Showing posts with label Amanda Lees. Show all posts
Showing posts with label Amanda Lees. Show all posts

Sunday, 13 December 2020

My Favourite Non-Fiction Reads 2020

For the first time I have had to split my favourite reads this year into fiction and non fiction. This year I have read an eclectic range of non-fiction crime books and it has been great to see such a wide range of books being written. My favourite Non Fiction reads are as follows -

Agatha Christie's Poirot: The Greatest Detective in The World by Dr Mark Aldridge (HarperCollins Publishers) From the very first book publication in 1920 to the upcoming film release of Death on the Nile, this investigation into Agatha Christie's Hercule Poirot celebrates a century of probably the world's favourite fictional detective.This book tells his story decade-by-decade, exploring his appearances not only in the original novels, short stories and plays but also across stage, screen and radio productions. The hardback edition includes more than 400 illustrations. Poirot has had near-permanent presence in the public eye ever since the 1920 publication of The Mysterious Affair at Styles. From character development, publication history and private discussion concerning the original stories themselves, to early forays on to the stage and screen, the story of Poirot is as fascinating as it is enduring. Based on the author's original research, review excerpts and original Agatha Christie correspondence, Poirot: The Greatest Detective in the World is a lively and accessible history of the character, offering new information and helpful pieces of context, that will delight all Agatha Christie fans, from a new generation of readers to those already highly familiar with the canon.

Howdunit: A Masterclass in Crime Writing by Members of The Detection Club Edited by Martin Edwards (Collins Crime Club). Ninety crime writers from the world’s oldest and most famous crime writing network give tips and insights into successful crime and thriller fiction.  Howdunit offers a fresh perspective on the craft of crime writing from leading exponents of the genre, past and present. The book offers invaluable advice to people interested in writing crime fiction, but it also provides a fascinating picture of the way that the best crime writers have honed their skills over the years. Its unique construction and content mean that it will appeal not only to would-be writers but also to a very wide readership of crime fans. The principal contributors are current members of the legendary Detection Club, including Ian Rankin, Val McDermid, Peter James, Peter Robinson, Ann Cleeves, Andrew Taylor, Elly Griffiths, Sophie Hannah, Stella Duffy, Alexander McCall Smith, John Le CarrĂ© and many more. Interwoven with their contributions are shorter pieces by past Detection Club members ranging from G.K. Chesterton, Dorothy L. Sayers, Agatha Christie and John Dickson Carr to Desmond Bagley and H.R.F. Keating

Russian Roulette: The Life and Times of Graham Greene by Richard Greene (Little Brown) Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

Cover Me The Vintage Art of Pan Books: 1950-1965 – An Appraisal by Colin Larkin (Telos)  An affectionate and thoroughly-researched celebration of the classic Pan Books paperbacks, beautifully illustrated with sumptuous full-colour reproductions of over 300 of the original cover artworks.

Detective in The Shadows: A Hard-Boiled History by Susanna Lee (John Hopkins University Press) Steadfast in fighting crime, but operating outside the police force―and sometimes even the law―is the private detective. Driven by his own moral code, he is a shadowy figure in a trench coat standing on a street corner, his face most likely obscured by a tilted fedora, a lit cigarette dangling from his hand. The hard-boiled detective is known by his dark past, private pain, and powers of deduction. He only asks questions―never answers them. In his stories he is both the main character and the narrator. America has had a love affair with the hard-boiled detective since the 1920s, when Prohibition called into question who really stood on the right and wrong side of the law. And nowhere did this hero shine more than in crime fiction. In Detectives in the Shadows, literary and cultural critic Susanna Lee tracks the evolution of this truly American character type―from Race Williams to Philip Marlowe and from Mike Hammer to Jessica Jones.Lee explores how this character type morphs to fit an increasingly troubled world, offering compelling interpretations of The Wire,True Detective, and Jessica Jones. Suddenly, in the present day, the hard-boiled detective wears his―or her―fatigue outwardly, revealing more vulnerability than ever before. But the detective remains resolute in the face of sinister forces, ever the person of honor. For anyone interested in crime fiction and television, or for those wanting to understand America's idolisation of the good guy with a gun.

