100th Anniversary of Agatha Christie’s The Murder of Roger Ackroyd

The Folio Society presents newly illustrated edition of Agatha Christie’s The Murder or Roger Ackroyd to celebrate the novel’s 100th anniversary

The Murder of Roger Ackroyd By Agatha Christie

Illustrated by Owen Gent

Secrets, scandal and one of the most iconic twists in crime fiction. Illustrated by Owen Gent, this 100th anniversary edition of Agatha Christie’s classic invites you to enjoy, and then question, every clue alongside Hercule Poirot.

To celebrate the novel's 100th anniversary, The Folio Society presents a newly illustrated edition of The Murder of Roger Ackroyd, in their standalone series style, The Murder of Roger Ackroyd was published in June 1926, six months before Agatha Christie famously vanished for eleven days.

When Roger Ackroyd is discovered stabbed in his study, the sleepy village of King's Abbot finds itself at the heart of a scandal - one involving blackmail, a suspicious suicide, and a secret worth killing for. Fortunately, Hercule Poirot resides nearby in semi-retirement, devoting himself to marrows and mysteries with equal flair.

The Murder of Roger Ackroyd is Christie at her very best - a tightly plotted tale of secrets and suspicion, in which every character has something to hide and nothing is quite as it seems. With Monsieur Poirot on the case, the truth cannot remain hidden for long.

Proclaimed by the Crime Writers' Association as 'the finest example of the genre ever penned', The Murder of Roger Ackroyd is consistently voted among Agatha Christie's best novels. It is, famously, the Poirot novel that demands to be read twice: the curious reader cannot resist re-examining what they thought they knew. A tightly plotted tale of secrets and suspicion, in which every character has something to hide and nothing is quite as it seems.

The Murder of Roger Ackroyd by Agatha Christie

Folio Society

£55.00

5^th May 2026

 

Available exclusively at www.foliosociety.com

Forthcoming books from Harper Collins

 January 2026

A special new edition of Agatha Christie's Endless Night. Gipsy’s Acre was a truly beautiful upland site with views out to sea – and in Michael Rogers it stirred a child-like fantasy. There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning…’

The Final Score is by Don Winslow. In six all-new short novels written with the trademark literary style, trenchant wit, and incisive characterization that have made Don Winslow “America’s greatest living crime writer” (Providence Journal), this repeat New York Times bestselling author serves up a collection of tales sure to delight Winslow’s most devoted fans and first-time readers. The multi-million-dollar casino heist is impossible—it can’t be done. That’s what makes it irresistible to a legendary robber facing the rest of his life in prison for his “Final Score.” An ambitious, hard-working college-bound teenager has a side job delivering illegal booze to “The Sunday List” until a crooked cop, a seductive customer, and a fake guru threaten to end his dreams. Two wise guys tell each other a “True Story” over breakfast at a diner. It’s all bullshit and laughs until someone else has to pick up the check. An otherwise honest patrolman has to make an excruciating choice between his loyalty to the job and his love for a ne’er-do-well cousin in “The North Wing.” The entitled, substance-addicted movie star that surfer/PI Boone Daniels and his crew are hired to babysit in “The Lunch Break” is a problem. She also has a problem—someone wants her dead. Finally, the one terrible, momentary mistake that a devoted family man makes sends him to prison and on a “Collision” course between the man he wants to be and the killer he’s forced to become to survive.

February 2026

Mrs Sidhu's Just Desserts is by Suk Pannu. It's the most glamorous event of the year. When Mrs Sidhu is hired as the caterer for the opening of Berkshire’s swankiest new art gallery, she can't believe her luck. It's the biggest pay cheque of her career, a glitzy evening, and a chance to take her cooking to the next level in front of the local crème de la crème. But there's trouble on the menu. Then the gallery's star painting is stolen. And worse than that, Mrs Sidhu's best and sweetest waitress – with her whole life ahead of her – is found dead. Mrs Sidhu wants answers. As she casts her eye over Berkshire's art scene – the murderously competitive collectors, critics and creatives – she uncovers a dastardly knot of greed and deception, obsession and revenge. Can she crack the strangest case of her career and unmask the murderer, so they can meet their just desserts?

Sociopath's Guide to a Successful Marriage. There’s a dead body in my living room. I’ve not called the police because it was I who stabbed him. Seven times in all. The truth is, it’s surprisingly difficult to dispatch someone with a vegetable knife. In case you’re wondering, the dead man is not my husband. I do resent our pitiful sex life and his woeful lack of ambition, but I wouldn’t murder him for it. Not yet, anyway. Right now, I have far more pressing concerns: scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse. A woman’s work is never done. I’ve created the perfect life – and I’ll kill to keep it.

