Showing posts with label Leonora Nattrass. Show all posts
Showing posts with label Leonora Nattrass. Show all posts

Sunday, 20 October 2024

The Age of Curiosity by Leonora Nattrass

It was Christmas 2022, and I was between projects, whiling away the holiday by mulling over my favourite Georgian romantic poets, and wondering if some episode in their often eccentric lives might provide a spark for my next historical mystery.

Modern biographies are all very well, but the most fun and detailed accounts are often contained in older ones, usually heavier on narrative and lighter on analysis. Accordingly, I was sitting in the festive kitchen, idly reading Alexander Gilchrist’s 1880 Life of William Blake, when I first came across the extraordinary story of seventeen-year-old Blake’s involvement with Westminster Abbey. 

Blake, then apprenticed to an engraver in London, was sent to the abbey to make sketches of the tombs and monuments for a forthcoming book. “From 1773, the Gothic monuments were for years his daily companions,” Gilchrist says. “Shut up alone with these solemn memorials of far-off centuries, the spirit of the past became his familiar companion.” 

This seemed very romantic – and nicely humanised by the fact that he often got locked in when the vergers forgot about him. I could already easily imagine strange goings on between the hundreds of eerie carved figures which crowd the abbey. 

But then, reading on, the plot thickened. 

In 1774, members of the London Society of Antiquaries appeared at the abbey, with permission from the king to open the tomb of Edward I, “Longshanks”, of Braveheart fame. The tyrant who threw his son’s lover bodily out of a window, sent Mel Gibson to be disembowelled, and pinched the Stone of Scone. (Other accounts of his character are available.) 

Edward’s tomb was of special interest to the antiquaries, since his will had ordained that after his death (in 1307) his tomb should be regularly opened and his body embalmed so that it might accompany any future English army against the Scots. This task had apparently been faithfully performed throughout the medieval period but the custom had been forgotten during the English Civil War and Commonwealth. 

When Longshanks’ tomb was opened, the antiquaries were delighted to find the still-robed, well-preserved mummy holding replicas of Edward the Confessor’s coronation sceptres which Cromwell had melted down a century earlier.

“I cannot help hoping that Blake (unseen) assisted at the ceremony,” Gilchrist ended his account of this little episode. 

By now, I certainly hoped so too, and only a brief recce on Google revealed that Gilchrist had missed out the best bit: Blake hadn’t just been present; he’d actually been roped in to sketch the mummified body of the king for posterity! 

What could be more fabulous than Westminster Abbey, the Society of Antiquaries, medieval mummies, and William Blake all together? 

The Society of Antiquaries was the archaeological equivalent of the Royal Society for scientists. Its members were very eager to find physical evidence for old historical accounts, some of which read like outrageous fiction to us today. The earth had been created at twelve noon, on the 23 October 4004 BC for instance; and Britain’s origin story involved exiled warriors from Troy fighting giants and tossing them off the cliffs at Totnes. 

The driving force behind the Society’s request to open the tomb was the elderly Joseph Ayloffe, who went on to write the official account of the event, ably assisted by (among others) fellow antiquarian, Daines Barrington. 

Barrington was a member of the Royal Society as well as the Antiquaries and, with the characteristic chutzpah of the times, was a prolific author on a remarkable variety of topics: childhood prodigies (how created?); bird song (a language?); and the possibility of reaching the North Pole (James Cook was to be roped in). With such eclectic expertise, opening the tomb of an ancient king wasn’t going to faze him!

Nowadays such an undertaking would doubtless be hedged about with safeguards and sucked-teeth warnings, but they were an intrepid lot in those days. And even a hundred years later, the Dean of the Abbey cheerfully dug up dozens of tombs on the flimsiest of pretexts. Such irreverence in such a reverent place seemed even riper for murder and mayhem. 

I was lucky enough to see the Abbey accounts for 1774, with all the names of the gardeners, vergers and other abbey servants of that year neatly inscribed beside their wages. Their names make it to the novel, but my badly behaved clergymen are all fictional, along with the outrageous, murderous consequences of what Gilchrist calls that “highly interesting bit of antiquarian sacrilege.”

Bells of Westminster by Leonora Nattrass (Profile Books) Out Now 

London, 1774. The opening of a royal tomb will end in murder...Susan Bell spends her days within the confines of Westminster Abbey, one of many who live in the grounds of the ancient building. Her father, the kindly but foolish Dean of Westminster, is always busy keeping the many canons and vergers in check, when not being romantically pursued by forceful widows. Life at the abbey is uneventful, even after the unwelcome arrival of Susan's cousin Lindley and his unusual scientific demonstrations. That is until the Society of Antiquaries come armed with a letter from King George III. They wish to open the tomb of Edward I, each to investigate their own academic interests - whether it be rumours of the royal body's embalmment, an obsession with Arthurian legends or even a supposed Roman temple to Apollo beneath the abbey's undercroft. However, as the Society prepares to open the tomb, a ghostly figure is seen walking the abbey cloisters, wearing the crown and shroud of the dead king. There is further uproar when one of the Antiquaries is found viciously murdered, and the corpse of Edward I is stolen. With her father's position under threat from the scandal, Susan feels bound to investigate these strange occurrences. Could one of the Society members be harbouring a murderous secret? Or is one of the abbey's own a killer?

More information about Leonora Natrass can be found here.

She can also be found on X @LeonoraNattrass and on instagram @leonoranattrass.


Tuesday, 10 October 2023

Leonora Nattrass on the Inspiration for Scarlet Town

I am lucky enough to live in a seventeenth-century farmhouse five miles from Helston in West Cornwall. Helston is a beautiful town, if presently fallen on rather hard times like many a high street up and down the land. The buildings on its four main streets are mostly listed, which means that their old architecture is still authentic, if a little shabby, and the church is set on a hill above the town amid shady old streets of immense charm and character.