From Aconite to the Zodiac Killer: The Dictionary of Crime by Amanda Lees (Little Brown). This is an indispensable guide for fans of true crime and crime fiction, whether in books, film or on TV, who want to look behind the crime, to understand the mechanics of an investigation, to walk in their favourite detectives' shoes and, most importantly, to solve the clues. To do that, one needs to be fluent in the language of the world of crime. We need to know what that world-weary DI is talking about when she refers to another MISPER. We have to immediately grasp the significance of the presence of paraquat, and precisely why it is still a poison of choice. If you want to know how many murders it takes for a killer to be defined as a serial killer, what Philip Marlowe means when he talks about being 'on a confidential lay' and why the 'fruit of a poisonous tree' is a legal term rather than something you should avoid on a country walk, this is the reference book you've been waiting for. It covers police and procedural terms and jargon of many different countries; acronyms; murder methods; criminal definitions, including different types of killers; infamous killers and famous detectives; notorious cases often referred to in crime fiction and true crime; gangster slang, including that of the Eastern European mafia; definitions of illegal drugs; weapons; forensic terminology; types of poisons; words and phrases used in major crime genres, including detective fiction, legal thrillers, courtroom dramas, hardboiled crime, Scandi and Tartan Noir, cosy crime and psychological thrillers; criminology terms; and the language of the courts and the legal systems of British, American, French, Nordic and other countries.

The Reacher Guy: The Authorised Autobiography of Lee Child by Heather Martin (Little Brown) The Reacher Guy as a compelling and authoritative portrait of the artist as a young man, refracted through the life of his fictional avatar, Jack Reacher. Through parallels drawn between Child and his literary creation, it tells the story of how a boy from Birmingham with a ferocious appetite for reading grew up to become a high-flying TV executive, before coming full circle and establishing himself as the strongest brand in publishing. Heather Martin explores Child's lifelong fascination with America, and shows how the Reacher novels fed and fuelled this obsession, shedding light on the opaque process of publishing a novel along the way. Drawing on her conversations and correspondence with Child over a number of years, as well as interviews with his friends, teachers and colleagues, she forensically pieces together his life, traversing back through the generations to Northern Ireland and County Durham, and following the trajectory of his extraordinary career via New York and Hollywood until the climactic moment when, in 2020, having written a continuous series of twenty-four books, he finally breaks free of his fictional creation.

Southern Cross by Craig Sisterton (No Exit Press) Southern Cross Crime is the first comprehensive guide to modern Australian and New Zealand crime writing. From coastal cities to the Outback, leading critic Craig Sisterson showcases key titles from more than 200 storytellers, plus screen dramas ranging from Mystery Road to Top of the Lake. Fascinating insights are added through in-depth interviews with some of the prime suspects who paved the way or instigated the global boom, including Jane Harper, Michael Robotham, Paul Cleave, Emma Viskic, Paul Thomas, and Candice Fox.

Unspeakable Acts: True Tales of Crime, Murder, Deceit, and Obsession by Sarah Weinman (Ecco) The appeal of true-crime stories has never been higher. With podcasts like My Favorite Murder and In the Dark, bestsellers like I'll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable. Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today. Michelle Dean's "Dee Dee Wanted Her Daughter To Be Sick" went viral when it first published and is the basis for the TV show The Act and Pamela Colloff's "The Reckoning," is the gold standard for forensic journalism. There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.














Saturday, 1 August 2020

The Secret Language of Rogues and Gangsters by Amanda Lees

I love a good slang word. So do thieves, rogues and gang members, not least because having a secret argot, or language, is one way of keeping the authorities at bay.

Possibly my favourite part of writing my Crime Dictionary involved tracing slang words from their origins in the Thieves’ Cant of the 16th century until today. 

Cant is a jargon belonging to and used by a particular group or sub-group. From the 16th to 19th centuries in England, thieves, hustlers and other marginal members of society had their own cant known as Thieves’ Cant, which they used to communicate without being rumbled by the authorities.

The Artful Dodger in Dickens’ Oliver Twist speaks almost entirely in cant, and Dickens helpfully included a thieves’ cant glossary at the back of the book. Thieves’ Cant was also known as Rogues' Cant, Thieves' Argot, Flash or Peddler’s French and existed across Europe in different forms.

It began to flourish in 16th Century England when there was less work available and, as a result, crime started to rise. The new burgeoning underclass of thieves and rogues met in public gathering places or ‘flash houses’ in order to share tips and information.

