In The St Hilda's Spotlight - Stuart Turton

Name: - Stuart Turton 

Job: - author and journalist

Website: - https://www.Stuturton.com

Instagram @stuturton

X @stu_turton

Introduction

Stuart Turton is the bestselling author of The Seven Deaths of Evelyn Hardcastle (aka 7 ½ Deaths of Evelyn Hardcastle) which won the 2018 Costa Book Award for First Novel, Best Novel in the 2018 Books Are My Bag Readers Award and was also shortlisted for the Debut book of the Year at the Specsavers National Book Awards and longlisted for both the CWA New Blood Dagger  and the Gold Dagger at the  CWA dagger awards. In 2019 it was shortlisted again for the Best Debut Novel at the Strand Magazine Critics’ Awards and longlisted for the Glass Bell Award. The Japanese edition of the book was shortlisted in 2019 For the Best Honkaku Mystery Novel translated into Japanese in the last decade. 

His second book, The Devil and the Dark Water won the 2020 Books Are My Bag Fiction Award and was shortlisted for the CWA Ian Fleming Steel Dagger and the Japanese version was nominated for the 2023 Mystery Writers of Japan Award for Mystery Fiction in Translation.

His most recent book is The Last Murder at the End of the World and was longlisted for the 2025 Theakstons Crime Novel of the Year

Current book? (This can either be the current book that you are reading or writing or both)

I’m currently reading the North Woods by Daniel Mason and it’s so astonishingly good that I want to quit reading, sulk, and then immediately try to replicate its ambition and beauty. It’s wondrous, expanding the scope of what a novel can be while telling a great story. God, I’m depressed again now.

Have any gothic book spooked you and if so which one and why?

I’m not easily spooked, unfortunately. Typically, I find gothic novels so daft that I end up laughing rather than trembling. This is sort of what I’ll be talking about at the festival, actually.

Which two gothic writers would you invite to dinner and why?

The Bronte sisters. I reckon they’d drive each other absolutely nuts and it would be fun to watch.

How do you relax?

Relax? I could do my job in a bed with no material difference to the outcome. Honestly, there’s nothing hard about it. Relaxing is for people with work to do. 

Which gothic book do you wish you had written and why?

I’m good on that front. If I’d written Dracula or Frankenstein, I’d be long dead, and would have spent my entire life without the internet. No thanks!

If you were to write a gothic book, where would you set it and why?

There’s always a bit of gothic in my novels, so I’ve sort of covered what I wanted to do. My first novel was set in a creepy old house with secrets in every corner, and my second was set on a haunted boat. I feel like I’ve got my gothic fix.

How would you describe your latest published book?

Agatha Christie does Lost. Except weirder.

Which 3 gothic films would you rewatch and why.

Oh god, I don’t really watch many movies. Can I pass?

What are you looking forward to at St Hilda’s?

I really like being let out of my office and chatting with people with similar interests. It’s a lovely way to spend an afternoon.

 

The Last Murder at the End of the World by Stuart Turton (Bloomsbury Publishing)

Abi keeps them safe. One hundred and twenty-two islanders and their three beloved scientists live in harmony, kept safe from a poisonous security barrier with the help of Abi's instructions. Niema keeps the islanders occupied. Niema is one of the scientists who remembers what life was like before the fog. She ensures that all of the islanders have a job to do, and everyone loves her. Almost everyone. Emory can't stop asking questions.

But then one of the scientists is found dead, and their murder triggers the dropping of the security barrier. The only way to reinstate it is to find the killer. But can Emory ask the right questions? They have 107 hours to solve the murder before the fog sweeps in. Can they stop the end of their world?

 

Information on how to buy online tickets can be found here. The programme can be found here.

32nd St Hilda's Crime Fiction Weekend - Detecting the Gothic:- Tales from the Dark Heart of Crime Fiction

 

Those who have been attending St Hilda’s College Crime Fiction Weekend over the many years of its existence know that it is a weekend with a difference. Launched at St Hilda's College in 1994, it offers the crime fiction fans the unique experience of hearing their favourite authors exploring the genre, their own work and the writers who inspired them.

This year the theme is ‘Detecting the Gothic: Tales from the Dark Heart of Crime Fiction and will take place from 8^th to 10^th August 2025.

Guest of Honour is Val McDermid and featured speakers include Mick Herron, Olivia Isaac-Henry, Anna Mazzola, Stuart Neville, Ambrose Parry, William Ryan, Catherine Ryan Howard, Stuart Turton, Ruth Ware, Catriona Ward and Louise Welsh.

