Showing posts with label Espionage. Show all posts
Showing posts with label Espionage. Show all posts

Thursday, 15 May 2025

Move Over Marta Hari - Here comes the Middle Aged Spy by M J Robotham

Breathless, the KGB man stumbles onto the crowded train platform, the prickling of his skin signalling that he hasn’t yet escaped the shadowy figures on his tail. He scans rapidly for any likely spooks in the sea of faces: the middle-aged man in a mac, head buried in the evening newspaper; the woman dressed to the nines for an evening date and applying more lipstick with the aid of her compact; the brightly-dressed juggler heading home after a day’s toil in street theatre. Our KGB boy sweats. Experience says it could be any one of them. But which will give the signal to out him as an enemy of the British state and curtail his freedom for good?

Behind all three candidates, a sweet old dear on a bench pack away her knitting into a tired holdall, stands and totters unsteadily across the platform, forcing First-Lieutenant Petrov to remember his ingrained manners and step aside.

‘Thank you, young man,’ the old woman rasps quietly as she passes, ‘but I’m afraid you’ve been made, Alexei.’   

Fact, fiction or somewhere in between? Popular culture would have us believe that female members of the spy world are more often that woman dressed to impress: young, slim, and lithe – think The Avengers feisty Emma Peel, Goldfinger’s Pussy Galore (plus a whole troop of ‘Bond girls’ thereafter), and even Scarlett Johannson’s modern take in Marvel’s Black Widow. They pack a punch but are, first and foremost, sexy and alluring for the screen. In day-to-day espionage, however, I’d argue the leather catsuit has a tendency to stand out a tad. Far better that your furtive member of the Security Service is of average height and weight, with non-descript features and a wardrobe from Marks & Spencer. Someone you wouldn’t glance at twice at, let alone clock their motive or the secret camera tucked in their shopping bag.

As a huge fan of spy fiction and a newbie author in this genre with Mrs Spy, I thought long and hard about what the covert world demands. My own creation of MI5 Watcher Maggie Flynn is no spring chicken: 45, slightly squat, and even on a good day would benefit from a visit to the hairdresser. At all times, she lugs around several hats and at least one half-finished knitting project, making her nigh-on invisible amid the kaleidoscopic London of the 1960’s. No-one can recall the dowdy ‘ole biddy click-clacking away in the background.

Maggie is my fiction, but she is not – as it happens - too far from reality. While history and myth have painted the celebrated Mata Hari as the archetypal female spy in her belly-dancing garb, she is in the minority. As far back as the first world war, British intelligence employed a swathe of older women to place themselves next to German railway tracks. While gossiping and knitting, they were quietly logging every troop movement or military carriage in their complex stitch pattern. The subsequent ‘coded’ sweaters were sent back to England for analysis as a bizarre form of Morse. Post-war, the East German secret police – the infamous Stasi – employed thousands of older women as ‘block monitors’, spying on residents while sweeping apartment corridors in a bid to flush out enemies of the communist ideology.

And individually, it seems, dowdy aligns with the devious. Short and stout, Daphne Park was likened by colleagues to Miss Marple and even described herself as ‘a fat missionary-type.’ She was also one of MI6’s most successful overseas spies, running agents in Hanoi, Moscow, Zambia, and the politically incendiary Congo throughout her long career, once hiding a dissident in the boot of her ancient Citroen CV. Her effectiveness was put down to her open and unassuming manner, a million miles from a sultry siren.

Similarly, eighty-seven-year-old Briton Melita Norwood caused a media frenzy when she was exposed as the Soviet’s longest-serving spy in 2017, having passed atomic secrets in the 1930’s and beyond. Later dramatized in the film, Red Joan, Melita’s shocked neighbours in her suburban street admitted they didn’t suspect a thing from the benign-looking grandmother. The list doesn’t end there: ‘mumsy’ American TV cook Julia Childs worked for the CIA, and the US’s illustrious wartime agent Virginia Hall went as far as knocking out several teeth in disguising herself as an old peasant woman, successfully dodging capture in Nazi-occupied France.

Where life leads, fiction often follows among John Le Carre’s most memorable characters in his iconic Smiley series is Connie Sachs, an ageing, eccentric alcoholic, and expert on Soviet intelligence. Brilliantly brought to life on screen by Beryl Reid and Kathy Burke, Sachs is said to be modelled on a real-life MI6 Watcher Millicent Bagot.

Inspired by this army of unassuming spooks, Mrs Spy sees my own Maggie Flynn waging her war against infiltration from both east and west, proving once again that ordinary trumps outlandish in the murky world of espionage.

