Showing posts with label tess gerritsen. Show all posts
Showing posts with label tess gerritsen. Show all posts

Sunday, 2 June 2024

International Thriller Writers Thriller Awards 2024

 

The 2024 International Thriller Writers Thriller Award winners are:-

BEST HARDCOVER NOVEL 

All the Sinners Bleed by S.A. Cosby (Flatiron Books) 

 BEST AUDIOBOOK 

The Last Orphan by Gregg Hurwitz (Macmillan) Narrated by Scott Brick 

BEST FIRST NOVEL 

The Peacock and the Sparrow by I.S. Berry (Atria) 

BEST PAPERBACK ORIGINAL NOVEL 

The Paleontologist by Luke Dumas (Atria) 

BEST SHORT STORY 

Unknown Caller by Lisa Unger (Amazon Original Stories) 

BEST YOUNG ADULT NOVEL 

Stateless by Elizabeth Wein (Little, Brown & Co.) 

BEST E-BOOK ORIGINAL NOVEL 

The Killing Room by Robert Swartwood (Blackstone Publishing) 

***


ThrillerMaster Award Recipients: 

Tess Gerritsen and Dennis Lehane

Silver Bullet Award Recipient: 

Louise Penny

Thriller Legend Award Recipient

Audible

ThrillerFan Award Recipient: 

Ayo Onatade


Friday, 1 March 2024

International Thriller Awards Nominees Announced

 

The International Thriller Writers announced the Nominees for the Thriller Awards. 


BEST HARDCOVER NOVEL  

All The Sinners Bleed by S.A. Cosby (Flatiron Books) 

Her Deadly Game by Robert Dugoni (Thomas & Mercer) 

It's One of Us by J.T. Ellison (Harlequin – MIRA Books) 

The Secret Hours by Mick Herron (Soho Crime) 

Fixit by Joe Ide (Mulholland Books) 

The Drift by C.J. Tudor (Ballantine Books) 

 

BEST AUDIOBOOK 

The Peacock and the Sparrow by I.S. Berry (Atria) Narrated by Pete Simonelli 

The Last Orphan by Gregg Hurwitz (Macmillan) Narrated by Scott Brick 

The Housemaid's Secret by Freida McFadden (Bookouture) Narrated by Lauryn Allman 

The House of Wolves by James Patterson, Mike Lupica (Hachette Audio) Narrated by Ellen Archer 

Bad Summer People by Emma Rosenblum (Macmillan) Narrated by January LaVoy 


BEST FIRST NOVEL 

The Peacock and the Sparrow by I.S. Berry (Atria) 

The Golden Gate by Amy Chua (Minotaur) 

Scorched Grace by Margot Douaihy (Zando) 

Lenny Marks Gets Away with Murder by Kerryn Mayne (Bantam Books) 

Perfect Shot: A Thriller by Steve Urszenyi (Minotaur) 


BEST PAPERBACK ORIGINAL NOVEL 

Hide by Tracy Clark (Thomas & Mercer) 

The Paleontologist by Luke Dumas (Atria) 

The Spy Coast by Tess Gerritsen (Thomas & Mercer) 

To Die For by Lisa Gray (Thomas & Mercer) 

Cave 13: A Joe Ledger and Rogue Team International Novel by Jonathan Maberry (St. Martin’s Griffin) 

Call the Dark by J. Todd Scott (Thomas & Mercer) 


BEST SHORT STORY 

Slot Machine Fever Dreams by Chris Bohjalian (Amazon Original Stories) 

These Cold Strangers by J.T. Ellison (Amazon Original Stories) 

An Honorable Choice by Smita Harish Jain (Wildside Press) 

Rush Hour by Richard Santos (Akashic Books) 

Unknown Caller by Lisa Unger (Amazon Original Stories) 

One Night in 1965 by Stacy Woodson (Down & Out Books) 


BEST YOUNG ADULT NOVEL 

Red as Blood by Sorboni Banerjee, Dominique Richardson (Wolfpack Publishing LLC) 

Where He Can't Find You by Darcy Coates (Sourcebooks Fire) 

Where Echoes Die by Courtney Gould (Wednesday Books) 

Where Darkness Blooms by Andrea Hannah (Wednesday Books) 

Stateless by Elizabeth Wein (Little, Brown & Co.) 


BEST E-BOOK ORIGINAL NOVEL 

The Vulture Fund by Jeff Buick (Self-published) 

The Bigamist by Rona Halsall (Bookouture) 

A Good Rush of Blood by Matt Phillips (RunAmok Books) 

Close Her Eyes by Lisa Regan (Bookouture) 

The Killing Room by Robert Swartwood (Blackstone Publishing) 

The In-Laws by Laura Wolfe (Bookouture) 


Congratulations to all the nominated authors.

ITW will announce the winners at ThrillerFest XIX on Saturday, June 1, 2024 at the Sheraton New York Times Square Hotel, New York City.