A priest’s death leads to sinister goings on in an old country pub… To understand the strange goings on at The Pale Horse Inn, Mark Easterbrook knew he had to begin at the beginning. But where exactly was the beginning? Was it the savage blow to the back of Father Gorman’s head? Or was it when the priest’s assailant searched him so roughly he tore the clergyman’s cassock? Or could it have been the priest’s visit, just minutes before, to a woman on her death bed? Or was there a deeper significance to the violent squabble which Mark Easterbrook had himself witnessed earlier? Wherever the beginning lies, Mark and his sidekick, Ginger Corrigan, may soon have cause to wish they’d never found it… The Pale Horse is by Agatha Christie and is a new edition of the classic novel.

How to Kill a Crime Writer is by Sarah Lotz. She wrote for a living.But who wanted her dead? When bestselling author Annie Morrissey is found dead, her daughter Niamh knows in her gut it’s no accident – even if the case needs a good edit. The village is strangely uneventful. The suspects are suspiciously normal. The leads quickly turn into dead ends… But when Annie’s final manuscript lands on the doormat, the pages humming with mystery and suspense, the lines between fiction and reality begin to blur.This can’t be a coincidence. Because if Niamh learnt anything from her mother’s crime fiction, it’s that there’s no such thing. And that village secrets never stay buried for long…

An atmospheric crime mystery featuring DI Georgina Lennox and DI Richard Stewart, set in the Scottish highlands. Deep in the Scottish Highlands, the body of a young woman is found on the cursed road, a narrow track with a bloody history. It initially looks like an accident, but a name scratched on the dead woman’s arm links to an unsolved case from years ago. Glaswegian detectives Georgina Lennox and Richard Stewart are sent north to investigate, and they discover a community riven by a centuries’ old blood feud and modern rivalries. As George and Richie attempt to get to the truth behind the dark rumours, a killer is waiting, determined that some secrets are never uncovered. The Cursed Road is by Laura McCluskey.

Deception Island is by R S Burnett. When a rescue team arrives at Deception Island to evacuate scientists from an erupting volcano, they discover everyone has vanished without a trace. Cut off from the outside world and trapped on an island with deadly secrets, Abbie must uncover the truth before the volcano – or something far more sinister – claims her life. Deception Island, a sunken volcano, is about to blow – and the scientists studying it need evacuating. It’s a race against time, and nature. But when they land on the island they find it completely deserted. As they search for signs of life other strange things start to happen: the radio is cut-off and then their boat disappears…Deception Island holds many secrets, but Abbie is worried about just one question: Will she make it off it alive?

You want answers. The house won't give them up. An unexplained death. In stormy West Cornwall, a woman lies dead at the bottom of a waterfall. A year later, her children are possessed by strange visions. A house full of secrets. Forensic psychologist Karenza Bray arrives to work with the children. She discovers a grand ancestral home, full of details that don’t quite make sense. The children sleepwalk into the sea, and claim to speak with dark spectres. An centuries-old mirror shows them impossible things. A family with everything to hide. Someone knows the truth about what happened to Natalie Tyack. Her husband. The housekeeper. The neighbours. But the more Karenza tries to help, the deeper she steps into a mystery, into a haunting. This house has a history that has not been put to rest. Will any of them escape sane, and unscathed? The Wrecker's Girl is by SK Tremayne.

Make You Mine is by Claire Kendall. You can run. You can hide. But you belong to me. It was the case of the decade. A 15-year-old girl on her way to school, vanished without a trace. The world feared the worst – but then, after months, she was discovered in a church crypt, lying alive beside the dead body of her kidnapper. Now, 26 years later, Esmeralda Avelar has worked hard to leave her traumatic past behind. She has forged a new identity, and a new career as a police detective. But the past refuses to stay buried. Because notorious serial killer Jason Thorne has escaped from his secure psychiatric hospital, and he has a new obsession… to find Esmeralda, the girl who got away, and make her his.

March 2026

Essex Wives is by Kimberley Chambers. Don’t get mad, get even… 1999, Essex. Sharon, Jolene, and Evie have one thing in common – they’ve all been burned by one of the Bond boys. Sharon’s seeking retribution after her husband’s affair. Jolene yearns to get her own back on the man that destroyed her life. And Evie is fighting to protect her family from the bad boy her daughter married. Hell hath no fury like a woman scorned … As the turn of the millennium rounds the corner, this is one year that will go out with a bang. The Essex wives are back, and they’re out for revenge.

A woman convinced of her partner's infidelity discovers that the situation is even more murky when he turns up dead. He has a secret. She knows he’s lying… You think you know the people you love. Nadeeka is certain Jamie is having an affair. She knows the tell-tale signs. She’s been here before. You think you know who you can trust. When Jamie claims to be at work late, she knows he’s lying. He’s with another woman, and she’s determined to catch him in the act. You think you know how the story ends. But when Nadeeka arrives home to confront him, Jamie can't explain himself. The house has become a crime scene… Jamie is dead. It's Not What You Think is by Clare Mackintosh.