Take a leaf out of Maggie’s book: if you want to blend in, be more bag lady!

 

Mrs Spy by M J Robotham, is published on May 15th by Aria/Head of Zeus, available in hardback, digital and audio. 

Maggie Flynn isn’t your typical 1960s mum. She’s a spy, an unsuspecting operative for MI5, stalking London’s streets in myriad disguises. Widowed and balancing her clandestine career with raising a Beatles-mad teenage daughter, Maggie finds comfort and purpose in her profession – providing a connection to her late husband, whose own covert past only surfaced after his death. But Maggie’s world spins out of control when a chance encounter with a mysterious Russian agent triggers a chilling revelation: he knew her husband. And what’s worse, the agent suspects someone on home soil betrayed him. As Maggie searches for answers, she’ll question everyone – and everything – she thought she could trust. In the murky and perilous world of espionage, can she outsmart those determined to keep her silenced?

M J Robotham can be found on Instagram @Robothammandy and on X @mandyrobothamuk 

Tuesday, 12 September 2023

The Traitor by Ava Glass - Extract

I am pleased to host an extract from The Traitor by Ava Glass as part of The Traitor Blog Tour.

He was exhausted. He wanted to keep working but the numbers had begun to swim across the lighted screen, refusing to line up in neat, military rows so he could find the pattern he knew must be hidden among them somewhere.

It was just that he was so close. If he could only stay awake he was certain he’d find what he needed. But it was after two in the morning, and when he closed his eyes and rubbed his knuckles against his forehead he still saw the numbers, burned on his retinas.

He would sleep for a few hours and then start again.

His hands went through the nightly rituals. Turning off the laptop. Flipping it over to remove the battery. Unplugging the Wi-Fi box and router, wrapping each cable neatly behind every device.

It seemed pointless. To be hacked you had to be discovered, and being discovered would mean . . .

He stood abruptly, pushing the chair back so hard it squawked a protest against the wooden floor, and walked away from the things that frightened him. When he crossed the living room, he didn’t have to make a single turn – the apartment held almost no furniture. A sofa, a bed, a chair – that was all he needed. More would be superfluous.

He checked the three locks on the front door and punched the eight-digit code into the alarm. Then he flipped the light switch and the room plunged into darkness. Instantly, he wanted to turn the lights back on again. It took effort to stay in the dark.

The work was making him paranoid. Everywhere he went, he saw shadows following him. All day long he’d felt watched.

Now, the sensation that he was not alone was almost overwhelming.

As he walked the straight line to the bedroom, he reminded himself that nobody could possibly know who he was or where he lived. He’d been careful. By the time he climbed into bed, he almost believed it. When he closed his eyes, he saw the numbers again, floating behind his eyelids like tropical fish.

He had to finish this work before it finished him.

‘Tomorrow. It ends tomorrow.’ He murmured the word aloud, like a promise. 

He could not have been asleep long when a sound shook him awake, and he sat up with a start. In the pitch black, he strained his ears, but all he could hear was his own panicked breathing, quick and harsh.

He thought perhaps he’d dreamed the sound. But then it came again. A soft breath – like a sigh.

The lights came on, blinding him. He flung up a hand to shield his eyes.

There were two of them. One stood by the door next to a large black suitcase. The other leaned over the bed, grinning.

That was when he knew he’d been wrong about everything.

They did know who he was. And what he’d been doing.

And they had come to make him stop.He was exhausted. He wanted to keep working but the numbers had begun to swim across the lighted screen, refusing to line up in neat, military rows so he could find the pattern he knew must be hidden among them somewhere.

It was just that he was so close. If he could only stay awake he was certain he’d find what he needed. But it was after two in the morning, and when he closed his eyes and rubbed his knuckles against his forehead he still saw the numbers, burned on his retinas.

He would sleep for a few hours and then start again.

His hands went through the nightly rituals. Turning off the laptop. Flipping it over to remove the battery. Unplugging the Wi-Fi box and router, wrapping each cable neatly behind every device.

It seemed pointless. To be hacked you had to be discovered, and being discovered would mean . . .

He stood abruptly, pushing the chair back so hard it squawked a protest against the wooden floor, and walked away from the things that frightened him. When he crossed the living room, he didn’t have to make a single turn – the apartment held almost no furniture. A sofa, a bed, a chair – that was all he needed. More would be superfluous.

He checked the three locks on the front door and punched the eight-digit code into the alarm. Then he flipped the light switch and the room plunged into darkness. Instantly, he wanted to turn the lights back on again. It took effort to stay in the dark.

The work was making him paranoid. Everywhere he went, he saw shadows following him. All day long he’d felt watched.

