Showing posts with label Yomi Adegoke. Show all posts
Showing posts with label Yomi Adegoke. Show all posts

Thursday, 4 April 2024

Capital Crime Announces Fingerprint Award nominations!

 

OVERALL CRIME BOOK OF THE YEAR 2023

THE MURDER GAME by Tom Hindle

NONE OF THIS IS TRUE by Lisa Jewell

THE SECRET HOURS by Mick Herron

IN THE BLINK OF AN EYE by Jo Callaghan

STRANGE SALLY DIAMOND by Liz Nugent


THRILLER BOOK OF THE YEAR 2023

FEARLESS by M W Craven

THE SILENT MAN by David Fennell

THE RULE OF THREE by Sam Ripley

THE ONLY SUSPECT by Louise Candlish

THE HOUSE HUNT by C. M. Ewan


HISTORICAL BOOK OF THE YEAR 2023

DEATH OF A LESSER GOD by Vaseem Khan

THE SQUARE OF SEVENS by Laura Shepherd-Robinson

THE MURDER WHEEL by Tom Mead

THE GOOD LIARS by Anita Frank

THE HOUSE OF WHISPERS by Anna Mazzola

TRUE CRIME BOOK OF THE YEAR 2023

NO ORDINARY DAY by Matt Johnson

MY GIRL by Michelle Hadaway

VITAL ORGANS by Suzie Edge

UNLAWFUL KILLINGS: LIFE, LOVE AND MURDER: TRIALS AT THE OLD BAILEY by Her Honour Wendy Joseph QC

ORDER OUT OF CHAOS by Scott Walker

AUDIO BOOOK OF THE YEAR 2023

THE RUNNING GRAVE by Robert Galbraith (narrated by Robert Glenister)

THE LAST GOODBYE by Tim Weaver (narrated by Joe Coen, Brendan MacDonald, Peter Noble, Dominic Thorburn and Candida Gubbins)

THE BEDROOM WINDOW by K. L. Slater (narrated by Clare Corbett)

CONVICTION by Jack Jordan (narrated by Sophie Roberts)

OVER MY DEAD BODY by Maz Evans (narrated by Maz Evans)

GENRE -BUSTING BOOK OF THE YEAR 2023

INK BLOOD SISTER SCRIBE by Emma Torzs

THE MYSTERIOUS CASE OF THE ALPERTON ANGELS by Janice Hallett

KILLING JERICHO by William Hussey

MURDER IN THE FAMILY by Cara Hunter

THE LOOKING GLASS SOUND by Catriona Ward

DEBUT BOOK OF THE YEAR 2023

DEATH OF A BOOKSELLER by Alice Slater

THE LIST by Yomi Adegoke

GENEVA by Richard Armitage

THE BANDIT QUEENS by Parini Shroff

THIRTY DAYS OF DARKNESS by Jenny Lund Madsen


Voting is now open and you can vote for your favourite book here.

Thursday, 4 January 2024

Alice McIlroy on Writers exploring AI and the threat of technology: why it is too important to leave public conversations to Tech Giants.

With the ongoing debate about AI influence on human life, now, I would argue, is when we need writers and artists to engage with the conversation around AI – through art – more than ever. It is too important a conversation to leave to those with a vested commercial interest in its advancement.

The role of artists and writers has always been to hold a mirror up to society, hasn’t it? To ask difficult questions and open debate, to navigate what it means to be human, to help us see our shared humanity, perhaps even probe issues around responsibility and morality. I believe human creative endeavour enables progress – progress in our humanity, something unchecked technological advancement threatens to endanger.

 Here are three thought-provoking 2023 books exploring moral dilemmas around AI and the threat of technology that are not to be missed:

MORE PERFECT by Temi Oh: In this futuristic novel and epic love story set in a technological age, the protagonist Moremi’s sister believes “technology will only entrench inequality deeper in our society,” unless we address issues of race and gender first. Moremi and her two sisters all respond differently to the adoption of the Pulse (an implant connecting the brain to the Panopticon network). Moremi initially embraces her Pulse, but it ultimately exacerbates her sense of isolation.

