Programme for Bodies From the Library 2024

 

The programme for the conference has now been finalised and they are delighted to confirm the speakers and topics. 

9:30 Doors Open and Registration

9:55 Welcome

10.00 Simon and Lucy Brett: Lord Peter Wimsey on Radio 4

10.30 Martin Edwards and Christine Poulson discuss ‘John Bude and the British Library Crime Classics’

11.00 Mark Aldridge: Agatha Christie’s Marple: Expert on Wickedness  

11.30 COFFEE

12.00 Tony Medawar: The Man Who Lost His Head: The Life and Works of Edmund Crispin

12.30 Dolores Gordon-Smith and Jake Kerridge: True Crime influences on the Golden Age

1.00 – 2.00 LUNCH

2.00 Ronaldo Fagarazzi: BBC’s ‘Detective’: 1960s Golden Age TV Adaptations

2.45 Moira Redmond: Fancy Dressed to Kill: The Costume Party in the Golden Age

3.15 John Curran: Golden Age College Crimes

3.45 COFFEE

4.15 Jim Noy: Enid Blyton, Detective Novelist

4.45 Ask the Experts

The organisers reserve the right to amend the programme if necessary.

Tickets can be bought here.

Back From The Dead: The Golden Age Revival by Tom Mead

In a field as diverse as crime fiction, “Golden Age” means different things to different people. To some, it’s an intractable term for murder mysteries written between the World Wars. Agatha Christie, Anthony Berkeley, John Dickson Carr, E.C.R. Lorac, Christianna Brand, et al are all exemplars of the Golden Age crime novel. But to others – myself included – it is in fact a considerably looser term which refers to a certain style of murder mystery, and one which has been enjoying a well-deserved renaissance in recent years. 

To me, the Golden Age is synonymous with the puzzle mystery, where a detective is tasked with identifying a criminal through the use of logic and deduction. There are bonus points, too, if the reader is able to play along and have a crack at solving the case themselves. 

Even after the Golden Age officially ended, this type of mystery did not go away. Throughout the latter decades of the twentieth century, several high-profile authors produced numerous works that fall within that category. For example, Simon Brett’s Fethering mysteries feature amateur sleuths in a village setting – thematically speaking, pure Agatha Christie. Meanwhile, Paul Doherty’s mysteries are set hundreds or even thousands of years in the past, but nonetheless employ classic Golden Age plotting techniques, such as the “closed circle” of suspects, the sifting of alibis, and the “impossible crime.”

Other authors have interpolated Golden Age-style puzzle plotting in contemporary police procedurals. Think of Peter Lovesey’s Peter Diamond series, Martin Edwards’s Lake District mysteries, or Kate Ellis’s Wesley Peterson series. All of these bear the deductive hallmark of the Golden Age, albeit subtly. 

As for my own experience, I grew up in a house full of Agatha Christie novels; they were among the first "grown up" books I actually read. So the Golden Age was a constant presence throughout my formative years, both in book form and on TV thanks to the ITV Poirot adaptations, plus the frequent repeats of films like Murder on the Orient Express. But when I went to university and studied English lit and creative writing, there was a tendency to lean away from "genre" fiction and toward the more overtly literary. 

However, the Golden Age has a funny way of creeping back into your conscious mind. Inevitably, I delved into the past, and returned to the authors I’d loved when I was younger. To my surprise and delight, I found that I enjoyed them more, not less. But not only that; there were heaps of “new” authors (new to me, anyway) whose works had been out-of-print for almost a century but were now enjoying posthumous rediscovery. Authors I’d never heard of before, like John Bude and J. Jefferson Farjeon. 

This boom in Golden Age reissues over the last ten years or so has been largely spearheaded by Martin Edwards’s British Library Crime Classics series and Otto Penzler’s American Mystery Classics series. Coupled with certain high-profile critical reassessments by genre scholars like Edwards himself (The Golden Age of Murder), John Curran (The Hooded Gunman), Curtis Evans (Masters of the “Humdrum” Mystery), and Jeffrey Marks (Anthony Boucher: A Biobibliography) – not to mention A-list Hollywood movies like Knives Out – it’s fair to say the Golden Age whodunit is back with a vengeance. 

Anthony Horowitz, for instance, has recently commenced a wonderful new series which is not only Golden Age in style, but about the Golden Age. I’m talking about Magpie Murders, where a vintage mystery pastiche is coupled with a present-day murder plot, perfectly encapsulating the spirit of the revival. Meanwhile, authors like Janice Hallett and Vaseem Khan write complex puzzle mysteries which offer the same level of reader satisfaction as the classics. Pleasingly, the trend appears to be global, with authors such as Sulari Gentill (Australia) and Ovidia Yu (Singapore) combining the puzzle plot and the historical fiction milieu to excellent effect. Additionally, the way in which the Golden Age style is evoked can be startlingly diverse – ranging from the cosy crime of Robert Thorogood to the Scandi-noir of Ragnar Jonasson.