Now, the sensation that he was not alone was almost overwhelming.

As he walked the straight line to the bedroom, he reminded himself that nobody could possibly know who he was or where he lived. He’d been careful. By the time he climbed into bed, he almost believed it. When he closed his eyes, he saw the numbers again, floating behind his eyelids like tropical fish.

He had to finish this work before it finished him.

‘Tomorrow. It ends tomorrow.’ He murmured the word aloud, like a promise. 

He could not have been asleep long when a sound shook him awake, and he sat up with a start. In the pitch black, he strained his ears, but all he could hear was his own panicked breathing, quick and harsh.

He thought perhaps he’d dreamed the sound. But then it came again. A soft breath – like a sigh.

The lights came on, blinding him. He flung up a hand to shield his eyes.

There were two of them. One stood by the door next to a large black suitcase. The other leaned over the bed, grinning.

That was when he knew he’d been wrong about everything.

They did know who he was. And what he’d been doing.

And they had come to make him stop.


The Traitor by Ava Glass (Penguin Random House) Out 14 September 2023

London. Early morning. A body is found in a padlocked suitcase. Investigator Emma Makepeace knows it's murder. And it's personal. She quickly establishes that the dead man had been shadowing two oligarchs suspected of procuring illegal weapons in the UK. And it seems likely that an insider working deep within the British government is helping them. To find out who the traitor is, Emma goes deep undercover on a superyacht owned by one of the oligarchs. But the glamorous veneer of the rich hides dark secrets. Out at sea, Emma is both hunter and prey, and no one can protect her. Never has the turquoise sea and golden sands of the Rivera seemed so dangerous. As the hunt intensifies, Emma knows that she is in mortal danger. And that she needs to find the traitor before they find her . . .

More information about Ava Glass and her work can be found on her website. You can also find her on X @AvaGlassBooks and on Instagram @avaglassbooks.More information about Ava Glass and her work can be found on her website. You can also find her on X @AvaGlassBooks and on Instagram @avaglassbooks.


Wednesday, 26 April 2023

Penguin Modern Crime Announcement

 Penguin Modern Classics

CRIME & ESPIONAGE

Published by Penguin Modern Classics | 13 July 2023 | Paperback £9.99

First published 75 years ago, the iconic green Penguin Crime paperbacks have long held a special space in every crime lovers heart and bookshelf, as CrimeTime puts it: “If the Golden Age of Crime has a colour, it’s bottle green. And, if it has a smell, it’s the caramel of old paper. Nothing sums up crime fiction between the ages of flappers and flares quite so well as the classic Penguin Crime editions.” As one of our most popular imprints, the Penguin Crime series encompassed stories from Agatha Christie to Dashiell Hammett, and everything in between, expanding the horizons of crime readers with thrilling new discoveries in a familiar, trusted, and instantly recognisable green jacket. 


This summer, Penguin Modern Classics are thrilled to be reviving this beloved collection with our new Crime and Espionage series, celebrating the endless variety and enduring appeal of one of fiction’s great genres. Combining a careful selection of the very best from Penguin Classics’ extensive archives, including John le Carre, Josephine Tey, and Chester Himes, with exciting forgotten treasures which are well overdue a rediscovery, such as Edogawa Rampo and Davis Grubb, the first tranche of ten titles takes us from a sunshine soaked, yet bullet ridden California to a macabre Tokyo flat, through English country estates to the streets of Harlem. Transporting the reader through time and space, these novels can be outrageously entertaining but also chilling, filled with the darkest politics, vices, and betrayals.

The series, which will be released in ten-book tranches and continue to grow, is carefully curated by author and Penguin Press publishing director Simon Winder,  A long-time editor at Penguin and reader of crime, the revival of Penguin Crime and Espionage has seen Simon dig deep into the archives, reading hundreds of books to determine which of our existing titles should make the list, and which titles, previously not published by Penguin, should have been included years ago:

“Penguin Modern Classics is one of the great publishers of crime and suspense fiction.  I thought it would be enjoyable to pick out some highlights, add some new titles and revive the wonderful green livery Penguin used to use for all its crime fiction. 

These books are united by atmosphere, anxiety, a strong sense of time and place, and an often appalling ingenuity, both on behalf of the authors and their characters.  They have also all aged very well, gaining an additional pleasure from shifts in manners, clothes, wisecracks, politics, murder weapons and potential alibis.

The novels were designed to be entertainments, albeit sometimes of a very dark kind, and they all plumb extremes.  Fear of fascism or communism; fear of the anonymous city or of a fetid swamp; fear of vast global conspiracies or of just one rather odd family member with a glint in his eye….”