A Burnt Moor is by Nina Bhadreshwar. A brutal murder. The charred remains of a man are discovered, showing signs of torture. The body was abandoned on the wild moors of the peak district, but he wasn’t killed there. A life gone up in flames. An arson fire in Sheffield reveals the site of another murder, this time of a young woman, and DI Diana Walker finds herself investigating two murders. A dark truth. When the victim’s identities are revealed, Diana begins to dig into Sheffield’s criminal underworld where she uncovers webs of corruption at the city’s heart.

April 2026

Who Can You Trust is by Susan Lewis. A terrible crime. A shocking confession. Do you believe her? Twenty years ago, Nicole’s twins disappeared without a trace. No bodies. No witnesses. Despite her pleas of innocence, Nicole was convicted. Now she’s out. And she’s finally confessed. But for true crime podcast host Cristy Ward, the story doesn’t add up. Having worked on the case as a young reporter, Cristy can’t help but wonder whether Nicole is the villain everyone believes her to be. Why did Nicole confess after so many years … and is the truth still out there, waiting…?

A beautiful summer day. When young nurse Claire Davidson goes missing on the riverbank, the only clues left behind are her phone and shoes. A mystery that sweeps the nation. People disappear all the time, but this case sparks an online frenzy. Amateur investigators descend on the rural idyll. Is Claire Davidson just the story of a swim that went wrong, or could there be truth to the conspiracies? A killer growing bolder. Then another woman is discovered dead in the river. Jake Jackson, a former detective who came to the countryside searching for peace, must investigate before more lives are lost. A Twist in the River is by Stig Abell.

Turn The Dial for Death is by Jeremy Vine. An impossible death. A seaside town on the brink. Stay tuned for murder… Sidmouth is gearing up for summer – but murder is all year round… When a doctor is found dead in the woods, shot through the heart with a crossbow, his wife is the prime suspect, despite an ironclad alibi. Desperate to clear her name, she appeals to radio presenter Edward Temmis for help. But Edward has troubles of his own. With his beloved radio station in crisis and a mysterious motorbike crash on the seafront, the doctor’s death isn’t the only problem he has to face. Edward, Kim and Stevie must reunite on a treacherous path to uncover the truth. Can they solve the case before everything tumbles down?

Honey is by Imani Thompson. The first time, Yrsa doesn’t intend to kill. But the Cambridge professor sitting opposite has manipulated her friend, stolen her research. When she flicks the bee into his Sanpellegrino, she thinks he’ll get a nasty sting. Then he’s dead. And Yrsa, who – let’s face it – has been bored for a while, is alive. It’s a sweet feeling, finally having some control.

Faye's ex-husband is dead, but she is threatened by her father who is still on the run from prison. The man who should be her safety net is her greatest fear. But it's not just Faye that's in danger. Faye also has to protect her loved ones and her life's work, the Revenge company. Faye gathers her circle of women and enlists the help of the only man she trusts to plan the final revenge. But will she succeed, now that her father seems to be working with a criminal network and is more dangerous than ever? Dreams of Bronze is by Camilla Läckberg

You Are Mine is by Alex Lane. Mary Jordan is walking along the street when she spots a sign on a lamppost. If you’re reading this, I’m watching you. You’re now part of my collection. If you’re unlucky, that is what you will remain. But if you’re lucky, you will be chosen, and your life will never be the same again. Mary is shocked. Her skin crawls at the idea she is being watched. She searches the buildings, looking, perhaps, for a face at a window. She is terrified.But only for a moment. There’s nothing to fear. It’s obviously just a harmless prank. She is wrong…

May 2026 

Rebel's Gambit is by S J Parris. England, 1601.Treason threatens the realm. When the body of a Scottish envoy washes up on the banks of the Thames, the Queen’s most powerful spymaster, Robert Cecil, is accused of arranging the murder. Cecil turns to his covert intelligencer Sophia de Wolfe to discreetly discover what the dead man was doing in London, and why he was killed. But this murder is borne of treacherous political currents. As loyalties shift and rebellion foments, as the Earl of Essex makes a dangerous play for power, Sophia is fast drawn into perilous waters. Everyone wants the Queen’s hard-won favour, even as tensions rise and the country begins to look for new answers. And Sophia has her own secrets to hide…

Adventure can be a deadly business. It began in the manner of all the very best adventures: in a coffee house. When one Richard Hannay—intrepid, inquisitive, and on the hunt for intrigue—encounters an old acquaintance in Constantinople, he has an inkling that something thrilling is afoot. Charged with an item of great mystery and import—a washbag, no less!—he soon finds himself in a very dangerous pursuit: from the luxurious confines of the Orient Express to the decks of the Titanic herself, all with the very fate of Europe in his care. Can he slip the net of Count Schwabing, whose long arm stretches from Berlin to the Bosphorus? And what of Madame Zara, the cabaret enchantress—does she play at affection, deception, or something far more deadly? In over his head, often a step—or thirty-nine—behind, but absolutely, resolutely determined to save the day, Hannay is about to embark on an escapade that will test his wits, his courage, and his ability to keep hold of a blasted washbag. A Very Dangerous Pursuit is by Ben Miller.