THE LIST by Yomi Adegoke: It is a nuanced exploration of online toxicity and the central character Ola's moral dilemma. Ola, who has made her name breaking #MeToo stories, wakes to discover her fiancĂ© has been named online in a list of abusive men. The novel reflects on the difference between our online and offline personas, and the perils of being unable to distinguish real life from our digital selves.  

IN THE BLINK OF AN EYE by Jo Callaghan: In her debut, Callaghan seamlessly blends a police procedural novel with elements of speculative fiction. DCS Kat Frank is sceptical when she is chosen to lead a pilot programme that has her paired with AIDE Lock on a missing persons case (AIDE being an Artificially Intelligent Detective Entity). The book asks the question whether, when the case becomes personal, the combination of Kat’s human instinct and the logic of Lock’s algorithms can prove to be a successful partnership.

All three novels ask pressing questions about the threat of technology. Adegoke’s encourages us to conceptualise a more nuanced manner of engagement in an often polarising digital world, while Oh’s perhaps warns about a technology which purports to connect people, but, in fact, compounds isolation, separation and historic inequality. Both Adegoke and Callaghan’s debuts explore contentious dilemmas in modern society (online toxicity in the former, and AI taking human jobs in the latter) with the distance of fiction enabling greater capacity for debate. Whereas the moral dilemma that Callaghan explores is AI taking over human jobs, my debut The Glass Woman considers AI taking over the human mind, and its impact on perception and identity.

In The Glass Woman, the protagonist Iris, a female neuroscientist, trials a pioneering AI brain implant and must fight to reconstruct her identity. It explores the nature of humanity amid technological advancement and uncertainty. It is a quest for Iris to discover who she is before it is too late. A cautionary tale, it posits AI as a manifestation of human desire for transcending our own limitations, and the peril that invokes. The novel asks: what will be lost if we allow technological progress at all costs?

At a time when the debate around AI has become so polarised, it is perhaps more vital than ever that writers and artists continue to engage with it through stories. The importance of storytellers using age-old methods to conceive possible worlds and outcomes, opening up the debate to everyone – not just the masters of technology – is now more pressing than ever.

What makes human writers unique is our identity – and what we want as readers is, arguably, authenticity – but AI creates an algorithmic echo chamber. What will be lost if we allow AI, and the bias inherent in machine learning, to replace human creativity? Perhaps what is at stake if we don’t engage in these conversations now is our identity – not just as individuals – but as a society, and it is our shared collective humanity which will ultimately suffer as a consequence.

The Glass Woman by Alice McIlroy

Black Mirror meets Before I Go to Sleep by way of Severance.

If you could delete all the hurt and pain from your life... would you? Even if you weren't sure what would be left?

Pioneering scientist Iris Henderson awakes in a hospital bed with no memories. She is told that she is the first test-subject for an experimental therapy, placing a piece of AI technology into her brain. She is also told that she volunteered for it. But without her memories, Iris doesn't know what the therapy is or why she would ever choose it.

Everyone warns her to leave it alone, but Iris doesn't know who to trust. As she scratches beneath the surface of her seemingly happy marriage and successful career, a catastrophic chain of events is set in motion, and secrets will be revealed that have the capacity to destroy her whole life.

 ......

Alice McIlroy’s writing has been longlisted for the Stylist Prize for Feminist Fiction and Grindstone International Novel Prize. Her debut novel, The Glass Woman, was published on 2nd January 2024 by Datura/Angry Robot Books. It can be ordered here.

She can be found on Twitter @alice_mcilroy and Instagram @alicemcilroy_author.

Sunday, 6 August 2023

Capital Crime Individual tickets on sale

INDIVIDUAL EVENT TICKETS ARE NOW AVAILABLE
& WE'RE DELIGHTED TO WELCOME SHARI LAPENA, CLARE MACKINSTOCH, BEN AARONOVITCH & PETER JAMES TO OUR LINEUP!


There's only one place to be from 31st August - 2nd September 2023 and that's the Leonardo Royal St Paul's Hotel, where we will be celebrating the best genre in town.

We believe that every reader and crime fiction fan should be able to celebrate and enjoy a weekend's worth of entertaining and engaging conversations from some of the world's finest creative minds! With only four weeks to go until we're opening our doors, we're swinging them wide open with our individual event tickets that will suit every budget.