For lifelong crime lovers, who will no doubt be as excited as we are for the return of the bottle-green jackets as well as the previously unpublished titles, to new readers unsure where to start with the formidable back catalogues of Georges Simenon, Eric Ambler, or Len Deighton, the Penguin Crime and Espionage series is a collection of gems showcasing the best of the Golden Age of Crime.



Thursday, 26 May 2022

Kathy Wang on Imposter Syndrome

 

The concept for Impostor Syndrome is simple. It asks: what if one of the world's most powerful female technology executives was in fact a foreign spy?

The spy in my novel is a woman named Julia Lerner. Julia’s the COO of Tangerine, a social media and internet giant. When she was placed in the US, Julia’s handlers thought she’d just have a sort of middle class life in the Bay Area. So her ascension to her current level is really a result of her own work and skill.

What the book explores then, is what happens when Julia’s asked to put her job and position in danger, in order to fulfil the requests from the motherland. As by this time, Julia has made for herself an incredible life in the United States: lots of money, an important job where she’s fawned over, a very handsome new husband. Does she put that all at risk and obey orders? Or try and wrest back some control from her handlers?

At the same time, there is a lower level employee at Tangerine, Alice Lu, who one day comes across some unusual activity with the servers. Alice starts to try and figure out who might be stealing data from the company, and that starts a cat and mouse chase between the two women.

This book explores ideas around motherhood, career, money, internet privacy, and espionage - all topics I am interested in. However it is also a love letter to democracy. My parents were immigrants from Taiwan, and they always reminded me that regardless of the many flaws of the US, it was one of the greatest countries on earth. And I wanted to explore that in the novel, the idea that yes, we have these agencies like the CIA and the FBI but that in fact one of our most powerful tools for our national security is that we have democratic processes, we have freedom of speech, we have people from all over the world who come and live here. Alice is herself an immigrant from China, a country that in real life is having escalating tensions with the United States - but in this case, she is the one actually chasing Julia, who is the Russian agent. And Julia herself is conflicted, because deep down she really likes her life in California. She likes her beautiful house. She likes her husband. She likes living as an American as it were, with all its freedoms.

Kathy Wang is the author of Impostor Syndrome (VERVE Books) Out Now

Julia Lerner is one of the most powerful people in Silicon Valley and an icon to professional women across the country. She is the COO of Tangerine, one of America's biggest technology companies. She is also a Russian spy. Julia has been carefully groomed to reach the upper echelons of the company and use Tangerine's software to covertly funnel information back to Russia's largest intelligence agency. Alice Lu works as a low-level analyst within Tangerine, having never quite managed to climb the corporate ladder. One afternoon, when performing a server check, Alice discovers some unusual activity and is burdened with two powerful but distressing suspicions: Tangerine's privacy settings aren't as rigorous as the company claims they are and the person abusing this loophole might be Julia Lerner herself. Now, she must decide what to do with this information - before Julia finds out she has it.

More information about Kathy Wang and her work can be found on her website. You can also follow her on Twitter @bykathywang. 



Thursday, 14 January 2021

Time is Slippery by Tim Glister

 

The funny thing about decades is that they don’t really start when they say they do. I don’t mean this in the ‘actually the millennium was technically 2001’ sort of way. I mean that era-defining cultural and social shifts don’t happen suddenly whenever there’s a zero or a one at the end of a year.

 Everyone who lived through the 2010's will probably agree that they weren't exactly fantastic. But we’d probably also say that things didn’t really start to bite until 2013. And now, given how 2020 went, it’s pretty easy to imagine that we’ll still be dealing with the fall out of it beyond 2021.

The sixties were the same. When we collectively think back to them, we imagine they were swinging, economically resurgent, and increasingly liberal. And they were. But not in 1961. At least, not quite.

1961, like the start of every decade, was a transitional time. It had one foot stretching boldly out into the future and its other one still rooted firmly in the past. This was true across Europe, but particularly in the UK, and especially London, which is so iconically connected to the time.

Conservative Prime Minister Harold Macmillan had famously - and somewhat optimistically - said that Britons ‘have never had it so good’ in 1957. But even though the economy was on the up, the nation’s post-war recovery was taking a long time to trickle all the way down to every resident of the country, and its capital.

The city’s skyline was starting to change as new towers grew out of the gaps left by the Second World War. But not as many as you might think, and not as quickly either. Mid-century icons like the Southbank were in their infancy, with just the Royal Festival Hall left standing after the Festival of Britain. It would be another two years before the Centre Point office block started to be built on top of Tottenham Court Road Tube station. And another four before work began on the Barbican Estate in the vast Blitz crater that had destroyed almost the whole of the old Cripplegate area in the heart of the city.