The return of 007. Agent 003, Joanna Harwood, has finally found James Bond after nearly two years of searching. All she has to do is get him out of Russia alive and convince him he can trust her again. A mission for revenge. But Bond trusts no one. And he wants revenge on Mora, the monstrous figure at the head of Rattenfänger – a terrorist organisation with links to the past. The final showdown MI6’s Double O section is in pieces. Moneypenny is captured. 000 has switched sides. And all of Rattenfänger’s plans for hijacking the cyber-intelligence of the West are finally about to be realised. The remaining Double Os must work together – and figure out which of them are still loyal… Hurricane Room is by Kim Sherwood.

The Killer in Room Five is by Sam Holland. A terrible confession. In an isolated room in Hollowpines, an infamous psychiatric hospital, Joe Sinclair is confessing to a violent murder. An impossible crime. Locked away, Joe couldn't possibly have killed the man, so how does he know so many of the horrifying details? A detective at her limits. Suspended after a colleague was stabbed on her watch, DC Abby Fox has only just returned to work. But at Hollowpines, she must find out what really happened and how exactly Joe is involved. Is he to blame, or the only one who can stop the killer?

June 2026

Three Reasons For Revenge is by Dervla McTiernan. Someone’s been watching. Someone’s been waiting.  Alexis Turner walks into the police station to report an assault. By the end of the day, she is nowhere to be found. Soon after she disappears, three identical packages arrive at three very different doors: a respected psychologist's home, a socialite's mansion, and a struggling single father's run-down apartment. Inside, each gift is perfectly tailored to its recipient — and each will tear apart the life of its intended victim. Detective Sergeant Judith Lee is smart and experienced, but this is no ordinary case. Someone with intimate knowledge of their targets is orchestrating these attacks. Someone who knows exactly how to hurt each victim where they're most vulnerable. And she’s convinced that somehow, it connects back to Alexis Turner. As she races to uncover the connection between four seemingly unrelated people, Judith discovers she's no longer just investigating the game – she's being forced to play.

Everything She Didn't Say is by Jane Casey. Victim? Witness? Killer? A woman is found in bloodstained clothes on the lonely coast of County Mayo. At first, she won’t speak. Then a name comes: Ruth. And a story about her missing friend: Maura. Ruth says she and Maura were staying in a clifftop house together.But there’s no trace of her there. Nothing but a pool of blood. Ruth says Maura was paranoid before she disappeared. But the locals say they only ever saw one woman. Ruth says all she wants is to make sure Maura is safe. But someone is dead, someone is a killer, someone is lying. Ruth says she’s being honest, but are the answers in everything she didn’t say?

Welcome back to North Falls―a small town with big secrets. Sheriff Emmy Clifton and her sister, ex-federal agent Jude Archer, investigate a brutal attack that shatters their town's fragile peace. But the deeper Emmy digs, the more dangerous it gets… The Secrets We Hide is by Karin Slaughter.

Ticket to Ride: Seichō Matsumoto

 

Readers of Crime and Mystery Fiction are often restless, always on the lookout for something new, something fresh and thought provoking – far from what we term the “same old, same old.”

I would like to talk about a writer from the past, from Japan – a writer who is making inroads with the critics and now into the mainstream thanks to the efforts of Penguin Classics. They say that one should never judge a book by the cover, however the recent reissues of Seichō Matsumoto’s work comes with extraordinary cover art, imagery that matches the narrative[s] within.

I recall a speech delivered by legendary publisher Christopher MacLehose back in 2008 at a book launch hosted at the Foreign Press Association’s London Offices.

“….MacLehose delivered a very passionate speech about the current, challenging state of publishing, especially the difficulty of bringing international works into English………the job of the publisher is to bring books to the public that they didn’t want; books that they didn’t anticipate; and books that would nonetheless make an impression and challenge their way of thinking….”

“…..He concluded by noting the importance of booksellers, and said he wishes that the larger chains would regain some of the enthusiasm for books they had in the past, as that enthusiasm can be infectious, leading readers to try authors and works with which they aren’t familiar….”

Read More from that press launch HERE

So if you are looking to refresh your palate [crime and mystery], then I would urge you to explore the work of Seichō Matsumoto, both in print [with excellent translations] as well as dynamically read in audiobooks.

In Japan, Matsumoto is as celebrated as Agatha Christie.

I read [and then listened to via Audible] Penguin Classics re-issues of Seichō Matsumoto Tokyo Express and Inspector Imanishi Investigates and am impatiently awaiting release of the next two reissues which I have on pre-order.

