Showing posts with label thrillerfest. Show all posts
Showing posts with label thrillerfest. Show all posts

Monday, 2 February 2026

2026 International Thriller Writer Award Nominees Announced


 

Best Standalone Novel

Cross My Heart by Megan Collins (Atria)

Zigzag Girl by Ruth Knafo Setton (Black Spring Press)

The Burning Library by Gilly Macmillan (William Morrow)

The Locked Ward by Sarah Pekkanen (St. Martin’s Press)

So Happy Together by Olivia Worley (Minotaur)


Best Series Novel

Chain Reaction by James Byrne (Minotaur)

The Big Empty by Robert Crais (Penguin/Putnam)

Head Cases: A Novel by John McMahon (Minotaur)

The Tourists by Christopher Reich (Thomas & Mercer)

Terminal Moonlight by Vincent Zandri (Down & Out Books)


Best First Novel

Death at the White Hart by Chris Chibnall (Pamela Dorman Books)

Party of Liars by Kelsey Cox (Minotaur)

Count My Lies by Sophie Stava (Gallery/Scout Press)

History Lessons by Zoe B. Wallbrook (Soho Crime)

Julie Chan is Dead by Liann Zhang (Atria)

 

Best Audiobook

King of Ashes by S. A. Cosby (Macmillan) Narrated by Adam Lazarre-White

The Wasp Trap by Mark Edwards (Simon & Schuster) Narrated by John Hopkins and Anna Burnett

Best Offer Wins by Marisa Kashino (Macmillan) Narrated by Cia Court

When Devils Sing by Xan Kaur (Macmillan) Narrated by Michael Crouch, Anjali Kunapaneni, Jennifer Pickens and Landon Woodson

The Cheaters Wife by C N Mabry and N’Dia Rae (Simon Maverick) Narrated by Ruffin Prentiss and Machelle Williams

The White Crow by Michael Robotham (Simon & Schuster) Narrated by Katy Sobey


Best Young Adult Novel

Murder Between Friends by Liz Lawson (Delacorte Press)

This Stays Between Us by Margot McGovern (Penguin Young Readers)

Shiny Happy People by Clay McLeod Chapman (Delacorte Press)

The Silenced by Diana Rodriguez Wallach (Delacorte Press)

The Thrashers by Julie Soto (Wednesday Books)


Best Short Story

Level Up by Katrina Carrasco (Bywater Books)

The Seduction of Dr Dimension by Scott William Carter (Ellery Queen Mystery Magazine)

Eleven Numbers by Lee child (Amazon Original Stories)

False Note by David Lagercrantz (Amazon Original Stories)

The Violent Season by Jessica Van Dessel (Alfred Hitchcock Mystery Magazine)


ITW will announce the winners at Thrillerfest XXI on Saturday, May 9, 2026 at the New York Hilton Midtown, New York City.

Congratulations to all the nominated finalists!

Sunday, 2 June 2024

International Thriller Writers Thriller Awards 2024

 

The 2024 International Thriller Writers Thriller Award winners are:-

BEST HARDCOVER NOVEL 

All the Sinners Bleed by S.A. Cosby (Flatiron Books) 

 BEST AUDIOBOOK 

The Last Orphan by Gregg Hurwitz (Macmillan) Narrated by Scott Brick 

BEST FIRST NOVEL 

The Peacock and the Sparrow by I.S. Berry (Atria) 

BEST PAPERBACK ORIGINAL NOVEL 

The Paleontologist by Luke Dumas (Atria) 

BEST SHORT STORY 

Unknown Caller by Lisa Unger (Amazon Original Stories) 

BEST YOUNG ADULT NOVEL 

Stateless by Elizabeth Wein (Little, Brown & Co.) 