Old barges still slowly made their way up and down the Thames. Men still pushed carts laden with fruit and veg through Soho. And, while miniskirts were getting shorter and flares were getting wider, you were more likely to see businessmen strolling around Bank in top hats and tails, Teddy Boys lingering on the corners that hadn’t yet been colonised by teenagers and hippies, and old war veterans in demob suits shuffling down Carnaby Street.

Yet, profound social and cultural change was on the horizon. Test tunnels for the Victoria Line had been completed, the Post Office Tower was beginning to rise above Fitzrovia, and in September police arrested 1,300 protestors in Trafalgar Square after a rally for the Campaign for Nuclear Disarmament.

Time is fluid. It slips over, round and past itself in interesting ways. Things don’t change at the same rate or in nice fixed blocks, no matter how we choose to measure them or cut them up into generalised, easy to digest chunks. There’s always a little bit of yesterday and tomorrow mixed in with today - whenever today happens to be.

This makes period writing really interesting for authors, because you can infuse your writing with unexpected details that don’t just help build your narrative world but also inform and surprise your readers.

And for espionage writers, it gives you fantastic real-world and literary source material to play with. 1961 was the year George Smiley was born in Call For The Dead, and the year SPECTRE stole two atomic bombs that James Bond had to get back in Thunderball. It also saw the Bay of Pigs crisis, the construction of the Berlin Wall, and the start of the Apollo space programme. The Cold War was spilling over from the 1950s, and morphing into something new.

But, writing about the past also comes with its own challenges. For one thing, it’s incredibly precious to the people who lived through it and remember it, so you must respect it while also moulding it around the story you want to tell. You have to make sure your research is as accurate as possible, create a world that feels authentic, and keep tight control on your artistic license. Because the absolute last thing you want is to have your characters driving cars that shouldn’t be on the road yet, or riding tube lines that haven’t been dug out of the ground yet…


RED CORONA by Tim Glister is out on 14 January from Point Blank, hardback £14.99

It's 1961 and the white heat of the Space Race is making the Cold War even colder.  Richard Knox is a secret agent in big trouble. He's been hung out to dry by a traitor in MI5, and the only way to clear his name could destroy him. Meanwhile in a secret Russian city, brilliant  scientist Irina Valera makes a discovery that will change the world, and hand the KGB unimaginable power.  Desperate for a way back into MI5, Knox finds an unlikely ally in Abey Bennett, a CIA recruit who's determined to prove herself whatever the cost...  As the age of global surveillance dawns, three powers will battle for dominance, and three people will fight to survive...

 


Thursday, 17 September 2020

Espionage and the Real-Life City of Spies by Mara Timon

When I tell people that my debut novel is set in Lisbon during WW2, most people give me a confused look. ‘Why Lisbon?’ they ask. ‘Wasn’t Portugal neutral during the war?’

It was. Well, kind of. 

Officially, Portugal was neutral, with a dictator as opposed to democracy as he was to communism. Dr António de Oliveira Salazar’s policies were conservative, nationalist, and Catholic and while he distanced himself from German fascism/Nazism, he did consider Germany the last bastion against communism, so maintaining any semblance of neutrality was a balancing act that was perhaps necessary for its survival: lean too close to the Allies, and Germany would give Spain the green light to invade. Lean too close to Germany and Portugal could kiss some, if not all of their colonies goodbye (all of which eventually gained their freedom, but that’s a different discussion). 

Wartime Lisbon became a real-life city of spies. It was a magnet for exiled European aristocrats, businessmen hoping to capitalise off the war (from relative safety), desperate refugees fleeing the Nazis (some with help from Portuguese diplomats like Aristides de Sousa Mendes and Carlos Sampaio Garrido), artists, smugglers, diplomats, and of course spies.

The German and British embassies were more-or-less across the street from each other at the time and several real-life spies operated out of Lisbon, or visited the city to meet their handlers. The most famous of which was the charismatic triple agent, DuÅ¡ko Popov, whose lifestyle (and actions) some say was the inspiration for Ian Fleming’s 007. It shouldn’t surprise, then, that Popov’s codename was Tricycle – officially because he was running a trio of double agents, although some claim that it was because he always had a beautiful woman trailing on either side of him. 

He had charm and glamour, as well as a keen eye for intelligence. He was, in fact, a lot more glamourous than the Spaniard, Juan Pujol García, (codename Garbo) who, despite his degree in chicken farming, hated chickens. Garbo was recruited as a double agent in Lisbon to pass on misinformation to the Germans (although operated mostly from the United Kingdom). 