When I wrote Black Drop, the first in my Laurence Jago series of historical crime mysteries set in the 1790s, it seemed natural to me to make my main character, Laurence, a farmer’s son from my adopted county of Cornwall.

Searching for a name for my main character, I idly looked back through parish records about our own house and its inhabitants, and came across a Marie, a Laurence and a Grace living here in the 1640s. Laurence duly acquired a home in the shape of our own house, a mother named Marie and a sister named Grace. And it was perhaps from these suggestive names that the idea of their being half-French first occurred to me – an idea which seemed plausible enough, given the profitable smuggling trade between Cornwall and France in the eighteenth-century.

This was an idea full of possibilities in the context of the French Revolution raging across the channel, and Laurence working for the British government newly at war with the French republic.

In Black Drop, Laurence lives amid the dust and squalor of eighteenth-century London, working as a clerk to the Foreign Office, but always pining for the peace and beauty of the Cornish countryside. In the sequel, Blue Water, he is even further away from home, aboard a Post Office mail ship bound for Philadelphia. But even here, Cornwall looms large, for Falmouth’s packet ships, manned by Cornish crews, were the means by which news and correspondence spread around the globe. 

Nevertheless, I always wanted to bring Laurence home to Cornwall, and when I discovered the story of the 1790 election in Helston (in the wonderful resource ParliamentaryHistory Online, an ongoing project funded by the Houses of Parliament) I realised it would be a perfect vehicle for Laurence’s third adventure in Scarlet Town.

The true story was preposterous – a real case of truth being stranger than fiction, which is always very satisfactory to a historical crime writer! In the Helston election of 1790, a single octogenarian voter in the town sent two MPs to Westminster. He was the last of six old freemen, whom Parliament had decreed would have the honour of returning the town’s MPs until they all died.

This old voter was firmly in the pocket of the town’s patron, the Duke of Leeds, who told him who to vote for. Riled by this seigneurial arrangement, and rightly thinking the whole situation absurd, the mayor and corporation of the town set up a rival electorate of about thirty men, and, when the general election was called, the town duly split into fierce warring supporters of each side.

Even better from my point of view was the discovery that the mayor and corporation were equally outrageous: locked in terrible family feuds, refusing to accept the results of their own internal elections of aldermen and mayor, flouncing out of meetings, and constantly suing each other in the courts. I always like a world where no one is entirely good, no one is entirely bad, and apparently straightforward moral questions are mired in ambiguity.

Moreover, eighteenth-century elections were gloriously comic affairs too, being a kind of carnival even for those who couldn’t vote – and especially entertaining since there was no such thing as a secret ballot, and every voter was obliged to announce his choice in public, to the hoots – and possible physical retribution – of his opponents. Wild, libellous accusations of wrongdoing were rife, along with obscene but very funny songs, especially if ladies chose to involve themselves in the hustings. “If for the Man of the People you’ll poll/You may tickle a Duchess’s tol de rol lol,” they sang in the Westminster election of 1784 – a song I shamelessly stole and reworded for Scarlet Town.

Moving the election to 1796 when Laurence returned to Cornwall from America – and adding Toby, the “Sapient” fortune-telling Hog, along with a juicy murder – set the stage for Laurence to begin a new adventure at home in Cornwall, among the beautiful streets which he and I know and love so well.

Scarlet Town by Leonora Nattrass is out now (Viper, £16.99)

1796. A rigged election. A town at war. A murderer at large. Disgraced former Foreign Office clerk Laurence Jago and his larger-than-life employer the journalist William Philpott have escaped America - and Philpott's near imprisonment for libel - by the skin of their teeth. They return to Laurence's hometown of Helston, Cornwall, in the hope of rest and recuperation, but instead find themselves in the middle of a tumultuous election that has the inhabitants of the town at one another's throats. Only two men may vote in this rotten borough, and when one of them dies in suspicious circumstances, Laurence is ordered to investigate on behalf of the town's patron, his old master the Duke of Leeds. But it is no easy matter, thanks to the machinations of the rival political factions, not to mention the riotous performances of Toby the Sapient Hog. Then the second elector is poisoned and suspicion turns on the town doctor, the gentle Pythagoras Jago, Laurence's own cousin. Suddenly Laurence finds himself ensnared in generations of bad blood and petty rivalries, with his cousin's fate in his hands.



Thursday, 27 April 2023

Longlist announced for Theakston's Old Peculiar Crime Novel of the Year 2023


 LONGLIST REVEALED FOR UK’S MOST PRESTIGIOUS CRIME WRITING AWARD:

THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR 2023

The unique handcrafted oak barrels for the Theakston Old Peculier Crime Novel of the Year Award being built under the watchful eye of one of England’s last coopers; Euan Findlay, with T&R Theakston and the Programming Chair for the 2023 Festival Vaseem Khan. Past recipients of the Theakston Old Peculier Crime Novel of the Year Awards include Lee Child, Val McDermid and Mark Billingham. (Credit: Charlotte Graham, 2023)

MARK BILLINGHAM | M. W. CRAVEN | FIONA CUMMINS | LUCY FOLEY | ELLY GRIFFITHS | JANICE HALLETT MICK HERRON | LISA JEWELL | DOUG JOHNSTONE | VASEEM KHAN | CLARE MACKINTOSH | IMRAN MAHMOOD GILLIAN MCALLISTER | VAL MCDERMID | LIAM MCILVANNEY | LEONORA NATTRASS | ALAN PARKS |VICTORIA SELMAN | SARAH VAUGHAN | RUTH WARE

The longlist for the Theakston Old Peculier Crime Novel of the Year 2023 has been announced today by Harrogate International Festivals. The search for the best crime novel of the past year gets underway as the public are now invited to vote for their favourites to reach the next stage.