Thursday, 18 January 2024

The Spy Coast Q & A with Tess Gerritsen

Introduction

Tess Gerritsen is a best selling international author of over 30 novels. Her series of novels featuring the homicide detective Jane Rizzoli and medical examiner Maura Isles inspired the hit TNT television series "Rizzoli & Isles,". The Martini Club series has been optoned for a television series by Amazon Studio. Tess Gerristen has won the Nero Wolfe Award for her novel Vanish and the Rita Award for The Surgeon

Ayo:- The Spy Coast sees you venturing out from a traditional mystery into the world of spy thrillers.  What made you want to want to change tack and venture into the world of spies?

Tess:- I was inspired by a peculiar feature of the small Maine town where I live. Soon after moving here, 33 years ago, I discovered this town seems to be a haven for retired CIA agents. My husband, who was starting a medical practice, had a number of patients who "used to work for the government" but couldn't talk about it. A real estate agent later told us, "oh, they're all retired spies." I wondered what, exactly, spies do in their retirement. After interesting lives abroad, do they have book groups? Cocktail parties? Do they get bored? And that's how the character of Maggie Bird, the heroine of Spy Coast, popped into my head. She's in her 60s, and she left the CIA after her last operation went terribly wrong. Now she's trying to remake herself as a chicken farmer, but that last operation has come back to haunt her. And she has to call on her friends -- also retired spies -- to help her

Ayo:- What are the most important thing readers should know about Spy Coast?

Tess:- It's also about how older people become invisible and undervalued. Maggie and her gang still have their skills, but because of their gray hair, they're overlooked by younger people. I've found that myself as I get older. As Maggie says, "There's no better disguise than gray hair," because you can move through the world unnoticed. We see that conflict between young and old in Spy Coast, in the way Maggie spars with Jo Thibodeau, the young policewoman in town, who's baffled by these older people and their ability to outthink her at every step of the way. 

Ayo:- How important is setting and place in your books? What made you decide on Maine?

Tess:- The Maine setting is key to this story because this state truly is a haven for ex-spies. It's also where I live, so I'm writing about my own backyard. It's a place of harsh weather and beautiful scenery and small towns, and the setting adds to the atmosphere of isolation.

Ayo:- Diana Ward and Maggie Bird are both spies, but they are also two different people. Can you explain the differences between the two of them?

Tess:- Maggie Bird is a woman with a conscience, a woman for whom there are ethical lines she won't cross. Yes, she's good at her job and she wants to accomplish the mission, but she sometimes has moral qualms about what that mission requires. Diana Ward is coldly efficient and good at what she does -- but she suffers no attacks of conscience about the harm she causes in achieving her goals. They both have the same goals -- Diana's just willing to do whatever it takes to get there. And, frankly, she's also a bit of a sociopath.

Ayo:- The Martini Club sounds fascinating a group of retired spies.  How important are they to the overall storyline?

Tess:- These are Maggie's friends, her tribe. She's known them for decades, since CIA training, and she trusts them. In the shadowy world of espionage, I wanted Maggie to have people she can depend on, and that's exactly what she does when her own life is in danger. They bring their special skills to the problem, and each contributes in his or her own way. And most important, I found them fun! They'd make great dining companions, and certainly great drinking companions.

Ayo:- In reading Spy Coast there is a certain element of antagonism between the Martini Club and Police Chief Jo Thibodeau. How would you describe the relationship between them?

Tess:- Wary, but eventually respectful. When Jo first meets Maggie, she sees a gray-haired woman in her 60s, and she makes assumptions. Just a granny, a chicken farmer, no one of particular consequence. But she soon discovers that secretive Maggie has a high-tech security system in her home, that she's strangely calm about the murdered body on her property, and that she has friends, also retirees, who seem to know their way around a crime scene. These "old" folks have skills that surprise Jo -- and make her wonder who they really are.

Maggie looks at Jo as an annoyance. She's dealing with deadly repercussions from her past as a spy, and this local policewoman keeps nosing around, probing into areas that Maggie needs to keep secret. So yes, there's antagonism at first -- until the two women learn they can trust each other.

Ayo:- How would you describe the two girls Callie and Bella?

Tess:- Callie is Maggie's neighbor, a 14-year-old home-schooled farm girl who lives with her grandfather, Luther. Against her will, Maggie has come to love this girl for her sweetness, her kindness, and her craving for a maternal figure. Maggie wants to protect her -- and in the end, is ready to sacrifice her own life for Callie's.

Bella, like Callie, is also a teenager, and a girl that Maggie comes to care about, but Bella comes with a dangerous complication. She's the daughter of Phillip Hardwicke, who is Maggie's target for investigation. In order to insinuate herself into Hardwicke's circle, Maggie has to befriend Bella, a move that leads to moral qualms for Maggie.

Ayo:- There is a lot of food in Spy Coast was this deliberate and are you a foodie?

Tess:- I'm definitely a foodie! My father owned a restaurant in San Diego, and I'm of Chinese heritage, so of course food is something I think about a lot! Also, my fictional Martini Club all worked abroad, so they have adventurous palates, something that's reflected in the dishes they bring to their book group potluck dinners.

Ayo:- How has the book been received locally? 

Tess:- People in Maine really embraced it, because they know it's about our state, and about some of their neighbors. It was a #1 bestseller here for several weeks. There's also a lot of wink-wink, nod-nod about the subject matter, because we know some of our neighbors are spies, and I've had a number of people come up and whisper stories about who did what, in which country. I recently saw one letter to the editor in our local paper, in reaction to my book, with the information that "the least accomplished spies retired to Bethesda, the middling spies retired to Florida, and the cream of the crop settled in Maine.

