Showing posts with label Fiona Barton. Show all posts
Showing posts with label Fiona Barton. Show all posts

Saturday, 20 July 2019

The Dead Good Reader Awards 2019 – winners

On Friday 19 July 2019, crime and thriller lovers came together at the Theakston Old Peculier Crime Writing Festival in Harrogate to celebrate their favourite books and authors at the fifth annual Dead Good Reader Awards.

Here are the six authors you voted best in class!
The Nosy Parker Award for Best Amateur Detective:
The Suspect by Fiona Barton
The Jury’s Out Award for Most Gripping Courtroom Drama:
Thirteen by Steve Cavanagh
The Dish Served Cold Award for Best Revenge Thriller:
My Lovely Wife by Samantha Downing
The Cancel All Plans Award for the Book You Can’t Put Down:
Skin Deep by Liz Nugent
The Cat and Mouse Award for Most Elusive Villain:
Last of the Magpies by Mark Edwards
The Dead Good Recommends Award for Most Recommended Book:
The Stone Circle by Elly Griffiths

Congratulations to all the winning authorsand those shortlisted for the Dead Good Reader Awards 2019!

Sunday, 10 February 2019

Two from Audible this February



I’ve enjoyed two new releases from Audible this February, that are well worth your time; two books enriched by professional narration with high production values that help one escape from the reality that surrounds us.

The power of the narrator is key in enhancing the experience of listening to a thriller, and that’s what makes audiobooks so engrossing, and useful to fill up gaps in our time, as we can listen while “on the go”, from our phones.

We reviewed THE SUSPECT, the third novel from Fiona Barton, a story that is as prescient as it is disturbing

When two eighteen-year-old girls go missing on their gap year in Thailand, their families are thrust into the international spotlight: desperate, bereft and frantic with worry. 

Journalist Kate Waters always does everything she can to be first to the story, first with the exclusive, first to discover the truth – and this time is no exception. But she can’t help but think of her own son, who she hasn’t seen in two years since he left home to go traveling. This time it’s personal.

And as the case of the missing girls unfolds, they will all find that even this far away, danger can lie closer to home than you might think.

Fiona Barton’s debut novelThe Widow, was an instant bestseller and its successor The Child was the must-read 2018 pick of the Richard and Judy book club. Now comes her third novel, The Suspect, which is surely heading in the same direction.

It’s the third case for Kate Waters, journalist – the author’s own former career – and DI Bob Sparkes is also once again on the case. But this is a case with a difference. This time Kate has a personal interest in it as well as professional.

Read the full review from Shots Here

The production from Audible studios is performed by Clare Corbett, Mark Meadows, Sian Thomas and Ria Zmitrowicz, who bring this dark tale to life and here’s the cast discussing the adaptation –


Richard Armitage has become prolific as a vocal actor working on many dramas as well as poetry on Audible. His work with Joy Ellis’ thriller novels is extraordinary, and the new work THE GUILTY ONES is no exception.

The Guilty Ones is fourth novel to feature DI Jackman and DS Evans – their most disturbing investigation -

Jackman’s sister-in-law Sarah disappears to London and throws herself into the river. What drove her to this? She was a woman with a seemingly happy home life and two beloved sons.

DI Jackman and DI Evans dig into Sarah’s life. And Jackman realises he knew almost nothing about his sister-in-law’s past.

Then, they discover a woman in a neighbouring village died in similar circumstances.

What is the connection to a convicted murderer whose family are convinced he is innocent? Who is really pulling the strings?

DI Jackman and DS Evans of the Fenland police face a battle against their most dangerous and deadly adversary. And in a case so close to home can Jackman keep his feelings under control?

Full of twists and turns, this is a crime mystery that will keep you turning the pages until the thrilling ending. Set in the atmospheric Lincolnshire Fens, whose isolated villages hide many dark secrets.
 

Joy Ellis was one of Audibles breakthrough authors of 2018, she started work in the 1960s as an apprentice florist in Covent Garden before opening her own flower shop in Lincolnshire. Later in life, she began to consider a career change towards crime writing and attended a workshop in Greece led by Sue Townsend, author of Adrian Mole. Ellis has now left the flowers behind and dedicates her life to writing gritty crime thrillers set in the Fens, where she lives with her police officer partner. 