Taking place in the heart of Oxford in a glorious riverside location the St Hilda’s Weekend includes not only the speaker sessions, but a massive Blackwell's shop open on site every day, author signings, prizes and a brimming goodie bag all enjoyed in a relaxed, intimate College atmosphere. Beginning on Friday evening with a dinner and drinks reception, the packed weekend finishes with a traditional lunch on Sunday.

Look out for some mini interviews in the run up to the weekend from the authors taking part.

Ticket information can be found here.

Forthcoming Books from Bloomsbury

 January 2024

By night, Vivian Parry performs the role of Manhattan’s sharpest theatre critic, immersing herself fully in every show she sees. By day, she uses work, sex, and psychotropic drugs to keep her comfortably numb. Desperate for a promotion and at the urging of her editor, she agrees to an interview with David Adler, an enigmatic graduate student. When he later disappears, Vivian soon learns from his devastated fiancée that she was the last person to have seen him alive. The police refuse to investigate his disappearance and Vivian finds herself obsessed with what happened, assuming the role of amateur investigator. But as she gets closer to the truth about David Adler, she finds that the boundaries between theatre and reality are more tenuous than even she could have believed. Here in the Dark is by Alexis Soloski.

The Grief House is by Rebecca Thorne. Everyone is lying. But the dead know the truth A week-long grief retreat on a beautiful country estate with no phones and no wifi isn’t ex-tarot reader Blue’s usual getaway. But ever since her mother’s death she’s been carrying a secret. Could this finally help her let it go? When she arrives, it’s raining, and there’s something strange about the house. Only a few guests have made it through the weather. As the owners, Molly and Joshua Park, try desperately to cling to normality, the storm worsens until they’re stranded in the house – cut off from the outside world. And after one of the guests disappears in the night, Blue wonders who around her, the Parks and the guests, is telling the truth about why they’re there – and whose grief might be hiding a deeper secret. The floodwater rises. Everyone is keeping secrets – but only one is a killer. Can Blue escape with her life, and her sanity?

March 2024

Sophie King is missing. Her parents, Harry and Zara, are distraught; for the last seventeen years, they've done everything for their beloved only daughter and now she's gone. The police have no leads, and Harry and Zara are growing increasingly frantic, although they are both dealing with it in very different ways. Increasingly obsessed with their highly suspicious neighbour who won't open the door or answer any questions, they are both coming to the same conclusion. If they want answers, they're going to have to take the matter into their own hands. But just how far are they both prepared to go for the love of their daughter? Finding Sophie is by Imran Mahmood.

The Last Murder at the End of The World is by Stuart Turton. Solve the murder to save what's left of the world. Outside the island there is nothing: the world destroyed by a fog that swept the planet, killing anyone it touched. On the island: it is idyllic. 122 villagers and 3 scientists, living in peaceful harmony. The villagers are content to fish, farm and feast, to obey their nightly curfew, to do what they're told by the scientists. Until, to the horror of the islanders, one of their beloved scientists is found brutally stabbed to death. And they learn the murder has triggered a lowering of the security system around the island, the only thing that was keeping the fog at bay. If the murder isn't solved within 92 hours, the fog will smother the island - and everyone on it. But the security system has also wiped everyone's memories of exactly what happened the night before, which means that someone on the island is a murderer - and they don't even know it...

Longlist for the Theakston Old Peculier Crime Novel of the Year 2022 announced

 

The longlist for the Theakston Old Peculier Crime Novel of the Year 2022 has been announced today, with debut authors and literary icons vying for the UK and Ireland’s most coveted crime fiction writing award.

The award, now in its eighteenth year, is presented by Harrogate International Festivals and recognises the best crime novels published in the UK and Ireland in paperback over the past year. This year’s longlist takes readers from the decks of a haunted galleon to the claustrophobia of a psychiatric ward, from a small American town shaken by the disappearance of a young girl to the hedonism and danger of London’s Georgian pleasure gardens.

The longlist sees a number of previous winners hoping to take home the prize once again. Theakston Old Peculier Crime Writing Festival 2022 Programming Chair Denise Mina will look to snatch her third win for The Less Dead, as will Rabbit Hole author Mark Billingham, who took home the inaugural award in 2005 and again in 2009. Chris Brookmyre, who won the 2017 prize, is in the running again with The Cut while Blood Ties author Brian McGilloway, who was highly commended at last year’s prize, is also longlisted. Other prize alumni on the 2022 longlist include four-time shortlistees Elly Griffiths with The Night Hawks and Mick Herron with Slough House, as well as previous longlistees Ann Cleeves with The Heron’s Cry, Erin Kelly with Watch Her Fall, Imran Mahmood with I Know What I Saw, Joseph Knox for True Crime Story, Laura Shepherd-Robinson’s Georgian detective novel Daughters of Night, Stuart Turton with genre-bending whodunnit The Devil and the Dark Water, and William Shaw for The Trawlerman.