Get ready to mingle with crime fictions biggest stars and latest chart toppers as we're honoured to welcome Richard Osman, Lisa Jewell, Joanne Harris, Kate Atkinson, "Happy Valley" creator Sally Wainwright, Dorothy Koomson, Chris Carter, Peter James, Ben Aaronovitch Liz Nugent, Imran Mahmood, Will Dean, Nicola Williams, Richard Armitage, Yomi Adegoke, Mark Billingham, M W Craven, Steve Cavanagh, Adele Parks and many more of your favourite authors to Capital Crime this year! 

For our full line-up and schedule head to our website!

Tickets can be brought here.

Monday, 24 April 2023

Capital Crime Announces Exciting New Central London Venue, After Sell Out Festival in 2022

 

Capital Crime 2023 to be held at the Leonardo Royal Hotel in shadow of St Paul’s Cathedral from 31st August - 2nd September 2023 
Dorothy Koomson & Kate Mosse (Capital Crime Festival 2022

Led by Goldsboro Books’ co-founder and managing director, David Headley, celebrated crime and thriller festival, Capital Crime, has announced it will take place this autumn at the Leonardo Royal Hotel in St Paul’s, providing a fitting backdrop for this year’s stellar line-up. 

Authors confirmed so far include Kate Atkinson, Happy Valley creator Sally Wainwright, Richard Osman, Dorothy Koomson, Chris Carter, Peter James, Liz Nugent, Imran Mahmood, Kat Diamond, Joanne Harris, Nicola Williams, Richard Armitage, Yomi Adegoke, Adele Parks and Lisa Jewell, with the full line-up of over 140 authors and field specialists to be announced later in the year. Standard Weekend and Day Tickets for Capital Crime 2023 are on sale now at www.capitalcrime.org. 

Richard Osman Capital Crime Festival 2022

Headley and his team at Goldsboro Books have helped launch the careers of so many authors since it opened almost 25 years ago, by uniting incredible writing with their loyal, ever-growing community of passionate readers. Committed to connecting readers to the books they’ll love, the capital’s first crime writing festival is a brilliant extension of this vision with an outstanding programme of over 40 entertaining, accessible events that explore all corners of the genre, and the opportunity to meet your literary heroes. The previous festivals have seen a wide range of authors, from household names to exciting debuts paired with actors, broadcasters and experts across the field. The 2022 line-up included Rev. Richard Coles, Kate Mosse, Robert Harris, S.A. Cosby, Bella Mackie, Abir Mukherjee and Paula Hawkins. 

Alongside the festival, Capital Crime will continue to create a year-round home for crime and thriller readers and authors with their book club and awards, and nurture under-represented authors with their social outreach initiative which was established in 2019. In June 2023, the festival will take its first trip out of the city with “Capital Crime goes on Holiday”, which will bring together crime-writing legends including Peter James, Dorothy Koomson, and John Sutherland for a very special series of events at Brighton Friends Meeting House, with book signings run by Goldsboro’s recently opened, Brighton store. 

Capital Crime co-founder and Goldsboro Books managing director David Headley said: 

I’m incredibly proud of everything we are achieving at Capital Crime, we’re unlike any other festival. We’re a year round home for crime and thriller readers and fans. Alongside our weekend festival we run our Fingerprint Awards, where winners are voted for by readers, our Social Outreach initiative, which encourages literacy and aims to demystify the publishing industry, and we’ll also be running an exciting satellite event in Brighton with Goldsboro Books. We were so honoured to be joined by so many wonderful authors at last year’s festival and I can’t wait to reveal everything we have in store for this year!” 

Capital Crime Festival Director, Lizzie Curle, said: 

I am absolutely delighted that we’ll be welcoming authors and field specialists from across the globe to the UK’s capital city once again this year. Our new indoor venue in the shadow of St Paul’s cathedral, complete with rooftop bar and club, will be the perfect place to celebrate the best genre in the world with the authors, readers and fans who make Capital Crime possible.” 

Standard Weekend and Day Tickets for Capital Crime 2023 are on sale now at www.capitalcrime.org 


Bella Mackie, Ragnar Jonasson & Amanda Redman at Fingerprint Awards, Leonardo Hotel