Showing posts with label Donna Tartt. Show all posts
Showing posts with label Donna Tartt. Show all posts

Wednesday, 2 August 2023

In The St Hilda's Spotlight - Andrew Wilson

 Name:- Andrew Wilson

Job:- Author and Journalist

Website:- https://www.andrewwilsonauthor.co.uk

Twitter: - @andrewwilsonaw

 Introduction

Andrew Wilson is an award-winning author and journalist. His first book 'Beautiful Shadow: A Life of Patricia Highsmith' was shortlisted for the Whitbread biography prize (2003) and won an Edgar Allan Poe award for biography in 2004 and a LAMBDA Literary Award in 2003. His journalism has appeared in a wide range of newspapers and magazines. He also writes under the pseudonym E V Adamson where he is the author of psychological thrillers.

Current book? (This can either be the current book that you are reading or writing or both)

I always have lots of books on the go - and because I read so much for work, I have to carve out the time to read books for pleasure. I’ve just finished Christine Mangan’s Palace of the Drowned, set in Venice in 1966. I adored her first novel Tangerine and I loved this one just as much. I write non-fiction as well as crime fiction, and at the moment I’m working on a new book about Marilyn Monroe. So I’m reading lots of books - novels and memoirs - about old Hollywood, which is enormous fun. 

Favourite book:

Too many to mention - of course! But in the list there would have to be a Christie, a Highsmith, and The Secret History by Donna Tartt. 

Which two characters would you invite to dinner and why?

I’d love to sit back and observe Christie’s two greatest detectives: Hercule Poirot and Miss Jane Marple. They could compare case notes, reminisce about murderers they have known, discuss their various methods and perhaps indulge in a little light flirtation over the black coffee. 

How do you relax?

I’m lucky enough to live by the sea in South Devon so I each day I make sure I go for a long walk. But often as I walk through the fields or by the beach I find that this gentle activity is conducive to solving a tricky plot point or untangling a stubborn knot in the narrative.

Which book do you wish you had written and why?

It would have to be Donna Tartt’s The Secret History. I remember devouring it when it was first published in 1992 and being blown away by its compulsive narrative, gripping characters and stylish writing. I like to reread it every couple of years.

What would you say to your younger self if you were just starting out as a writer.

You will do it! Growing up in a working class family in the north of England, I had no connections with writing or the arts. I always wanted to be a writer and my route was through journalism - after university, I worked as a feature writer and interviewer for national newspapers and magazines. From this I moved into biography and then into fiction. Although all three disciples are very different, I like to think that journalism helped me with discipline, deadlines and also how to tell a story. 

How would you describe your latest published book?

My latest novel is one published under the pseudonym E.V. Adamson. It’s called Murder Grove (HarperCollins) and it’s about a young couple who leave London to live in an eco-village in southern Spain. Soon after arriving in this paradise, their green dream turns into a nightmare. I based it on my own experience of six years living in an eco-village in southern Spain - without the real-life murders!

With Celebrations: innocent parties, guilty pleasures being the theme at St Hilda's this year, which are you three favourite psychological books and why?

  • The Talented Mr Ripley by Patricia Highsmith. Highsmith cleverly seduces the reader into identifying with a twisted mind - the charming psychopath Tom Ripley. This book changed the course of crime fiction.
  • Five Little Pigs by Agatha Christie. This is one of the Queen of Crime’s best books. It uses the device of multiple narrators - something which has become increasingly fashionable in recent years - to tell the story of a murder committed years before. If anyone (not familiar with Christie) proclaims that she only wrote cardboard cut-out characters I give them this to read. 

  • A Judgement in Stone by Ruth Rendell. I love Rendell’s novels - particularly her Barbara Vine ones - but this novel first published in 1977 has to be one of my favourites. The reader knows the name of the killer and the motive for the murders in the first paragraph, but the suspense is extraordinary. 

If you were to rewatch a psychological film which film would it be and why?

I love Hitchcock’s Vertigo and I must have seen it a dozen or so times. I’ll never forget the first time I saw it - when the final twist was revealed I felt such a sense of shock and awe. It’s such a compelling study of obsession and when I write I often have Bernard Herrmann’s score playing in the background. 