While some familiar names have returned again this year to compete, the longlist features a number of authors receiving their first chance at the prize. M.W. Craven receives a nod for Dead Ground, while Vaseem Khan is featured for his novel Midnight at Malabar House, set in the turbulent streets of Bombay in 1950. Incredible debut authors in the running for the award include 2021 New Blood panellist Anna Bailey with her taut novel Tall Bones, and Abigail Dean with bestselling debut Girl A.

The full Theakston Old Peculier Crime Novel of the Year 2022 longlist is comprised of:

Girl A by Abigail Dean (HarperFiction)

Tall Bones by Anna Bailey (Doubleday)

The Heron’s Cry by Ann Cleeves (Pan Macmillan)

Blood Ties by Brian McGilloway (Constable)

The Cut by Chris Brookmyre (Little, Brown)

The Less Dead by Denise Mina (Harvill Secker)

The Night Hawks by Elly Griffiths (Quercus Fiction)

Watch Her Fall by Erin Kelly (Hodder & Stoughton)

I Know What I Saw by Imran Mahmood (Raven Books)

True Crime Story by Joseph Knox (Doubleday)

Daughters of Night by Laura Shepherd Robinson (Mantle/Pan)

Rabbit Hole by Mark Billingham (Little, Brown)

Slough House by Mick Herron (Baskerville)

Dead Ground by W. Craven (Constable)

The Devil and the Dark Water by Stuart Turton (Raven Books)

Midnight at Malabar House by Vaseem Khan (Hodder & Stoughton)

The Last Thing to Burn by Will Dean (Hodder & Stoughton)

The Trawlerman by William Shaw (riverrun)

Simon Theakston, Executive Director of Theakston, added: “Crime fiction seems to have an enduring popularity with readers, and this year’s longlist is a clear indication as to why. Books from iconic writers and impressive debuts demonstrate the wonderful talent working in the genre today – the public have got a hard job ahead of them voting for a shortlist of only six! We raise a glass of Old Peculier to all the authors on the longlist, and look forward to a celebratory drink with our Award winner in July.”

Chief Executive of Harrogate International Festivals, Sharon Canavar, commented: “We are thrilled to announce the 2022 longlist for the Theakston Old Peculier Crime Novel of the Year Award, championing the very best crime fiction being published in the UK and Ireland. With a mix of nail-biting psychological thrillers, tense police procedurals and gripping mysteries, this year’s longlist demonstrates the incredible breadth of modern crime fiction. We can’t wait to see which books the public side with during voting, and look forward to revealing the winner at the Theakston Old Peculier Crime Writing Festival in July.”

The longlist was selected by an academy of crime writing authors, agents, editors, reviewers, members of the Theakston Old Peculier Crime Writing Festival Programming Committee, along with media partners the Express. The award is run by Harrogate International Festivals sponsored by T&R Theakston Ltd, in partnership with Waterstones and the Express, and is open to full length crime novels published in paperback 1 May 2021 to 30 April 2022 by UK and Irish authors.

The public are now invited to vote for a shortlist of six titles at 

www.harrogatetheakstoncrimeaward.com. Voting closes on 26^th May, with the shortlist announced and winner voting opening on 14^th June. 

The winner will be revealed on the opening night of Theakston Old Peculier Crime Writing Festival, Thursday 21^stJuly, receiving £3,000 and a handmade, engraved beer barrel provided by T&R Theakston Ltd .

Goldsboro Books Glass Bell Award 2021 shortlist announcement

 

A Booker-longlisted exploration of the Israel-Palestine conflict; the second novel from the Costa-winning Stuart Turton and a British Book Award-shortlisted story of a young Nigerian girl’s struggle for an education are amongst the six titles shortlisted for the 2021 Goldsboro Books Glass Bell Award, announced today (Thursday 5th August).

Critically acclaimed novelist Colum McCann leads the shortlist for his powerful seventh novel Apeirogon, which was longlisted for the 2020 Booker Prize. Also shortlisted is  The Devil and the Dark Water, the highly anticipated second novel from Stuart Turton, whose debut The Seven Deaths of Evelyn Hardcastle was longlisted for the 2019 Glass Bell, as well as winning the Costa First Novel Award.

They are accompanied by four celebrated debut novels across a range of genres: Eight Detectives by Alex Pavesi, acclaimed as an inventive and exciting reworking of the detective novel; The Girl with the Louding Voice, Abi Daré's New York Times bestseller about a young Nigerian housegirl fighting for her freedom and her education; People of Abandoned Character by Clare Whitfield, a historical thriller about a woman who suspects that her husband could be Jack the Ripper; and The Court of Miracles by Kester Grant, a fantastical reimagining of the French Revolution featuring the characters of Les Misérables.

