In The Spotlight: Emma Smith

 Name:- Professor Emma Smith

Job: Professor of Shakespeare Studies and dramatist 

Twitter @OldFortunatus

Introduction:

Professor Emma Smith is Professor of Shakespeare Studies at the University of Oxford, and a Fellow of Hertford College. She has published and lectured widely on Shakespeare and on other early modern dramatists, and worked with numerous theatre companies. She was script adviser on the 2018 Mary Queen of Scots film featuring Saoirse Ronan and Margot Robbie

Current book?

It’s the summer vacation so I have several books on the go. For complete greedy pleasure, Val McDermid’s 1979 – a brilliant evocation of the smoky, blokey newsroom. For savouring more slowly, the Scottish nature writing collected by Kathleen Jamie as Antlers of Water: I’ve just read a wonderful, unexpected piece about watching wasps. And for tussling with, the final volume of Foucault’s History of Sexuality translated by Robert Hurley. I am fascinated to return to this sequence that I first read as an undergraduate. 

Favourite book?

1066 and all That, by Sellars and Yeatman. Always makes me laugh. 

Which two characters would you invite to dinner and why?

Shakespeare’s Ophelia (Hamlet) wants feeding up, and some female company in solidarity. Beatrice (Much Ado about Nothing) would be good on that, and we could have a Bechdel Test evening together. 

How do you relax?

Walking our springer spaniel. 

What book do you wish you had written and why?

I wish I’d finished the book I am writing...it’s been a long haul working on it during lockdown. 

What would you say to your younger self if you were just starting out as a writer?

It’s going to be ok, and you don’t need to do it on a prodigy timetable.

Your two favourite books on Oxford?

An Instance of the Fingerpost by Iain Pears – a fantastic historical novel that really stays with you - and Real Oxford by Patrick McGuinness, an affectionate look behind the postcard Oxford, with particular emphasis on the towpaths and suburbs that are as much part of my Oxford as the Radcliffe Camera.

This is Shakespeare by Emma Smith (Pelican)

A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.  This Is Shakespeare. And he needs your attention.

Information about 2021 St Hilda's Crime Fiction Weekend can be found here.

Crime Fraternity Reclaims Shakespeare

Peter James, one of the most influential crime authors at work today, has claimed: “If Shakespeare were alive today, he’d be a crime author.” 

‘King of the police procedural’ James recently won the Crime Writers’ Association’s highest honour, the CWA Diamond Dagger award. He is also 2016 Programming Chair of Europe’s biggest celebration of the genre, the Theakstons Old Peculier Crime Writing Festival.

Peter said: “If you look at Shakespeare’s plays, 50% feature a courtroom scene of some kind. In Othello, Iago is an absolute manipulative monster- an Elizabethan Hannibal Lecter - Lady Macbeth is the ultimate schemer, as is Hamlet and King Lear’s Goneril and Regan. If published as a novelist today he would be stacked on the crime shelves of bookshops; his most engaging, challenging characters were villains.”

Marking the 400th anniversary of Shakespeare’s death, the Theakstons Old Peculier Crime Writing Festival and the CWA conducted a snapshot survey asking crime authors if they agreed with the assertion; 60% did.

Sarah Hilary, who won the Theakstons Old Peculier crime novel of the year award in 2015 - one of the UK’s top crime-writing awards - for her debut Someone Else’s Skin, said Shakespeare would have ‘indisputably’ been a crime author today, “specialising in psychological thrillers with a delicious seasoning of political satire.”

CWA member Gary Fraser-Sampson agreed: “Shakespeare understood the dark recesses of the soul, both the agony of an instinctive action with unforeseen consequences and the blackness of pure evil.”

Kate Ellis, who combines history and crime in her Wesley Peterson detective series, said: “I certainly agree with Peter James that Shakespeare would be a crime writer if he were alive today.”

Author of the Frances Doughty mysteries, Linda Stratmann, also concurred: “Undoubtedly. His plays are rife with crimes and cruelty of all kinds, and explore the family tensions and social and political issues that lead to criminal behaviour….Shakespeare really understood human nature, especially its darker side, – he wrote about love and hate, jealousy and greed, injured pride and revenge, all the themes that lead to crime. When we watch a Shakespeare play we recognise ourselves.”

Historical crime fiction author Robin Blake felt as a dramatist, Shakespeare would be writing for TV: “Many of his plots revolve around crime, suggesting he’d turn out brilliant TV crime dramas, like those of Sally Wainwright or Vince Gilligan.”

Author of the Campbell Lawless Victorian Mysteries William Sutton said: “All plays revolved around mysteries, secrets, misunderstandings etc. All readers are sleuths, trying to make sense of the human condition.”

Those who disagreed felt he would be writing across genres, including historical fiction and rom-com.

Peter James argued Shakespeare would have embraced the medium of the novel if he were at work today. “Storytelling was originally an oral tradition with storytellers like Socrates, then Shakespeare, which is why he told stories through plays,” he said. “In Shakespeare’s time very few people would read, few could afford to buy books. In 1935, Penguin launched the first paperbacks and reading for the masses took off. Back in Shakespeare’s times his plays were seen as low culture, today he’d certainly be writing novels to reach the commercial masses.”

Peter added that the reluctance to see Shakespeare as one of the early exponents of the genre is because of the ‘prevailing snobbery’ around the crime genre.

“I remember asking the Chair of the Booker prize ten years ago why crime novels didn’t feature, he said hell would freeze over before crime makes the shortlist,” Peter said. “It is of course nonsense, over the last 20 years the list has featured many novels that fit the genre, such as Brian Moore’s Lies of Silence. Some authors object to being be categorised as crime out of literary snobbery.

“My eyes were opened to the potential for exploring human nature through the world of crime over thirty years ago, when my house was burgled, and a detective came round to take fingerprints. We became friendly and got invited to a few police social nights. I found his friends fascinating - homicide detectives, traffic police, CSI, police divers - no one sees more of humanity and life in a 30 year career than a cop, they deal with every facet of existence.”

“I began to realise if you wanted to write about the world we live in and human nature, the police offers the biggest window.”

Novelist Julia Crouch started her career as a theatre director and playwright. Her husband actor Tim Crouch is currently performing ‘The Complete Deaths’ a tribute to the 74 onstage deaths in the works of Shakespeare. Julia said, “I would argue that Hamlet is the first great psychological thriller… There is a big confusion in Western culture about popularity and worth. Crime fiction is generally seen by the establishment as a lesser literary form to, say, literary fiction. But as Peter James so eloquently argues, it is, in many ways, superior - the best has to have great writing plus page-turning plots.” 

One of the genres biggest bestselling crime authors, Jo Nesbo, announced in 2014, he would be adapting Macbeth as a modern crime novel. Crime authors also cited Shakespeare as an influence in their own writing.

Author Isabelle Grey said, “Danny Brocklehurst and I each wrote one of the final two episodes in the second series of Jimmy McGovern's Accused for BBC1 which featured a troubled young man inspired by Hamlet.”

Whatever genre, as noir novelist Richard Godwin said, “All literature owes him a debt, arguably he was the greatest writer who has ever lived.”