Showing posts with label Stina Jackson. Show all posts
Showing posts with label Stina Jackson. Show all posts

Tuesday, 24 November 2020

Outstanding crime fiction from Finland, Iceland, Norway and Sweden shortlisted for the 2020 Petrona Award

 

Six outstanding crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year. The shortlist is announced today, Tuesday 24 November.


THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)

 INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway)

 THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

 THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

 THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland)

 LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland)

 The winning title, usually announced at the international crime fiction convention CrimeFest, will now be announced on Thursday 3 December 2020. The winning author and the translator of the winning title will both receive a cash prize, and the winning author will receive a full pass to and a guaranteed panel at CrimeFest 2022

 The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year

The Petrona team would like to thank our sponsor, David Hicks, for his continued generous support of the Petrona Award. We would also like to thank Sarah Ward, who has now stood down from the judging panel, for her valuable contributions over many years. We wish her every success with her new Gothic thriller, The Quickening, published under the name Rhiannon Ward. We are delighted to have Jake Kerridge, The Daily Telegraph’s crime fiction critic, join the Petrona team as a guest judge for this year’s Award.

The judges’ comments on the shortlist: There were 37 entries for the 2020 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 24 translators and submitted by 21 publishers/imprints.

There were 13 female and 24 male authors. This year’s Petrona Award shortlist sees Norway strongly represented with three novels; Finland, Iceland and Sweden each have one. The crime genres represented include the police procedural, historical crime, literary crime, comedy crime and thriller.

The Petrona Award judges selected the shortlist from a rich field. The six novels stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as legacies of the past, mental health issues and the effects of grief. Three of the shortlisted titles explore the subject of criminality from an adolescent perspective. We are extremely grateful to the six translators whose expertise and skill have allowed readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction.

The judges’ comments on each of the shortlisted titles:

THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)

 Kjell Ola Dahl made his debut in 1993, and has since published seventeen novels, most notably those in the ‘Gunnarstranda and Frølich’ police procedural series. In 2000, he won the Riverton Prize for The Last Fix, and the prestigious Brage and Riverton Prizes for The Courier in 2015. In much the same way as Icelandic author Arnaldur Indriðason, Dahl explores the experience of the Second World War by moving away from the linear murder mystery to something far more searching and emotionally driven. The Courier is an intelligent and absorbing standalone that offers a perceptive and highly moving exploration of Scandinavian history. It traverses changing times and cultural norms, and traces the growing self-awareness of a truly memorable female protagonist.

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway)

Thomas Enger worked for many years for Norway’s first online newspaper, Nettavisen, and as an author is best-known for his five novels featuring the journalist-sleuth Henning Juul, one of which – Pierced – was shortlisted for the Petrona Award in 2013. He has also won prizes for his thrillers for young adults. Inborn, his first standalone novel to be translated into English, tells the story of a murder trial from the perspective of the seventeen-year-old defendant, and combines a gripping courtroom drama with a tender and intriguing portrait of Norwegian small-town life, and the secrets bubbling away beneath its surface. 

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway) Having previously worked as a police officer, Jørn Lier Horst has established himself as one of the most successful Scandinavian authors of the last twenty years. Horst’s previous ‘William Wisting’ novel, The Katharina Code, won the 2019 Petrona Award for Best Scandinavian Crime Novel, as well as the Nordic Noir Thriller of the Year in 2018. The Cabin sees Chief Inspector Wisting juggling the demands of two testing cases, leading him into the path of an old adversary and plunging him into the criminal underworld. Horst has once again produced an impeccably crafted police procedural with a deft control of pace and tension. 

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

The Silver Road is Stina Jackson’s highly accomplished debut. It has achieved remarkable success, winning the 2018 Award for Best Swedish Crime Novel, the 2019 Glass Key Award, and the 2019 Swedish Book of the Year Award. Set in northern Sweden, where Jackson herself grew up, the novel explores the aftermath of teenager Lina’s disappearance, and her father Lelle’s quest to find her by driving the length of the Silver Road under the midnight sun. Three years on, young Meja arrives in town: her navigation of adolescence and first-time love will lead her and Lelle’s paths to cross. The Silver Road is a haunting depiction of grief, longing and obsession, with lots of heart and a tremendous sense of place. 

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) A full-time civil engineer as well as a prolific writer for both adults and children, Yrsa Sigurðardóttir is one of Iceland’s best-selling and most garlanded crime novelists, and the winner of the 2015 Petrona Award for The Silence of the Sea. The Absolution is the third entry in her ‘Children’s House’ series, and features a very modern killer who targets teenagers with an MO involving Snapchat. This artfully plotted and thought-provoking book continues the series’ focus on the long-lasting impact of childhood trauma, with welcome light relief provided by the mismatched investigators, detective Huldar and child psychologist Freyja.

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland) Antti Tuomainen is a versatile crime writer, whose works draw on genres as varied as the dystopian thriller and comedy crime caper. His third novel, The Healer, won the Clue Award for Best Finnish Crime Novel in 2011 and he has been shortlisted for the Glass Key, Petrona and Last Laugh Awards, as well as the CWA Crime Fiction in Translation Dagger. Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human.

The judges

Jackie Farrant – Crime fiction expert and creator of RAVEN CRIME READS; bookseller for eighteen years and a Regional Commercial Manager for a major book chain in the UK.

Dr. Kat Hall – Translator and editor; Honorary Research Associate at Swansea University; international crime fiction reviewer at MRS. PEABODY INVESTIGATES.