David Headley, Goldsboro Books co-founder and MD, and founder of the Glass Bell, says:"For five years now, the Glass Bell Award has sought to celebrate the best of contemporary fiction, regardless of genre or stage of the author’s career, and this year is no exception. The 2021 shortlist may be the most innovative and outward-looking yet, with its international focus and the way it plays with the literary canon. Our judging discussions are always lively, but with these powerful literary novels, imaginative historical thrillers, whirlwind bestsellers – and four superb debuts which deserved more attention in a very busy year, I’m sure we’ll all have a lot to say this year!”

Judged by David and his team at Goldsboro Books, the Glass Bell is awarded annually to a compelling novel, of any genre – from romance and thrillers, to historical, speculative and literary fiction – with brilliant characterisation and a distinct voice that is confidently written and assuredly realised. The winner, who will be announced on Thursday 30th September, wins £2,000 and a beautiful, handmade glass bell.

2021 Goldsboro Books Glass Bell Award Longlist

Bestsellers, Booker Nominees and Debuts: Richard Osman, 

Collum McCann and Abi Daré on Longlist for the 

2021 Goldsboro Books Glass Bell Award

Goldsboro Books today (Thursday 17^th June) announced the twelve titles longlisted for the 2021 Glass Bell Award. Now in its fifth year, the Glass Bell Award celebrates the best storytelling across contemporary fiction, regardless of genre. The 2021 longlist heralds a particularly strong year for debut novels: eight out of the twelve longlisted titles are first novels – including the bestselling sensation The Thursday Murder Club by Richard Osman and The Girl with the Louding Voice by Abi Daré, both of which were nominated for the British Book Awards.

Spanning crime, literary, historical, fantasy and science fiction genres, the Glass Bell longlist also includes the Booker-nominatedApeirogon by the critically acclaimed Colum McCann; and Three Hours, the Sunday Times Top Ten bestselling thriller from Rosamund Lupton. They are joined by two highly anticipated second novels, The Devil and the Dark Water by Stuart Turton, whose high-concept debut thriller The Seven Deaths of Evelyn Hardcastle won the Costa First Novel Award; and The Familiar Dark by Amy Engel, whose debut thriller The Roanoke Girls was a #1 bestseller.

The longlist also includes two fascinating debuts which skilfully reimagine historical events: The Sin Eater by Megan Campisi,set in an alternate Elizabethan England, and The Court of Miracles by Kester Grant, which follows a failed second French Revolution. Also longlisted is Clare Whitfield’s gripping historical thriller People of Abandoned Character, a compelling take on the Jack the Ripper story. They are joined by two critically acclaimed debut crime novels – Blacktop Wasteland by S. A. Cosby, which was longlisted for the CWA Gold Dagger, and the extraordinarily inventive Eight Detectives by Alex Pavesi. Rounding off the list is The First Sister by Linden Lewis, a sweeping debut space opera.

The Sin Eater by Megan Campisi (Mantle)

Blacktop Wasteland by S.A Cosby (Headline)

The Girl With the Louding Voice by Abi Daré (Sceptre)

The Familiar Dark by Amy Engel (Hodder & Stoughton)

The Court of Miracles by Kester Grant (Harper Voyager)

The First Sister by Linden Lewis (Hodder & Stoughton)

Three Hours by Rosamund Lupton (Viking)

Apeirogon by Colum McCann (Bloomsbury)

The Thursday Murder Club by Richard Osman (Viking)

Eight Detectives by Alex Pavesi (Michael Joseph)

The Devil and the Dark Water by Stuart Turton (Bloomsbury Raven)

People of Abandoned Character by Clare Whitfield (Head of Zeus)

David Headley, Goldsboro Books co-founder and MD, and founder of the Glass Bell, says:

‘I can’t believe that this is our fifth Glass Bell Award. My team and I are incredibly proud of the prize that we’ve built over the last few years, celebrating contemporary storytelling of all genres. Stories unite and entertain us, and after the year we’ve had, this couldn’t be more important.

‘I think that this year’s longlist might be the most varied and diverse we’ve ever had – with everything from speculative historical thrillers to a thoroughly modern space opera, to one of the most imaginative crime novels I’ve ever read. And I am delighted to see how many debut novelists we have on the longlist this year! If this list is anything to go by, the future of publishing is strong.’

The Glass Bell Award is judged by David and his team at Goldsboro Books. It is the only prize that rewards storytelling in all genres – from romance, thrillers and ghost stories, to historical, speculative and literary fiction – and is awarded annually to ‘a compelling novel with brilliant characterisation and a distinct voice that is confidently written and assuredly realised’. The shortlist of six will be announced on 5^th August, with the winner, who will receive both £2,000, and a beautiful, handmade, engraved glass bell, to be announced on 30^th September.

