Showing posts with label kiss kiss bang bang. Show all posts
Showing posts with label kiss kiss bang bang. Show all posts

Friday, 27 July 2018

Top Notch Thrillers via the Talented Mr Ripley


So as August fast approaches, many of us think about our summer vacation, and what to pack for our reading. I was delighted to receive and update from Kiss Kiss Bang Bang’s Mr Ripley.

What we have in store from Ostara Publishing looks intriguing, and recommended by Ostara’s Thriller Consultant. Though I’m still giggling about his SORRY I HAVEN’T A CLUEDO from Crimefest, which is archived HERE

So here are two books worth exploring -

The Man Who Would Be Bond
When hard-as-nails sailor-turned-gun-runner-turned assassin for the sinister Department K John Craig made his fictional debut in 1964 in The Man Who Sold Death, he was immediately touted as a replacement for James Bond, James Munro’s novel appearing less than three months after the death of Ian Fleming.

The Man Who Sold Death was an instant success, being reprinted five times in hardback before becoming a best-selling paperback in 1966. Three more ‘John Craig’ novels followed, and all were hugely successful in America where John Craig and James Munro are perhaps better remembered than in the UK.

By 1967, John Craig had been replaced in his creator’s affections by another ruthless killer who was to become an iconic character of British television and of spy fiction, when Munro, under his real name of James Mitchell (1926-2002), created Callan. All five Callan novels and two collections of short stories are also published as Top Notch Thrillers.

The Man Who Sold Death garnered rave reviews, the New York Times calling it ‘An intrigue that really spins and sparks excitement’ and the Daily Express enthused: ‘A successor to Bond who is as tough and exciting to women as the original.’

The Swinging Sixties Turn Sour
The companion Top Notch reissue for August also introduced a new hero – known only as ‘Raven’– who put his own very cynical slant on the Swinging Sixties London scene, its rich and fashionably dissolute elite and the growth, on an industrial scale, of the trade in heroin.

First published in 1970, The Diamond Hook was the first novel to feature the enigmatic private eye ‘Raven’ by James Quartermain, the pen-name assumed by playwright, artist and illustrator James Broom-Lynne (1916-1995) who as a designer created some famous dust-jackets in the 1960s for, among others, the racing thrillers of Dick Francis and Adam Diment’s legendary debut, The Dolly Dolly Spy.

The Diamond Hook is a tough, brutal, uncompromising story of revenge, opening in London’s fashionable clubland and climaxing in the Dordogne region of France. The central plot-line has the damaged hero Raven forcibly turned into a heroin addict but still intent on solving his ‘case’; a trope famously used five years later in the film French Connection II.

For further information on Top Notch Thrillers:

www.ostarapublishing.co.uk

Tuesday, 29 May 2018

Ripley's Game


The close of Crime and Thriller conventions can be a tad melancholic, as for a few days we escape the strait-jackets that are our lives, interacting with our friends, spending late nights in the bar, laughing at the surreal nature of reality – so when the show unspools, one can be left feeling somewhat hollow.

The Crimefest Team addressed this matter, by closing the event with Mike Ripley’s surreal game I'm Sorry I Haven't A Cluedo.

To have a look at last year’s finale, click HERE


This year, Mike Ripley was again joined by his assistant, the writer, raconteur, broadcaster and literary commentator Peter Guttridge. Two teams of Crime and Thriller writers were assembled with political journalist and crime writer Ruth Dudley-Edwards captaining the Girls, with Alison Bruce and Yrsa Sigurðardóttir; while Lee Child captained the Boys with Andrew Taylor and Jeffery Deaver.


Crimefest as well as Mike Ripley allowed Shots Magazine to record the closing event, which we present here, in ten minute sections.

It was shot ‘gonzo style’ and will provide amusement, for laughter in the hands of the Talented Mr Ripley is indeed the best medicine, as far too many people take themselves too seriously.

Part One > https://youtu.be/cAqI8xw2O0g
























And remember Mike Ripley’s KISS KISS BANG BANG was presented with the 2018 HRF Keating Award; and click HERE for more information on the Golden Age of British Thriller Fiction.




Sunday, 28 May 2017

Mike Ripley’s KISS KISS, BANG BANG launches in Gerry’s Club London

Not long after Mike Ripley and Barry Forshaw battled it out at Crimefest with Peter Guttridge [from NATO] keeping the peace; many of London’s literary community headed to the West End, to Gerry’s club to celebrate the launch of Mike Ripley’s KISS KISS, BANG BANG.

It was a remarkable gathering of writers, journalists, publishers, editors, reviewers and agents from British Intelligence - all congregated to celebrate the launch of the remarkable KISS KISS, BANG BANG by Mike Ripley; a reflection upon the Golden Age of the British Thriller. This new work from HarperCollins is a labour of love from literary critic, writer, Shots’ columnist, Deadly Pleasures commentator, book reviewer, raconteur, archaeologist and butterfly collector Mike Ripley.