The winner of the prestigious Award will be announced at the opening night of the Theakston Old Peculier Crime Writing Festival (20 July), which this year celebrates its 20th anniversary. To mark the momentous occasion, for the first time the longlist includes twenty outstanding authors, rather than the traditional eighteen, competing for the UK and Ireland’s most coveted crime fiction writing Award.

With thrilling stories that transport readers from a burnt-out Glasgow under threat, to the hidden backstreets of Paris, from the bustle of 1950s Bombay and a mail ship bound for Philadelphia, the longlist celebrates the very best of the crime genre. 

A number of returning champions are hoping to take home the Award once again - Mick Herron defends his 2022 title with the latest Slough House instalment, Bad Actors, alongside Clare Mackintosh’s gripping New Year’s Day murder mystery The Last Party, two-time winner Mark Billingham’s electrifying thriller The Murder Book, and the scintillating 1989, the second in the new Allie Burns series from the doyenne of crime writing Val McDermid. 

Several of the crime world’s favourite crime solving protagonists are also in the running for the coveted trophy – Elly Griffith’s penultimate mystery featuring Dr Ruth Galloway, The Locked Room, is in contention, alongside M.W. Craven’s latest Detective Sergeant Washington Poe thriller The Botanist, and Black Hearts, the explosive thriller featuring Doug Johnstone’s Skelf women. 

They are joined by fellow Theakston nominees, including Sarah Vaughan with her masterful psychological page-turner Reputation, the unputdownable The It Girl from Ruth Ware, Lucy Foley’s deeply unsettling, locked room mystery The Paris Apartment as well as All I Said Was True, the ticking clock thriller from barrister-turned-authorImran Mahmood. Theakston Old Peculier Crime Writing Festival 2023 Programming Chair Vaseem Khan is vying to win with The Lost Man of Bombay, as is Blue Water – Leonora Nattrass’ atmospheric tale aboard an eighteenth-century ship on route to Philadelphia. Joining them are Liam McIlvanney’s highly anticipated The Heretic, which sees D.I. Duncan McCormack tackling brutal gang warfare on the streets of Glasgow, and the eerily unnerving new thriller Into The Dark from Val McDermid’s 2017 New Blood selection, Fiona Cummins.

A plethora of established voices join the Theakston ranks for the first time this year. The tantalisingly tense Wrong Place Wrong Time by Gillian McAllister and Lisa Jewell’s chilling new domestic noir The Family Remains are longlisted along with Victoria Selman’s nerve-jangling Truly Darkly Deeply, the deftly suspenseful The Twyford Code by Janice Hallett, while chilling police procedural May God Forgive gives star of ‘Tartan Noir’ Alan Parks his first longlisting. 

The full Theakston Old Peculier Crime Novel of the Year 2023 longlist is:

The Murder Book by Mark Billingham (Little, Brown Book Group; Little Brown)

The Botanist by M.W. Craven (Little, Brown Book Group; Constable)

Into The Dark by Fiona Cummins (Pan Macmillan; Macmillan/Pan)

The Paris Apartment by Lucy Foley (HarperCollins; HarperFiction)

The Locked Room by Elly Griffiths (Quercus)

The Twyford Code by Janice Hallett (Profile Books; Viper)

Bad Actors by Mick Herron (John Murray Press; Baskerville)

The Family Remains by Lisa Jewell (Cornerstone; Century Fiction)

Black Hearts by Doug Johnstone (Orenda Books)

The Lost Man of Bombay by Vaseem Khan (Hodder & Stoughton)

The Last Party by Clare Mackintosh (Little, Brown Book Group; Sphere)

All I Said Was True by Imran Mahmood (Bloomsbury Publishing; Raven Books)

Wrong Place Wrong Time by Gillian McAllister (Penguin Random House; Michael Joseph)

1989 by Val McDermid (Little, Brown Book Group; Little Brown)

The Heretic by Liam McIlvanney (HarperCollins; HarperFiction)

Blue Water by Leonora Nattrass (Profile Books; Viper)

May God Forgive by Alan Parks (Canongate Books)

Truly Darkly Deeply by Victoria Selman (Quercus)

Reputation by Sarah Vaughan (Simon & Schuster)

The It Girl by Ruth Ware (Simon & Schuster)

Simon Theakston, Executive Director of Theakston, added: “Each year I eagerly await the long list announcement for the Theakston Old Peculier Crime Novel of the Year and every year I’m reminded of the phenomenal talent in the crime fiction writing world, whether a returning icon or a rising star. I’m looking forward to a celebratory toast of Old Peculier in July, but for now, we raise a glass to all the exceptional nominees as the shortlist vote is taken to the public.

Chief Executive of Harrogate International Festivals, Sharon Canavar, commented: “We are delighted to announce the 2023 longlist for the Theakston Old Peculier Crime Novel of the Year, with an exceptional collection of the UK and Ireland’s best crime fiction novels from the past year. The Award is an integral part of the Festival and with a gripping mix of subgenres nominated, from psychological thrillers to murder mysteries, we can’t wait to see how the public vote this year.

The longlist was selected by an academy of crime writing authors, agents, editors, reviewers, members of the Theakston Old Peculier Crime Writing Festival Programming Committee, along with representatives from the media partner, Daily Express. The award is run by Harrogate International Festivals sponsored by T&R Theakston Ltd, in partnership with Waterstones and Daily Express, and is open to full-length crime novels published in paperback between 1 May 2022 to 30 April 2023 by UK and Irish authors.