Last year, the American novelist Taylor Jenkins Reid was awarded the Glass Bell for her ‘immersive’ and ‘captivating Daisy Jones and the Six, which tells the story of the rise and fall of a fictional 70s rock band. Previous winners are Everyone Brave is Forgiven by Chris Cleave, The Heart’s Invisible Furies by John Boyne and VOX by Christina Dalcher.

CWA Dagger Awards Shortlists Announced

A debut novel is up against one of Britain’s biggest and most celebrated authors for the crime novel of the year.

The 2021 shortlists for the prestigious CWA Dagger awards, which honour the very best in the crime writing genre, have been announced.

The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre, and have been synonymous with quality crime writing for over half a century.

Past winners of the CWA Gold Dagger, which is awarded for the crime novel of the year, include John le Carré, Reginald Hill and Ruth Rendell.

This year’s shortlist sees City of Ghosts by Ben Creed, praised as a ‘brilliantly orchestrated and totally engrossing’ debut thriller by the CWA judges, up against Robert Galbraith’s Troubled Blood, hailed as a ‘magnificent multi-layered epic’.

Galbraith, the pseudonym for J.K. Rowling, is also in contention for the Ian Fleming Steel Dagger. The Ian Fleming Steel Dagger is supported by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand. The award celebrates the best thriller.

Heating up the shortlist is Chris Whitaker, who took home the John Creasey (New Blood) Dagger in 2017 with his debut, Tall Oaks. His latest novel, We Begin at The End is not only up for the Ian Fleming Steel but also the Gold Dagger. Praised as ‘truly memorable’ by the CWA judges, We Begin at The End has been a Waterstones Thriller of the Month and sold in 17 territories, with screen rights snapped up by Disney.

Maxim Jakubowski, Chair of the Crime Writers’ Association, said: “The Dagger shortlists again highlight the wealth of great books and diversity within the crime genre. With terrific new titles from authors both familiar and new, including some books impressively nominated in more than a single category, the presence on the Publisher Dagger shortlist of long-standing traditional publishing houses and smaller independents and even, on the Dagger in the Library (voted on by librarians throughout the country), a first, with a self-published writer rubbing shoulders with established veterans. The Daggers are assuredly the best and most prestigious reflection of what's happening on the crime and mystery writing front.”

Set against the bleakness, terror and depravity of Stalin’s 1950s Leningrad, City of Ghosts by Ben Creed returns for the much-anticipated CWA John Creasey (New Blood) Dagger, awarded to the best debut novel. Ben Creed is the pseudonym for an author duo who met on a writing course, Barney Thompson a classically trained musician and fluent Russian speaker, and Chris Rickaby, formerly an advertising copywriter.

Booker prize winner John Banville is the heavyweight contender on the Sapere Books Historical Dagger shortlist. The prizewinning novelist and literary polymath, considered Ireland’s greatest living novelist, is in the running for Snow, his first murder mystery published under his real name rather than his nom de plume, Benjamin Black. The shortlist also includes Vaseem Khan who swapped his contemporary light-hearted Baby Ganesh Agency series with a historical crime novel Midnight at Malabar House, set in 1950s Bombay.

The ALCS Gold Dagger for Non-Fiction sees the forensic pathologist Sue Black’s reflections, Written in Bone on the shortlist, praised by the CWA judges as a ‘humane, wise book’. She’s up against Andrew Harding’s These Are Not Gentle People, a beautifully written investigation into dark and murderous events in a rural South African community, dubbed by Alexander McCall Smith as a masterpiece.

The Crime Fiction in Translation Dagger shortlist features the Swedish writer Mikael Niemi with his sumptuous blend of historical fact with fictional intrigue, To Cook a Bear, translated by Deborah Bragan-Turner. From one of Israel’s most beloved writers is Three by D A Mishani, translated by Jessica Cohen, and from South Korea is Yun Ko-eun’s original and inventive thriller The Disaster Tourist translated by Lizzie Buehler.

The CWA Daggers are one of the few high-profile awards that honour the short story. The shortlist features the Sunday Timesbestseller, Clare Mackintosh, and the founding member of the North East Noir crime writers’ group, Robert Scragg.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year sees C L Taylor, Peter May, Lisa Jewell, James Oswald, Denise Mina and L J Ross on the shortlist.

The Best Crime and Mystery Publisher of the Year Dagger celebrates publishers and imprints demonstrating excellence and diversity in crime writing. Among the shortlist, the esteemed Faber & Faber vies against the independent publisher, No Exit Press.