What are you looking forward to at St Hilda's?

This will be my first time in person at St Hilda’s - I took part in a digital event for the festival during Covid. So I can’t wait to meet some of my heroes and heroines in the crime writing field. I’ll have to stop myself fan-boying them. But I hope to break the ice with my secret weapon - Patricia Highsmith’s dressing gown. 

  The Murder Grove by E V Adamson (HarperColins)

Two bodies. Thirty years. And a secret that connects them both… 1990 A woman’s body is found brutally murdered in the woods, and next to it, a shallow grave hiding a terrified young girl. 2021 ...When Mia and Rich move to an eco-village in Spain, they’re looking for a new start. Val Verde is everything they wished for – at least to begin with. But when someone is murdered in an olive grove, Mia realises the village isn’t the safe haven she was hoping for… There’s a killer in the village – and they’ll stop at nothing until they get revenge…

 Information about 2023 St Hilda's College Crime Fiction Weekend and how to book tickets can be found here.



Sunday, 17 July 2022

In The St Hilda's Spotlight:- Nadine Matheson

Name:- Nadine Matheson

Job:- Criminal Solicitor and author

Website:- https://www.nadinematheson.com/

Twitter:- @nadinematheson 

Introduction:-

Nadine Matheson is the author of the best selling D I Henley and the Serial Crimes Unit series. In 2016, she won the City University Crime Writing Competition and in 2019 The Jigsaw Man was won by HQ (HarperCollins) in a six-publisher auction. Her second novel The Binding Room was published in July 2022.

Current book? (This can either be the current book that you are reading or writing)

Reading: The Secret History by Donna Tartt

Writing: Henley Book 3

Favourite book

American Tabloid by James Ellroy 

Which two characters would you invite to dinner and why? 

Aaaron Stampler from Primal Fear. He was accused of murder and his defence was that it wasn’t but him but his other personality. I would like to sitting in front of him to see the moment when he would switch personalities. Stampler is both fascinating and terrifying. A great character.

Bruce Wayne/Batman. I’m the biggest comic book fan and I couldn’t think of a better guest. It would be interesting as to who would turn up to dinner. Bruce Wayne, the billionaire playboy or the world’s greatest detective, the dark knight himself, Batman.

How do you relax?

I love going out to dinner and also lying in my sun lounger in the garden with a good book and a cocktail.

Which book do you wish you had written and why? 

The Spy Who Came in From the Cold by John Le CarrĂ©. I just think that its perfect. Perfect characterisation, world building and plot. 

What would you say to your younger self if you were just starting out as a writer.

Don’t ever give up. Tell your stories and let your imagination fly. 

How would you describe your series characters? 

Authentic but extremely complex who are all trying to create the equilibrium with their careers and personal lives. There’s not one character who hasn’t been affected emotionally by the cases they’ve worked on. 

With Town and Country: Green Lanes to Mean Streets being the theme at St Hilda's this year, Where is your favourite town and where is your favourite country? Why have you chosen these?

London is actually my favourite city because its home but also richly diverse and I love how the past intertwines with the present in its streets and buildings.

Grenada is my favourite country as its where my family are from and its home away from home and the beaches are spectacular. 

What are you looking forward to at St Hilda's?

Spending the weekend with writers that I have admired for years and also passionate crime readers. 

The Binding Room by Nadine Matheson (HarperCollins) Out Now

In this room, no one can hear you scream...The Serial Crimes Unit are called in to investigate when a local pastor is found stabbed to death. As DI Henley assesses the crime scene, she discovers a hidden door that conceals a room set up for torture - and bound to the bed in the middle of the room is the body of a man. When another body is found, also tied down, Henley realises there's someone out there torturing innocent people and leaving them for dead. But why? There's nothing that connects the victims. They didn't know each other. Their paths never crossed. But someone has targeted them, and it's up to Henley and the SCU to stop them before they find another binding room...

Information about 2022 St Hilda's College Crime Fiction Weekend and how to book tickets can be found here.



Wednesday, 4 March 2020

Excerpt from Rules for Perfect Murders by Peter Swanson

I am pleased to host an extract from Peter Swanson’s new book Rules For Perfect Murders as part of the #Rules For Perfect Murders blog tour.