The public are now invited to vote to create a shortlist of six titles from 10am on Thursday 27 April atwww.harrogatetheakstoncrimeaward.com. Voting closes on Thursday 18 May, with the shortlist announced and winner voting opening on Thursday 15 June. The winner will be revealed on the opening night of Theakston Old Peculier Crime Writing Festival, Thursday 20 July, receiving £3,000 and a handmade, engraved beer barrel provided by T&R Theakston Ltd.

harrogatetheakstoncrimeaward.com | @HarrogateFest | #TheakstonAward 


Saturday, 22 April 2023

2023 CWA Dagger Longlists

 


The Gold Dagger

Oxblood by Tom Benn

Shoot the Moonlight Out by William Boyle

The Ink Black Heart by Robert Galbraith

The Kingdoms of the Savannah by George Dawes Green

The Lost Man of Bombay by Vaseem Khan

The Bookseller of Inverness by SG Maclean

A Killing in November by Simon Mason

The Clockwork Girl by Anna Mazzola 

The Winter Guest by William Ryan 

A Killing Rain by Faye Snowdon

The Bone Road by NE Solomons 

The Silent Brother by Simon Van der Velde


The Ian Fleming Steel Dagger

Opera by Julie Anderson

A Kiss After Dying by Ashok Banker

Take Your Breath Away by Linwood Barclay

Seventeen by John Brownlow

The Match by Harlan Coben

The Botanist by MW Craven

Daisy Darker by Alice Feeney

The Ink Black Heart by Robert Galbraith

Alias Emma by Ava Glass

A Loyal Traitor by Tim Glister

Notes on an Execution by Danya Kukafka

May God Forgive by Alan Parks

The ILP John Creasey (New Blood) Dagger

A Good Day to Die by Amen Alonge

Better the Blood by Michael Bennett

Breaking by Amanda Cassidy 

Don't Know Tough by Eli Cranor

The Local by Joey Hartstone

The Truth Will Out by Rosemary Hennigan 

London in Black by Jack Lutz 

Dirt Town by Hayley Scrivenor

No Country for Girls by Emma Styles

Nobody But Us by Laure Van Rensburg

Outback by Patricia Wolf

The Partisan by Patrick Worrall

The Historical Dagger

The Darkest Sin by DV Bishop

Blackstone Fell by Martin Edwards

Two Storm Wood by Philip Gray

The Lost Diary of Samuel Pepys by Jack Jewers

The Bookseller of Inverness by SG MacLean

The Clockwork Girl by Anna Mazzola

Death at the Dolphin by Gretta Mulrooney

The Homes by JB Mylet

The Bangalore Detectives Club by Harini Nagendra

Blue Water by Leonora Nattrass

Hear No Evil by Sarah Smith

The Mushroom Tree Mystery by Ovidia Yu


The ALCS Dagger for Non Fiction

The Poisonous Solicitor by Stephen Bates

Dead in the Water by Matthew Campbell & Kit Chellel

What We Fear Most by Ben Cave

Scandal at Dolphin Square by Simon Danczuk & Daniel Smith

The Life of Crime by Martin Edwards

Unlawful Killings by Wendy Joseph

Tremors In The Blood by Amit Katwala

To Hunt a Killer by Julie Mackay & Robert Murphy

The Real Special Relationship by Michael Smith

The Life Inside by Andy West

About A Son by David Whitehouse

Stitched Up by Shahed Yousaf


The Crime Fiction in Translation Dagger

Good Reasons to Die, by Morgan Audic (tr Sam Taylor)

The Red Notebook, by Michel Bussi (tr Vineet Lal)

Even the Darkest Night by Javier Cercas (tr Anne Mclean)

Bad Kids by Zijin Chen, (tr Michelle Deeter)

Impossible, by Erri De Luca (tr NS Thompson) 

Femicide by Pascal Engman (tr Michael Gallagher)

The Bleeding by Johana Gustawsson (tr David Warriner) 

The Corpse Flower by Anne Mette Hancock (tr Tara Chace) 

The Anomaly by Hervé Le Tellier (tr Adriana Hunter) 

The Dark Flood by Deon Meyer (tr KL Seggers) 

The Tattoo Murder by Akimitsu Takagi (tr Deborah Boehm)

Lady Joker by Kaoru Takamura (tr Allison Markin Powell & Marie Iida)


The Short Story Dagger

The Disappearance by Leigh Bardugo - In ‘Marple’ 

The Tears of Venus by Victoria and Delilah Dowd - In ‘Unlocked’ 

Strawberry Moon by John Grisham – In ‘Sparring Partners

Clout Chaser by Rachel Howzell Hall

The Beautiful Game by Sanjida Kay 

Paradise Lost by Abir Mukherjee

Death In Darjeeling by Vaseem Khan – In ‘The Perfect Crime’ 

Just One More by Laura Lippman – In ‘Seasonal Work & Other Killer Stories

Auld Bride by Judith O'Reilly – In ‘Gone’ 

The Lake House by Ferdinand von Schirach - In ‘Punishment’ (tr: Katharina Hall) 

Runaway Blues by C J Tudor – In ‘A Sliver of Darkness’ 

Cast A Long Shadow by Hazell Ward – In ‘Cast A Long Shadow


Dagger for the Best Mystery and Crime Publisher

Bitter Lemon Press 

Bookouture 

Canelo 

Harper Fiction 

Hodder & Stoughton 

Mantle 

Michael Joseph 

Raven 

Pushkin Vertigo 

Quercus 

Simon & Schuster 

Viper


Dagger in The Library

Ben Aaronovitch    

Sophie Hannah 

Mick Herron  

Erin Kelly  

Angela Marsons  

Brian McGilloway 

Tim Weaver


Congratulations to all the nominated authors.  The Shortlists will be announced on Friday 12 May at the  Crime Writer's Association Dagger Reception announcement which is due to take place at CrimeFest.