I imagine that someone living in Lisbon during the time could go to the cinema and watch the German newsreels one day, and the next see the British one depict the same event with a different outcome. It must have been a field day for the intelligence communities.

Likewise, there really was a “secret” passageway between Lisbon’s main train station and the Hotel Avenida next door. Imagine how easy this made the process of sneaking into the city for a dodgy meeting, and exiting the country before anyone knew they were in the country!

And let’s pause and talk about the oldest profession. Let’s follow the “what-ifs”. What if, when sailors dock in port they visit a house of ill repute? Maybe after months at sea, and a battle or three, they get far too comfortable in the presence of a local woman.

What if that local woman is passing on any useful information to the Germans. And what if they in turn, pass on news of a potential target to the Luftwaffe base in the South of France? See where I’m going? And what if this wasn’t fiction? 

Sure, it was espionage on Portuguese soil, and Salazar’s surveillance and state defence police, the Polícia de Vigilância e de Defesa do Estado (PVDE), officially maintained a neutral stance towards foreign espionage – as long as it didn’t intervene in Portugal’s internal policies… In June 1943 when the Criminal Code was finally amended to criminalise espionage of foreigners against 3rd parties in Portugal, although in fact, the practice lasted long past ’43.

With all this going on, how could Lisbon not emerge as its own character? 

In City of Spies, my debut thriller, Special Operations Executive agent Elisabeth de Mornay (codename Cécile) had to identify and break a German espionage ring targeting Allied ships before more British servicemen die. Under the guise of Solange Verin, a Frenchwoman of independent means, she gathers intelligence from friend and foe, forging links with the very people who she’s been fighting. The closer she comes to discovering the truth, the greater the risk grows. But in a city where no one is who they claim to be, who can she trust?

City of Spies will be published by Zaffre in September 2020.
LISBON, 1943: When her cover is blown, SOE agent Elisabeth de Mornay flees Paris. Pursued by the Gestapo, she makes her way to neutral Lisbon, where Europe's elite rub shoulders with diplomats, businessmen, smugglers, and spies. There she receives new orders - and a new identity. Posing as wealthy French widow Solange Verin, Elisabeth must infiltrate a German espionage ring targeting Allied ships, before more British servicemen are killed. The closer Elisabeth comes to discovering the truth, the greater the risk grows. With a German officer watching her every step, it will take all of Elisabeth's resourcefulness and determination to complete her mission. But in a city where no one is who they claim to be, who can she trust. 

Information about Mara Timon can be found on her website.
You can also follow her on Twitter @maratimon.

Wednesday, 27 March 2019

Maria Butina: How to be a Woman and a Spy

Male and female spies are presented very differently. Male spies are represented as active investigators, professionals collating information in files, and handing coded secrets to each other. Male spies are intelligence agents.

Female spies are represented as domestic. They talk to people, gathering gossip and innuendo, and focus on making themselves attractive to men. Female spies are informers, maybe unaware of the importance of what information they pass on.

While writing my novel, The Wolves of Leninsky Prospekt, I was very conscious of the ways these gender lines are drawn within espionage. Set in 1973, it is the story of a young British embassy wife, Martha, who moves to Moscow with her new husband, Kit. Struggling to make sense of this restricted world, Martha is relieved to meet Eva, an ex-British citizen who has renounced her nationality to live in Soviet Russia. While Kit must disguise his homosexuality to be able to work in the masculine world of intelligence, Martha accesses a more marginal world - the world of women.

The old distinction between male spies as active and female spies as passive has long been challenged in literature, yet it still runs through the way real world spies are represented, just as strongly as when it was applied to Mata Hari or Kim Philby. Mata Hari is presented as making use of her body and men’s weaknesses to collect information, while Philby actively sought out intelligence which would undermine the British State to benefit the USSR. But is this an accurate explanation of a gender difference in spying, or it is lazy gender stereotyping? And could it explain the headline of an article about Butina in the New Republic (11/2/19), ‘The Spy Who Wasn’t’?

Maria Butina, in the vast majority of images found online (when not alone), is presented in the company of a man or men: Paul Erickson, Alexandr Torshin, Governor Bobby Jindal, Governor Scott Walker and former Senator Rick Santorum. There are photos of her with David Keene, President of the NRA 2011-13, Jim Porter, President 2013-15, and but not Sandra Froman who was the second female President from 2005-7. Despite Froman’s invitation to Butina to attend the NRA Women's Leadership Luncheon in 2014, there is no visual evidence of them together. The Women’s Leadership Forum has the tagline ‘Armed & Fabulous’, which would seem to suit many of the photos taken of Butina posing with guns, but where are the photos of her with women?