This volume is an essential part of any reader of Thriller Fiction’s bookcase, as Harper Collins point out –

An entertaining history of British thrillers from Casino Royale to The Eagle Has Landed, in which award-winning crime writer Mike Ripley reveals that, though Britain may have lost an empire, her thrillers helped save the world. With a foreword by Lee Child.
When Ian Fleming dismissed his books in a 1956 letter to Raymond Chandler as straight pillow fantasies of the bang-bang, kiss-kiss variety’ he was being typically immodest. In three short years, his James Bond novels were already spearheading a boom in thriller fiction that would dominate the bestseller lists, not just in Britain, but internationally.


The decade following World War II had seen Britain lose an Empire, demoted in terms of global power and status and economically crippled by debt; yet its fictional spies, secret agents, soldiers, sailors and even (occasionally) journalists were now saving the world on a regular basis.

From Ian Fleming and Alistair MacLean in the 1950s through Desmond Bagley, Dick Francis, Len Deighton and John Le Carr in the 1960s, to Frederick Forsyth and Jack Higgins in the 1970s.

Many have been labelled boys’ books’ written by men who probably never grew up but, as award-winning writer and critic Mike Ripley recounts, the thrillers of this period provided the reader with thrills, adventure and escapism, usually in exotic settings, or as today’s leading thriller writer Lee Child puts it in his Foreword: the thrill of immersion in a fast and gaudy world.’


In Kiss Kiss, Bang Bang, Ripley examines the rise of the thriller from the austere 1950s through the boom time of the Swinging Sixties and early 1970s, examining some 150 British authors (plus a few notable South Africans). Drawing upon conversations with many of the authors mentioned in the book, he shows how British writers, working very much in the shadow of World War II, came to dominate the field of adventure thrillers and the two types of spy story spy fantasy (as epitomised by Ian Fleming’s James Bond) and the more realistic spy fiction created by Deighton, Le Carr and Ted Allbeury, plus the many variations (and imitators) in between.

The launch party was a delight, as Mike’s son Guy who is a qualified chef provided the buffet, while Gerry provided the venue and Harper Collins copies of KISS KISS BANG BANG.


So after we all quaffed some Gin, Chris Smith - Mike’s editor at Harper Collins said a few words, followed by Mike Ripley who took a balcony position and welcomed us all. Mike indicated that the surprise appearance by Len Deighton had been cancelled as Len was in hospital but well on the way to recovery; so we all raised our glasses to Len Deighton. Incidentally it was thanks to Mike Ripley that Andrew Gulli secured a rare interview for Strand Magazine – which is still available Here

Despite the lighting in Gerry’s Club, we managed to record the welcome and introduction for our readers from Chris Smith of Harper Collins and Mike’s Balcony speech –



To list all the guests would be too much of a task; instead we feature photos of the event of many of the guests. Images of Agents of Her Majesty’s Secret Service have been redacted.
More information about Mike Ripley’s KISS KISS, BANG BANG is available from HarperCollins Here and Shots Magazine Here


We would urge you to grab a copy of this most amusing as well as interesting book KISS KISS, BANG BANG and remember Shots Magazine have discounted copies available from our bookstore HERE


The Special Relationship: American Noir vs the British Golden Age Thriller


The end of a Crime Fiction convention is always a melancholic affair; following a few intense days, the lack of sleep and over indulgence in Gin takes its toll coupled to saying farewell to friends and colleagues. The Crimefest organisers Adrian Muller, Myles Allfrey and Programming Chair Donna Moore always ensure the last event is one that lifts the spirits. In 2016, we all left after much laughter thanks to Mike Ripley and Peter Guttridge’s SORRY I HAVEN’T A CLUEDO which is archived Here.


Crimefest 2017 was no exception with the amusing American Noir vs the British Golden Age Thriller with writer / critics Barry Forshaw representing the US and Mike Ripley representing the UK and Peter Guttridge representing NATO and keeping the peace.

I predict that Ripley’s KISS KISS BANG BANG and Forshaw’s American Noir will feature heavily in competition in the Non-Fiction categories of all major international awards for Crime, Mystery and Thriller Fiction next year. 

During Crimefest 2014 Barry Forshaw, Mike Ripley and Peter Guttridge presented an enlightening and amusing overview of the British Golden Age thriller, which we recorded and archived HERE and is well worth a view, with a few chuckles.

Shots were delighted to be given permission by the Crimefest Organisers as well as Mike Ripley, Peter Guttridge and Barry Forshaw to film the closing panel American Noir vs the British Golden Age Thriller – in our usual ‘gonzo’ style.