Saturday, 8 April 2023

Forthcoming books from Profile Books (Incl Serpent's Tail and Viper Books)

 July 2023

Sanderson's Isle is by James Clarke. 1969. Thomas Speake comes to London to look for his father but finds Sanderson instead, a larger-than-life TV presenter who hosts 'midweek madness' parties where the punch is spiked with acid. There Speake meets Marnie and promises to help her find her adoptive child, who has been taken by her birth mother to live off-grid in a hippie commune in the Lake District. Forced to lie low after a violent accident, Speake joins Sanderson on a tour of the Lake District, where he's researching a book to accompany his popular TV series, Sanderson's Isle. Fascinated by local rumours about the hippies, Sanderson joins the search for their whereabouts. Amid the fierce beauty of the mountains, the cult is forming the kind of community that Speake - a drifter who belongs nowhere - is desperate to find but has been sent to betray.

Elliott has never thought of himself as a hero. Until one dark night he meets Rebecca, a scared and vulnerable young woman who needs his help. There's a man harassing her, following her; would he mind pretending to be her boyfriend, just while she walks home, to put him off? And that is that - just a favour for a stranger - until there is a knock at Elliott's door. It's the man who was following Rebecca. He claims he's her ex-boyfriend, but it's clear that he's been stalking her. He's obsessed, dangerously so. He wants Rebecca, and will do anything to have her. When Elliott eventually tries to tell him the truth, the man doesn't believe him. The only way to save himself is to get Rebecca to explain. There's just one problem: Rebecca is nowhere to be found. And now it looks like one good deed will cost Elliott everything. One Good Deed is by David Jackson.

August 2023

When hate runs deep the innocent suffer. Constable Paul Hirschausen's rural beat in the low hills of South Australia is wide. Daybreak to day's end, dirt roads and dust. Every problem that besets small towns and isolated properties, from unlicensed driving to arson. But now, just as Hirsch has begun to feel he knows the fragile communities under his care, the isolation and fear of the pandemic have warped them into something angry and unrecognisable. Hirsch is seeing stresses heightened and social divisions cracking wide open. His own tolerance under strain; people getting close to the edge. Today he's driving an international visitor around: Janne Van Sant, whose backpacker son went missing while the borders were closed. They're checking out his last photo site, his last employer. A feeling that the stories don't quite add up. Then a call comes in: a roadside fire. Nothing much - a suitcase soaked in diesel and set alight - but two noteworthy facts emerge. Janne knows more than Hirsch about forensic evidence. And the body in the suitcase is not her son's. Day's End is by Garry Disher.

I have a gift. I see people as ghosts before they die. Of course, it helps that I'm the one killing them. The night after her father's funeral, Claire meets Lucas in a bar. Lucas doesn't know it, but it's not a chance meeting. One thoughtless mistyped email has put him in the crosshairs of an extremely put-out serial killer. But before they make eye contact, before Claire lets him buy her a drink, even before she takes him home and carves him up into little pieces, something about that night is very wrong. Because someone is watching Claire. Someone who is about to discover her murderous little hobby. The thing is, it's not sensible to tangle with a part-time serial killer, even one who is distracted by attending a weekly bereavement support group and trying to get her art career off the ground. Let the games begin... You'd Look Better as a Ghost is by Joanna Wallace. 

October 2023

Secrecy came naturally to John le Carre, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over five decades. To these relationships he brought much of the tradecraft that he had learned as a spy - cover stories, cut-outs and dead letter boxes. These clandestine operations brought an element of danger to his life, but they also meant deceiving those closest to him. Small wonder that betrayal became a running theme in his work. In trying to manage his biography, the novelist engaged in a succession of skirmishes with his biographer. While he could control what Sisman wrote about him in his lifetime, he accepted that the truth would eventually become known. Following his death in 2020, what had been withheld can now be revealed. The Secret Life of John le Carre by Adam Sisman reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. 'Now that he is dead,' Sisman writes, 'we can know him better.'

Scarlet Town is by Leonora Nattrass. A rigged election. A feuding Cornish town. A suspicious death. And a perspicacious pig. Disgraced former Foreign Office clerk Laurence Jago and his larger-than-life employer the journalist William Philpott have escaped America - and Philpott's many creditors - by the skin of their teeth. They return to Laurence's home town of Helston in Cornwall in the hope of rest and recuperation, but instead find themselves in the middle of a tumultuous election that has the inhabitants of the town at one another's throats. Only two men may vote in this rotten borough, and when one of them dies in suspicious circumstances, Laurence is ordered to investigate on behalf of the town's political patron, his old master the Duke of Leeds. Then the second elector is poisoned and suspicion turns on the town doctor, the gentle Pythagoras Jago, Laurence's own cousin. Suddenly Laurence finds himself ensnared in generations of bad blood and petty rivalries, with his cousin's fate in his hands... 

One dead Santa. A town full of suspects. Will you discover the truth? Christmas in Lower Lockwood, and the Fairway Players are busy rehearsing their festive pantomime, Jack and the Beanstalk, to raise money for the church roof appeal. But despite the season, goodwill is distinctly lacking amongst the amateur dramatics enthusiasts. Sarah-Jane is fending off threats to her new position as Chair, the fibreglass beanstalk might be full of asbestos, and a someone is intent on ruining the panto even before the curtain goes up. Of course there's also the matter of the dead body. Who could possibly have had the victim on their naughty list? Join lawyers Femi and Charlotte as they read the round robins, examine the emails and pore over the police transcripts. Will the show go on? The Christmas Appeal is by Janice Hallett.