BEST E-BOOK ORIGINAL NOVEL 

The Killing Room by Robert Swartwood (Blackstone Publishing) 

***


ThrillerMaster Award Recipients: 

Tess Gerritsen and Dennis Lehane

Silver Bullet Award Recipient: 

Louise Penny

Thriller Legend Award Recipient

Audible

ThrillerFan Award Recipient: 

Ayo Onatade


Friday, 1 March 2024

International Thriller Awards Nominees Announced

 

The International Thriller Writers announced the Nominees for the Thriller Awards. 


BEST HARDCOVER NOVEL  

All The Sinners Bleed by S.A. Cosby (Flatiron Books) 

Her Deadly Game by Robert Dugoni (Thomas & Mercer) 

It's One of Us by J.T. Ellison (Harlequin – MIRA Books) 

The Secret Hours by Mick Herron (Soho Crime) 

Fixit by Joe Ide (Mulholland Books) 

The Drift by C.J. Tudor (Ballantine Books) 

 

BEST AUDIOBOOK 

The Peacock and the Sparrow by I.S. Berry (Atria) Narrated by Pete Simonelli 

The Last Orphan by Gregg Hurwitz (Macmillan) Narrated by Scott Brick 

The Housemaid's Secret by Freida McFadden (Bookouture) Narrated by Lauryn Allman 

The House of Wolves by James Patterson, Mike Lupica (Hachette Audio) Narrated by Ellen Archer 

Bad Summer People by Emma Rosenblum (Macmillan) Narrated by January LaVoy 


BEST FIRST NOVEL 

The Peacock and the Sparrow by I.S. Berry (Atria) 

The Golden Gate by Amy Chua (Minotaur) 

Scorched Grace by Margot Douaihy (Zando) 

Lenny Marks Gets Away with Murder by Kerryn Mayne (Bantam Books) 

Perfect Shot: A Thriller by Steve Urszenyi (Minotaur) 


BEST PAPERBACK ORIGINAL NOVEL 

Hide by Tracy Clark (Thomas & Mercer) 

The Paleontologist by Luke Dumas (Atria) 

The Spy Coast by Tess Gerritsen (Thomas & Mercer) 

To Die For by Lisa Gray (Thomas & Mercer) 

Cave 13: A Joe Ledger and Rogue Team International Novel by Jonathan Maberry (St. Martin’s Griffin) 

Call the Dark by J. Todd Scott (Thomas & Mercer) 


BEST SHORT STORY 

Slot Machine Fever Dreams by Chris Bohjalian (Amazon Original Stories) 

These Cold Strangers by J.T. Ellison (Amazon Original Stories) 

An Honorable Choice by Smita Harish Jain (Wildside Press) 

Rush Hour by Richard Santos (Akashic Books) 

Unknown Caller by Lisa Unger (Amazon Original Stories) 

One Night in 1965 by Stacy Woodson (Down & Out Books) 


BEST YOUNG ADULT NOVEL 

Red as Blood by Sorboni Banerjee, Dominique Richardson (Wolfpack Publishing LLC) 

Where He Can't Find You by Darcy Coates (Sourcebooks Fire) 

Where Echoes Die by Courtney Gould (Wednesday Books) 

Where Darkness Blooms by Andrea Hannah (Wednesday Books) 

Stateless by Elizabeth Wein (Little, Brown & Co.) 


BEST E-BOOK ORIGINAL NOVEL 

The Vulture Fund by Jeff Buick (Self-published) 

The Bigamist by Rona Halsall (Bookouture) 

A Good Rush of Blood by Matt Phillips (RunAmok Books) 

Close Her Eyes by Lisa Regan (Bookouture) 

The Killing Room by Robert Swartwood (Blackstone Publishing) 

The In-Laws by Laura Wolfe (Bookouture) 


Congratulations to all the nominated authors.

ITW will announce the winners at ThrillerFest XIX on Saturday, June 1, 2024 at the Sheraton New York Times Square Hotel, New York City.