Much as people have an interest in true crime today to arm themselves with knowledge, so the general population became fascinated with this underclass and several thieves’ cant dictionaries were published as a result. Although many of the words in those dictionaries are now archaic or extinct, some filtered down the centuries, finding their way into our everyday vocabulary.

Think ‘referring to blood as ‘claret’ is the preserve of Cockney detectives and East End villains? Think again. Highwaymen and footpads were using it way back when, along with ‘canary bird,’ thieves’ cant for a prison inmate which has evolved into the modern phrase ‘doing bird,’ or serving time in prison. When you say ‘filch,’ meaning to steal or talk about a ‘fence’ handling stolen goods, you are again echoing your 16th century ancestors. 

Of the archaic words and phrases we no longer use, my particular favourites include ‘buttock and file’ for a pickpocket, a ‘bulldog with six teeth,’ meaning a gun in Victorian slang, ‘dollymop’ to refer to a part-time sex worker or prostitute and the aforementioned ‘footpad’ to refer to a highwayman or thief who stole on foot from pedestrians.

Contemporary gang slang works on the same principle as thieves’ cant, acting as a form of ever evolving code that keeps the cops on their toes, if not scratching their heads. Drill music and its attendant culture has given rise to some particularly rich gang slang, including a ‘hand ting’ to refer to a pistol or hand gun, a ‘mop’ to mean a larger gun and the short and not too sweet ‘K’ meaning to kill or to signify at least one kill if added to the end of a name.

Naturally, that same gang slang finds its way into prisons both in the UK and the US where rival factions continue the bitter feuds they maintain on the outside. Once inside, every prisoner has to learn the prison code or slang that peppers life behind bars. So a warder or ‘screw’ becomes a ‘kanga,’ derived from Cockney rhyming slang, a ‘rub down’ or ‘spin’ happens when your cell is searched and if you are ‘ghosted’ it means you’ve been moved to another prison without warning rather than being dumped on social media.

In the US, gang slang is arguably even richer, with Mafiosi rivalling Hispanic and Jamaican street gangs for linguistic jewels. When a street gangster ‘serves’ you in the States it’s not with a nice side of fries but a swift and merciless beating. CC does not refer to the designer label Chanel but is a warning that there are cops on the corner while to ‘ride with’ a gang or other inmate in prison has nothing to do with jumping in a car and everything to do with providing favours in return for protection.

When a Mafiosi refers to a ‘G’ that’s a thousand dollars, or a grand, which is often ‘kicked up’ or passed up the chain of command to reach the fat cat capo dei capi. A Jamaican gang member yelling ‘fire’ is not an order but a warning that the cops are coming. While a ‘farmero’ might conjure up an image of a rustic type leaning on a pitchfork, in reality this is a member of a notorious Hispanic prison gang known as Nuestra Familia. The US also has its share of historical slang, including such charmers as moll buzzers, bum steers and cheap thieves. I put them all, and much more, in the dictionary.

For someone who relishes words as I do, writing this book was as much a romp through some of the finest to ever roll off a tongue as a deep dive into etymology. Of course, slang only makes up a small part of it but what an enjoyable part, with police acronyms, spy lingo and Danish swear words adding to the fun. As I casually speak of swindlers, corn or cooking the books, I know that there is a whole history and other meaning behind what I am saying. It is a constant delight and education, one that I carry on as I collect yet more words to add to future editions of the dictionary.

Aconite to the Zodiac Killer: The Dictionary of Crime by Amanda Lees (Published by Little, Brown) Out Now
This is an indispensable guide for fans of true crime and crime fiction, whether in books, film or on TV, who want to look behind the crime, to understand the mechanics of an investigation, to walk in their favourite detectives' shoes and, most importantly, to solve the clues. To do that, one needs to be fluent in the language of the world of crime. We need to know what that world-weary DI is talking about when she refers to another MISPER. We have to immediately grasp the significance of the presence of paraquat, and precisely why it is still a poison of choice. If you want to know how many murders it takes for a killer to be defined as a serial killer, what Philip Marlowe means when he talks about being 'on a confidential lay' and why the 'fruit of a poisonous tree' is a legal term rather than something you should avoid on a country walk, this is the reference book you've been waiting for. It covers police and procedural terms and jargon of many different countries; acronyms; murder methods; criminal definitions, including different types of killers; infamous killers and famous detectives; notorious cases often referred to in crime fiction and true crime; gangster slang, including that of the Eastern European mafia; definitions of illegal drugs; weapons; forensic terminology; types of poisons; words and phrases used in major crime genres, including detective fiction, legal thrillers, courtroom dramas, hardboiled crime, Scandi and Tartan Noir, cosy crime and psychological thrillers; criminology terms; and the language of the courts and the legal systems of British, American, French, Nordic and other countries. From Aconite to the Zodiac Killer is an essential, go-to resource for readers and even for writers of crime fiction. More than simply a glossary, this is a guide that provides a doorway into a supergenre, and one that is not just for readers, but also for the many fans of film and TV dramas, of podcasts, and crime blogs. It is also an indispensable resource for writers or would-be writers of crime fiction.