The winners will be announced at Daggers Live!, the online CWA Dagger awards ceremony on 1 July at 7.30pm. Barry Forshaw will be Master of Ceremonies and Abir Mukherjee is the guest speaker.

The 2021 Diamond Dagger for lifetime achievement, the highest honour in British crime writing, has already been announced, awarded to Martina Cole. She will also feature in the Daggers Live! event.

Dagger Shortlists 2021

CWA GOLD DAGGER

S A Cosby: Blacktop Wasteland (Headline, Headline Publishing Group)

Ben Creed: City of Ghosts (Welbeck Fiction, Welbeck Publishing Group)

Nicci French: House of Correction (Simon & Schuster)

Robert Galbraith: Troubled Blood (Sphere, Little, Brown Book Group)

Elly Griffiths: The Postscript Murders (Quercus)

Thomas Mullen: Midnight Atlanta (Little, Brown, Little, Brown Book Group)

Chris Whitaker: We Begin at the End (Zaffre, Bonnier)

CWA IAN FLEMING STEEL DAGGER

Robert Galbraith: Troubled Blood (Sphere, Little, Brown Book Group)

Michael Robotham: When She Was Good (Sphere, Little, Brown Book Group)

Catherine Ryan Howard: The Nothing Man (Atlantic Books)

Stuart Turton: The Devil and the Dark Water (Raven Books, Bloomsbury Publishing)

Ruth Ware: One by One (Vintage, Harvill Secker)

Chris Whitaker: We Begin at the End (Zaffre, Bonnier Books UK)

CWA JOHN CREASEY (NEW BLOOD) DAGGER

Eva Björg Ægisdóttir: The Creak on the Stairs (Orenda), Translator: Victoria Cribb

Ben Creed: City of Ghosts (Welbeck Publishing)

Egan Hughes: The One That Got Away (Sphere, Little, Brown Book Group)

S W Kane: The Bone Jar (Thomas & Mercer, Amazon Publishing)

Stephen Spotswood: Fortune Favours the Dead (Wildfire, Headline)

John Vercher: Three-Fifths (Pushkin Press)

CWA SAPERE BOOKS HISTORICAL DAGGER

John Banville: Snow (Faber)

Vaseem Khan: Midnight at Malabar House (Hodder & Stoughton)

Chris Lloyd: The Unwanted Dead (Orion Fiction, The Orion Publishing Group)

Michael Russell: The City Under Siege (Constable, Little, Brown Book Group)

David Stafford: Skelton’s Guide to Domestic Poisons (Allison & Busby)

Ovidia Yu: The Mimosa Tree Mystery (Constable, Little, Brown Book Group)

CWA ALCS GOLD DAGGER FOR NON-FICTION

Sue Black: Written in Bone (Doubleday, Penguin)

Becky Cooper: We Keep the Dead Close (William Heinemann, Penguin)

Andrew Harding: These Are Not Gentle People (MacLehose Press, Quercus)

Debora Harding: Dancing with the Octopus (Profile Books Limited)

Nick Hayes: The Book of Trespass (Bloomsbury Circus, Bloomsbury Publishing)

Ben MacIntyre: Agent Sonya (Viking, Penguin)

CWA CRIME FICTION IN TRANSLATION DAGGER

Fredrik Backman: Anxious People, translated by Neil Smith (Michael Joseph, Penguin)

Roxanne Bouchard: The Coral Bride, translated by David Warriner (Orenda Books)

Yun Ko-eun: The Disaster Tourist, translated by Lizzie Buehler (Serpent's Tail)

D A Mishani: Three, translated by Jessica Cohen (Riverrun, Hachette Book Group)

Mikael Niemi: To Cook a Bear, translated by Deborah Bragan-Turner (MacLehose Press, Quercus)

Agnes Ravatn: The Seven Doors, translated by Rosie Hedger (Orenda Books)

CWA SHORT STORY DAGGER

Robert Scragg: ‘A Dog Is for Life, Not Just for Christmas’ in Afraid of the Christmas Lights, edited by Miranda Jewess (Criminal Minds Group)

Elle Croft: ‘Deathbed’ in Afraid of the Light, edited by Robert Scragg & Various (Criminal Minds Group)

Dominic Nolan: ‘Daddy Dearest’ in Afraid of the Light, edited by Robert Scragg & Various (Criminal Minds Group)

Victoria Selman: ‘Hunted’ in Afraid of the Christmas Lights, edited by Miranda Jewess (Criminal Minds Group)

Clare Mackintosh: ‘Monsters’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

James Delargy: ‘Planting Nan’ in Afraid of the Light, edited by Robert Scragg & Various (Criminal Minds Group)

CWA PUBLISHERS DAGGER

Faber & Faber

Head of Zeus

Michael Joseph

No Exit Press

Raven 

Viper

CWA DEBUT DAGGER

(Competition for an unpublished novel)

Ashley Harrison – The Looking Glass Spy

Fiona McPhillips – Underwater

Biba Pearce – Rough Justice

Hannah Redding – Deception

Edward Regenye – Lightfoot

Jennifer Wilson O’Raghallaigh – Mandatory Reporting

CWA DAGGER IN THE LIBRARY

C L Taylor

Peter May

Lisa Jewell

James Oswald

Denise Mina

LJ Ross

Congratulations to all the nominated authors.