The overwhelming association of Butina with men in positions of power certainly suggests the popular Mata Hari image of female spies, the objectified beauty who exchanges favours for information. This was also seen in the case of the ‘sleeper agent’, Anna Chapman where, again, ‘sleeper’ suggests cosy, passive domesticity. Lacking the bureaucratic authority of the official office, the file and the safe, the actions of these women are seen as hidden and devious. Yet it’s so close to how women are often presented that, for some, it raises the question of femininity - could a woman this beautiful really understand the consequences of her actions? Isn’t this all a terrible error?

Representing female spies as sexually motivated, gossip gathering, and directed by men
undermines the active role of women, and not just in the world of spying. Eroding the agency of women, and disregarding any guilty pleas in the case of Butina, appears to make some men more comfortable. Yet, as my character, Martha, shows, sometimes it’s women who have to make the big decisions when it comes to deciding who is a spy.

Sarah Armstrong is the author of The Wolves of Leninsky Prospekt (Sandstone Press) – out now.
Escaping failure as an undergraduate and a daughter, not to mention bleak 1970s England, Martha marries Kit - who is gay. Having a wife could keep him safe in Moscow in his diplomatic post. As Martha tries to understand her new life and makes the wrong friends, she walks straight into an underground world of counter-espionage. Out of her depth, Martha no longer know who can be trusted.

Thursday, 21 February 2019

Mentioned in Dispatches: Capital Crime & John Connolly



I am delighted to have been asked to assist the team behind the highly anticipated Capital Crime Convention this coming September in London; though I’m not sure what I’ll be doing apart from drinking Gin, and talking about crime and thriller fiction in a bar, and sharing anecdotes about the surreal nature of life.

This Capital Crime event looks exciting. It’s torn from the mind of David Headley, the literary agent, literary judge, renowned bookseller and true bibliophile.

David and his bookstore Goldsboro Books in Cecil Court, London hosts many literary events, including Crime in the Court, and now, with his team have embarked upon London’s first Capital Crime Convention.

This new convention is a true labour of love managed by a team of devotees who find pleasure and insight, within the darkest edge of literature – Crime and Thriller Fiction. So, it is delightful be able to attend the inaugural event, hosted in London.

A selection of extraordinary crime and thriller writers have announced their attendance. I’d book as soon as you can as it is selling out fast.


Due to my fascination with Thriller Fiction, I was delighted to see the espionage subgenre well represented with the appearance of Tom Brady, Dame Stella Rimington, Frank Gardner, Robert Harris and Charles Cumming – among many, many other great authors from across the diverse crime and thriller genre.

For more information about the guest authors attending click HERE

And one of the guests is the elegant and insightful John Connolly, a writer many of us have followed for many years, with his dark and award-winning Charlie Parker detective series, as well as his other remarkable work, such as THIS and THIS and THIS

Many of us were staggered last year by John Connolly’s very different work “He” as well as his last Charlie Parker Novel.

So ahead of John’s appearance at Capital Crime, we were pleased that he is doing his Canned Heat Act, hitting the road again, as his highly anticipated A BOOK OF BONES is about to be unleashed.

John’s previous work THE WOMAN IN THE WOODS is on sale in paperback today throughout the United Kingdom and Ireland, giving you plenty of time to read the 16th Charlie Parker novel before the 17th, A BOOK OF BONES, which is published in the UK and Ireland on April 18.

In the deep woods of Maine, the spring thaw reveals the remains of a woman who carries no identification but a star of David near her body. The physical evidence shows that she gave birth shortly before her death, but searchers find no sign of the child. Charlie Parker’s attorney, Moxie Castin, hires the detective to follow the investigation into this woman’s death, and especially into the fate of her child — but Parker is not the only one looking for whatever this woman left behind.

While it’s not always necessary to have read earlier books in the series to appreciate each Parker novel, A BOOK OF BONES picks up directly where THE WOMAN IN THE WOODS leaves off, so it’s probably best to read this one first.

The US paperback of THE WOMAN IN THE WOODS goes on sale on May 14.

The American and Canadian editions of A BOOK OF BONES will be available across the Atlantic on October 29.

Publicity plans for the US edition are still in development, and will be announced in due course.


Photo Credit :(c) 2016 Ayo Onatade 

A BOOK OF BONES: The UK Tour

The UK tour begins in Ireland on the book’s publication date, April 18th, and then cross the Irish sea to the British Mainland.