Whichever way you look at it, there is a steadily growing crowd of authors who are endeavouring to recapture the style, the distinctive characters, the period detail, and the great plots that made the Golden Age golden. My own books Death and the Conjuror and The Murder Wheel are my attempts to engage with this revival. As both a writer and a reader, I’m eager to see where we go from here. 

The Murder Wheel by Tom Mead (Head of Zeus) Out of Now

In London, 1938, young and idealistic lawyer Edmund Ibbs is trying to find any shred of evidence that his client Carla Dean wasn’t the one who shot her husband dead at the top of a Ferris Wheel. But the deeper he digs, the more complex the case becomes, and Edmund soon finds himself drawn into a nightmarish web of conspiracy and murder. Before long he himself is implicated in not one but two seemingly impossible crimes.

First, a corpse appears out of thin air during a performance by famed illusionist “Professor Paolini” in front of a packed auditorium at the Pomegranate Theatre. Then a second victim is shot dead in a locked dressing room along one of the theatre’s winding backstage corridors. Edmund is in exactly the wrong place at the wrong time, and attracts the suspicion of Scotland Yard inspector George Flint. Luckily, conjuror-turned-detective Joseph Spector is on the scene. Only Spector’s uniquely logical perspective can pierce the veil of deceit in a world of illusion and misdirection, where seeing is not always believing.

The Murder Wheel by Tom Mead is published by Head of Zeus on 12th October at £20

More information about Tom Mead and his work can be found on his website. You can also find him on Facebook and on X @TomMeadAuthor and on Instagram @tommeadauthor

2020 CrimeFest Awards

Lee Child, Holly Watt, and Laura Shepherd-Robinson have received a 2020 CRIMEFEST Award in a virtual presentation hosted by actor Matt McCooey, who plays Inspector Bill Wong in the hit series Agatha Raisin.

The CRIMEFEST awards, hosted by one of Europe’s leading crime writing conventions, are in their 13th year and celebrate the best crime books released in 2019 in the UK.

Laura Shepherd-Robinson receives £1,000 for the inaugural Specsavers Debut Crime Novel Award for Blood & Sugar in a new category in association with the convention’s headline sponsor, Specsavers.

Laura worked in politics for nearly 20 years before completing an MA in Creative Writing at City University. Her first novel, a vivid evocation of the slave trade in Georgian England, has received widespread critical acclaim. The Financial Times said she has ‘set the bar high for historical crime fiction.’

Laura Shepherd-Robinson said: “I’m so thrilled to have won this prize, I can’t really believe it. Thank you so much to CRIMEFEST and to Specsavers, and also to my amazing editor Maria Rejt and my agent Antony Topping, but most of all thank you to all the people who have read Blood & Sugar.”

Dame Mary Perkins, Specsavers’ founder who was born in Bristol, her ‘favourite city’, congratulated Laura for a ‘very topical book’. She said: “I’m so glad that CRIMEFEST is still happening, albeit online. We’re proud to sponsor the debut crime novel award. Reading and the importance of good vision makes for a very close connection for Specsavers.”

Lee Child and Jeff Harding - the reader on Child’s audio book Blue Moon - also receive £1,000 for winning the Audible Sounds of Crime Award, sponsored by Audible UK.  Lee Child said: “Thank you so much for this, to CRIMEFEST obviously, but also to Jeff Harding most of all, my amazing narrator. He won this for me, thanks Jeff. I hope to see everyone soon in person and at a proper convention.”

All category winners, aside from Audible Sounds of Crime, which is established by Audible UK listeners, were judged by panels of leading British crime fiction reviewers. All the winners receive an engraved, hand-made Bristol Blue Glass Award.

In other categories, Holly Watt received the eDunnit Award for To the Lions, which won the CWA Ian Fleming Steel Dagger in 2019. Featuring a female journalist who stumbles upon a dark conspiracy, it was praised as a ‘first-rate Fleet Street novel’ by the Sunday Times. Watt, an investigative journalist, has worked on MP’s Expenses and the Panama Papers and written for major broadsheets in the UK.

Helen FitzGerald received the Last Laugh Award for Worst Case Scenario, a deliciously dark, unapologetically funny and nail-biting tense psychological thriller from the international bestselling author of The Cry, which was dramatized by BBC TV.