More information about Amanda can be found on her website. You can also follow her on Twitter @amandalees.

Friday, 27 March 2020

Books to Look Forward to from Little, Brown, Constable, Robinson and Piatkus

July 2020

Midnight Atlanta is the new novel in Darktown series by Thomas Mullen, and sees a newspaper editor murdered against the backdrop of Rosa Parks' protest and Martin Luther King Jnr's emergence.  Atlanta, 1956.  When Arthur Bishop, editor of Atlanta's leading black newspaper, is killed in his office, cop-turned-journalist Tommy Smith finds himself in the crosshairs of the racist cops he's been trying to avoid. To clear his name, he needs to learn more about the dangerous story Bishop had been working on.  Meanwhile, Smith's ex-partner Lucius Boggs and white sergeant Joe McInnis - the only white cop in the black precinct - find themselves caught between meddling federal agents, racist detectives, and Communist activists as they try to solve the murder.  With a young Rev. Martin Luther King Jnr making headlines of his own, and tensions in the city growing, Boggs and Smith find themselves back on the same side in a hunt for the truth that will put them both at risk.

This is an indispensable guide for fans of true crime and crime fiction, whether in books, film or on TV, who want to look behind the crime, to understand the mechanics of an investigation, to walk in their favourite detectives' shoes and, most importantly, to solve the clues.   To do that, one needs to be fluent in the language of the world of crime. We need to know what that world-weary DI is talking about when she refers to another MISPER. We have to immediately grasp the significance of the presence of paraquat, and precisely why it is still a poison of choice.   If you want to know how many murders it takes for a killer to be defined as a serial killer, what Philip Marlowe means when he talks about being 'on a confidential lay' and why the 'fruit of a poisonous tree' is a legal term rather than something you should avoid on a country walk, this is the reference book you've been waiting for. It covers police and procedural terms and jargon of many different countries; acronyms; murder methods; criminal definitions, including different types of killers; infamous killers and famous detectives; notorious cases often referred to in crime fiction and true crime; gangster slang, including that of the Eastern European mafia; definitions of illegal drugs; weapons; forensic terminology; types of poisons; words and phrases used in major crime genres, including detective fiction, legal thrillers, courtroom dramas, hardboiled crime, Scandi and Tartan Noir, cosy crime and psychological thrillers; criminology terms; and the language of the courts and the legal systems of British, American, French, Nordic and other countries.   From Aconite to the Zodiac Killer is by Amanda Lees and is an essential, go-to resource for readers and even for writers of crime fiction. More than simply a glossary, this is a guide that provides a doorway into a super genre, and one that is not just for readers, but also for the many fans of film and TV dramas, of podcasts, and crime blogs. It is also an indispensable resource for writers or would-be writers of crime fiction.

Has the woman killed her child? Is she at risk to herself? Someone in the neighbourhood of old terraced streets has the answers. But detectives Donna Bell and Jade Bradshaw find lies and obstruction at every turn, in a community living on the edge, ground down by austerity and no hope. A place of broken dreams. Of desperation. And murder.  When a stranger crashes into Jade's life, her past comes hurtling back, threatening to destroy her and the world she has carved out for herself. Donna struggles to juggle everything: work, marriage, kids. It's a precarious balancing act, and the rug is about to be pulled from under her.  Acts of Violence is by Cath Staincliffe. 

It's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow.  So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot.  The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights.   This case will be the making of him . . . or the breaking.  Cry Baby is by Mark Billingham. 