Jake Kerridge – Journalist and literary critic. He has been the crime fiction reviewer of the Daily Telegraph since 2005 and has judged many crime and thriller prizes.



Sunday, 8 November 2020

Books to Look Forward to From Corvus and Atlantic Press

 January 2021

The Dark Room is by Sam Blake. Hare's Landing, West Cork. A house full of mystery... Rachel Lambert leaves London afraid for her personal safety and determined to uncover the truth behind the sudden death of a homeless man with links to a country house hotel called Hare's Landing. New York-based crime reporter Caroline Kelly's career is threatened by a lawsuit and she needs some thinking space away from her job. But almost as soon as she arrives, Hare's Landing begins to reveal its own stories - a 30-year-old missing person's case and the mysterious death of the hotel's former owner. As Rachel and Caroline join forces, it becomes clear that their investigations are intertwined - and that there is nothing more dangerous than the truth...

February 2021

What secrets are hidden within the walls of a desolate farmhouse in a forgotten corner of Lapland? Early spring has its icy grip on OEdesmark, a small village in northernmost Sweden, abandoned by many of its inhabitants. But Liv Bjoernlund never left. She lives in a derelict house together with her teenage son, Simon, and her ageing father, Vidar. They make for a peculiar family, and Liv knows that they are cause for gossip among their few remaining neighbours. Just why has Liv stayed by her domineering father's side all these years? And is it true that Vidar is sitting on a small fortune? His questionable business decisions have made him many enemies over the years, and in OEdesmark everyone knows everyone, and no one ever forgets. Now someone wants back what is rightfully theirs. And they will stop at nothing to get it, no matter who stands in their way... The Last Snow is by Stina Jackson.

The Diplomat's Wife is by Michael Ridpath. 1936: Devastated by the death of her beloved brother Hugh, Emma seeks to keep his memory alive by wholeheartedly embracing his dreams of a communist revolution. But when she marries an ambitious diplomat, she must leave her ideals behind and live within the confines of embassy life in Paris and Nazi Berlin. Then one of Hugh's old comrades reappears, asking her to report on her philandering husband, and her loyalties are torn. 1979: Emma's grandson, Phil, dreams of a gap-year tour of Cold War Europe, but is nowhere near being able to fund it. So when his beloved grandmother determines to make one last trip to the places she lived as a young diplomatic wife, and to try to solve a mystery that has haunted her since the war, he jumps at the chance to accompany her. But their journey takes them to darker, more dangerous places than either of them could ever have imagined...

March 2021

The Favour is by Laura Vaughan. Fortune favours the fraud... When she was thirteen years old, Ada Howell lost not just her father, but the life she felt she was destined to lead. Now, at eighteen, Ada is given a second chance when her wealthy godmother gifts her with an extravagant art history trip to Italy. In the palazzos of Venice, the cathedrals of Florence and the villas of Rome, she finally finds herself among the kind of people she aspires to be: sophisticated, cultured, privileged. Ada does everything in her power to prove she is one of them. And when a member of the group dies in suspicious circumstances, she seizes the opportunity to permanently bind herself to this gilded set. But everything hidden must eventually surface, and when it does, Ada discovers she's been keeping a far darker secret than she could ever have imagined...

April 2021

The Girl in the Mirror is by Rose Carlyle. She already has your looks. Now she wants your life... Beautiful twin sisters Iris and Summer are startlingly alike, but beneath the surface lies a darkness that sets them apart. Cynical and insecure, Iris has long been envious of open-hearted Summer's seemingly never-ending good fortune, including her perfect husband Adam. Called to Thailand to help sail the beloved family yacht to the Seychelles, Iris nurtures her own secret hopes for what might happen on the journey. But when she unexpectedly finds herself alone in the middle of the Indian Ocean, everything changes. Now is her chance to take what she's always wanted - the idyllic life she's coveted from afar. But just how far will she go to get the life she's dreamed about? And how far will she go to ensure no one discovers the truth?

The Elizabethan world is in flux. Radical new ideas are challenging the old. But the quest for knowledge can lead down dangerous paths... London, 1594. The Queen's physician has been executed for treason, and conspiracy theories flood the streets. When Nicholas Shelby, unorthodox physician and unwilling associate of spymaster Robert Cecil, is accused of being part of the plot, he and his new wife Bianca must flee for their lives. With agents of the Crown on their tail, they make for Padua, following the ancient pilgrimage route, the Via Francigena. But the pursuing English aren't the only threat Nicholas and Bianca face. Hella, a strange and fervently religious young woman, has joined them on their journey. When the trio finally reach relative safety, they become embroiled in a radical and dangerous scheme to shatter the old world's limits of knowledge. But Hella's dire predictions of an impending apocalypse, and the brutal murder of a friend of Bianca's forces them to wonder: who is this troublingly pious woman? And what does she want? The Heretics Mark is by S W Perry.

June 2021

The Legacy is by Caroline Bond. A death in the family rarely brings out the best in people - even the deceased. Jonathan Coulter planned for his death meticulously, leaving nothing to chance. His will states that his three adult children must decide between them how to dispose of his estate. If they cannot come together over their inheritance, then they risk losing it. But Liv, Noah and Chloe never agree on anything. And now, with only one weekend to overcome their rivalry, tensions begin to rise. Why has Jonathan left the decision to them? And why has he made no mention of his new partner, Megan, or the children's mother, Eloise? If he wanted to teach them a lesson from beyond the grave, what is it? And can the siblings put their differences aside for long enough to learn it?