Ayo:- Over the last couple of years there has been an increase in the number of books that feature older protagonists. These books have certainly been well received. Why do you think there have been an increase in these books? 

Tess:- Maybe because publishers have finally recognized there's a readership? I know that for decades, no one in Hollywood wanted to adapt any books with old characters for TV or film. I wrote a book years ago called Life Support, that featured several older characters, and one film agent told me, "there are too many old people in this." I think the hunger for these books has always been there, but the industry wasn't ready to embrace it. Hollywood has made us think that only the young and beautiful are interesting.

Ayo:- What next for the Martini Club and Police Chief Jo Thibodeau?

Tess:- I'm writing the sequel, called The Summer Guests. Jo and Maggie and her gang will be back, but this time the mystery is much closer to home, about events in Purity, Maine.

Ayo:- When you started writing Spy Coast did you already know which way it was going to go?

Tess:- No, I never do. I'm a seat-of-the-pants writer, and all I knew was that Maggie's a haunted woman, that something awful happened during her career and she's trying to forget it. And then a dead body ends up in her driveway, and she has to figure out what it means. That's all I knew!

Ayo:- How much research did you have to do for Spy Coast?

Tess:- I needed to know at least a minimum about the CIA and covert operations, and I approached it by reading memoirs of retired agents. I wanted to focus not so much on the tradecraft, but on the psychological and emotional challenges of being covert. We're so used to seeing spies as James Bond-type superheroes, but I wanted to look at them as human beings. How stressful is it to live a life when you can't tell the truth? What does it do to your friendships and your marriage? What if you have to do something you're morally opposed to? I also did research on the London laundromat, on Russian infiltration into the UK, etc.

Ayo:- Whilst you were writing Spy Coast and doing your research did you find out anything that you thought that if you included some of this in the story it would not be believed?

Tess:- I myself found it hard to believe how thoroughly Russian money has corrupted British society, and how many bankers have mysteriously "fallen" out of windows or "accidentally" ended up dead in suitcases. But this is straight from the news, so it would not be unfamiliar to readers. 

Ayo:- What is the best thing that you found whilst doing research?

Tess:- That so many spies do their job with dedication and true patriotism. They go unnoticed and unpraised, and they fade into retirement without others ever knowing the sacrifices they made. I came away from my research with new respect for them, and for their service.

Ayo:- Do you think you would have been able to be a spy?

Tess:- No. I'd be a terrible spy. I wouldn't be able to lie convincingly.

Ayo:- Have we seen the last of Rizzoli and Isles?

Tess:- I'm not sure. I do have a story in mind for them, but right now I'm having a great time writing about Maggie and her friends. 

Ayo:- You have also written standalone novels. If a suitable storyline come up, would you write more standalones?

Tess:- Absolutely. If an idea excites me, then that's what I want to write about. 

Ayo:- Do you have a fun part when it comes to writing?

Tess:- Writing is sometimes such hard work, and often so frustrating, that the fun part is writing "the end," hitting "send," and mixing myself a martini. But the most fun part, during the actual writing, is coming up with the premise. That's when I get to play with the story, before I actually have to sit down and struggle with the words.

Ayo:- You have written several different types of books. Is there any type of book that you haven’t written that you would like to?

Tess:- I think it would be fun to write a fantasy novel, but I don't think I'm clever enough!

The Spy Coast by Tess Gerristen (Transworld Publishers)

Maggie Bird is many things. A chicken farmer. A good neighbour. A seemingly average retiree living in the seaside town of Purity. She's also a darned good rifle shot. And she never talks about her past.But when an unidentified body is left on Maggie's driveway, she knows it's a calling card from old times. It's been fifteen years since the failed mission that ended her career as a spy, and cost her far more than her job. Step forward the 'Martini Club' - Maggie's silver-haired book group (to anyone who asks), and a cohort of former spies behind closed doors. With the help of her old friends - and always one step ahead of the persistent local cop - Maggie might still be able to save the life she's built.

More information about her work can be found on her website.


Thursday, 21 December 2023

Forthcoming Books from Transworld

 January 2024

Argylle is by Elly Conway. A luxury train speeding towards Moscow and a date with destiny. A CIA plane downed in the jungles of the Golden Triangle. A Nazi hoard entombed in the remote mountains of South-West Poland. A missing treasure, the eighth wonder of the world, lost for seven decades. One Russian magnate's dream of restoring a nation to greatness has set in motion a chain of events which will take the world to the brink of chaos. Only Frances Coffey, the CIA's most legendary spymaster, can prevent it. But to do so, she needs someone special. Enter Argylle, a troubled agent with a tarnished past who may just have the skills to take on one of the most powerful men in the world. If only he can save himself first...