Excerpt from Rules For Perfect Murdersby Peter Swanson Copyright March  2020

The front door opened, and I heard the stamp of the FBI agent’s feet on the doormat. It had just begun to snow, and the air that rushed into the store was heavy and brimming with energy. The door shut behind the agent. She must have been just outside when she’d called because it had only been about five minutes since I’d agreed to meet with her. 

Except for me, the store was empty. I don’t know exactly why I’d opened it that day. A storm was forecast to drop over two feet of snow, beginning in the morning and continuing through until the following afternoon. Boston Public Schools had already announced they were closing early, and they’d canceled all classes for the following day. I’d called the two employees who were scheduled to come in—Emily for the morning shift and early afternoon, and Brandon for the afternoon and evening—and told them both to stay home. I logged on to the Old Devils Book- store Twitter account and was about to send out a tweet saying that we were closed for the duration of the storm, but something stopped me. Maybe it was the thought of spending all day in my apartment alone. And besides, I lived less than half a mile from the store. 
I decided to go in; at the very least I’d be able to spend some time with Nero, straighten up some shelves, maybe even pack up some online orders. 
A sky the color of granite was threatening snow as I unlocked the front doors on Bury Street in Beacon Hill. Old Devils Book- store is not in a high-traffic area, but we’re a specialty bookstore— mystery books, used and new—and most of our customers seek us out or simply order directly from our website. On a typical Thursday in February I wouldn’t be surprised if the total number of customers barely reached double digits, unless of course we had an event planned. Still, there was always work to do. And there was Nero, the store cat, who hated spending the day alone. Also, I couldn’t remember if I’d fed him extra food the night before. It turned out I probably hadn’t because when I stepped through the front door, he came racing along the hardwood floor to greet me. He was a ginger cat of indeterminate age, perfect for the store because of his willingness (his eagerness, really) to put up with the affections of strangers. I turned on the store lights, fed Nero, then brewed myself a pot of coffee. At eleven, Margaret Lumm, a regular, entered. 
“What are you doing open?” she asked.
“What are you doing out?”
She held up two grocery bags from an upscale grocery store on 
Charles Street. “Provisions,” she said, in her patrician voice.
We talked about the latest Louise Penny novel. She talked, mostly. I pretended I’d read it. These days I pretend I’ve read many books. I do read the reviews from the major trade publications, of course, and I go to a few blogs. One of them is called The Armchair Spoiler and it includes reviews of recent titles that discuss endings. I no longer have the stomach for contemporary mystery novels—sometimes I reread a particular favorite from my childhood—and I find the book blogs indispensable. I suppose I could be honest, tell people that I’ve lost interest in mystery novels, that I primarily read history these days, poetry before I go to bed, but I prefer to lie. The few people I’ve told the truth to always want to know why I’ve given up reading crime, and it’s not something I can talk about. 
I sent Margaret Lumm away with a used copy of Ruth Rendell’s Shake Hands Forever that she was 90 percent sure she’d never read. Then I ate the lunch I’d packed a chicken salad sandwich and was just about thinking of calling it a day when the phone rang. 
“Old Devils Bookstore,” I answered.
“Is Malcolm Kershaw available?” A woman’s voice. “Speaking,” I said.
“Oh, good. This is Special Agent Gwen Mulvey of the FBI. I’d love a little bit of your time to ask you a few questions.”
“Okay,” I said.
“Is now good?”
“Sure,” I said, thinking she wanted to talk on the phone, but instead she told me she’d be right over and disconnected the line. I stood for a moment, phone in hand, imagining what an FBI agent named Gwen would look like. Her voice on the phone had been raspy, so I imagined her to be nearing retirement, an imposing, humorless woman in a tan raincoat. 
A few minutes later Agent Mulvey pushed through the door, looking very different from how I’d imagined her. She was in her thirties, if that, and wearing jeans that were tucked into forest green boots, plus a puffy winter jacket and a white knit hat with a pom-pom on it. She stomped her boots on the welcome mat, removed her hat, and came across to the checkout counter. I came around to meet her, and she reached out a hand. She had a firm handshake, but her hand was clammy. 