Suspicion [first published in 1962 and re-issued in a new translation on 29^th May 2025] is a tense psychological mystery that hinges less on the mechanics of the crime than on the insidious nature of doubt. Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newlywed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour, and Fukutaro is pulled beneath the waves. Suspected of murder and labelled a femme fatale, Kumako is hounded by the press but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in. The book touches on many themes that still resonate today, notably media sensationalism and trial by public opinion, social prejudice and gender roles, and economic hardship and survival.

So, what are these re-issued Japanese Crime Mysteries about?

Tokyo Express [available in paperback]

Seicho Matsumoto [translated into English by Jesse Kirkwood]

In a rocky cove in the bay of Hakata, the bodies of a young and beautiful couple are discovered. Stood in the coast's wind and cold, the police see nothing to investigate: the flush of the couple's cheeks speaks clearly of cyanide, of a lovers' suicide. But in the eyes of two men, Torigai Jutaro, a senior detective, and Kiichi Mihara, a young gun from Tokyo, something is not quite right. Together, they begin to pick at the knot of a unique and calculated crime.

Inspector Imanishi Investigates [available in paperback]

Seicho Matsumoto [translated into English by Beth Cary]

Tokyo, 1960. As the first rays of morning light hit the rails at Kamata Station, a man’s body is found on the tracks. With only two leads – a distinctive accent and a single word, ‘kameda’ – senior inspector Imanishi Eitaro is called in to solve the puzzle.

Setting aside his beloved bonsai and haikus, he must cross Japan in search of answers, from Osaka to Akita, accompanied by junior detective Yoshimura. At each new town, they encounter traces of the avant-garde Nouveau Group – young Tokyo artists who are bringing new ideas from the West. What to make of this modern collective? And how to stop another mysterious death occurring? Inspector Imanishi investigates.

Suspicion [available for pre-order – Paperback to be published 29 May 2025]

Seicho Matsumoto [translated into English by Jesse Kirkwood]

Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newlywed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour and Fukutaro is pulled beneath the waves.

Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in .

A Quiet Place [available for pre-order – Paperback to be published on 7 Aug. 2025]

Seicho Matsumoto [Translated into English by Louise Heal Kawai]

While on a business trip to Kobe, Tsuneo Asai receives the news that his wife Eiko has died of a heart attack. Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly spoken government bureaucrat, perplexed. How did it come about that his wife, who was shy and withdrawn, and only left their house twice a week to go to haiku meetings ended up dead in a small shop in a shady Tokyo neighbourhood?

When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife's death he discovers the villa Tachibana nearby, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life.

About Seichō Matsumoto [December 21, 1909 – August 4, 1992]; born Kiyoharu Matsumoto) was a Japanese writer, credited with popularizing detective fiction in Japan.

Matsumoto's works broke new ground by incorporating elements of human psychology and ordinary life. His works often reflect a wider social context and post-war nihilism that expanded the scope and further darkened the atmosphere of the genre. His exposé of corruption among police officials and criminals was a new addition to the field. The subject of investigation was not just the crime but also the society affected.

Although Matsumoto was a self-educated prolific author, his first book was not printed until he was in his forties. In the following 40 years, he published more than 450 works. Matsumoto's work included historical novels and non-fiction, but it was his mystery and detective fiction that solidified his reputation as a writer internationally.

Credited with popularizing the genre among readers in his country, Matsumoto became Japan's best-selling and highest earning author in the 1960s. His most acclaimed detective novels, including Ten to sen (1958; Points and Lines, 1970); Suna no utsuwa (1961; Inspector Imanishi Investigates, 1989) and Kiri no hata (1961; Pro Bono, 2012), have been translated into a number of languages, including English. He received the Akutagawa Prize in 1952, the Kikuchi Kan Prize in 1970, and the Mystery Writers of Japan Award in 1957. He served as president of the Mystery Writers of Japan from 1963 to 1971.

Matsumoto wrote short fiction while simultaneously producing multiple novels, at one point as many as five concurrently, in the form of magazine serials. Many of his crime stories debuted in periodicals, among them "Harikomi" (The Chase), in which a woman reunites with her fugitive lover while police close in on them.

For his literary accomplishments, Matsumoto received the Mystery Writers of Japan Prize, Kikuchi Kan Prize, and the Yoshikawa Eiji Prize for Literature. In 1952 he was awarded the Akutagawa Prize for "The Legend of the Kokura-Diary”.

In 1977, Matsumoto met Ellery Queen when they visited Japan. In 1987, he was invited by French mystery writers to talk about his sense of mystery at Grenoble.

More information on the life of and work of Seichō Matsumoto HERE

More information on these reissues from Penguin Classics HERE

Shots Magazine would like to thank Fiona Livesey of Penguin Random House for assistance in alerting our readers about the work of Seichō Matsumoto.

 

Courtroom Theatrics by Guy Morpuss

The actor Philip Glenister (Life on Mars and Mad Dogs) advised his daughter: ‘If you want to be an actor and earn some money, become a barrister.’

