Job: Author
Website: https://ruthware.com
Facebook: @Ruthwarewriter
Instagram: @Ruthwarewriter
Introduction
Ruth Ware has written 10 psychological thrillers and is an award nominated author. Her novel One by One was shortlisted for the Ian Fleming Steel Dagger in 2020. Her novel The Woman in Cabin 10 is to become a Netflix film later on this year. Her novels in A Dark Dark Wood and The Lying Game are in development and her writing style being compared to that of Agatha Christie. Her most recent novel is The Woman in Suite 11
Current book?
I never like talking about the book I’m working on, but I will say it has some very strong gothic elements!
Has any gothic book spooked you and if so which one and why?
The book that I remain most haunted by is probably The Yellow Wallpaper, which I think qualifies as Gothic with a twist, in that the madwoman in the attic is the protagonist of the story, and we see her unravelling in front of us. It’s short (it’s really a longish short story) but truly terrifying.
But I also find myself thinking very often about Wide Sargasso Sea, Jean Rhys’s extraordinary prequel to / rebuttal of Jane Eyre. You need a huge amount of chutzpah to reimagine a book like Jane Eyre, but Rhys does it with huge anger and confidence, and the result is mesmerising. It is haunting in a very different way to The Yellow Wallpaper but in some ways equally chilling, not least because you read it knowing where poor Antoinette will end up.
Which two gothic writers would you invite to dinner and why?
Bram Stoker and Daphne du Maurier. Daphne du Maurier because she’s one of my favourite novelists and I would love to have heard her speak in person. Bram Stoker because I adore Dracula but he also sounds like a very interesting person. He was a theatre agent for most of his life and met a huge number of the great and good of his day.
How do you relax?
I wish I had a fancy hobby to put here, but the truth is I read, watch TV, walk and cook. If I am feeling particularly stressed for some reason, my greatest treat is a spa massage. There’s something about being cared for and pummelled that helps my brain switch off!
Which gothic book do you wish you had written and why?
My Cousin Rachel. I think it’s a masterpiece.
If you were to write a gothic book where would you set it and why?
I have actually written a couple so I guess, I have to answer about those! The Death of Mrs Westaway is set in a Mandalay-ish crumbling country house in Cornwall, and The Turn of the Key (which, as you can probably guess, is a riff on Henry James) is set in a smart house in Scotland with an eerie poison garden. I love an evocative setting – one that’s just as much a character as the people in the book.
How would you describe your latest published book?
It’s a follow up / companion volume to The Woman in Cabin 10 and has some very Gothic themes – sinister, controlling husbands, terrified women, and a fight to be believed. It was great fun to write!
With Detecting the Gothic: tales from the Dark Heart of Crime Fiction the theme at St Hilda's this year, which are you three favourite gothic authors or books?
Probably… Rebecca, My Cousin Rachel and Dracula. If I can count Daphne du Maurier as one, then I’d add in The Secret History which stretches the definition a little, but probably counts as modern Gothic.
Which 3 gothic films would you rewatch and why?
Probably… Rebecca, the Laurence Olivier version, even though it completely changes the key revelation of the book, and makes it much less daring than the novel. It’s so stylishly filmed, you forgive the transgressions. Gaslight, for obvious reasons – I actually drew on that film for The Turn of the Key and it’s so cleverly done. And I’ve actually never seen it, but I’ve always wanted to watch Rosemary’s Baby. I’ve read the book, but never seen the film. I was on the fence about whether to count that as Gothic, since it’s more usually categorised as horror, but the novel has some strong Gothic elements so I think it qualifies.
What are you looking forward to at St Hilda's?
Well obviously the other speakers – it’s a stunning line up and the talks sound fascinating. But I am particularly looking forward to the play which I apparently get to act in. I love a murder mystery!
The Woman in Suite 11 by Ruth Ware (Simon and Schuster)
Lo Blacklock returns to attend the opening of a luxury hotel, only to find herself in a white-knuckled race across Europe. When the invitation to attend the press opening of a luxury Swiss hotel – owned by reclusive billionaire Marcus Leidmann – arrives, it’s like the answer to a prayer. Three years after the birth of her youngest child, Lo Blacklock is ready to re-establish her journalism career, but post-pandemic travel journalism is a very different landscape from the one she left ten years ago. The chateau on the shores of Lake Geneva is everything Lo’s ever dreamed of, and she hopes she can snag an interview with Marcus. Unfortunately, he proves to be even more difficult to pin down than his reputation suggests. When Lo gets a late-night call asking her to come to Marcus’s hotel room, she agrees despite her own misgivings. She’s greeted, however, by a woman claiming to be Marcus’s mistress, and in life-or-death jeopardy. What follows is a thrilling cat-and-mouse pursuit across Europe, forcing Lo to ask herself just how much she’s willing to sacrifice to save this woman…and if she can even trust her?
Information on how to buy online tickets can be found here. The programme can be found here.
No comments:
Post a Comment