The H.R.F Keating Award for the best biographical or critical book related to crime fiction went to John Curran for The Hooded Gunman, a celebration of the 2000 books published by the iconic imprint Collins’ Crime Club.

Best Crime Novel for Young Adults went to Kathryn Evans for Beauty Sleep. Evans is no stranger to awards as her debut More of Me won the Edinburgh International Book Festival First Book Award – the first Young Adult novel to do so. Her latest, Beauty Sleep, is a dark thriller that plunges a pre-tech girl into a futuristic world.

The winner of the award for Best Crime Fiction Novel for Children was Thomas Taylor for Malamander, a quirky fantasy with a cast of characters in pursuit of a sea monster. An illustrator and writer, Taylor’s first job was the cover for Harry Potter and the Philosopher’s Stone.

The 2020 CRIMEFEST Awards were due to be presented at a Gala Dinner during the convention at the Mercure Bristol Grand Hotel this June. In light of Covid-19, the winners were announced online at www.crimefest.com and via its social media pages on Tuesday 7 July.

Adrian Muller, Co-host of CRIMEFEST, said: “Nothing can beat authors, readers and the crime writing industry gathering in person to celebrate the best of the genre. However, having appeared with Agatha Raisin co-star Ashley Jensen at last year’s CRIMEFEST, we were delighted that Matt McCooey returned to host our virtual ceremony. I’d like to thank our partners and sponsors, Free@Last TV, the production company behind the hit television series for producing our online awards presentation and congratulate all worthy winners.”

CRIMEFEST was created following the hugely successful one-off visit to Bristol in 2006 of the American Left Coast Crime convention. It was established over ten years ago in 2008. It follows the egalitarian format of most US conventions, making it open to all authors and readers alike.

The convention has grown to become not only one of the biggest crime fiction events in Europe, but also one of the most popular dates in the international crime fiction calendar, with circa 60 panel events and 150 authors over four days.

2020 CRIMEFEST Awards (as a list)

SPECSAVERS DEBUT CRIME NOVEL AWARD:

Laura Shepherd-Robinson for Blood & Sugar (Mantle)

AUDIBLE SOUND OF CRIME AWARD:

Lee Child and Jeff Harding for Blue Moon (Penguin Random House Audio)

eDUNNIT AWARD:

Holly Watt for To the Lions (Raven Books)

LAST LAUGH AWARD:

Helen FitzGerald for Worst Case Scenario (Orenda Books)

H.R.F. KEATING AWARD:

John Curran for The Hooded Gunman (Harper Collins Crime Club)

BEST CRIME NOVEL FOR YOUNG ADULTS:

Kathryn Evans for Beauty Sleep (Usborne Publishing)

BEST CRIME FICTION NOVEL FOR CHILDREN:

Thomas Taylor for Malamander (Walker Books)

2020 Anthony Award Nominees

Bouchercon, the world mystery convention, is pleased to announce the nominees for its prestigious Anthony Award. Awards voting will take place during Virtual Bouchercon, October 16–7, 2020, and the awards will be presented as part of an online ceremony on October 17.

BEST NOVEL
Your House Will Pay, by Steph Cha (Ecco)

They All Fall Down, by Rachel Howzell Hall (Forge)

Lady in the Lake, by Laura Lippman (William Morrow)

The Murder List, by Hank Phillippi Ryan (Forge)

Miami Midnight, by Alex Segura (Polis Books)

BEST FIRST NOVEL

The Ninja Daughter, by Tori Eldridge (Agora Books)

Miracle Creek, by Angie Kim (Sarah Crichton Books)

One Night Gone, by Tara Laskowski (Graydon House)

Three-Fifths, by John Vercher (Agora Books)

American Spy, by Lauren Wilkinson (Random House)

BEST PAPERBACK ORIGINAL**

The Unrepentant, by E.A. Aymar (Down & Out Books)

Murder Knocks Twice, by Susanna Calkins (Minotaur)

The Pearl Dagger, by L.A. Chandlar (Kensington)

Scot & Soda, by Catriona McPherson (Midnight Ink)

The Alchemist’s Illusion, by Gigi Pandian (Midnight Ink)

Drowned Under, by Wendall Thomas (Poisoned Pen Press)

The Naming Game, by Gabriel Valjan (Winter Goose Press)

BEST CRITICAL NON-FICTION WORK

Hitchcock and the Censors, by John Billheimer (University Press of Kentucky)

The Hooded Gunman: An Illustrated History of the Collins Crime Club, by John Curran (Collins Crime Club)