With the state of legal aid, most criminal barristers would question the wisdom of that advice. It does however highlight the close links between acting and the law. Many barristers would like to make the opposite journey and be treading the boards in the West End.

A trial is rather like a play. We wear our costumes. We perform to the audience. And on a good day no one gets murdered.

That is the tag line for my new novel, A Trial in Three Acts, where the worlds of the theatre and law collide. An actress is murdered live on stage, her head chopped off with a guillotine. Suspicion falls on all cast members, but it is her ex-husband, Hollywood superstar Leo Lusk, who is charged with her murder. At his Old Bailey trial, he is defended by English barrister Charles Konig KC, and New York trial lawyer Yara Ortiz. They realise that the clues to the murder lie in the play itself, and that to save their client they need to identify the real murderer.

When, more than thirty years ago, I started out as a barrister, I thought that winning cases was about persuading the judge that you were right on the law. Over time, and particularly after I became a KC, I began to realise that the law has very little to do with the outcome of most trials. In truth barristers win cases by telling the judge a better story than the other side. Every trial is a one-off performance for an audience of one. Judges are human, and you win by showing the judge why they should want to decide in your client’s favour. To borrow from the US legal philosopher Jerome Frank, laws are merely the formal clothes in which judges dress up their decisions.

So, to be a good barrister you need to be a good actor: to be able to put on a performance, to convince the judge that you believe that your client is in the right.

Of course, there are differences between the stage and the courtroom. As barristers we cannot make things up; we have to work with the facts that we are given. And unlike theatre, there is no script. A trial is an improv performance where the underlying material is constantly changing. It is a play where your fellow ‘cast members’ (the witnesses, the judge, your own client) can suddenly start wandering off in unexpected directions or making up their own lines. I have seen trials lost with a single bad answer in cross-examination.

It was a film adaptation of an Agatha Christie play that inspired me to become a barrister: Witness for the Prosecution, starring Charles Loughton and Marlene Dietrich. I remember being transfixed by the skill with which Loughton, as the defence QC, held centre-stage in court, moulding the jury to his will. I wanted to do the same. Little did I realise that it was Loughton who was actually being manipulated by Dietrich.

An excellent new production of the play in London has blurred the lines between theatre and law. It is set as though in a courtroom, and members of the audience get to sit in the jury box and decide the fate of the accused. It is very cleverly done.

In writing A Trial in Three Acts I have tried to achieve a similar blurring of the lines between theatre and courtroom: my homage to the Queen of Crime. And like Christie, I have provided readers will all the same clues as are available to Charles Konig KC – buried, of course, amongst a multitude of red herrings. The book contains a number of scenes from the play in which the murder takes place. Study these scenes carefully, and you may spot the solution.

I will provide one further clue. Charles Konig KC solves the crime not by identifying the murderer, but by working out how the murder was carried out. Readers can do the same.

Happy hunting. Break a leg.

A Trial in Three Acts by Guy Morpuss (Viper Books) Out Now

A trial is rather like a play. We wear our costumes. We perform to the audience. And on a good day no-one gets murdered. Six nights a week the cast of the smash-hit play Daughter of the Revolution performs to a sold-out audience. A thrilling story of forbidden marriage and a secret love child, the critics say it'll run for years. That is until one night the third act ends not in applause but in death, when leading lady Alexandra Dyce is beheaded live on stage. Every cast member has a motive, but it is the dead woman's co-star - and ex-husband - Hollywood legend Leo Lusk who is charged with the crime. When defence barrister Charles Konig is brought in last minute, he knows this ought to be the case of a lifetime. But Charles would rather be on his holiday trekking up K2, and he isn't interested in celebrities, especially ones that seem to be mysteriously trying to derail their own defence. But as he and his co-counsel New York lawyer Yara Ortiz sift through the evidence, it becomes clear that clues may lie in the play itself. And that Charles's only chance of victory is to identify the real murderer...

More information about the author and his books can be found on his website.  He can also be found on 'X' @guymorpuss.

Mary Horlock on The Safest Place in the World.

‘There was something magical about an island—the mere word suggested fantasy. You lost touch with the world—an island was a world of its own. A world, perhaps, from which you might never return.’

So thought Dr. Armstrong, one of the characters in Agatha Christie’s classic novel And Then There Were None. The story is now familiar: a group of strangers are invited to a mysterious island where they are then stranded and killed off one by one. It’s a kind of locked-room mystery, but by using the setting of on an island, cut off from the rest of the world, Christie increases her characters’ isolation, ramping up the atmosphere of fear and paranoia. 