They ask for your husband.  They just want to talk.  They’re lying.  Your husband isn’t who says he is, say the people at your door.  Come with us.  Don’t trust them, says a voice on the phone.  Run.  Who would you believe? A Knock at The Door is by T W Ellis.

The Revelators is by Ace Atkins.  Shot up and left for dead, Sheriff Quinn Colson has revenge on his mind. With the help of his new wife Maggie, rehabilitation, and sheer force of will, he's walking again, eager to resume his work as a southern lawman and track down those responsible for his attempted murder. But someone is standing in his way: an interim sheriff, appointed by the newly elected Governor Vardaman, the man who Quinn knows ordered his murder. Vardaman sits at the top of the state's power structure - both legal and criminal - and little does he know Quinn is still alive. And coming for him.  Quinn will enlist the help of his most trusted friends, including federal agent Jon Holliday, U.S. Marshal Lillie Virgil, and Donnie Varner, a childhood buddy now working for the Feds as an informant. Since Quinn's been gone, the criminal element in north Mississippi has flourished, with queen-pin Fannie Hathcock enjoying unbridled freedom. As an ice storm bears down on north Mississippi and Memphis, and Tibbehah County is isolated from the outside world, the killers will return to finish the job.  But this time, Quinn Colson and company will be waiting, ready to bust apart a criminal empire running on a rigged system for far too long. This is the battle of Jericho, the epic showdown that's been years in the making. In the end, the war will end - for better or worse.

She has secrets.  Evie Cormac's whole life is a lie. She has spent years hiding her true identity, making sure nobody ever discovers what happened to her and who she really is. Because the people who find out always end up dead.  He needs answers.  But Cyrus Haven, a gifted forensic psychologist and Evie's closest friend, is determined to know the truth. When the body of a retired Detective is found in his car it's clear that someone wanted it to look like suicide. But as Cyrus digs deeper, he uncovers an insidious web of lies reaching further than he could have ever imagined, with Evie is at its heart.  Powerful people have spent years hunting her, the only living witness to their crimes. Who is Evie running from, and is Cyrus inadvertently leading her straight to them?  When She was Good is by Michael Robotham.

August 2020

Still Life is by Val McDermid.  When lobster fishermen pull a body out of the sea, local police quickly discover the murdered man was the prime suspect in a mysterious disappearance ten years before. Cold case detective Karen Pirie's name is on the file as the last person to review the case. As she starts to unpick the threads of the past, Karen finds herself at the heart of a tangled web of dark and troubling secrets . . .

The Wicked Sister is by Karen Dionne.  You have been cut off from society for fifteen years, shut away in a mental hospital in self-imposed exile as punishment for the terrible thing you did when you were a child.  But what if nothing about your past is as it seems?  And if you didn't accidentally shoot and kill your mother, then whoever did is still out there. Waiting for you.  For a decade and a half, Rachel Cunningham has chosen to lock herself away in a psychiatric facility, tortured by gaps in her memory and the certainty that she is responsible for her parents' deaths. But when she learns new details about their murders, Rachel returns, in a quest for answers, to the place where she once felt safest: her family's sprawling log cabin in the remote forests of Michigan.  As Rachel begins to uncover what really happened on the day her parents were murdered, she learns - as her mother did years earlier - that home can be a place of unspeakable evil, and that the bond she shares with her sister might be the most poisonous of all.

September 2020

How to Raise an Elephant is by Alexander McCall Smith.  Unusual requests are commonplace at the No. 1 Ladies' Detective Agency, but so are very ordinary ones, such as a plea for money: when a distant cousin calls on Mma Ramotswe to ask for help with another relative's hip operation, tricky questions arise in regard to family responsibility. Mma Makutsi and Mr J. L. B Matekoni are far from convinced of the merits of the request, but it is hard for Mma Ramotswe, with a heart her size, to turn people away. Meanwhile, Charlie has become involved in a mysterious transaction that involves an attractive but rather large animal. If it takes a village to raise a child, what does it take to raise a baby elephant?