“Agent Mulvey?” I asked. 
“Yes, hi.” Snowflakes were melting on her green coat, leaving behind dark spots. She briefly shook her head the ends of her thin, blond hair were wet. “I’m surprised you’re still open,” she said. 
“I’m just about to close up, actually.” 
“Oh,” she said. She had a leather bag slung over one shoulder and she lifted the strap over her head, then unzipped her jacket. “You have some time, though?” 
“I do. And I’m curious. Should we talk back in my office?” 
She turned back and glanced at the front door. The tendons in her neck popped out against her white skin. “Will you be able to hear if a customer comes in?” she said. 
“I don’t think that’ll happen, but, yes, I’ll be able to hear. It’s this way.” 
My office was more of a nook at the back of the store. I got Agent Mulvey a chair and went around the desk and sat in my leather recliner, its stuffing bulging out from the seams. I positioned myself so that I could see her between two stacks of books. “I’m sorry,” I said. “I forgot to ask you if you wanted anything? There’s still some coffee in the pot.” 
“No, I’m fine,” she said, removing her jacket and putting her leather bag, more of a briefcase, really, on the floor by her side. She wore a black crewneck sweater under the coat. Now that I could really see her, I realized it wasn’t just her skin that was pale. It was all of her: the color of her hair; her lips; her eyelids, almost translucent; even her glasses with their thin wire rims almost disappeared into her face. It was hard to know exactly what she looked like, almost like some artist had rubbed a thumb across her features to blur them. “Before we start, I’d like to ask you to please not discuss anything we are about to talk about with anyone. Some of it is public record but some of it is not.” 
“Now I’m really curious,” I said, aware that my heart rate had accelerated. “And, yes, absolutely, I won’t tell anyone.” 
 “Great, thank you,” she said, and she seemed to settle in her chair, her shoulders dropping, her head squaring with mine. 
“Have you heard about Robin Callahan?” she asked. 
Robin Callahan was a local news anchor who, a year and a half ago, had been found shot in her home in Concord, about twenty- five miles northwest of Boston. It had been the leading local news story since it had happened, and despite a suspicious ex-husband, no arrests had been made. “About the murder?” I said. “Of course.” 
“And what about Jay Bradshaw?”
I thought for a moment, then shook my head. “I don’t think so.” “He lived in Dennis on the Cape. In August he was found beaten to death in his garage.” “No,” I said. 
“You sure?”
“I’m sure.”
“Then what about Ethan Byrd?”
“That name rings a bell.”
“He was a college student from UMass Lowell who went missing over a year ago.”
“Okay, right.” I did remember this case, although I couldn’t remember any of the details.
“He was found buried in a state park in Ashland, where he was from, about three weeks after he’d gone missing.”
“Yeah, of course. It was big news. Are those three murders connected?”
She leaned forward on her wooden chair, reached a hand down to her bag, then brought it back suddenly, as though she’d changed her mind about something. “We didn’t think so, at first, except that they’re all unsolved. But someone noticed their names.” She paused, as though giving me a chance to interrupt her. Then she said, “Robin Callahan. Jay Bradshaw. Ethan Byrd.” 
I thought for a moment. “I feel like I’m failing a test,” I said. “You can take your time,” she said. “Or I can just tell you.” “Are their names related to birds?” I said.
She nodded. “Right. A Robin, a Jay, and then the last name of Byrd. It’s kind of a stretch, I realize, but . . . without going into too much detail, after each murder the local police station closest to the crime received . . . what appeared to be a message from the killer.” 
“So they are connected?” 
“It seems that way, yes. But they might be connected in an- other way, as well. Do the murders remind you of anything? I’m asking you because you are someone who is an expert on detective fiction.” 
I looked at the ceiling of my office for a moment, then said, “I mean, it sounds like something fictional, like something from a serial killer novel, or something from an Agatha Christie.” 
She sat up a little straighter. “Any particular Agatha Christie novel?” 
“The one that’s jumping to my mind is A Pocket Full of Rye for some reason. Did that have birds?” 
“I don’t know. But that’s not the one I was thinking of.”
“I guess it’s similar to The A.B.C. Murders as well,” I said. Agent Mulvey smiled, like she’d just won a prize. “Right. That’s the one I’m thinking of.”