It is split into five sections, though we will leave Part One till the end as the camera picture for some reason was not as sharp as the other sections, but is watchable.
So pour yourself a generous measure of Bombay Gin, and view the American Noir vs the British Golden Age Thriller

Part Two

Part Three


Part Four


Part Five


Part One


More information about Mike Ripley’s KISS KISS, BANG BANG available from HarperCollins Here and Shots Magazine Here

More information about Barry Forshaw’s AMERICAN NOIR available from Pocket Essentials Here and Shots Magazine Here

If you’ve enjoyed this presentation, then we’d urge you to explore the work of these key writer/literary [and film] critics.

Their body of work can be purchased [with discounts] from the Shots Bookstore –

Barry Forshaw’s work is available here

Mike Ripley’s work is available here

Peter Guttridge’s work is available here




Tuesday, 21 March 2017

Ripley’s Kiss Kiss, Bang Bang


The Shots Team are delighted to hear about an upcoming work from Writer, Reviewer, Columnist, Game Show Host and Raconteur Extraordinaire, The Talented Mr Ripley.

Kiss Kiss, Bang Bang: The Boom in British Thrillers from Casino Royale to The Eagle Has Landed

An entertaining history of British thrillers from Casino Royale to The Eagle Has Landed, in which award-winning crime writer Mike Ripley reveals that, though Britain may have lost an empire, her thrillers helped save the world. With a foreword by Lee Child.

When Ian Fleming dismissed his books in a 1956 letter to Raymond Chandler as ‘straight pillow fantasies of the bang-bang, kiss-kiss variety’ he was being typically immodest. In three short years, his James Bond novels were already spearheading a boom in thriller fiction that would dominate the bestseller lists, not just in Britain, but internationally.

The decade following World War II had seen Britain lose an Empire, demoted in terms of global power and status and economically crippled by debt; yet its fictional spies, secret agents, soldiers, sailors and even (occasionally) journalists were now saving the world on a regular basis.

From Ian Fleming and Alistair MacLean in the 1950s through Desmond Bagley, Dick Francis, Len Deighton and John Le Carré in the 1960s, to Frederick Forsyth and Jack Higgins in the 1970s.
Many have been labelled ‘boys’ books’ written by men who probably never grew up but, as award-winning writer and critic Mike Ripley recounts, the thrillers of this period provided the reader with thrills, adventure and escapism, usually in exotic settings, or as today’s leading thriller writer Lee Child puts it in his Foreword: ‘the thrill of immersion in a fast and gaudy world.’

In Kiss Kiss, Bang Bang, Ripley examines the rise of the thriller from the austere 1950s through the boom time of the Swinging Sixties and early 1970s, examining some 150 British authors (plus a few notable South Africans). Drawing upon conversations with many of the authors mentioned in the book, he shows how British writers, working very much in the shadow of World War II, came to dominate the field of adventure thrillers and the two types of spy story – spy fantasy (as epitomised by Ian Fleming’s James Bond) and the more realistic spy fiction created by Deighton, Le Carré and Ted Allbeury, plus the many variations (and imitators) in between.

Mark your diaries as Kiss Kiss, Bang Bang is released on May 18th from Harper Collins, who incidentally published Martin Edward’s multiple award-winning Golden Age of Murder.

Photo L-R Writers
Mark Timlin, Mike Ripley & Martyn Waites 


Mike Ripley in-concert with fellow writer / reviewers Barry Forshaw and Peter Guttridge entertained us at Crimefest 2014, with their amusing presentation of the British Golden Age of Thrillers.


We have the presentation archived in 5 sections

Part One



Part Two



Part Three



Part Four



Part Five



So we asked Mike Ripley to tell a little about his upcoming Kiss Kiss, Bang Bang -

After several years in the gestation, I am delighted that my ‘reader’s history’ of the boom in British thriller writing 1953-1975 (or thereabouts) has been given a home by HarperCollins in their famous Crime Club imprint, my very first publisher, back in 1988, for Just Another Angel which started what is laughingly called my career  in crime fiction. They have, therefore, a lot to answer for, but please do not hold it against them as they done a splendid job indulging a great passion of mine.

Kiss Kiss Bang Bang – or KK-BB as it is known in certain circles in honour of Len Deighton – has been many years in its gestation, you might say about fifty years since, as a callow youth, I realised that I was reading my way through a purple path of British thriller writing. Was it a ‘Golden Age’? Well, that is, as with all ‘Golden Ages’ a matter for debate, but it was undeniably a boom time for British thriller writers, who dominated international bestseller lists.

Mike will reveal more in next month’s Getting Away With Murder Column, which is hosted at Shots Magazine online, as well as republished in George Easter’s Deadly Pleasures Magazine.

Shots Magazine have Kiss Kiss, Bang Bang available for pre-order HERE and like Martin Edward’s Golden Age of Murder, it would be criminal to miss out. 


A good writer possesses not only his own spirit, but also the spirit of his friends.” 
Friedrich Nietzsche