November 2023

No Exit is by Simon Lewis. Inspector Jian and his daughter Weiwei just want to go back to their home in China: but Jian is facing a corruption charge in his absence and risks arrest. Instead he tries to scrape a living on London's meanest streets as an illegal immigrant, reduced to hustling Mah Jiang for cash. A bleak future looks to be growing bleaker still when a triad gang blackmail him into tracking down an unlikely young robber. In No Exit Jian and Weiwei scramble between London's grimiest bedsits and its swankiest penthouses as they penetrate the glittering world of 'princelings' - the rich children of the Chinese elite, who treat the city as their playground. Locked in a desperate struggle, with no way out in sight, It will take all their wiles, as well as some lucky gambles, to come out of this latest venture alive.






Sunday, 18 December 2022

Favourite reads of 2022

My reading tastes have always been varied and as one can expect my favourite reads this year have been a mixed bunch. If you listened to the Crime Time Books of the Year which I took part in then you will have an inkling of a few of the books that made my favourite reads of the year list. I also mentioned three of them on DampPebbles #R3COMM3ND2022 where she invites various book bloggers and published authors etc to nominate three must read books each year. 

In alphabetical order my favourite reads of the year are as follows -

A History of Treason: The Bloody History of Britain through the Stories of its most Notorious Traitors by Chris Day, Daniel Gosling, Neil Johnson and Euan Roger (John Blake Publishing).

A History of Treason details British history from 1352 to 1946, covering major historical moments in a fascinating and innovative way, using the history of high treason and deception as its theme. Appealing to a range of audiences, it covers more than 650 years of momentous history through the use of both famous and lesser known events which shaped Britain. Using original documents and detailed research undertaken by The National Archives' record specialists, it will cover moments in history which led to fundamental changes in eras. It will also include unique discoveries from these archives, uncovering mysteries and stories of how dealing with treason have brought about the changes which have influenced and shaped Britain throughout the centuries. Among these are: the trial and execution of Anne Boleyn on the orders of her husband, Henry VIII several major acts of sedition, including the Gunpowder Plot and the revolution plotted in the Cato Street conspiracy the evidence brought against Sir Roger Casement, executed at Pentonville and his remains later exhumed and given a state funeral in Ireland the trial and execution of the William Joyce who, as 'Lord Haw-Haw', broadcast Nazi propaganda from Berlin during the Second World War. The book covers many stories that explore the nature of treason and how the crown and state reacted to it - from the introduction of the Treason Act in 1352 right through to the twentieth century. Written by experts from among the historians at the National Archives, the book is copiously illustrated with images from the unrivalled collections of The National Archives.

Last year one of my favourite reads was Murder: The Biography by Kate Morgan. This year it is a History of Treason. Like The Life of Crime by Martin Edwards (see below) it appeals to my interest in history and anything that tangentially deals with crime. You don't have to have an interest in the Treason Act to enjoy dipping in and out of this book. It is incredibly fascinating, full of interesting historical information and starts with the 1932 Treason Act which surprisingly is still inforce. If you want to know more about such luminaries as Anne Boleyn, uy Fawkes and Lord Haw-Haw (amongst others) all of whom were accused of treason then this is the book to read. 

The Life of Crime: Detecting the History of Mysteries and Their Creators. by Martin Edwards. (Harper Collins Publishers)

In the first major history of crime fiction in fifty years, The Life of Crime: Detecting the History of Mysteries and their Creators traces the evolution of the genre from the eighteenth century to the present, offering brand-new perspective on the world's most popular form of fiction. With crime fiction being read more widely than ever around the world, and with individual authors increasingly the subject of extensive academic study, his expert distillation of more than two centuries of extraordinary books and authors from the tales of E.T.A. Hoffmann to the novels of Patricia Cornwell - into one coherent history is an extraordinary feat and makes for compelling reading.

This book pandered to the nerd in me and my love of crime fiction criticism and the history of crime fiction. Anything that can be used for crime fiction research and reference is a book that will always pique my interest. It is certainly a book that can be read by anyone, but will no doubt be appreciated a lo more by lovers of the genre. Look at it as a sequel to Julian Symons seminal book Bloody Murder. It is the type of reference book that will be around for a long time and will no doubt become a classic in due course. And so it should. 

Bad Actors by Mick Herron (John Murray Press)

Intelligence has a new home. A governmental think-tank, whose remit is to curb the independence of the intelligence service, has lost one of its key members, and Claude Whelan-one-time head of MI5's Regent's Park-is tasked with tracking her down. But the trail leads straight back to the Park itself, with Diana Taverner as chief suspect. Has Diana overplayed her hand at last? What's her counterpart, Moscow's First Desk, doing in London? And does Jackson Lamb know more than he's telling? Over at Slough House, with Shirley Dander in rehab, Roddy Ho in dress rehearsal, and new recruit Ashley Khan turning up the heat, the slow horses are doing what they do best, and adding a little bit of chaos to an already unstable situation... There are bad actors everywhere, and they usually get their comeuppance before the credits roll. But politics is a dirty business, and in a world where lying, cheating and backstabbing are the norm, sometimes the good guys can find themselves outgunned.

What more can be said about Mick Herron's excellent Slough House series? Satire at its best along with him being one of the best spy thriller writers around at the moment. They are in the current light of day pitch perfect, fantastically written and I'm dying to know how he constantly manages to be spot on in writing about the situations that arise. Those in politics must dread reading each book that is published but for fans of the series Mick Herron can do no wrong. Bad Actors is a welcome addition to the series and the odious, unpleasant genius that is Jackson Lamb is a character that one can never forget or ignore. 

