Showing posts with label Lucy Atkins. Show all posts
Showing posts with label Lucy Atkins. Show all posts

Wednesday, 11 August 2021

In The Spotlight:- Lucy Atkins


Name: Lucy Atkins

Job:- Author and journalist

Twitter:- @lucyatkins

Website:- https://www.lucyatkins.com

Introduction:

Lucy Atkins is the author of four novels. The most recent one being Magpie Lane. Her third book The Night Visitor has been optioned for television. She also teaches on the Creative Writing Masters degree at the University of Oxford.

Current book? 

I’m currently reading an early proof of Little Wing by my friend Freya North - one of the joys of writer friendships is getting to read novels long before they hit the shelves and being able to support each other in the journey from proof to publication. 

Favourite book? 

This is just about my least favourite question ever as I find it so hard to pin a single book down. I always go back to Jane Eyre which is the book above all others that makes my spine tingle. It’s powerful, and complex and also unsettling – but ultimately heart-warming.

Which two characters would you invite to dinner and why? 

I would invite Maggie and Tom Tulliver from George Eliot’s Mill on the Floss, as I find them both so appealing and interesting as individuals, but they also really need someone to take them in hand, and help them to iron things out. They are a bit lost, too, and the motherly side of me wants to give them both a good meal and a hug and tell them it’ll all be okay (which is won’t clearly – if you’ve read Mill on the Floss you’ll know why…). 

How do you relax? 

I’ve been doing regular yoga for 11 years, and I walk my dog in the countryside. I also watch an embarrassing number of TV dramas – though in my defence, I’m always trying to find the really brilliant ones, like Succession or Mare of Easttown. 

What book do you wish you had written and why? 

I would have quite liked to have written Notes on a Scandal as so many people have likened Vivian, from my third novel, The Night Visitor, to Barbara Covett. Zoe Heller did something really clever and memorable in that book, and I do wish I’d got there first. 

What would you say to your younger self if you were just starting out as a writer.

I would tell myself to take a very good creative writing course, and not to doubt my gut instincts about writing fiction. I was held back for decades by a combination of massive self-doubt, and a lack of very basic fiction writing skills. For my fortieth birthday I gave myself a creative writing course, and it changed everything. 

Why do you prefer to write standalone novels as opposed to a series and would you consider writing a series?

I wouldn’t consider writing a series. My last two novels took longer to write and these days, I tend to get very deeply immersed in a character’s inner world. By the time that’s done, I feel I’m ready to let that person go, and move onto someone and somewhere new.


Magpie Lane by Lucy Atkins (Quercus Publishing)

When the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers. As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother. But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?



Sunday, 2 May 2021

Oxford: The Capital of Crime Fiction - 28th St Hilda's Crime Fiction Weekend -

 

Sneek Peek at the St Hilda's Crime Fiction Weekend 13 -15 August 2021

The 28th St Hilda's Crime Fiction Weekend will be co-chaired by Alison Joseph and Jake Kerridge

Friday 13th August

7:00pm 

Welcome Triona Adams (Weekend Director), Chair- Sarah Hilary

Lucy Atkins: Ghosts of Oxford- revisiting and reworking Oxford and its literary past in Magpie Lane.

8:00pm 

Live Screening Whodunnit: The Case of the Cambridge Corpse with Andrew Taylor

Saturday 14th August 

10:00am to 11:00am - Chair Jake Kerridge

Mick Herron: Oxford Crime: an A-Z

Peter Kemp: Colleges and Corpses: Oxford in Crime Fiction

11:30am to 12:30am - Chair Alison Joseph

Maria Rejt: Remorseless Oxford

Cara Hunter: In The Shadow of Morse: Writing New Crime For The Old City

2:00pm to 3:00pm - Chair Jake Kerridge

Veronica Stallwood: It Depends on What You Mean by “Oxford”

Jean Harker: Michael Innes- Oxford Insider

3:30pm to 4:30pm – Chair Alison Joseph

Val McDermid: Daft, Donnish, Delightful: The Detective Fiction of Edmund Crispin 

Philip Gooden: J C Masterman: King of The Double Cross

5:00pm to 5:45pm - Jake Kerridge

Guillermo Martinez: When Crime Fiction Lives in Crime Fiction

Sunday 15th August

10:00am to 11:00am - Chair Alison Joseph

Jane Casey: 'Let's Have One Other Gaudy Night': Lord Peter Wimsey's Oxford

Carolyn Kirby: Nightmared Spires: Funding the Gothic in Oxford Novels

11:30am to 12:30pm 

Emma Smith: Shakespearean Sleuths: The Scholar as Detective/ The Detective as Scholar – With Val McDermid

12:30pm

The Case of the Cambridge Corpse – Whodidit revealed, and prize winner announced.

Farewell until 2022.

More information about registering, buying a ticket and about the whole weekend can be found here.

Sunday, 28 March 2021

The Dreaming Spires at St Hilda's Crime Fiction Weekend

 

Dear Partners in Crime,

Even in these uncertain times, preparations for the 2021 St Hilda's College Crime Fiction Weekend are in full swing.

As yet we can't say if we will be able to meet in person, but whether on-site or online, we have another compelling line-up for you this August. With the theme of Oxford: the capital of Crime Fiction you can expect old favourites, Morse, Wimsey, and Gervase Fen, as well as the new writers on the beat, Lucy Atkins (Magpie Lane), Cara Hunter (DI Fawley series) and more.

Val McDermid and Mick Herron are back by popular demand.Alison Joseph and Jake Kerridge take the Chair, and we can announce a new mystery from Chief Insp. Andrew Taylor and The Case of the Cambridge Corpse.