Friday, 17 March 2023

2023 ITW Thriller Award nominations

 

Best Hardcover Novel

The Violence by Delilah S. Dawson (Del Rey)

Things We Do in The Dark by Jennifer Hillier (Minotaur)

The Fervor by Alma Katsu (Penguin/Putnam)

The Children on the Hill by Jennifer McMahon (Simon & Schuster)

Two Nights in Lisbon by Chris Pavone (MCD)

Sundial by Catriona Ward (Macmillan)

Best Audiobook

Young Rich Widows by Kimberly Belle, Fargo Layne, Cate Holahan, Vanessa Lillie (Audible) Narrated by Dina Pearlman, Karissa Vacker, Helen Laser, Ariel Blake

The Lies I Tell by Julie Clark (Audible) Narrated by Anna Caputo, Amanda Dolan

The Photo Thief by J. L. Delozier (CamCat Publishing) Narrated by Rachel L. Jacobs, Jeffrey Kafer

Things We Do in The Dark by Jennifer Hillier (Macmillan Audio) Narrated by Carla Vega

The Silent Woman by Minka Kent (Blackstone Publishing) Narrated by Christine Lakin, Kate Rudd

Best First Novel

The Resemblance by Lauren Nossett (Flatiron Books)

Blood Sugar by Sascha Rothchild (Penguin/Putnam)

Dirt Town by Hayley Scrivenor (Dirt Creek)

A Flicker in the Dark by Stacy Willingham (Minotaur)

The Fields by Erin Young (Flatiron Books)

Best Paperback Original Novel

The Lies I Told by Mary Burton (Montlake Romance)

No Place to Run by Mark Edwards (Thomas & Mercer)

Unmissing by Minka Kent (Thomas & Mercer)

The Housemaid by Freida McFadden (Grand Central Publishing)

Anywhere You Run by Wanda Morris (William Morrow)

The Couple Upstairs by Holly Wainwright (Pan Macmillan)

The Patient's Secret by Loreth Anne White –(Montlake Romance)

Best Short Story

Russian for Beginners by Dominique Bibeau (Ellery Queen Mystery Magazine)

The Gift by Barb Goffman (Down & Out Books)

Publish or Perish by Smita Harish Jain (Ellery Queen Mystery Magazine)

33 Clues into the Disappearnce of My Sister by Joyce Carol Oates (Ellery Queen Mystery Magazine)

Schrödinger, Cat by Anna Scotti (Ellery Queen Mystery Magazine)

Stockholm by Catherine Steadman (Amazon Original Stories)

Best Young Adult Novel

Our Crooked Hears by Melissa Albert (Flatiron Books)

Sugaring Off by Gillian French (Algonquin Young Readers)

Daughter by Kate McLaughlin (Wednesday Books)

What's Coming to Me by Francesca Padilla (Soho Teen)

I'm the Girl by Courtney Summers (Wednesday Books)

Best E-Book original

Evasive Species by Bill Byrnes (Self-published)

The Couple at Causeway Cottage by Diane Jeffrey (HarperCollins)

The Seven Truths of Hannah Baxter by Grant McKenzie (Self-published)

The Hollow Place by Rick Mofina (Self-published)

Fatal Rounds by Carrie Rubin (Self-published)

ITW will announce the winners at ThrillerFest XVIII on Saturday 3 June 2023 at the Sheraton New York Times Square Hotel, New York City.

Congratulations to all the finalists!




Sunday, 5 June 2022

2022 International Thriller Award Winners

 

ITW (International Thriller Writers) have announced the winners of the Thriller Awards at ThrillerFest XVII on 4th June 2022 in New York City.

BEST HARDCOVER NOVEL

Razorblade Tears by S. A. Cosby (Flatiron Books)

BEST FIRST NOVEL

My Sweet Girl by Amanda Jayatissa (Berkley)

BEST AUDIOBOOK

Razorblade Tears by S. A. Cosby Narrated by Adam Lazarre-White (Macmillan)

BEST PAPERBACK ORIGINAL NOVEL

Bloodline by Jess Lourey (Thomas & Mercer)

BEST SHORT STORY

The Lemonade Stand by Scott Loring Sanders (Ellery Queen Mystery Magazine)