The Full Tour Schedule is available by CLICKING HERE

But be sure to check again at the link above, as dates do alter due to the vagaries of time, the concept of reality, climate change, but should be unaffected by Brexit, in case you worry about border crossings.

NEWCASTLE UPON TYNE
Tuesday, April 23rd at 12:30 pm
Waterstones Newcastle
Emerson Chambers, Blackett St
Newcastle upon Tyne NE1 7JF
0191 261 7757

CORBRIDGE
Tuesday, April 23rd at 7:00 pm
Forum Books event at The Chapel
Corbridge
Northumberland NE45 5AW
Tickets £10 (includes a welcome drink on arrival and £5 off the new book)
01434 632931

EDINBURGH
Wednesday, April 24th at 7:00 pm
Edinburgh Bookshop event at South Wing of the Eric Liddell Centre
15 Morningside Rd
Edinburgh EH10 4DP
Tickets £5 (can be redeemed for £5 off the book)
0131 447 1917

ST ANDREWS
Thursday, April 25th at 8:00 pm
Topping & Company Booksellers of St Andrews
7 Greyfriars Garden
St Andrews KY16 9HG
Tickets: £20 includes the latest book; Early bird ticket £6, redeemable against a copy of the latest book
01334 585111

ST BOSWELLS
Friday, April 26th at 7:30pm
The Mainstreet Trading Company
Main Street
St Boswells TD6 0AT
Tickets £10 (includes a glass of wine on arrival)
01835 824087

KENDAL
Saturday, April 27th at 7:00 pm
Kendal Library
Stricklandgate, Kendal
Cumbria LA9 4PY
Tickets £5
01539 713520

LIVERPOOL
Sunday, April 28th at 12:00 pm
Waterstones Liverpool
12 College Ln
Liverpool, L1 3DL
Free
0151 709 9820

CHESTER
Sunday, April 28th at 3:00 pm
Waterstones Chester
14 Eastgate St
Chester CH1 1LF
Free
01244 345066

CARDIFF
Monday, April 29th at 1:00 pm
Waterstones
2A The Hayes
Cardiff CF10 1WB
Free
029 2066 5606

SWANSEA
Monday, April 29th at 6:30 pm
Waterstones
The Old Carton Cinema
17 Oxford St
 Swansea SA1 3AG
Tickets £3, redeemable against the book
01792 463567

BASINGSTOKE
Tuesday, April 30th at 12:30 pm
Waterstones—Wesley Walk
35 Wesley Walk
Basingstoke, RG21 7BE
Free
01256 460646

BRIGHTON
Tuesday, April 30th at 7:30 pm
Waterstones Brighton
71-74 North Street
Brighton
East Sussex BN1 1ZA
Tickets £4, includes a glass of wine on arrival
01273 206017

SOUTHAMPTON
Wednesday, May 1st at 12:30 pm
Waterstones Southampton—West Quay
West Quay Shopping Centre
Western Esplanade
Southampton, SO15 1QE
Free
023 8023 2118

NEWPORT
Wednesday, May 1st at 7:00 pm
Waterstones Newport—Isle of Wight
118 High St
Newport PO30 1TP
Tickets £3, redeemable against the book when bought at the event
01633 223977

YEOVIL
Thursday, May 2nd at 1:00 pm
Yeovil Library
King George Street
Yeovil BA20 1PY
Tickets £3 available from Waterstones or Yeovil Library
01935 479832

BATH
Thursday, May 2nd at 8:00 pm
Topping & Company Booksellers of Bath
The Paragon
Bath BA1 5LS
Tickets: £20 includes the latest book; Standard ticket £7 (fully redeemable against a copy of the featured book).
01225 428111

TAUNTON
Friday, May 3rd at 6:30pm
Brendon Books
Old Brewery Buildings, Bath Place
Taunton
Somerset TA1 4ER
Tickets £5
01823 337742

EXETER
Saturday, May 4th at 7:00 p.m.
Waterstones Exeter
Roman Gate, 252 High Street
Exeter EX4 3PZ
Tickets £4
01392 423044

OXFORD
Sunday, May 5th at 3:00 p.m.
Blackwell’s Bookshop—Oxford Westgate
Westgate Shopping Centre, Queen St
Oxford OX1 1PE
Free
01865 980380

WOODBRIDGE
Tuesday, May 7th at 1:00 p.m.
Browsers Bookshop event at Woodbridge Library
New Street
Woodbridge IP12 1DT
Tickets £18 includes a copy of the book, and one additional ticket without the book can be purchased for £10
01394 388890

John and Charlie are waiting on confirmation of three additional events in England, which we hope to announce shortly.

More information about John Connolly’s work is available HERE

More Information about Capital Crime is available HERE