Both these two standouts are available from www.audible.co.uk and part of Audible’s £7.99 / Month membership which entitles members to one audiobook download per month.
And remember Audible’s commitment to the Crime Thriller Genre and a thriller that we wrote about earlier, Simon Booker’s Animal Instinct HERE

About Audible

Audible, an Amazon.com, Inc. subsidiary (NASDAQ:AMZN), is the leading provider of premium digital spoken audio information and entertainment, offering customers a new way to enhance and enrich their lives every day. Audible was created to unleash the emotive music in language and the habituating power and utility of verbal expression. Audible content includes more than 250,000 audio programs from leading audiobook publishers, broadcasters, entertainers, magazine and newspaper publishers, and business information providers.


Saturday, 13 October 2018

Books to Look Forward to From Transworld Publishers


January 2019

A dark and labyrinthine thriller from a bold new voice in crime fiction It is 1981. London is bruised by austerity, social unrest and racial tension, and the police are at war. Anger has erupted in the Brixton Riots and is finding expression in protest, anarchy and punk. For Detective Inspector Hobbes, the battle lines are being redrawn within his own ranks as right and wrong are clouded by prejudice. Into this mess comes a murder. A promising young singer has been maimed and killed and the artistry of the crime is disturbing. On the hunt for the killer, Hobbes begins an investigation that will lead him deep into a subculture hidden beneath the everyday. A cult of personality that hides from the problems of the city and escapes to a world of its own, a world that is at once seductive and devastating. How far will Hobbes have to go to learn the truth? And how many more must die before he does?  Slow Motion Ghosts is by Jeff Noon.

Suspect is by Fiona Barton.  The police belonged to another world - the world they saw on the television or in the papers. Not theirs.' When two eighteen-year-old girls go missing on their gap year in Thailand, their families are thrust into the international spotlight: desperate, bereft and frantic with worry. Journalist Kate Waters always does everything she can to be first to the story, first with the exclusive, first to discover the truth - and this time is no exception. But she can't help but think of her own son, who she hasn't seen in two years, since he left home to go travelling. This time it's personal. And as the case of the missing girls unfolds, they will all find that even this far away, danger can lie closer to home than you might think . . .

February 2019

 Look around you. Who holds the most power in the room? Is it the one who speaks loudest, who looks the part, who has the most money, who commands the most respect? Or perhaps it's someone like Christine Butcher: a meek, overlooked figure, who silently bears witness as information is shared and secrets are whispered. Someone who quietly, perhaps even unwittingly, gathers together knowledge of the people she's there to serve - the ones who don't notice her, the ones who consider themselves to be important. There's a fine line between loyalty and obsession. And when someone like Christine Butcher is pushed to her limit, she might just become the most dangerous person in the room.  The Secretary is by Renée Knight.

March 2019

One False Move is by Robert Goddard.  What value can be put on a human mind? How Joe Roberts does what he does is a mystery. He has a brain that seems able to outperform a computer. To a games company like Venstrom that promises big profits if his abilities can be properly exploited. So they send Nicole Nevinson to track him down and make him an offer too good to refuse. But Venstrom aren't the only people interested in Joe. His current boss, a shady businessman, is already making serious money out of Joe's talents and isn' going to let him go without a fight. And then there are other forces, with still darker intentions, who have their own plans for him. Almost before she knows it, Nicole's crossed an invisible line into a world where the game being played has rules she doesn't understand and where no-one can help her win. But win she must. Because the battle now isn't just for Joe's mind, it's for Nicole's life.

In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hamstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn't seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they're drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...  The Lonely Hour is by Christopher Fowler.

The Boy in the Headlights is by Samuel Bjork.  Munch and Krüger. An unexpected pairing. A brilliant team.  Winter 1999. An old man is driving home when his headlights catch an animal on the empty road up ahead. He stamps hard on the brakes.  But it is not an animal at all. It is a young boy, frightened and alone, with a set of deer antlers strapped firmly to his head.  Fourteen years later, a body is found in a mountain lake. Within weeks, three people have died. Each time, the killer has left a clue, inviting Special Investigations Detectives Munch and Krüger to play a deadly game – a game they cannot possibly win. Against the most dangerous and terrifying kind of serial killer. One who chooses their victims completely at random.  To find the killer they must look deep within their own dark pasts, but how can you stop a murderer when you cannot begin to predict their next move?