BEST E-BOOK ORIGINAL NOVEL

Blood Parish by E.J. Findorff – ( E.J. Findorff)

BEST YOUNG ADULT NOVEL

The Project by Courtney Summers (Wednesday Books)


Congratulations to all the winners and nomintaed authors

Also receiving special recognition during the ThrillerFest XVII Awards

2022 ThrillerMasters Frederick Forsyth and Diana Gabaldon

2022 Spotlight Guest Joseph Finder

2022 Spotlight Guest Veronica Roth

2022 Thriller Legend, Writers House

2022 ThrillerFans Theresa Lee and Rosie Stroy



Wednesday, 13 May 2020

NY's Thrillerfest 2020: A Virtual Event in your Lounge




We were talking with thriller writer [and Executive Director of International Thriller Writers ITW’s annual conference THRILLEFEST], KJ Howe, following all this COVID-19, business.
With many gatherings cancelled, postponed et al, including this summer’s Thrillerfest, Kim Howe and her ITW colleagues decided to put on a virtual event

Firstly, CRAFTFEST, an online series of events, that can be ‘ZOOM-ed’ for the amateur and professional thriller writer. Secondly, the THRILLERFEST event for Thriller Fiction enthusiast, and a whole lot more.

So over to Kim -

Due to the pandemic this year, we’ve cancelled the in-person ThrillerFest Conference at the Grand Hyatt in New York City this July. The health and safety of our attendees is our top priority.

But we have fantastic news! We are offering a virtual conference so our attendees can remain safe in the comfort of their homes yet still participate in the learning and camaraderie that is the hallmark of the annual conference of the International Thriller Writers. No travel, no hotel stay, but an even more extensive array of bestselling ITW authors who can help you polish your thrillers and top drawer New York agents and editors to whom you can pitch—along with attractive prices!

We have an outstanding array of guests and publishing professionals, with this year’s event including a Free Debut Authors’ Presentation, Free ITW Author Videos, and a Free Awards Presentation.

Our Mega CraftFest, Master Class, Pitching Sessions, Consulting Sessions, and CareerFest will all be offered this July.

Read More for Details and Registration HERE

There are many within the crime and thriller community, helping provide content for ITW that can be viewed, interacted with, and debated for this event. I was flattered to be asked by author and ITW Technical Bloke Jeff Ayers to participate. I enjoyed recording amusing and insightful sessions with award-winning authors Michael Robotham in Sydney, Australia, as well as Jeffery Deaver, in North Carolina - while seated in England. Both authors [as well as many others] generously shared their insight into the writing and publishing process that surrounds the Thriller Narrative for Virtual Thrillerfest 2020.

I couldn’t believe it was the 15th year of ITW’s Thrillerfest, as I recalled the first event held in Arizona in 2006, and the incredible time when Mike Stotter and I attended the sophomore event in 2007, in New York, having a lot of fun HERE and HERE

So if you want an escape from lockdown, and you’re having a bad hair day, then why not head off to Thrillerfest this July, from the safety of your armchair.


The wearing of a Kevlar Facemask, during these virtual sessions remains optional.

Sunday, 15 July 2018

2018 Thriller Award Winners




The International Thriller Writers (ITW) announced the winners of the 2018 Thriller Awards on Saturday evening during ThrillerFest in New York City. 

Best Hardcover Novel:
Final Girls, by Riley Sager (Dutton)

Best First Novel:
The Freedom Broker, by K.J. Howe (Quercus)

Best Paperback Original Novel:
Grievance, by Christine Bell (Lake Union)

Best Short Story:
Charcoal and Cherry,” by Zoë Z. Dean (Ellery Queen Mystery Magazine, May/June 2017)

Best Young Adult Novel:
The Rains, by Gregg Hurwitz (Tor Teen)

Best E-Book Original Novel:
Second Chance, by Sean Black (Sean Black)

Congratulations to all the winners and those nominated.
***
Silver Bullet Award for Service:
James Rollins 

Thriller Master Award:
G.R.R. Martin

Thriller Legend Awards:
Pat Gussin & Bob Gussin (Oceanview Publishing) 

Monday, 6 March 2017

KJ Howe discusses The Freedom Broker


As a book reviewer, I share the mantra of my colleagues when we say ‘we’re looking for something new’. And KJ Howe’s debut thriller The Freedom Broker is just that, something different, featuring a tough, hero trapped by her past; now a hostage / kidnap negotiator and expert in ex-filtration.