To re-read the novel now it’s surprisingly dark, but islands can be dark, and I think I’m allowed to say that since I’ve lived on two. They are these fragments of land adrift from the wider world, always a little out of step with it. Whether it’s a tropical haven or a windswept stretch of rock, an island is a border, exposed to the sea on all sides. To be able to see your limits should be reassuring and novels set on islands, particularly crime novels, have that comforting lure. The natural boundaries of cliff and shore shape and contain the narrative. We have a set number of people and places. It is like a puzzle or a game, and also, like a smaller version of our own world. We can put it under the microscope, poke it and prod it and pull it apart. 

But the limits are a danger, too. The island is at the mercy of the elements and can throw up all kinds of surprises: a bad storm, something strange on the beach. In And Then There Were None, just like in William Golding’s Lord of the Flies or more recently Alex Garland’s The Beach, our characters find themselves on an island that is not their home, and with life’s normal rules suspended, things quickly fall apart. 

Inevitably perhaps, I’m interested in islanders as much as islands. Islanders often feel like outsiders. By choice or birth, they live on the fringes. This makes them good observers and also, narrators. My father’s family were from the Isle of Wight, and my grandmother, who lived in house looking out over the Solent, would regale me with stories of wreckers and smugglers who were apparently my ancestors. 

When I was seven we moved to Guernsey, an even smaller island in the English Channel. ‘There’s no crime on Guernsey,’ my mother would say (which is often what someone says in a crime novel just before they die). But she’d then point out - quite rightly, I should add - that on a tiny island where everyone knows everyone else, why bother to commit a crime when you’d be swiftly caught? To me, that sounded rather like an invitation. 

My new novel, The Stranger’s Companion, is based on a true crime, a real-life mystery that happened on the island of Sark in 1933. Now Sark, to those who don’t know, is an island even smaller than Guernsey. It measures three and half miles long and has no cars or streetlights to this day. In 1933 it had a population of 500, two telephones and only three wireless sets on the whole island. Unsurprisingly, it had become a haven for shell-shocked veterans of the last War, and was regularly advertised as the perfect place to escape the more ‘disturbing elements of modern civilisation.’ Then the clothes of a man and woman were found on a cliff edge, with no sign of their owners. Despite days-long searches over the cliffs and coves, nobody was found and nobody was reported missing. It caused quite a sensation in the press precisely because it seemed so unlikely. Sark was ‘the Island Where Nothing Ever Happens’ and yet something obviously had. 

The story and the way it caught everyone’s attention points to the truth at the heart of island mysteries - whether real or invented. We think we are on safe ground, but we’re not. Bad things happen everywhere, sometimes in places where we least expect them to happen. All we can do is create the frame to contain and make sense of them.

The Stranger's Companion by Mary Horlock (John Murray/Baskerville) Out Now.

October 1933. With a population of five hundred souls, isolated Sark has a reputation for being 'the island where nothing ever happens'. Until, one day, the neatly folded clothes of an unknown man and woman are discovered abandoned at a coastal beauty spot. As the search for the missing couple catches the attention of first the local and then national newspapers, Sark finds itself front-page news. When young islander Phyllis Carey returns to Sark from England she throws herself into solving the mystery. As Phyll digs through swirls of gossip, ghost stories and dark rumours in search of the truth, she crosses paths with Everard Hyde, a surprise visitor from her past. As press coverage builds to fever pitch, long-suppressed secrets from Phyll's and Everard's shared, shadowy history begin to surface.

More information may be found on her website. 

Programme for Bodies From the Library 2024

 

The programme for the conference has now been finalised and they are delighted to confirm the speakers and topics. 

9:30 Doors Open and Registration

9:55 Welcome

10.00 Simon and Lucy Brett: Lord Peter Wimsey on Radio 4

10.30 Martin Edwards and Christine Poulson discuss ‘John Bude and the British Library Crime Classics’

11.00 Mark Aldridge: Agatha Christie’s Marple: Expert on Wickedness  

11.30 COFFEE

12.00 Tony Medawar: The Man Who Lost His Head: The Life and Works of Edmund Crispin

12.30 Dolores Gordon-Smith and Jake Kerridge: True Crime influences on the Golden Age

1.00 – 2.00 LUNCH

2.00 Ronaldo Fagarazzi: BBC’s ‘Detective’: 1960s Golden Age TV Adaptations

2.45 Moira Redmond: Fancy Dressed to Kill: The Costume Party in the Golden Age

3.15 John Curran: Golden Age College Crimes

3.45 COFFEE

4.15 Jim Noy: Enid Blyton, Detective Novelist

4.45 Ask the Experts

The organisers reserve the right to amend the programme if necessary.

Tickets can be bought here.

Back From The Dead: The Golden Age Revival by Tom Mead

In a field as diverse as crime fiction, “Golden Age” means different things to different people. To some, it’s an intractable term for murder mysteries written between the World Wars. Agatha Christie, Anthony Berkeley, John Dickson Carr, E.C.R. Lorac, Christianna Brand, et al are all exemplars of the Golden Age crime novel. But to others – myself included – it is in fact a considerably looser term which refers to a certain style of murder mystery, and one which has been enjoying a well-deserved renaissance in recent years. 