Some comebacks can be murder . . . Stella is enjoying life as an almost student, or at least she is until a man falls from the sky right in front of her, leaving a big old hole in the pavement for Manchester Council to fill. The obvious question of how he ended up in the sky in the first place has no obvious answers, which is where The Stranger Times come in. But this isn't just the hunt for another story. Dark powers think Stella might have been involved and the only way she and the team can prove her innocence is to find out what the hell is really going on. And what have dodgy gear, disturbed graves and a decommissioned rock star got to do with all this? Vincent Banecroft has problems of his own in the form of a tall, dark but-definitely-not-handsome man dressed like a funeral who has been sent to make the paper's editor atone for his sins. Once he finds out exactly what that entails, Banecroft is not keen. Being banished to a Hellscape for all eternity looks like being no fun at all, not least because he has that pale Irish skin that burns really easily . . . All that plus territorial ghouls, homicidal felines, eternal (and seemingly unstoppable) gnomes and a celebrity Who's Who that'd put a royal wedding to shame, and you're looking at a wild few days for The Stranger Times. Relight My Fire is by C K McDonnell. 

Maggie Bird is many things. A chicken farmer. A good neighbour. A seemingly average retiree living in the seaside town of Purity. She's also a darned good rifle shot. And she never talks about her past. But when an unidentified body is left on Maggie's driveway, she knows it's a calling card from old times. It's been fifteen years since the failed mission that ended her career as a spy, and cost her far more than her job. Step forward the 'Martini Club' - Maggie's silver-haired book group (to anyone who asks), and a cohort of former spies behind closed doors. With the help of her old friends - and always one step ahead of the persistent local cop - Maggie might still be able to save the life she's built. The Spy Coast is the first novel in the Martini Club series by Tess Gerritsen.

February 2024

Knife Skills for Beginnners is by Orlando Murrin. A recipe for disaster. When chef Paul Delamare takes a job teaching at an exclusive residential cookery school in Belgravia, the only thing he expects his students to murder is his taste buds. But on the first night, the unthinkable happens: someone turns up dead... The school rests on a knife-edge. The police are convinced Paul is the culprit. After all, he’s good with a blade, was first on the scene – and everyone knows it doesn’t take much to push a chef over the edge. To prove his innocence, he must find the killer. Could it be one of his students? Or the owner of the school – a woman with secrets and a murky past? It all boils down to murder. If Paul can’t solve the mystery fast – as well as teach his students how to make a perfect hollandaise sauce – he’ll be next to get the chop.

Everything is a clue. Bonnie arrives on a remote sea fort off the coast of England to take part in a mysterious reality TV show. Competing against seven strangers, she must solve a series of puzzles to win the prize money, but this is no game - and the consequences of failure are deadly. No one leaves. Under scrutiny from the watching public, the contestants quickly turn on one another. Who will sacrifice the most for wealth and fame? And why can't Bonnie shake the creeping sense that they are not alone? The only way out is to win. When the first contestant is found dead, Bonnie begins to understand the dark truth at the heart of this twisted competition: there's a killer inside the fort, and anyone could be next. If Bonnie wants to escape, she needs to win... Are you ready to play? The Escape Room is by L D Smithson.

March 2024

Listen for the Lie is by Amy Tintera. Am I a murderer? You tell me . . . You probably already know about me. Lucy Chase, the woman who doesn’t remember murdering her best friend. You all think I did it. That’s OK, I get it. Being found wandering the streets covered in her blood wasn't a great look. Believe me, I’m as frustrated as you are. I’d love to know if I’m a murderer – it’s the sort of thing you really should know about yourself, isn’t it? And now, thanks to true-crime podcast Listen for the Lie, I finally have the chance to find out. But will I be able to live with myself if it turns out it was me? And if it wasn’t, will digging into the secrets of the night I forgot make me the next target of whoever did?

April 2024

Clickbait is by L C North. 'We're not famous anymore. We're notorious.' For over a decade, the Lancasters were celebrity royalty, with millions tuning in every week to watch their reality show, Living with the Lancasters. But then an old video emerges of one of their legendary parties. Suddenly, they're in the spotlight for all the wrong reasons: witnesses swore they'd seen missing teenager Bradley Wilcox leaving the Lancaster family home on the night of the party, but the video tells a different story. Now true crime investigator and YouTuber Tom Isaac is on the case. He's determined to find out what really happened to Bradley - he just needs to read between the Lancasters' lies . . . Because when the cameras are always rolling, it won't be long until someone cracks.

Florence Butterfield has lived an extraordinary life full of travel, passion and adventure. But, at eighty-seven, she suspects there are no more surprises to come her way. Then, one midsummer's night, something terrible happens - so strange and unexpected that Florrie is suspicious. Was this really an accident, or is she living alongside a would-be murderer? The only clue is a magenta envelope, discarded earlier that day. And Florrie - cheerfully independent but often overlooked - is the only person determined to uncover the truth. As she does, Florrie finds herself looking back on her own life . . . and a long-buried secret, traced in faded scars across her knuckles, becomes ever harder to ignore. The Night in Question is by Susan Fletcher. 

The Other Tenant is by Lesley Kara. ‘Dont get too comfortable”. Marlow has always lived in unusual places. But when she accepts a position as a live-in property guardian, she finds herself moving somewhere she swore she’d never return to. Right from the start, she knows it’s a terrible mistake. The elegant Victorian school is due to be turned into luxury apartments, but its eerie, empty corridors are full of Marlow’s worst memories. And now something sinister is happening on the site. One of the other tenants has disappeared without warning, and Marlow suspects that the nine other guardians know far more than they’re letting on. She’s determined to find out what happened to the missing woman – but which of these strangers can she trust? And can she uncover the truth before her own past catches up with her?