I wrote at the time –

Filled with trade-craft, espionage techniques, as well as a vast array of characters and compassion, this action orientated thriller twisted and turned like an African river. It delves into many themes, which at times was revelatory and at times perplexing; though with Thea Paris; her confidence and that of her cohorts, one did feel a sense of reassurance that she would be able to manage despite what was thrown at her, and her team. 

When I put the book down, I shook it hard and listened for any rattle. There was silence, for it has been judiciously edited for in these times of reduced attention spans there was not a superfluous turn of phrase, exposition, word, or dammit - not even a stray semi-colon. Though there was an odour of Cordite remaining in the room forcing the reader to open the window.

Read the Full Review from Shots HERE


I first met Kim Howe in Phoenix Arizona in 2006, at the inaugural Thrillerfest , where by happenstance, I was seated behind her at a panel chaired by David Morrell, and have bumped into her at various Bouchercon events, as well as at last year’s Theakston’s Old Peculier Crime Writing Festival in Harrogate.

I was delighted when Kim agreed to a short interview for Shots Readers, and if this piques your interest, then don’t tarry, as The Freedom Broker is available on a promotional offer, as an ebook for £0.99 – click here, and you will be directed to the offer.  

AK       First question first, what came first, the character of Thea Paris or the Story – or is that an unfair ‘Chicken or Egg’ type of query?

KJH    Thea Paris came first, but in thriller-esque fashion, the story raced to close the distance.  I wanted to create a strong, talented woman with humanizing vulnerabilities, including Type 1 Diabetes.  I enjoy books that are character based, so I’m hoping Thea might resonate with people, and perhaps encourage anyone with an illness that they can still reach for their dreams.

Given my extensive research into kidnapping the last three years, I wanted Thea to be an elite kidnap negotiator—a freedom broker—who travels to the world’s hotspots to bring captives back home.  The world of hostage retrieval fascinated me, as it lurks in the shadows of society, a heart-breaking and dangerous milieu.  Thea Paris became a freedom broker after she witnessed her brother’s kidnapping as a child.  While her brother returned home nine months later, he was never the same.  As a result, she was determined to help other hostages. There are over 40,000 reported kidnappings every year, and the number continues to grow.  Displaced military and police in third world countries are turning to kidnapping as a way of putting food on the table, and they have the requisite security skills to do so.  We need our freedom brokers to help negotiate for the release of hostages to bring families back together.

AK       I recall meeting you first over a decade ago, at the inaugural ITW Thrillerfest; as an avid reader of thriller fiction, so when did the desire to write one yourself first appear?

KJH    It was real pleasure meeting you in Phoenix, Ali.  I’m continually amazed at your memory, as you were able to literally quote what we had talked about ten years ago.  I’ve always been passionate about thrillers, and when I read David Morrell’s BROTHERHOOD OF THE ROSE and Lisa Gardner’s THE PERFECT HUSBAND, I thought—wow, if I could ever provide the kind of wonderful escape these talented writers did for me to someone else, then it would be a dream come true.  I started studying writing and attended Seton Hill University to complete my Master’s in Writing Popular Fiction.  I’ve also studied with some of the masters in the genre, including David Morrell, Lee Child, Steve Berry, and they have taught me so much about storytelling and craft, and serve as inspiration to keep working hard.  Writing is a lifelong journey, and I hope to keep improving with each book. 

AK       And I see you have an interesting early life filled with travel and reading, so tell us a little about the books you read then, that made an impression upon you?