The Devil Takes You Home by Gabino Iglesias (Headline Publishers)

It was never just a job. Becoming a hitman was the only way Mario could cover his young daughter's medical expenses. But before long his family is left in pieces, and he's barely even put a dent in the stack of bills. Then he's presented with an offer: one last score that will either pull him out of poverty forever or put a bullet in the back of his skull. A man named Juanca needs help stealing $2 million dollars from a drug cartel. Together, they begin a journey to an underworld where unspeakable horrors happen every day. He's a man with nothing to lose, but the Devil is waiting for him.

For someone who is not horror fan this mixture of horror and crime was brilliant and not a book that I initially expected to enjoy as much a I did. Neo Noir and a fascinating story of a hitman who is trying to stay on top of things and will do anything to do so. In some ways a nightmare of a read but also a dark disturbing and a hell of a read. Brutal bloody and also full of rage and sorrow. Don't let the Spanish put you off from devouring this fascinating book as it is a gripping thriller to be sure but it is also a powerful reckoning with fait, and with the evils of this world in its many forms.  The Devil Takes You Home is a visceral, gritty, horrific but downright beautiful reading experience. 

Three Assassins by Kotaro Isaka (Vintage Publishing) Trans: Sam Malissa

Their mission is murder. His is revenge. Suzuki is just an ordinary man until his wife is murdered. When he discovers the criminal gang responsible he leaves behind his life as a maths teacher and joins them, looking for a chance to take his revenge. What he doesn't realise is that he's about to get drawn into a web of unusual professional assassins, each with their own agenda.The Whale convinces his victims to take their own lives using just his words. The Cicada is a talkative and deadly knife expert. The elusive Pusher dispatches his targets in deadly traffic accidents. Suzuki must take each of them on, in order to try to find justice and keep his innocence in a world of killers.

If you read Bullet Train then you will already have some idea of the way in which this will proceed. In this case it explores the murky and immoral world of the Japanese criminal underworld. Three Assassins is a mesmerising story about how life itself is not only cheap and precious but also the way in which the past can catch up with all of us with dreaded repercussions. Again set in the world of assassins it is replete with a sense of black humour, colourful characters that are both varied and morally despicable. This is quite a quirky book that is contrasted by the somewhat pretty stark and somewhat gritter parts of the story. There is no doubt that this is a violent book but it is a violent book with a dark sense of humour which is as dark as the subject matter the author is writing about. The warped sense of thinking throughout is one of the endearing features of his book and one of the reasons why as a reader I continued to turn the pages. Translated Japanese crime fiction just keeps on getting better and better.

The Skeleton Key by Erin Kelly (Hodder & Stoughton)

The reunion will tear a family apart... Summer, 2021. Nell has come home at her family's insistence to celebrate an anniversary. Fifty years ago, her father wrote The Golden Bones. Part picture book, part treasure hunt, Sir Frank Churcher created a fairy story about Elinore, a murdered woman whose skeleton was scattered all over England. Clues and puzzles in the pages of The Golden Bones led readers to seven sites where jewels were buried - gold and precious stones, each a different part of a skeleton. One by one, the tiny golden bones were dug up until only Elinore's pelvis remained hidden. The book was a sensation. A community of treasure hunters called the Bonehunters formed, in frenzied competition, obsessed to a dangerous degree. People sold their homes to travel to England and search for Elinore. Marriages broke down as the quest consumed people. A man died. The book made Frank a rich man. Stalked by fans who could not tell fantasy from reality, his daughter, Nell, became a recluse. But now the Churchers must be reunited. The book is being reissued along with a new treasure hunt and a documentary crew are charting everything that follows. Nell is appalled, and terrified. During the filming, Frank finally reveals the whereabouts of the missing golden bone. And then all hell breaks loose.

The Skeleton Key surprised me. I am not a keen reader of psychological thrillers but quite easily made an exception in this case. A mystery within a mystery and full of an undulating tension alongside characters that are not always likeable (and why should they be?) or forgiving, The Skeleton Key draws you in from the start and makes you appreciate a well-written tale that has an inherent toxicity thread throughout the story and which also gives you a great sense of foreboding.

Confidence by Denise Mina (Vintage Publishing)

Deception. Theft. Murder. All you need is confidence. When amateur film-maker Lisa Lee vanishes from a Scottish seaside town, journalists Anna and Fin find themselves at the centre of an internet frenzy to find her. But she may not be the hapless victim everyone thinks she is. The last film she made showed her breaking into an abandoned French chateau and stumbling across a priceless Roman silver casket. The day after Lisa vanishes the casket is listed for auction in Paris, reserve price fifty million euros, with a catalogue entry that challenges the beliefs of a major world religion. On a thrilling chase across Europe to discover what happened to Lisa, Anna and Fin are caught up in a world of international art smuggling, billionaire con artists and religious zealotry. But someone doesn't want them to find the missing girl... and will do anything to stop them.

Whether she is writing a series or a standalone one of the things that stands out with Denise Mina is her great sense of place, how atmospheric her writing is and the immediacy of what she is writing about. In this case it is podcasts and blogs.  Confidence is an intricate story following a tale of intrigue and betrayal that is played out across Scotland, Italy and France against a backdrop of immense wealth, fine art, private planes and swanky hotels. There is black humour, wit and various delightful turns of phrases that fans of Denise Mina will relish.

Blue Water by Leonora Nattrass (Profile Books)

This is the secret report of Laurence Jago. Ex-clerk. Unwilling spy. Reluctant sailor. Accidental detective. New Year 1795, and Laurence Jago is aboard the Tankerville mail ship, en route to Philadelphia. Ostensibly travelling as assistant to the irrepressible journalist William Philpott, Laurence's real mission is to aid the civil servant carrying a vital treaty to Congress. A treaty that will prevent the Americans from joining with the French in the war against Britain. However, when the civil servant meets an unfortunate - and supposedly accidental - end and the treaty disappears, Laurence realises only he can now prevent war with the US. Trapped on the ship with travellers including two penniless French aristocrats, an Irish actress and a dancing bear, Laurence must hunt down both the lost treaty and the murderer, before he has a tragic 'accident' himself.

