winning author David Whitehouse, Saltwater Mansions is an astonishing work of creative non-fiction blending reportage and memoir to explore the extraordinary hidden lives of ordinary people, the impact of grief, and the dangerous allure of taking true crime stories into our own hands.

After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking―and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily's alone, so are they happening at all? She's still medically fragile; her postsepsis condition can cause hallucinatory side effects, which means she can't fully trust her own senses. Freddie doesn't notice anything odd and is happy with their chance at a fresh start. Emily, however, starts to believe that the house is being haunted by someone who was murdered in it, though she can find no evidence of a wrongful death. As bizarre events pile up and her marriage starts to crumble, Emily becomes obsessed with discovering the truth about Larkin Lodge. But if the house has secrets, so do Emily and her husband. And they live here now. We Live Here Now is by Sarah Pinborough.

July 2025

Into the Fire is by M J Arlidge. Nowhere to hide. No-one to turn to. Nothing to lose.Helen Grace is sure she made the right decision to quit the force. Until the day she looks out from her window to see a desperate young woman being beaten by two thugs. Still a force to be reckoned with, Helen races into the night and strikes the men down. For a moment, it feels like she doesn't need her badge to do good, but as she leads the girl to safety, she's struck from behind, regaining consciousness just in time to see the victim being dragged into a white van. Helen's determined to find the woman and save her, but even begging her former colleagues to help gets her nowhere. It's clear it'll be up to her alone to make the rescue. Taking matters into her own hands, Helen uncovers more women connected to the first who need her help. But fighting crime as a maverick is a dangerous game. One that could cost Helen her life, and the life of those she holds most dear...

At the beginning of the twentieth century, as America grapples with forces of human and natural violence more powerful than humanity has ever seen, Bessie Holland yearns for the love that she has never known. She finds a soulmate and mentor in a brilliant but tormented suffragette English teacher, who inspires Bessie to fight the forces of evil that permeate her world. Watching the vast Texas countryside being destroyed by an oil company and a menacing figure with a violent past, Bessie is prepared to defend her home and her family. But when she accidentally kills an unarmed man to defend her father Hackberry, she must flee to New York. There, her older brother introduces her to boys who will grow into gangsters, but as children admire and respect Bessie's spirit and fortitude as she is cast into a gangland that yearns for justice and mercy. A welcome return to the beloved Holland series and populated with characters both radiant and despicable, Don't Forget Me, Little Bessie is by James Lee Burke and is an epic story of a remarkable young girl who fights against potentially overwhelming forces.

Matchmaking for Psychopaths is by Tasha Coryell. Alexandra was expecting a nice evening with her fiancé for her birthday. Instead, her best friend is sitting next to her man, and what's worse: They're in love. To escape her relationship troubles, Alexandra throws herself into her job where she works as a matchmaker for psychopaths-a label that the clients themselves are unaware of-and becomes entangled with two of her most recent clients, both of whom have mysterious pasts that inspire Alexandra to breech work protocol and spend time with them outside of the office. One of them, Rebecca, becomes a candidate to take on the role of Alexandra's new best friend, while the other, Aidan, claims that he's her soulmate, despite her insistence that her significant other is going to return in time for their scheduled wedding. When her fiancé goes missing and threatening packages begin arriving at her doorstep, Alexandra has to figure out who is trying to target her and how it relates to her own dark past. Can she trust her instincts as a matchmaker or has she set herself up with her enemy?

When Isla Hanson's husband, Jerry, dies, leaving his entire estate to her, she knows she'll be set for life. But contrary to the belief of his wealthy friends and business associates, who all seem to think she was only ever interested in him for the money, Isla truly loved Jerry and struggles to imagine life without him. With no children of her own, and no real family to speak of, Isla is grateful for the support of her best friend, Tia. But when a strange woman and child appear at the funeral, Isla's entire world is turned upside down, and she is shocked to learn that the loving husband she dedicated fifteen years of her life to might have been living a double-life all along. The Child is by Mandasue Heller.