KJH    My father worked in telecommunications, so we lived all over the world, including the Middle East, Europe, Africa, and the Caribbean.  It was an eclectic upbringing, providing a unique education about the diversity of our world.  Always the new kid, I lost myself in books, especially spy thrillers like THE DAY OF THE JACKAL and EYE OF THE NEEDLE.  I loved the adventure, danger and travel in these novels, and I never tired of those harrowing tales.  I’m a bit of an adrenaline junkie.

AK       So with your debut, did you have an extensive plot mapped out before you embarked upon the writing process, or are you a follower of the muse - deploying the high wire act?

KJH    Most authors feel that they are either a plotter or a seat-of-pants writer.  I’m more like pants on fire!  I definitely teeter on the high wire when I write.  I feel like if I’m surprised by the turn of events, then maybe my readers will be as well.  I’m constantly thinking about where I want to go in the story though, trying to analyse the underlying structure.  Research often fuels my plots, giving me helpful ideas.  If I’m struggling with something, I consider the themes of my books, which is heavily based on family relationships.  Lots of fodder!

AK       Many debut novels deploy the first person narrative, in terms of voice, rather than the third person omnipresent; so did you deliberate on which voice best suited The Freedom Broker?

KJH    I chose the third person close—for a few reasons.  First, I like the way you can get inside different characters’ heads and give the readers insights into their personalities.  First person only allows access into the protagonist’s viewpoint, and I prefer the variety of several viewpoints.  Second, in a thriller, ending one scene with a cliff-hangar, and then diving into another character’s point-of-view is a fabulous way of injecting tension into the narrative.  Third, I like the close third person, as it has attributes of the first person with its tight psychic distance, but allows for a variety of characters to speak their truth.  I’m also not as comfortable writing in first person.  I have the deepest respect for authors who do it well, including Lee Child who nails Reacher’s voice.

AK       And tell us about the research; as you subtly embed tradecraft within lucidly realised locations - so the wiff of authenticity is as strong as that of the Cordite that peppers the narrative?

KJH    As a former medical writer, I’m heavily invested in research, and I wanted to bring authenticity and verisimilitude to my freedom broker series.  I have spent the last three years interviewing kidnap negotiators, former hostages, kidnap and ransom insurance executives, hostage reintegration experts, and the Special Forces soldiers who deliver ransoms and execute rescues.  Immersing myself in this world was fascinating and critical to the books.  When I read, I like to be entertained, but I also like to learn, grow as a person.  I’m hoping that readers of THE FREEDOM BROKER will feel enlightened about the world of kidnapping after spending time with Thea and her team of operatives.

AK       I find it encouragingly curious that you attended the first ITW Thrillerfest, in Phoenix Arizona; and now over a decade later, you have not only your first thriller on the market but you are an Executive Director at International Thriller Writers and heavily involved in the NY based annual Thrillerfest, so tell us a little about what you do with ITW.

KJH    I’m honoured to be part of the International Thriller Writers.  It’s a special organization, the sole mandate is for us to support all thriller writers.  Please know that we are very inclusive, as we have many members who write YA, romantic suspense, science fiction thrillers, etc.—we welcome anyone writing page-turning fiction. 

I’m the executive director of ThrillerFest, the annual conference held in July every year in NYC at the Grand Hyatt.  The lovely Liz Berry is the executive director of ITW, and we work closely to make sure we’re doing everything we can to help our talented authors.  It’s a great privilege to be part of such a professional and friendly group.  If you’d like more information, please visit the ThrillerFest website:  www.thrillerfest.com.  If anyone has questions, drop me a line at kimberleyhowe@thrillerwriters.org.  I’m here to help.

AK       And will we see you at Bouchercon, Theakstons Harrogate as well - so tell us about the events you are planning to attend in 2017?

KJH    Absolutely.  I’m delighted that Bouchercon will be in my hometown of Toronto, Canada this year, and I can’t wait for Harrogate as well as CrimeFest.  I love visiting the U.K. and look for any chance to do so!  I’ll also list other events on my website, www.kjhowe.com

AK       Advanced word, including warmth for Kirkus [among others] has been very generous for The Freedom Broker, so were you nervous crossing the line from reader to writer?