This is the second book in the series and unsurprisingly Back Drop the first book in the series (and at the time her debut novel) also made my favourite reads list. We are once again drawn to the superbly written characters, the great sense of place and atmosphere. Think Agatha Christie and Patrick O'Brien all rolled into one. Blue Water will satisfy not only those who enjoy reading about adventures but also those who love historical fiction and classic mysteries. 

Breaking Point by Olivier Norek (Quercus Publishing) Trans: Nick Caistor

When a routine kidnapping case goes badly wrong, Capitaine Vincent Coste breaks his golden rule: he starts to take things personally. And with his career hanging by a thread - his resignation letter parked in his superior's desk draw - he is plunged into his most testing ordeal yet. A raid on the vault at the Bobigny law courts. Five vital pieces of evidence swiped. Four men who can no longer be held: an armed robber, a foreign legionnaire, a kidnapper and a paedophile. But what is the connection between them? With Coste and his team at a loss, it's the moral outrage of another criminal that will throw up a lead: one they'll follow to their breaking point - and beyond.

This is the final book in the The Banlieues Trilogy and what a rush. It is a testament to how great I think this author is that The Lost and The Damned (2020) and Turf Wars (2021) the first two books in the trilogy also made my favourite reads of the year lists as well. Fans of Spiral the French Police Procedural will recognise the name as he was a script writer on the French TV series. This is more than just a police procedural. It shows the life of a police man that is not only dark and nasty but one that is forever teetering on the edge. This isn't beautiful France that you see in so many novels. It is very realistic, grimy and at times soul destroying and packs a punch. Written with very intimate knowledge of the French police system one is left with the view that this is not only one of the best police procedurals currently around but also one of the gloomiest. You read Breaking Point and take a deep breath. The audacity of what happens and the sense of betrayal leaves the reader wanting more. What next for Mr Norek? Enquiring minds wish to know.

Secret Identity by Alex Segura (Flatiron Books)

It's 1975 and the comic book industry is struggling, but Carmen Valdez doesn't care. She's an assistant at Triumph Comics, which doesn't have the creative zeal of Marvel nor the buttoned-up efficiency of DC, but it doesn't matter. Carmen is tantalizingly close to fulfilling her dream of writing a superhero book. That dream is nearly a reality when one of the Triumph writers enlists her help to create a new character, which they call "The Lethal Lynx," Triumph's first female hero. But her colleague is acting strangely and asking to keep her involvement a secret. And then he's found dead, with all of their scripts turned into the publisher without her name. Carmen is desperate to piece together what happened to him, to hang on to her piece of the Lynx, which turns out to be a runaway hit. But that's complicated by a surprise visitor from her home in Miami, a tenacious cop who is piecing everything together too quickly for Carmen, and the tangled web of secrets and resentments among the passionate eccentrics who write comics for a living.

An utter shame that this has not got a UK publisher. This is a clever reinvention of 1970s private eye fiction set in the world of comics. It is also a playful literary mystery. It is clear that the author has a love of not only noir fiction but also comics and mysteries as the love of all three shines throughout. It is not easy to create such a one of a kind novel that is on the one hand hard edged but also on the other gritty, absorbing and dangerous. If you are looking for a love letter to not only comics but also noir fiction then Secret Identity fits the bill.

The Spirit Engineer by A J West (Duckworth Books)

Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism, attending séances in the hope they might reach their departed loved ones. William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him – seemingly from beyond the veil – placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far? Based on the true story of Professor William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters including Sir Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunted, twisted tale of power, paranoia and one ultimate, inescapable truth...

I have never been of the view that you have to like the major protagonist in any book and in the case of William Crawford in The Spirit Engineer you will either love him or loathe him. Whichever side you fall down on it should not stop you from enjoying what is a cleverly told story. It is a story of the afterlife, death and how life after death is perceived by people. Not only is it dark, macabre and shows the spooky side of Edwardian gothic fiction but the reader is left not knowing what is real and what is not. Ingeniously written and a delight.

City on Fire by Don Winslow (Harper Collins Publishers)

Providence, RI, 1986.Twenty-nine-year-old Danny Ryan is a hard-working longshoreman, loving husband, loyal friend, and occasional "muscle" for the Irish crime syndicate that oversees much of the city. He yearns for something more and dreams of starting over fresh, someplace far away. But when a modern-day Helen of Troy triggers a war between rival mob factions, Danny is embroiled in a conflict he can't escape. Now it is up to him to step into the breach to protect his family, the friends who are closer to him than brothers, and the only home he's ever known.

This is in my opinion a gritty, moody immersive and humane tale of fate, free will, loyalty and betrayal. Think also of greed, lust and violent retribution. It reminds me of Mario Puzo's The Godfather and The Sopranos and whilst I was not a big fan of The Sopranos (oh no you say!) I can appreciate the connection. Incredibly well written and the family and crime themes whilst obvious it is the realism and the immediacy that draws you in. He has incorporated in the events of the novel modern reflections from the classic accounts of the Trojan War. I'm looking forward to reading the last two books in the trilogy especially since Don Winslow has already announced that he will no longer be writing. 

Honourable mentions also go to Desert Storm by Michael Connelly, The Furies by John Connolly, Like a Sister by Kellye Garrett, Shifty's Boys by Chris Offutt, A World of Curiosities by Louise Penny and A Heart Full of Headstones by Ian Rankin.