April 2019

Too Close is by Natalie Daniels.  How close is too close? There's a moment, when you meet someone new, when the connection is so strong that making a friend can feel like falling in love. That's how it was for Connie and Ness. They met in the park while their children played and as they talked, they realised they were neighbours. Perhaps it was only natural that they and their families would become entirely inseparable. But when Ness's marriage ends in a bitter divorce, she is suddenly at Connie's house all the time. Connie doesn't have a moment to herself, no time alone with her husband, not a second to chat to her kids. It's all too much. Something has to give. Connie has woken up in a psychiatric hospital. They say she committed a terrible crime but she says she can't remember a thing.

May 2019

Four strangers are missing. Left at their last-known locations are birthday cards that read: YOUR GIFT IS THE GAME. DARE TO PLAY? The police aren't worried - it's just a game. But the families are frantic, and psychologist and private detective Dr Augusta Bloom is persuaded to investigate. As she delves into the lives of the missing people, she finds something that binds them all. And that something makes them very dangerous indeed. As more disappearances are reported and new birthday cards uncovered, Dr Bloom races to unravel the mystery and find the puppeteer. But is she playing into their hands?  Mind Games is by Leona Deakin.

Even the best intelligence play has consequences – good and bad.  When a young woman working undercover for S15 as the nanny for an oligarch’s family is found brutally murdered, Kate Henderson, head of the Russian desk, knows that something is very wrong.  What’s more the intel that she has helped uncover seems to be pointing towards the existence of a high level Russian mole in the British Government.  Particularly when that mole might be in line to be the next Prime Minister.  Secret Service is by Tom Bradby.

June 2019

'I thought she was our friend. I thought she was trying to help us.' After the sudden death of her husband, Tess Clarke is drowning in grief. All she has left is her son, Jamie, and she'll do anything to protect him - but she's struggling to cope. When grief counsellor Shelley knocks 
on their door, everything changes. Shelley is beautiful, confident and takes control when Tess can't bear to face the outside world. But when questions arise over her husband's death and strange things start to happen, Tess begins to suspect that Shelley may have an ulterior motive. Tess knows she must do everything she can to keep Jamie safe - but who can she trust?  The Perfect Betrayal is by Lauren North.

The Warehouse is a near-future thriller set in an America addicted to consumerism where gun violence, climate change and unemployment have ravaged the nation, and an online retail giant named Cloud reigns supreme. Cloud brands itself not just as an online storefront but a sort of global saviour. However beneath that sunny exterior is a grinding, soul-sucking machine which will stop at nothing to make a buck. The Warehouse is by Rob Hart.

The Second Wife is by Rebecca Fleet.  After the suicide of his first wife, Alex has been given a second lease of life with Natalie.  Newly married and living in Brighton with his thirteen year old daughter Jade, the couple seem to be made for one another – but their idyllic domestic calm is shattered when the family narrowly escapes a devastating fire in their home,  Alex soon discovers that Natalie and Jade have different accounts of what happened that terrible night – but which one of his family is lying and why?

Friday, 20 April 2018

CrimeFest Awards Shortlists


CrimeFest co-director Adrian Muller said: “CrimeFest announces the shortlist for the tenth CrimeFest Awards. Over the past decade the awards have highlighted breakthrough debut novelists as well as a number of established crime fiction authors delving into children’s fiction and nonfiction. We are also pleased to continue showcasing audiobooks which have undergone a meteoric rise since we began presenting our awards. We are all extremely proud and excited to present the 10th annual CrimeFest awards, and find out who wins on 19th May.”

The 10th anniversary of CrimeFest this year will host crime fiction royalty Martina Cole, Lee Child and Peter James as some of the top names set to speak at this year’s convention. Close to 500 attendees, including more than 150 authors, agents, publishers and crime fans from across the globe, will descend on the city for a jam-packed four days of over 60 speaking events and panel discussions.