May 2024

When we Were Silent is by Fiona McPhillips. Lou Manson is an outsider when she joins the final-year class at Highfield Manor, Dublin’s most exclusive private school. Beyond the granite pillars and the wrought-iron gates is a world of wealth, privilege and potential. But Highfield is also hiding a dark secret – and Lou is here to expose it. When Lou befriends the beautiful and talented Shauna Power, her plans are thrown into turmoil. Speaking out against the school would mean betraying Shauna, and Lou soon discovers that the Highfield elite will go to any lengths to protect their own reputation…even when the consequences are fatal. Thirty years later, Lou is called to testify in a new lawsuit against Highfield. But telling the truth means confronting her past – and there is one story she swore she’d never tell…

2024, and China is massing troops on its coast across the Strait from Taiwan. This time it looks like they're serious about invasion - an act that would result in war between the People's Republic and the US and its allies, including the UK. But Britain's Secret Intelligence Service has an agent in play: someone close to the top of the Chinese Communist Party and who's ready to pass on vital secrets that could defuse the escalating situation. But as the handover takes place in a Hong Kong back street cafe, the agent's MI6 handler is snatched before she can transmit the data back to London and disappears. There are few clues as to who might be responsible. Is it China's infamous state security agency, the MSS? Or has another, less predictable player entered the game? MI6 field operative Luke Carlton is despatched to track down the missing agent. Accompanying him is his Mandarin-speaking colleague, the highly capable Jenny Li. But as they follow a succession of tip-offs that take them from shady Macau casinos to tawdry night clubs, Luke begins to sense that something's not right - that they are being deliberately strung along. As the clock ticks, global tensions heighten and the two SIS operatives have traced their target to Taiwan - a country frantically preparing for imminent invasion. And there, in a remote mountain temple hideaway, Luke and Jenny stumble across what's really going on. But China's People's Liberation Army has already begun to flex its hi-tech muscles, in Taiwan and closer to home, and suddenly the world is holding its breath . . . Invasion is by Frank Gardner.

It's 1951 and the forces of Joseph Stalin are closing in on a brave band of resistance fighters holding out in the dark forests of Lithuania. One must escape the net: Greta, best and bravest of the partisans. Her mission is to cross the Iron Curtain and find new allies in the fight against Soviet rule. But the West is full of thieves and killers too, and they are harder to spot... The Exile (aka The Stiletto Artist) is by Patrick Worrall. 

June 2024

Someone In The Attic is by Andrea Mara. You thought you were home alone. Think again... It could happen to you.  Anya is enjoying a relaxing bath when she hears a noise in the roof. Through the open bathroom door, she sees the attic hatch swing open, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Even in a wealthy neighbourhood like this.  Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realises why the footage is eerily familiar: it was filmed inside her house in a luxury gated community, designed to keep intruders out. Even with friends like these. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

Lynch arrives in London, looking over his shoulder for a past he cannot escape. His phone is dead, he has no money, no contacts. He is alone. Until he runs into a wealthy young woman, Bobbie Pierce, who mistakes him for her brother, Heydon, who disappeared 5 years ago without a trace. The resemblance is striking. Or so she says. At her suggestion, Lynch goes to the luxurious Pierce family home, posing as Heydon to try and con some money out of them. But far from succeeding, his subterfuge is instantly discovered, forcing him into a devil’s bargain – their silence for his cooperation in finding out what really happened to Heydon. But Lynch’s investigation goes too deep and soon reveals the dark world in which Heydon Pierce was immersed - and the dangerous and powerful people who hunt there. It seems that everyone has good reasons to keep Heydon buried in the past. In such a conspiracy of mirrors, just one thing is certain: the only person he can trust is himself. Imposter's Syndrome is by Joseph Knox.

The Estate is by Denzil Meyrick. Every family has a secret. The mega-rich Pallander family are used to luxury – a castle in the Scottish Highlands, a villa in Tuscany, a billion-dollar fortune and an island in the Caribbean – but their perfect life is about to be shattered. Every father has a favourite. Sebastian Pallander dies, leaving a pitiful amount of money to his wife and children. His family fight over the scraps as old rivalries and bitter jealousies come to the surface. And when Pallander’s son is killed in mysterious circumstances, everyone suspects foul play. Every killer has a motive. After a desperate race for survival, the relatives gather at their estate to weather the storm. They all begin to wonder: who will be next? Where has all their money gone? And will any of them get what they truly deserve?









Friday, 25 February 2022

Chair and Special Guests for Theakston's Old Peculier 2022 Announced

DENISE MINA NAMED CHAIR OF THE THEAKSTON OLD PECULIER CRIME WRITING FESTIVAL 2022 

PLUS SPECIAL GUESTS ANNOUNCED

PAULA HAWKINS | LYNDA LA PLANTE | KATHY REICHS

TESS GERRITSEN | MICHAEL CONNELLY | LUCY FOLEY | MARK BILLINGHAM

JOHN CONNOLLY | CL TAYLOR | CHARLIE HIGSON

21-24 July 2022 | Old Swan Hotel, Harrogate| #TheakstonsCrime

Harrogate International Festivals is thrilled to reveal the Festival Chair and Special Guest line-up for the world’s largest and most prestigious celebration of crime fiction, Theakston Old Peculier Crime Writing Festival.