Private detective Foster Gates is a father is in search of his missing daughter, and sound engineer Mitzi harbors a secret that may help him solve the case. It's Mitzi's job to create the dubbed screams used in horror films and action movies. She's the best at what she does.  But what no one in Hollywood knows is the screams Mitzi produces are harvested from the real, horror-filled, blood-chilling screams of people in their death throes--a technique first employed by Mitzi's father and one she continues on in his memory--a deeply conflicted serial killer compelled beyond her understanding to honor her father's chilling legacy.  Soon Foster finds himself on Mitzi's trail. And in pursuit of her dark art, Mitzi realizes she's created the perfect scream, one that compels anyone who hears it to mirror the sound as long as they listen to it--a highly contagious seismic event with the potential to bring the country to its knees.  The Invention of Sound is by Chuck Palahniuk.

Stone Cold Trouble is by Amer Anwar.  Trying - and failing - to keep his head down and to stay out of trouble, ex-con Zaq Khan agrees to help his best friend, Jags, recover a family heirloom, currently in the possession of a wealthy businessman. But when Zaq's brother is
viciously assaulted, Zaq is left wondering whether someone from his own past is out to get revenge. Wanting answers and retribution, Zaq and Jags set out to track down those responsible. Meanwhile, their dealings with the businessman take a turn for the worse and Zaq and Jags find themselves suspected of murder.   It'll take both brains and brawn to get themselves out of trouble and, no matter what happens, the results will likely be deadly. The only question is, whether it will prove deadly for them, or for someone else . . . ? 

The Mitford Trial is by Jessica Fellowes.  It's lady's maid Louisa Cannon's wedding day, but the fantasy is shattered shortly after when she is approached by a secretive man asking her to spy on Diana Mitford - who is having an affair with the infamous Oswald Mosley - and her similarly fascist sister Unity.  Thus as summer 1933 dawns, Louisa finds herself accompanying the Mitford’s on a glitzy cruise, full of the starriest members of Society. But the waters run red when a man is found attacked, with suspects everywhere.  Back in London, the case is taken by lawyer Tom Mitford, and Louisa finds herself caught between worlds: of a love lost to blood, a family divided, and a country caught in conflict.

Detective Inspector Jabulani Sibanda is back! With his sharp instincts and relentless hunger for justice, he returns to the bush territory he became so familiar with in Sibanda and the Rainbird. In this second installment, he is once again accompanied by his trusty sidekicks, Sergeant Ncube and the infamous Miss Daisy. In Sibanda and the Death’s Head Moth by CM Elliott Sibanda is short on clues, but, with his uncanny intuition, a fragment of material found in the brain of one victim, a puncture wound in the thigh of another and a diary full of coded names, he starts to build a case. Sibanda is still haunted by Berry, the unattainable love of his life. She is missing under mysterious circumstances. Ncube, on the other hand, is still haunted by myths, folklore, frightening figments and a stomach that requires constant attention. Are the murders connected? Will Berry be found? Will Miss Daisy finally splutter and die?

As it often did since he'd married a cop, murder interrupted more pleasant activities. The again, Roarke supposed, the woman lying in a pool of her own blood a few steps inside the arch in Washington Square Park had a heftier complaint.  When a night out at the theatre is interrupted by the murder of a young woman in Washington Square Park, it seems like an ordinary case for Detective Eve Dallas and her team. But when her husband Roarke spots a shadow from his past in the crowd, Eve realises that this case is far from business as usual. Eve has two complex cases on her hands - the shocking murder of this wealthy young mother and tracking down the shadow before he can strike again, this time much closer to home. Eve is well used to being the hunter, but how will she cope when the tables are turned? As Eve and the team follow leads to Roarke's hometown in Ireland, the race is on to stop the shadow making his next move . . . Shadows in Death is by J D Robb.

Also published in September is Troubled Blood by Robert Galbraith, The House by Tom Watson and Imogen Robertson and All the Devils Are Here is by Louise Penny. 

October 2020

While other children were devouring the works of Enid Blyton and Beatrix Potter, Carla Valentine was poring through the pages of Agatha Christie novels - and that early fascination lead to her job as a pathology technician working in mortuaries and trained in forensics.  Nearly every Agatha Christie story involves one - or more commonly several - dead bodies, and for a young Carla, a curious child already fascinated with biology, these stories and these bodies were perfect puzzles.   Of course Agatha herself didn't talk of 'forensics' which, in the way we use it now, but each tale she tells twists and turns with her expert weave of human observation, ingenuity and genuine science of the era. Through the medium of the 'whodunit', Agatha Christie was a pioneer of forensic science, and in Murder Isn't Easy by Carla Valentine illuminates all of the knowledge of one of our most beloved authors.