KJH    Absolutely, totally nervous.  Like other authors, I work alone for countless hours, hoping my stories might resonate with readers and critics.  It’s hard to predict how people will respond.  Writing is a very personal process, so any positive feedback is profoundly appreciated.  I also realize that everyone has different taste, and it’s to be expected that some people may not find my book(s) their cup of tea.  But when a reader or critic speaks highly of THE FREEDOM BROKER, it truly touches my heart. 

AK       And I am assuming you are continuing the adventures of Thea Paris, and if so any hints what might be in store?

KJH    I was fortunate to sign a two-book deal, so SKYJACK, the next Thea Paris adventure, will be coming out next February.  Thea is shepherding two former child soldiers from Africa to London when the plane they are on is hijacked.  The adventures kick off from there.  The novel features secret stay-behind armies from WWII, the Sicilian Mob, the CIA, and the Vatican.  Warning:  do not read it on a plane……..laughing…….


I’m also researching future Thea Paris novels, as I have many rabbit holes to explore in the world of kidnapping. I love visiting the locales where I set the stories, so I can bring a ring of authenticity to the settings.  Travel and adventure are my passions, so it’s no hardship to spend time abroad.

AK       I enjoy your blog, which you share with ‘ROGUE WOMEN WRITERS’ so tell us a little about it, and how it got started?

KJH    I adore the Rogue Women Writers, as they are a supportive and impressive group of eight female thriller authors focused on international intrigue.  Charter members include Gayle Lynds, Francine Mathews, Jamie Freveletti, Christine Goff, Karna Bodman, S. Lee Manning, Sonja Stone, and myself.  A few of the ladies started talking about how fun it would be to bond together with like-minded writers, and the next thing we knew, Rogue Women Writers was born.  Please stop by at www.roguewomenwriters.com, as we love having visitors.  We blog regularly about intrigue, spies, kidnapping, and many other topics.

AK       And tell us a little about some of the recent books that have passed your reading table?

KJH    As you are, I’m a huge fan of Andrew Gross’ THE ONE MAN.  I love books that provide a total escape, and that is what Andy did with his brilliant historical novel.  If people haven’t had a chance to read it yet, I would highly recommend they do.
Another phenomenal trilogy is Greg Iles’ NATCHEZ BURNING and THE BONE TREE.  Can’t wait to read MISSISIPPI BLOOD.

AK       And I found the imagery and storytelling in The Freedom Broker to be most cinematic, so I am assuming you also have an avid interest in Film, so what recent thrillers have you seen that have caught your eye? As well as the ones in the past that still remain in your memory.

KJH    When I write, I often see scenes unfolding, like a movie playing on a screen in front of me—and I love watching films and TV series, especially in the thriller genre.  I love classics like all of the Bond films (huge fan) as well as THREE DAYS OF THE CONDOR, DAY OF THE JACKAL, THE EAGLE HAS LANDED, RONIN, and HUNT FOR RED OCTOBER.  And the TV series RAY DONOVAN is beyond compelling.  I love how the brilliant writers make me cheer for a total anti-hero—and I enjoy how they use family as a prominent theme in the series.  THE NIGHT MANAGER had me absolutely hooked—but that could have been because of Tom Hiddleston.  Also love HOMELAND. 

AK       Thank you for your time, and also the adrenaline rush of your debut thriller.

KJH   Thanks for your energy, your positivity, and your support of the genre.  I always enjoy your posts, the analysis thought-provoking, staying with me long after I read them.

AK       You are way too generous, and we look forward to seeing you at this year’s Crimefest in Bristol.

Editor's note: The Freedom Broker ebook is currently available on a 99p promotional offer CLICK HERE and the paperback will be released on 27 July 2017 from Headline Publishing in the UK

More information about KJ Howe can be accessed Here


More information about Thrillerfest 2017 can be accessed Here