Award-winning crime novelist Denise Mina will be acting as this year’s Festival Chair, following in the footsteps of Ian Rankin, Val McDermid, and Lee Child. Mina is known for the Tartan Noir Garnethill trilogy, as well as her Alex Morrow and Paddy Meehan series, the latter of which was adapted into a BBC television drama. In addition to her fourteen novels, Mina writes short stories, plays and graphic novels, presents on TV and radio, and leads masterclasses on crime writing.

Special guests on this year’s incredible line-up, curated by Mina, include crime fiction titans such as: Lynda La Plante, Paula Hawkins, Tess Gerritsen, Michael Connelly, Lucy Foley, Charlie Higson, John Connolly, CL Taylor and Kathy Reichs.

From 21 – 24 July 2022, Theakston Old Peculier Crime Writing Festival will return to Harrogate’s Old Swan Hotel, bringing together some of the world’s most popular crime and thriller writers to discuss all things crime fiction.

A key date in the literary calendar, the award-winning festival offers an international audience the opportunity to discover the next big names in crime fiction and hear giants of the genre discuss their work, as part of a programme made up of thrilling panels, inspiring creative workshops, and unique talks.

This year, Denise Mina will be speaking with Prime Suspect creator and Lynda La Plante CBE; Paula Hawkins, the author behind global phenomenon Girl on The Train, will appear in conversation with crime writer and reviewer NJ Cooper; John Connolly will be discussing The Furies, the twenty-second book in his award-winning Charlie Parker series; Kathy Reichs will introduce Cold, Cold Bones, the latest instalment in the acclaimed Temperance Brennan series; and crime fiction icon Val McDermid will once again be hosting her must-see New Blood panel, showcasing four debut crime writers to watch.

Michael Connelly, author of the international bestselling Harry Bosch series and The Lincoln Lawyer, will return to the festival to appear in conversation with festival stalwart Mark Billingham; author of the popular Rizzoli and Isles series Tess Gerritsen will be flying in from the US to discuss her remarkable writing career; Lucy Foley and CL Taylor, two of the most exciting names in British thrillers, will discuss their gripping new books; and Channel 4 journalist and broadcaster Steph McGovern will be speaking with actor and author Charlie Higson about his new crime novel Whatever Gets You Through the Night.

Denise Mina, bestselling author of the Garnethill trilogy and the Paddy Meehan novels, said: “The Theakston Old Peculier Crime Writing Festival is the greatest crime writing event of the year so it is a very real honour to be chairing it, to work with the programming committee and to have the chance to attend all the thrilling events. After the difficulties and hardships of the past two years we are all very much looking forward to all of the writers and readers coming together in Harrogate once more.

Saturday, 5 September 2020

THE STRAND MAGAZINE CRITICS AWARDS

The Strand Magazine announced the winners of the 2020 Strand Critics Awards on Friday night at a fun Zoom Party which had people joining from varioous places. Andrew Guilli did the introduction and Hank Phillipi Ryan officiated the event. Great fun! It was wonderful to be part of the announcements as it is normally held in New York and I would not have been able to attend. Therefore hosting it on Zoom was a brilliant way to gather us all together.. The Awards recognize excellence in the field of mystery fiction and publishing.

Life Time Achievement Awards
Tess Gerritsen and Walter Mosley
Best Murder Novel
The Sentence is Death by Anthony Horowitz (Harper)
Best Debut Novel
Miracle Creek by Angie Kim
Publisher of the Year
Bronwen Hruska of Soho Press

Friday, 17 July 2020

2020 Strand Critics Award


The Strand Magazine announces nominations for the 2020 Strand Critics Awards:
Authors Attica Locke, Alex Michaelides, Don Winslow, Angie Kim, and Laura Lippman headline this year’s nominees for the Strand Critics Awards.

Walter Mosley and Tess Gerritsen will receive Lifetime Achievement Awards.

Bronwen Hruska of Soho Press will receive the Publisher of the Year Award.

Recognizing excellence in the field of mystery fiction and publishing, the annual Strand Critics Awards are judged by a select group of book critics and journalists. This year’s judges include talent from NPR, USA Today, LA Times, and The Washington Post.

And the nominees are . . .
Best Mystery Novel (2019)
Big Sky by Kate Atkinson (Little, Brown and Co.)
The Lost Man by Jane Harper (Flatiron Books)
The Sentence is Death by Anthony Horowitz (Harper)
Lady in the Lake by Laura Lippman (William Morrow)
Heaven, My Home by Attica Locke (Mulholland Books)
The Border by Don Winslow (William Morrow)

Best Debut Novel (2019)
Scrublands by Chris Hammer (Atria Books)
Miracle Creek by Angie Kim (Sarah Crichton Books, FSG)
One Night Gone by Tara Laskowski (Graydon House)
The Silent Patient by Alex Michaelides (Celadon Books)
Three-Fifths by John Vercher (Agora Books)

This year’s panel chose a great lineup of nominees,” said Andrew F. Gulli, managing editor of The Strand Magazine. “It’s great to see a variety of books within the genre get represented. We have everything from traditional puzzle mystery and PI novel to noir and literary suspense, even a hospital mystery.