My favourite fiction reads in 2020

My favourite reads this year have been quite eclectic and they have also included a number of non-fiction titles as well. It has of course been extremly hard to draw up a shortlist of books and I could have easily made this list longer. I have therefore decided to split (for the first time) my list into fiction and non-fiction. I am also putting them in alphabetical order purely because it makes my life easier!

Up first are my favourite fiction reads in alphabetical order  - 

The Law of Innocence by Michael Connelly (Orion Publishing) Defense attorney Mickey Haller is pulled over by police, who find the body of a client in the trunk of his Lincoln. Haller is charged with murder and can’t make the exorbitant $5 million bail slapped on him by a vindictive judge. Mickey elects to defend himself and must strategize and build his defense from his jail cell in the Twin Towers Correctional Center in downtown Los Angeles, all the while looking over his shoulder–as an officer of the court he is an instant target. Mickey knows he’s been framed. Now, with the help of his trusted team, including Harry Bosch, he has to figure out who has plotted to destroy his life and why. Then he has to go before a judge and jury and prove his innocence.

Dirty South by John Connolly (Hodder & Stoughton) It is 1997, and someone is slaughtering young black women in Burdon County, Arkansas. But no one wants to admit it, not in the Dirty South. In an Arkansas jail cell sits a former NYPD detective, stricken by grief. He is mourning the death of his wife and child, and searching in vain for their killer. He cares only for his own lost family. But that is about to change . . . Witness the becoming of Charlie Parker.    

Blacktop Wasteland by S A Cosby (Headline) It's a crime that history repeats itself. Beauregard "Bug" Montage: honest mechanic, loving husband, devoted parent. He's no longer the criminal he once was - the sharpest wheelman on the east coast, infamous from the hills of North Carolina to the beaches of Florida. But when his respectable life begins to crumble, a shady associate comes calling with a clean, one-time job: a diamond heist promising a get-rich payout. Inexorably drawn to the driver's seat - and haunted by the ghost of his outlaw father - Bug is yanked back into a savage world of bullets and betrayal, which soon endangers all he holds dear.

Like Flies From Afar by K Ferrari (Cannongate). Luis Machi has had enemies for a long time: after all, he's built his success on dirty deals - not to mention his cooperation with the military junta's coup years ago, or his love life, a web of infidelities. What's new is the corpse in the boot of his car. A body with its face blown off, detained by a pair of furry pink handcuffs that Machi knows well . . .Someone is trying to set him up, but the number of suspects is incalculable. Machi is stuck dredging his guilty past for clues and trying to dispose of the mystery corpse. But time is just another enemy and it's running out fast.

Into the Fire by Gregg Hurwitz. Evan Smoak lives by his own code. As a boy he was taken from a foster home to be raised and trained as an off-the-books government assassin codenamed Orphan X. Then he broke free to live in the shadows as the Nowhere Man, using his unique skills to help those in desperate need. But all good things must come to an end. He'll take on one last mission then go out on a high note. Clean, neat and tidy, just the way he likes it. And then he meets Max Merriweather. Max Merriweather hasn't got much left to lose. Bad luck and trouble have seen off his marriage, his home and his career. On the face of it he's the last guy you'd expect to be trusted with a deadly secret. Which is exactly why his cousin gave him an envelope with the instruction: 'If anything ever happens to me, call the number inside.' Now his cousin is dead and Max's own chances of survival look bleak. On the run and stalked by death, he meets the one man who might save him: Evan Smoak. With Max now under his protection, Evan realizes that the forces against them pose as daunting a threat as he has ever faced. He'll be lucky just to get through it alive . . .

The Less Dead by Denise Mina (Vintage) When Margo goes in search of her birth mother for the first time, she meets her aunt, Nikki, instead. Margo learns that her mother, Susan, was a sex worker murdered soon after Margo's adoption. To this day, Susan's killer has never been found. Nikki asks Margo for help. She has received threatening and haunting letters from the murderer, for decades. She is determined to find him, but she can't do it alone...