The Mutual Admiration Society: How Dorothy L. Sayers and her Oxford Circle Remade the World for Women, by Mo Moulton (Basic Books)

The Trail of Lizzie Borden: A True Story, by Cara Robertson (Simon & Schuster)

The Five: The Untold Stories of the Women Killed by Jack the Ripper, by Hallie Rubenhold (Houghton Mifflin Harcourt)

BEST SHORT STORY

“Turistas,” by Hector Acosta (appearing in ¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico)

“Unforgiven,” by Hilary Davidson (appearing in Murder a-Go-Gos: Crime Fiction Inspired by the Music of the Go-Go's)

“The Red Zone,” by Alex Segura (appearing in ¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico)

“Better Days,” by Art Taylor (appearing in Ellery Queen Mystery Magazine, May/June 2019)

“Hard Return,” by Art Taylor (appearing in Crime Travel)

BEST ANTHOLOGY OR COLLECTION

The Eyes of Texas: Private Investigators from the Panhandle to the Piney Woods, edited by Michael Bracken (Down & Out Books)

¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico, edited by Angel Luis Colón (Down & Out Books)

Crime Travel, edited by Barb Goffman (Wildside Press)

Malice Domestic 14: Mystery Most Edible, edited by Verena Rose, Rita Owen, and Shawn Reilly Simmons (Wildside Press)

Murder A-Go-Go’s: Crime Fiction Inspired by the Music of the Go-Go's, edited by Holly West (Down & Out Books)

BEST YOUNG ADULT**

Seven Ways to Get Rid of Harry, by Jen Conley (Down & Out Books)

Catfishing on CatNet, by Naomi Kritzer (Tor Teen)

Killing November, by Adriana Mather (Knopf Books for Young Readers)

Patron Saints of Nothing, by Randy Ribay (Kokila)

The Deceivers, by Kristen Simmons (Tor Teen)

Wild and Crooked, by Leah Thomas (Bloomsbury YA)

** This year, there are two categories with more than five nominees. This is the result of a tie for fifth place. When this occurs, according to Bouchercon standing rules, all of the authors who have tied become nominees. 

Congratulations to all the nominated authors

Edgar Award Nominations

Mystery Writers of America announced the Nominees for the 2020 Edgar Allan Poe Awards, honouring the best in mystery fiction, non-fiction and television published or produced in 2019. The Edgar® Awards will be presented to the winners at their 74th Gala Banquet, on 30 April 2020 at the Grand Hyatt Hotel, New York City.

BEST NOVEL

Fake Like Me by Barbara Bourland (Hachette Book Group – Grand Central Publishing)
The Stranger Diaries by Elly Griffiths (Houghton Mifflin Harcourt)
The River by Peter Heller (Penguin Random House – Alfred A. Knopf)
Smoke and Ashes by Abir Mukherjee (Pegasus Books)
Good Girl, Bad Girl by Michael Robotham (Simon & Schuster - Scribner)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR
My Lovely Wife by Samantha Downing (Penguin Random House - Berkley)
Miracle Creek by Angie Kim (Farrar Straus and Giroux)
The Good Detective by John McMahon (Penguin Random House – G.P. Putnam’s Sons)
The Secrets We Kept by Lara Prescott (Penguin Random House – Alfred A. Knopf)
Three-Fifths by John Vercher (Polis Books – Agora Books)
American Spy by Lauren Wilkinson (Penguin Random House – Random House)

BEST PAPERBACK ORIGINAL
Dread of Winter by Susan Alice Bickford (Kensington Publishing)
Freedom Road by William Lashner (Amazon Publishing – Thomas & Mercer)
Blood Relations by Jonathan Moore (Houghton Mifflin Harcourt – Mariner Books)
February’s Son by Alan Parks (Europa Editions – World Noir)
The Hotel Neversink by Adam O’Fallon Price (Tin House Books)
The Bird Boys by Lisa Sandlin (Cinco Puntos Press)

BEST FACT CRIME
The Ghosts of Eden Park: The Bootleg King, the Women Who Pursued Him, and the Murder that Shocked Jazz-Age America by Karen Abbott (Penguin Random House - Crown)
The Less People Know About Us: A Mystery of Betrayal, Family Secrets, and Stolen Identity by Axton Betz-Hamilton (Hachette Book Group – Grand Central Publishing)
American Predator: The Hunt for the Most Meticulous Serial Killer of the 21st Century by Maureen Callahan (Penguin Random House - Viking)
Norco '80: The True Story of the Most Spectacular Bank Robbery in American History by Peter Houlahan (Counterpoint Press)
Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall by James Polchin (Counterpoint Press)