Past recipients of Critics Awards include Michael Connelly, Laura Lippman, Richard Price, Megan Abbott, George Pelecanos, Joseph Finder, Lauren Beukes, and William Landay.

The Strand Magazine’s Publisher of the Year Award recognizes excellence in publishing…

This year’s recipient is Bronwen Hruska, publisher of Soho Press. An accomplished journalist and screenwriter, Hruska took the helm at Soho in 2010 and for the past ten years has overseen record growth, with scores of novels receiving critical and commercial acclaim.

The characteristic of a great publisher is one who takes risks, who is never satisfied with the status quo, and most importantly someone who is dedicated to releasing works from a diverse set of authors,” said Managing Editor Gulli. “For over a decade, Hruska has done just that. She has been a fearless and tireless advocate for her authors, and they all love her.

Publishing is a labor of love, full stop. At Soho, we believe in every book we publish, every author. But to be recognized for that work—and by Strand Magazine, a leader in the crime fiction community—is truly an honor,” said Hruska. “Thank you Strand, and thank you to our wonderful authors who make our work not only meaningful, but quite joyful as well.

The Strand Magazine’s Lifetime Achievement Awards go to Tess Gerritsen and Walter Mosley.

In a writing career spanning several decades and multiple genres, Tess Gerritsen has stood
out as one of the most inventive practitioners of the medical thriller. Her series featuring Boston police detective Jane Rizzoli and medical examiner Maura Isles has been a staple of best-seller lists (also inspiring a hit TV show), and her books have sold over 30 million copies worldwide.

When I was a child, my very practical father told me I’d never be able to support myself as a writer,” said Gerritsen. “But we storytellers are a stubborn bunch, and three decades into a writing career, here I am. Still writing. I’m thrilled by this honor, which proves that, yes, tenacity has its rewards.

In 1990, the release of Devil in a Blue Dress marked the debut of Easy Rawlins, a clever, noble, and thoughtful private investigator in post-World War II Los Angeles. Author Walter Mosley earned plaudits for the novel, and for the past thirty years he has been compared to noir luminaries Raymond Chandler, Dashiell Hammett, and James M. Cain. Mosley is the author of more than 40 books and his work has been translated into 23 languages.

I want to thank Andrew Gulli and the critics that elected to give me this honor, adding my name to a list of names I greatly admire,” said Mosley. “The Strand itself deserves honors too for staying true to its mission in an age of media attrition, showcasing, engaging and amplifying the voices of writers who write in all the many forms this genre takes on.

The Strand Critics Awards will be held virtually on September 4.


Thanks to Strand Magazine for the information.

Tuesday, 15 August 2017

I Know A Secret by Tess Gerritsen extract

As part of the I Know a Secret blog tour an extract from chapter one.

Chapter One

When I was seven years old, I learned how important it is to cry at funerals. On that particular summer day, the man lying in the coffin was my great uncle Orson, who was most memorable for his foul-smelling cigars and his stinky breath and his unabashed farting.  While he was alive, he pretty much ignored me, the way I’d ignored him, so I was not in the least bit grief-stricken by his death. I did not see why I should have to attend his funeral, but that is not a choice seven-year-olds are al- lowed to make.  And so that day I found myself squirming on a church pew, bored and sweating in a black dress, wondering why I couldn’t have stayed home with Daddy, who had flat-out refused to come. Daddy said he’d be a hypocrite if he pretended to grieve for a man he despised. I didn’t know what that word, hypocrite, meant, but I knew I didn’t want to be one either.  Yet there I was, wedged between my mother and Aunt Sylvia, forced to listen to an endless parade of people offering insipid praise for the unremarkable Uncle Orson. A proud independent man.  He was passionate about  his hobbies! How he loved his stamp collection!

No one mentioned his bad breath.

I amused myself through the endless   memorial service by studying the heads of the people in the pew in front of us. I noticed that Aunt Donna’s hat was dusted with white dandruff that Uncle Charlie had dozed off and his toupee had slipped askew. It looked like a brown rat trying to crawl down the side of his head. I did what any normal seven-year-old girl would do.

I burst out laughing.

The reaction was immediate. People turned and frowned at me. My mortified mother sank five sharp fingernails into my arm and hissed,  “Stop it!”

“But his hair’s fallen off! It looks like a rat!”

Her fingernails dug deeper. “We will discuss this later, Holly.” At home, there was no discussion. Instead, there was shouting and a slap on the face, and that’s how I learned what constituted appropriate funeral behaviour. I learned that one must be somber
and silent and that,  sometimes, tears  are expected.

Four years later, at my mother’s funeral, I made a point of noisily shedding copious  tears  because  that  was  what  everyone  expected  of me.

But today,  at the  funeral  of Sarah  Basterash, I’m not  certain whether anyone  expects  me to cry. It’s been  more  than  a decade since I last saw the girl I knew in school as Sarah Byrne. We were never  close,  so  I can’t  really  say that  I mourn her  passing.  In truth, I’ve come to her funeral  in Newport only out of curiosity. I want  to know how she died. I need to know how she died. Such a terrible tragedy  is what  everyone  in the  church is murmuring around me.  Her  husband was  out  of  town,   Sarah  had  a  few drinks, and  she fell asleep  with  a candle  burning on her  night- stand. The fire that  killed  her  was merely  an accident.  That, at least, is what everyone says.