“Because nothing connects the victims except for their names.” “Exactly. And not just that, but the deliveries to the police station. 
In the book Poirot gets letters from the killer signed A. B. C.” “You’ve read it, then?”
“When I was fourteen, definitely. I read almost all of Agatha Christie’s books, so I probably read that one, too.”
“It’s one of her best,” I said, after a brief pause. I’d never forgotten that particular Christie plot line. There are a series of murders and what connects them are the victims’ names. First, someone with the initials A. A. is killed in a town that begins with the letter A, then someone with the initials B. B. is killed in a B town. You get the idea. It turns out that the perpetrator really only wanted to kill one of the victims, but he made it look like a series of crimes done by a deranged serial killer. 
“You think so?” the agent said.
“I do. One of her best plots, for sure.”
“I’m planning on reading it again, but I did just Wikipedia it to remind myself of the story. There was a fourth murder in the book, as well.” 
“I think so, yes,” I said. “Someone with a D name was the last person killed. And it turned out that the killer was making it look like a madman was doing it when all along he just wanted to kill one person. So the other murders are basically cover.” 
“That’s what the plot summary on Wikipedia said. In the book it was the person with the double C name who was the intended victim all along.” 
“Okay,” I said. I was starting to wonder why she had come to me. Was it just because I owned a mystery bookstore? Did she need a copy of the book? But if that were the case, then why did she ask for me, specifically, on the phone? If she just wanted someone who worked in a mystery bookstore, then she could have come inside and talked with anyone. 
“Can you tell me anything else about the book?” she asked, then added, after a moment, “You’re the expert.” 
“Am I?” I said. “Not really, but what is it you want to know?” “I don’t know. Anything. I was hoping you’d tell me.”
“Well, besides the fact that a strange man comes into the store everyday and buys a new copy of The A.B.C. Murders, I don’t know what else to tell you.” Her eyes raised for a moment before she realized I’d made a joke, or an attempt at one, then she smiled a little in acknowledgment. I asked her, “You think these murders are related to the book?” 
do,” she said. “It’s too fantastical for it not to be.” 
“Is it that you think someone’s copying the books in order to get away with a murder? That someone wanted to murder Robin Callahan, for example, but then murdered the other people to make it look like a serial killer obsessed with birds?” 
“Maybe,” Agent Mulvey said, and she rubbed a finger along the edge of her nose, up near her left eye. Even her small hands were pale, the fingernails unpainted. She was quiet again. It was a strange interview, full of pauses. She was hoping I’d fill in the silence, I guess. I decided to not say anything. 
Eventually, she said, “You must be wondering why I came to talk with you.” 
“I am,” I said. 
“Before I tell you I’d like to ask you about one other recent case.” 
“Okay.” 
“You probably haven’t heard of it. A man named Bill Manso. He was found near the train tracks in Norwalk, Connecticut, back in the spring. He was a regular commuter on a particular train, and initially it looked as though he’d jumped, but now it looks as though he was killed elsewhere and brought to the tracks.” 
“No,” I said, shaking my head. “I didn’t hear about it.” “Does it remind you of anything?”
“Does what remind me of anything?”
“The nature of his death.” 
“No,” I said, but that wasn’t entirely true. It did remind me of something, but I couldn’t remember exactly what it was. “I don’t think so,” I added. 
She waited again, and I said, “Do you want to tell me why you’re questioning me?” 
She unzipped her leather bag and removed a single sheet of paper. “Do you remember a list you wrote for this store’s blog, back in 2004? A list called ‘Eight Perfect Murders’?” 
Rules for Perfect Murders by Peter Swanson published by Faber & Faber
If you want to get away with murder, play by the rules A series of unsolved murders with one thing in common: each of the deaths bears an eerie resemblance to the crimes depicted in classic mystery novels. The deaths lead FBI Agent Gwen Mulvey to mystery bookshop Old Devils. Owner Malcolm Kershaw had once posted online an article titled 'My Eight Favourite Murders,' and there seems to be a deadly link between the deaths and his list - which includes Agatha Christie's The ABC Murders, Patricia Highsmith's Strangers on a Train and Donna Tartt's The Secret History. Can the killer be stopped before all eight of these perfect murders have been re-enacted?