The Reacher Guy by Heather Martin is an explosive and riveting biography of a much loved and mythologised author.  In it Heather Martin looks closely at where Child really sprang from.  Based on disarmingly frank personal conversations and years of correspondence with the author, as well as privileged access to archival materials, it is the nearest thing the world is ever likely to get to the autobiography Lee Child does not intend to write. 

Private Detective Agatha Raisin immerses herself in the glittering lifestyle of the fabulously wealthy when Sir Charles Fraith is accused of murder - and Agatha is named as his accomplice! A high-society wedding, a glitzy masked ball, and an introduction to the world of international show-jumping where the riders are glamorous, the horses are beautiful, and intrigue runs deep, leave Agatha with a list of suspects as long as a stallion's tail.   Sinister evidence then emerges that appears to seal Sir Charles's fate and Agatha must uncover the truth before a net of skulduggery closes around him and he loses his ancestral home, his entire estate, and his freedom. And if events weren't complicated enough... Agatha's ex-husband James Lacey is back in Carsely and back in Agatha's heart... Agatha Raisin: Hot to Trot is by M C Beaton.

Four months have passed since the shocking death of Frankie Greenwood, but Liberty Greenwood has managed to keep the rest of her family safe and expand their criminal empire. But when Liberty and Jay set out to teach a protection racketeer a lesson things get out of hand and the Greenwoods soon find themselves under attack: the Black Cherry is fire bombed and Crystal is arrested.  Liberty must hold her nerve, make alliances with old enemies and discover exactly who is trying to destroy her. But that's easier said than done with Sol back on the scene, Crystal's baby to care for and DI Angel holding enough information on Liberty to put her away for good. Is Liberty Greenwood hard enough?  Hard as Nails is by Helen Black.

Everyone is keeping a secret. One of them is murder. The book club was her idea, of course.  It was her way into our group. A chance to get close.  I knew from the day she arrived that she couldn't be trusted.  And I was right.  Alice didn't come to the village for peace and quiet.  She came for revenge.  The Book Club is by C J Cooper.

November 2020

One winter night in 1932, at the top of the Empire State Building, Frances and Agnes, possible lovers and co-conspirators, are waiting for a man who has done something terrible to both of them. They plan to seek the ultimate revenge.   Set over the course of a single night, with flashbacks to the weeks leading up to the potential murder, One Night, New York by Lara Thompson is a detective story, a romance and a coming-of-age tale. It is also a story of old New York, of bohemian Greenwich Village between the wars, of floozies and artists and addicts, of a city that sucked in creatives and immigrants alike, lighting up the world, while all around America burned amidst the heat of the Great Depression.

The House of the Hanged Woman is by Kate Ellis.  1921, Derbyshire. When a Member of Parliament goes missing in a small Derbyshire village, Scotland Yard detective Albert Lincoln is sent up North to investigate. He finds that a grim discovery has been made in a cave next to an ancient stone circle called the Devil's Dancers: the naked body of a middle-aged man mutilated beyond recognition. The local police assume it is the missing politician but when Albert arrives in Wenfield he begins to have doubts. Two years earlier he conducted another traumatic murder investigation in the same village and he finds reminders of a particularly personal tragedy all around him as he tries to help a vicar's widow who claims her husband was murdered. Then there is another murder in Wenfield when an unfaithful young wife with a passion for books is accused of killing her husband. Could there be a link between all of Albert's cases? And can the detective, damaged by war and love, find peace at last?

Spring is in the air ... and so, too, is the sound of music as the residents of Honeychurch Hall are stunned to learn that the Dowager Countess Lady Edith Honeychurch has agreed to the staging of a production of The Merry Widow in the dilapidated grand ballroom.  Fears that the fiercely private octogenarian must be going senile are soon dismissed when our heroine, Kat Stanford, learns that the favour is a result of a desperate request from Countess Olga Golodkin. As one of Edith's oldest friends Olga is the director of the amateur Devon Operatic Dramatic Organization.   Just a week before, D.O.D.O's original venue was destroyed in a mysterious fire but since tickets have been sold, costumes made and lucrative local sponsorships secured, Olga is determined that the show must go on. After decades at the helm of D.O.D.O., The Merry Widow will be Olga's swansong and she wants to go out with a bang . . . Death of a Diva at Honeychurch Hall is by Hannah Dennison.