Best Unabridged Crime Audiobook:
The Child by Fiona Barton (Audible Studios), read by Clare Corbett, Adjoa Andoh, Finty Williams, Fenella Woolgar & Steven Pacey.
The Midnight Line by Lee Child (Transworld), read by Jeff Harding
The Girl Before by J.P. Delaney (Quercus), read by Emilia Fox, Finty Williams & Lise Aagaard Knudsen
Silent Child by Sarah A. Denzil (Audible Studios), read by Joanne Froggatt
Something I Lie  by Alice Feeney (HQ – Harper Collins), read by Stephanie Racine
The Girlfriend  by Michelle Frances (Pan Macmillan Audio), read by Antonia Beamish
The Word is Murder by Anthony Horowitz (Penguin Random House Audio), read by Rory Kinnear
The Girl Who Takes an Eye for an Eye by David Lagercrantz (Quercus), read by Sail Reichlin

eDUNNIT AWARD
Want You Gone by Chris Brookmyre (Little, Brown Book Group)
The Ghost of Galway by Ken Bruen (Head of Zeus)
The Late Show by Michael Connelly (Orion)
IQ by Joe Ide (Weidenfeld & Nicolson)
Since We Fell by Dennis Lehane (Little, Brown Book Group)
You Can Run  by Steve Mosby (Orion)
Wolves in the Dark by Gunnar Staalesen (Orenda Books)
Exquisite by Sarah Stovell (Orenda Books)

LAST LAUGH AWARD
Blotto, Twinks and the Stars of the Silver Screen by Simon Brett (Little, Brown Book Group)
Bryant & May - Wild Chamber by Christopher Fowler (Doubleday)
Spook Street by Mick Herron (John Murray)
The Strange Disappearance of a Bollywood Star by Vaseem Khan (Mullholland Books)
East of Hounslow  by Khurrum Rahman (HQ – HarperCollns)
Sweetpea by C.J. Skuse (HQ – HarperCollins)
The Man Who Died  by Antti Tuomainen (Orenda Books)
Herring in the Smoke  by L.C. Tyler (Allison & Busby Ltd)

H.R.F. KEATING AWARD 
The Story of Classic Crime in 100 Books by Martin Edwards (British Library),
America Noir by Barry Forshaw (No Exit Press)
Sherlock Holmes in Context by Sam Naidu (Palgrave Macmillan)
Sherlock Holmes from Screen to Stage by Benjamin Poore (Palgrave Macmillan)
Kiss Kiss Bang Bang  by Mike Ripley (HarperCollins)
The Man Who Would Be Sherlock by Christopher Sandford (The History Press)
Arthur & Sherlock by Michael Sims (Bloomsbury)
Getting Carter  by Nick Triplow (No Exit Press)

BEST CRIME NOVEL FOR CHILDREN (08 – 12)
Chase by Linwood Barclay (Orion Children's Books)
The Misfits Club by Kieran Crowley (Macmillan Children's Books)
A Place Called Perfect by Helena Duggan (Usborne Publishing)
The Royal Rabbits of London: Escape from the Tower by Santa & Simon Sebag Montefiore (Simon & Schuster)
Toto the Ninja Cat and the Great Snake Escape by Dermot O'Leary (Hodder Children's Books)
Mr Penguin and the Lost Treasure by Alex T. Smith(Hodder Children's Books)
Violet and the Mummy Mystery by Harriet Whitehorn (Simon & Schuster)

BEST CRIME NOVEL FOR YOUNG ADULTS (12 – 16)
Girlhood by Cat Clarke (Quercus Children's Books)
The Ones That Disappeared by Zana Fraillon (Orion Children's Books)
After the Fire by Will Hill (Usborne Publishing)
Indigo Donut by Patrice Lawrence (Hodder Children's Books)
Genuine Fraud by E. Lockhart (Hot Key Books)
SweetFreak by Sophie McKenzie (Simon & Schuster)
Dark Matter: Contagion by Teri Terry (Orchard Books)
Beware That Girl by Teresa Toten (Hot Key Books)