BEST CRITICAL/BIOGRAPHICAL
Hitchcock and the Censors by John Billheimer (University Press of Kentucky)
Beyond the Thirty-Nine Steps: A Life of John Buchan by Ursula Buchan (Bloomsbury Publishing)
The Hooded Gunman: An Illustrated History of Collins Crime Club by John Curran (Collins Crime Club)
Medieval Crime Fiction: A Critical Overview by Anne McKendry (McFarland)
The Mutual Admiration Society: How Dorothy L. Sayers and her Oxford Circle
Remade the World for Women by Mo Moulton (Hachette Book Group – Basic Books)

BEST SHORT STORY
“Turistas," from Paque Tu Lo Sepas by Hector Acosta (Down & Out Books)
“One of These Nights," from Cutting Edge: New Stories of Mystery and Crime by Women Writers by Livia Llewellyn (Akashic Books)
“The Passenger," from Sydney Noir by Kirsten Tranter (Akashic Books)
“Home at Last," from Die Behind the Wheel: Crime Fiction Inspired by the Music of Steely Dan by Sam Wiebe (Down & Out Books)
“Brother’s Keeper," from Ellery Queen Mystery Magazine by Dave Zeltserman (Dell Magazine)

BEST JUVENILE
The Collected Works of Gretchen Oyster by Cary Fagan (Penguin Random House Canada – Tundra Books
Eventown by Corey Ann Haydu (HarperCollins Children’s Books – Katherine Tegen Books)
The Whispers by Greg Howard (Penguin Young Readers – G.P. Putnam’s Sons BFYR)
All the Greys on Greene Street by Laura Tucker (Penguin Young Readers – Viking BFYR)
Me and Sam-Sam Handle the Apocalypse by Susan Vaught (Simon & Schuster Children’s Books – Paula Wiseman Books)

BEST YOUNG ADULT
Catfishing on CatNet by Naomi Kritzer (Tom Doherty Associates – Tor Teen)
Killing November by Adriana Mather (Random House Children’s Books – Alfred A. Knopf BFYR)
Patron Saints of Nothing by Randy Ribay (Penguin Young Readers - Kokila)
The Deceivers by Kristen Simmons (Tom Doherty Associates – Tor Teen)
Wild and Crooked by Leah Thomas (Bloomsbury Publishing)

BEST TELEVISION EPISODE TELEPLAY
“Season 5, Episode 3” – Line of Duty, Teleplay by Jed Mercurio (Acorn TV)
“Season 5, Episode 4” – Line of Duty, Teleplay by Jed Mercurio (Acorn TV)
“Episode 1” – Dublin Murders, Teleplay by Sarah Phelps (STARZ)
“Episode 1” – Manhunt, Teleplay by Ed Whitmore (Acorn TV)
“Episode 1” – The Wisting, Teleplay by Katherine Valen Zeiner & Trygve Allister Diesen (Sundance Now)

ROBERT L. FISH MEMORIAL AWARD
“There’s a Riot Goin’ On," from Milwaukee Noir by Derrick Harriell (Akashic Books)

* * * * * *
THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD
The Night Visitors by Carol Goodman (HarperCollins – William Morrow)
One Night Gone by Tara Laskowski (Harlequin – Graydon House)
Strangers at the Gate by Catriona McPherson (Minotaur Books)
Where the Missing Go by Emma Rowley (Kensington Publishing)
The Murder List by Hank Phillippi Ryan (Tom Doherty Associates – Forge Books)
  

* * * * * *
THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD
Shamed by Linda Castillo (Minotaur Books)
Borrowed Time by Tracy Clark ( Kensington Publishing)
The Missing Ones by Edwin Hill (Kensington Publishing)
The Satapur Moonstone by Sujata Massey (Soho Crime)
The Alchemist’s Illusion by Gigi Pandian (Midnight Ink)
Girl Gone Missing by Marcie R. Rendon (Cincos Puntos Press)

The Edgar Awards, or “Edgars,” as they are commonly known, are named after MWA’s patron saint Edgar Allan Poe and are presented to authors of distinguished work in various categories. MWA is the premier organization for mystery writers, professionals allied to the crime-writing field, aspiring crime writers, and those who are devoted to the genre. The organization encompasses some 3,000 members including authors of fiction and non-fiction books, screen and television writers, as well as publishers, editors, and literary agents.

Mystery Writers of America would like to emphasize our commitment to diversity and fairness in the judging of the Edgar Awards. Judges are selected from every region of the country, from every sub-category of our genre, and from every demographic to ensure fairness and impartiality.