To me, the Golden Age is synonymous with the puzzle mystery, where a detective is tasked with identifying a criminal through the use of logic and deduction. There are bonus points, too, if the reader is able to play along and have a crack at solving the case themselves. 

Even after the Golden Age officially ended, this type of mystery did not go away. Throughout the latter decades of the twentieth century, several high-profile authors produced numerous works that fall within that category. For example, Simon Brett’s Fethering mysteries feature amateur sleuths in a village setting – thematically speaking, pure Agatha Christie. Meanwhile, Paul Doherty’s mysteries are set hundreds or even thousands of years in the past, but nonetheless employ classic Golden Age plotting techniques, such as the “closed circle” of suspects, the sifting of alibis, and the “impossible crime.”

Other authors have interpolated Golden Age-style puzzle plotting in contemporary police procedurals. Think of Peter Lovesey’s Peter Diamond series, Martin Edwards’s Lake District mysteries, or Kate Ellis’s Wesley Peterson series. All of these bear the deductive hallmark of the Golden Age, albeit subtly. 

As for my own experience, I grew up in a house full of Agatha Christie novels; they were among the first "grown up" books I actually read. So the Golden Age was a constant presence throughout my formative years, both in book form and on TV thanks to the ITV Poirot adaptations, plus the frequent repeats of films like Murder on the Orient Express. But when I went to university and studied English lit and creative writing, there was a tendency to lean away from "genre" fiction and toward the more overtly literary. 

However, the Golden Age has a funny way of creeping back into your conscious mind. Inevitably, I delved into the past, and returned to the authors I’d loved when I was younger. To my surprise and delight, I found that I enjoyed them more, not less. But not only that; there were heaps of “new” authors (new to me, anyway) whose works had been out-of-print for almost a century but were now enjoying posthumous rediscovery. Authors I’d never heard of before, like John Bude and J. Jefferson Farjeon. 

This boom in Golden Age reissues over the last ten years or so has been largely spearheaded by Martin Edwards’s British Library Crime Classics series and Otto Penzler’s American Mystery Classics series. Coupled with certain high-profile critical reassessments by genre scholars like Edwards himself (The Golden Age of Murder), John Curran (The Hooded Gunman), Curtis Evans (Masters of the “Humdrum” Mystery), and Jeffrey Marks (Anthony Boucher: A Biobibliography) – not to mention A-list Hollywood movies like Knives Out – it’s fair to say the Golden Age whodunit is back with a vengeance. 

Anthony Horowitz, for instance, has recently commenced a wonderful new series which is not only Golden Age in style, but about the Golden Age. I’m talking about Magpie Murders, where a vintage mystery pastiche is coupled with a present-day murder plot, perfectly encapsulating the spirit of the revival. Meanwhile, authors like Janice Hallett and Vaseem Khan write complex puzzle mysteries which offer the same level of reader satisfaction as the classics. Pleasingly, the trend appears to be global, with authors such as Sulari Gentill (Australia) and Ovidia Yu (Singapore) combining the puzzle plot and the historical fiction milieu to excellent effect. Additionally, the way in which the Golden Age style is evoked can be startlingly diverse – ranging from the cosy crime of Robert Thorogood to the Scandi-noir of Ragnar Jonasson.

Whichever way you look at it, there is a steadily growing crowd of authors who are endeavouring to recapture the style, the distinctive characters, the period detail, and the great plots that made the Golden Age golden. My own books Death and the Conjuror and The Murder Wheel are my attempts to engage with this revival. As both a writer and a reader, I’m eager to see where we go from here. 

The Murder Wheel by Tom Mead (Head of Zeus) Out of Now

In London, 1938, young and idealistic lawyer Edmund Ibbs is trying to find any shred of evidence that his client Carla Dean wasn’t the one who shot her husband dead at the top of a Ferris Wheel. But the deeper he digs, the more complex the case becomes, and Edmund soon finds himself drawn into a nightmarish web of conspiracy and murder. Before long he himself is implicated in not one but two seemingly impossible crimes.

First, a corpse appears out of thin air during a performance by famed illusionist “Professor Paolini” in front of a packed auditorium at the Pomegranate Theatre. Then a second victim is shot dead in a locked dressing room along one of the theatre’s winding backstage corridors. Edmund is in exactly the wrong place at the wrong time, and attracts the suspicion of Scotland Yard inspector George Flint. Luckily, conjuror-turned-detective Joseph Spector is on the scene. Only Spector’s uniquely logical perspective can pierce the veil of deceit in a world of illusion and misdirection, where seeing is not always believing.

The Murder Wheel by Tom Mead is published by Head of Zeus on 12th October at £20

More information about Tom Mead and his work can be found on his website. You can also find him on Facebook and on X @TomMeadAuthor and on Instagram @tommeadauthor