The Lost and the Damned by Oliver Norek (Quercus Publishing) A corpse that wakes up on the mortuary slab. A case of spontaneous human combustion. There is little by the way of violent crime and petty theft that Capitaine Victor Coste has not encountered in his fifteen years on the St Denis patch - but nothing like this. Though each crime has a logical explanation, something unusual is afoot all the same, and Coste is about to be dragged out of his comfort zone. Anonymous letters addressed to him personally have begun to arrive, highlighting the fates of two women, invisible victims whose deaths were never explained. Just two more blurred faces among the ranks of the lost and the damned.

Eight Detectives by Alex Pavesi (Penguin Books) All murder mysteries follow a simple set of rules. Grant McAllister, an author of crime fiction and professor of mathematics, once sat down and worked them all out. But that was thirty years ago. Now he's living a life of seclusion on a quiet Mediterranean island - until Julia Hart, a sharp, ambitious editor, knocks on his door. His early work is being republished and together the two of them must revisit those old stories. An author, hiding from his past, and an editor, probing inside it. But as she reads the stories, Julia is unsettled to realise that there are parts that don't make sense. Intricate clues that seem to reference a real murder. One that's remained unsolved for thirty years . . . If Julia wants answers, she must triumph in a battle of wits with a dangerously clever adversary. But she must tread carefully: she knows there's a mystery, but she doesn't yet realise there's already been a murder . . . 

These Women by Ivy Pochoda (Faber and Faber) In West Adams, a rapidly changing part of South Los Angeles, they're referred to as "these women." These women on the corner ...These women in the club ... These women who won't stop asking questions ... These women who got what they deserved ... They're connected by one man and his deadly obsession, though not all of them know that yet. There's Dorian, still adrift after her daughter's murder remains unsolved; Julianna, a young dancer nicknamed Jujubee, who lives hard and fast, resisting anyone trying to slow her down; Essie, a brilliant vice cop who sees a crime pattern emerging where no one else does; Marella, a daring performance artist whose work has long pushed boundaries but now puts her in peril; and Anneke, a quiet woman who has turned a willfully blind eye to those around her for far too long. The careful existence they have built for themselves starts to crumble when two murders rock their neighbourhood.

Rules For Perfect Murder is by Peter Swanson (Faber & Faber). If you want to get away with murder, play by the rules. A series of unsolved murders with one thing in common: each of the deaths bears an eerie resemblance to the crimes depicted in classic mystery novels. The deaths lead FBI Agent Gwen Mulvey to mystery bookshop Old Devils. Owner Malcolm Kershaw had once posted online an article titled 'My Eight Favourite Murders,' and there seems to be a deadly link between the deaths and his list - which includes Agatha Christie's The ABC Murders, Patricia Highsmith's Strangers on a Train and Donna Tartt's The Secret History. Can the killer be stopped before all eight of these perfect murders have been re-enacted?

City of Spies by Mara Timon (Bonnier Zaffre). LISBON, 1943: When her cover is blown, SOE agent Elisabeth de Mornay flees Paris. Pursued by the Gestapo, she makes her way to neutral Lisbon, where Europe's elite rub shoulders with diplomats, businessmen, smugglers, and spies. There she receives new orders - and a new identity. Posing as wealthy French widow Solange Verin, Elisabeth must infiltrate a German espionage ring targeting Allied ships, before more British servicemen are killed. The closer Elisabeth comes to discovering the truth, the greater the risk grows. With a German officer watching her every step, it will take all of Elisabeth's resourcefulness and determination to complete her mission. But in a city where no one is who they claim to be, who can she trust?

The Devil and the Dark Water is by Stuart Turton (Bloomsbury Publishing) A murder on the high seas. A detective duo. A demon who may or may not exist. It's 1634 and Samuel Pipps, the world's greatest detective, is being transported to Amsterdam to be executed for a crime he may, or may not, have committed. Travelling with him is his loyal bodyguard, Arent Hayes, who is determined to prove his friend innocent. But no sooner are they out to sea than devilry begins to blight the voyage. A twice-dead leper stalks the decks. Strange symbols appear on the sails. Livestock is slaughtered. And then three passengers are marked for death, including Samuel. Could a demon be responsible for their misfortunes? With Pipps imprisoned, only Arent can solve a mystery that connects every passenger onboard. A mystery that stretches back into their past and now threatens to sink the ship, killing everybody on board. 

Honourable mentions also go to -

Box 88 by Charles Cumming (Harper Collins), 

Midnight Atlanta by Thomas Mullen (Little Brown) 

A Song for The Dark Times by Ian Rankin (Orion), 

The Last Protector by Andrew Taylor (HarperCollins), 

The Silver Collar by Antonia Hodgson (Hodder & Stoughton) and 

Angel's Inferno by William Hjortsberg (No Exit Press)

A Private Cathedral by James Lee Burke (Orion)

My favourite non-fiction reads will be posted separately.