Expect Gaudy Nights and Moving Toyshops, sinister scholars and dodgy detectives, and low deeds on High Table.

Details here with booking link to be anounced soon. Meanwhile, save the dates, and sharpen your wits.

Best wishes from the Committee: Triona Adams, Jean Harker, Sarah Hilary, Mick Herron, Alison Joseph, Jake Kerridge, and Carolyn Kirby.

Tuesday, 10 March 2020

Bad Mothers at Heffer's Bookshop Cambridge

An evening with Sarah Vaughan & Lucy Atkins

Thursday 23rd April, 6.30pm

You're invited on a journey into the darker side of motherly love . . .

Motherhood in fiction is often portrayed as tender, blissful perfection but, as every mother knows, there are darker sides too - loss, despair, fear, exhaustion, confusion. Join leading suspense authors Sarah Vaughan (Little Disasters) and Lucy Atkins (Magpie Lane) at Heffers as they discuss why they are drawn to the complicated reality of motherhood, and why this intensity and dysfunction is rich material for any writer.

Tickets are £6 in advance.
More information and how to buy tickets can be found here.

Friday, 12 May 2017

‘An inordinate fondness for beetles’….how I got hooked on bugs

I knew I couldn’t avoid it for much longer. She was being very tactful, not asking, not pushing, encouraging me to do whatever I wanted, but I was going to have to break the news to her at some point. And I knew how weird it sounded. How positively - how unmarketably - awful it seemed as a subject matter for a novel.  Eventually I decided that the direct approach was best so I phoned her.  ‘Stef,’ I said. ‘About my new novel. It’s…well…. I’ve become really interested in dung beetles…’

To my editor’s credit, she took it on the chin. Stef is, perhaps, used to my obsessions since my first novel involved killer whales.  The blame for this new beetle mania lies firmly at the feet of my friend Professor Helen Roy, who happens to be a world leading ladybird expert. Helen and I were out for a coffee one day; I was feckless, a bit lost, anxiously kicking around for inspiration for a new novel, and she was talking about her work on an alien, invasive, damaging species of ladybird, the Harlequin. As I listened to Helen, it occurred to me that having a sinister ladybird expert in my next book might be quite fun. But Helen, it turns out, is rather protective of her ladybirds, even the scary, invasive kind. She loves them deeply. The idea of a sinister ladybird expert clearly made her uneasy because she swiftly – almost seamlessly - introduced me to her friend Darren Mann, head of Life Collections at the Oxford University Museum of Natural History. And Darren, it turns out, is a leading authority on the dung beetle.

In the musty back offices of the Museum of Natural History, all dark wood and tall windows, Darren showed me tray after tray of shiny, boiled sweet dung beetles, some as tiny as pin heads, some huge and lacquered and majestic. He explained their vast global diversity, their extraordinary, hidden world, how essential they are to our ecosystem, how vital in fertilizing and clearing British farm land, and how unrecognized they are, how threatened and misunderstood (there between 40 and 50 species of dung beetles in the UK alone and we are currently – madly - wiping them out with cattle wormers). Dung beetles, he explained, are also richly symbolic creatures: the scarab, the ancient Egyptian symbol of rebirth and renewal, is a dung beetle. The ancient Egyptian sun god, Khepri, pushes his dung ball sun up over the horizon and buries it again each night, only to rise again the next morning. As I listened to Darren in those timeless Oxford museum back offices, the smell of camphor in my nostrils, specimens and journals and beetle-pinning equipment all around us, I knew I had my next book.
 
Of course, The Night Visitor isn’t just about dung beetles. It is about two very different women:  a glamorous historian and TV presenter, Olivia, who becomes locked in a confusing battle with her sixty year old research assistant, Vivian, as they try to write a biography of a Victorian murderess. It is about academic obsession, ambition and powerful women; lies, revenge and moral slipperiness.  There is a Victorian Diary, a holiday in the South of France, a Gothic Sussex manor house, a stalker, a lost rescue dog. But the beetle metaphor is there throughout, underpinning this unfolding human drama.

In the end I managed to include some ladybirds (they are beetles after all): Helen explained how the Harlequin ladybird has grown to mimic other ‘harmless’ ladybird species so effectively that even experts like her sometimes have trouble identifying which is which.  You could say the same for many humans...


I don’t really choose my inspiration, it chooses me:  I didn’t mean to obsess about dung beetles but that moment in the Museum offices, looking at the trays of beetles, listening to Darren, the hairs on the back of my neck stood up. Beetles make up a quarter of all the species on earth. When the famous Edwardian scientist J.B.S. Haldane was asked by theologians what the natural world could tell us about its Creator, he replied that God, should he exist, must have an ‘inordinate fondness for beetles’.  Having just spent two years talking to Coleopterists, gazing at these beautiful iridescent creatures and researching their habits and habitats, all I can say is: ‘me too.’

The Night Visitor is published by Quercus on 4th May 2017.

Professor Olivia Sweetman has worked hard to achieve the life she loves, with a high-flying career as a TV presenter and historian, three children and a talented husband. But as she stands before a crowd at the launch of her new bestseller she can barely pretend to smile. Her life has spiraled into deceit and if the truth comes out, she will lose everything.  Only one person knows what Olivia has done. Vivian Tester is the socially awkward sixty-year-old housekeeper of a Sussex manor who found the Victorian diary on which Olivia's book is based. She has now become Olivia's unofficial research assistant. And Vivian has secrets of her own.  As events move between London, Sussex and the idyllic South of France, the relationship between these two women grows more entangled and complex. Then a bizarre act of violence changes everything.

Follow Lucy on Twitter @lucyatkins