It’s what  I want  to believe.

The little church in Newport is packed  to capacity,  filled with all the  friends  that  Sarah  made  in her  short  life, most  of whom I’ve never  met.  Nor have I met  her husband, Kevin,  who under happier circumstances would  be quite  an attractive man,  some- one I might make a play for, but today he looks genuinely broken. Is this what  grief does to you?
I turn to survey the church, and I spot an old high school class- mate  named  Kathy sitting  behind  me, her face blotchy,  her mascara smeared from crying. Almost all the women and many of the men  are  crying,  because  a soprano is singing  that  old  Quaker hymn “Simple Gifts,” and that always seems to bring on the tears. For an instant, Kathy  and  I lock gazes,  hers  brimming and  wet, mine cool and dry-eyed.  I’ve changed  so much  since high school that  I can’t imagine  she recognizes me, yet her gaze is transfixed and she keeps staring  at me as if she’s spotted a ghost.

I turn  and face forward again.

By the time “Simple  Gifts” is over, I too have managed to produce tears,  just like everyone  else.

I join the long line of mourners to pay my last respects, and as I file past the closed coffin, I study Sarah’s  photograph, which  is displayed on an easel. She was only twenty-six, four years younger than  I am,  and  in the  photo  she is dewy and  pink-cheeked and smiling,  the  same  pretty  blonde  I  remember from  our  school days, when I was the girl no one noticed, the phantom who lurked in  the  periphery. Now  here  I am,  my skin  still  flush  with  life, while Sarah,  pretty  little Sarah,  is nothing but charred bones in a box.  I’m sure  that’s  what  everyone  thinks  as  they  look  at  the image  of Sarah  Before the  Fire; they see the  smiling  face in the photo  and imagine  scorched flesh and blackened skull.

The line moves forward, and I offer my condolences to Kevin. He murmurs, “Thank  you for coming.”  He has no idea who I am or how I knew Sarah,  but he sees that  my cheeks are tearstained, and  he  grasps  my hand  in gratitude. I have  wept  for  his  dead wife, and that  is all it takes to pass muster.

I slip out of the church into the cold November wind and walk away at a brisk pace, because  I don’t want to be waylaid by Kathy or any other  childhood acquaintances. Over the years, I’ve managed to avoid them  all.

Or perhaps they were avoiding  me.

It  is only  two  o’clock,  and  although my boss  at  Booksmart Media  has given me the whole  day off, I consider going back  to the office to catch  up on emails and phone  calls. I am the publicist  for  a dozen  authors and  I need  to  schedule media  appearances,  mail out galleys, and write pitch  letters.  But before  I head back to Boston,  there  is one more stop I have to make.

I drive to Sarah’s  house—or what  used  to be her house.  Now there  are only blackened remains, charred timbers, and a pile of soot-stained bricks.  A white  picket  fence that  once enclosed  the front garden  lies smashed and flattened, wrecked by the fire crew when they dragged  their hoses and ladders  from the street. By the time the fire trucks  arrived, the house must already have been an inferno.

I get out of my car and approach the ruins.  The air is still foul with the stench  of smoke.  Standing there  on the sidewalk, I can make out the faint glint of a stainless-steel refrigerator buried in that blackened mess. Just a glance at this Newport neighbourhood tells me this would  have been an expensive  house,  and I wonder what sort of business Sarah’s husband is in, or if there’s money in his family. An advantage I certainly  never had.

The wind gusts and dead  leaves rattle  across  my shoes,  a brittle sound  that brings back another autumn day, twenty years ago, when I was ten years old and crunching across dead leaves in the woods.  That day still casts its shadow across  my life, and it’s the reason  I am standing here today.

I look down  at the  makeshift memorial that’s  materialized in

Sarah’s  honour. People  have left bouquets of flowers,  and  I see a mound of wilted roses and lilies and carnations, floral tributes to a young woman  who was clearly loved. Suddenly I focus on a bit of greenery  that  is not part  of any bouquet but  has been  draped across  the other  flowers,  like an afterthought.

It is a palm leaf. Symbol of the martyr.


A chill scrabbles up  my spine  and  I back  away.  Through the thudding of my heart,  I hear  the  sound  of an  approaching car, and I turn  to see a Newport police cruiser  slow down  to a crawl. The windows are  rolled  up  and  I cannot make  out  the  officer’s face,  but  I know  he’s giving  me  a long  and  careful  look  as he passes  by. I turn  away and duck  back into my car.

There  I sit  for  a moment, waiting  for  my heartbeat to  slow down  and  my hands  to stop  trembling. I look again  at the ruins of the  house,  and  I once  again  picture Sarah  at  six years  old. Pretty little Sarah Byrne, bouncing on the school-bus seat in front of me. Five of us rode the school bus that  afternoon.

Now there  are only four of us left.

“Goodbye, Sarah,”  I murmur. Then  I start  the  car  and  drive back to Boston.