Showing posts with label Linda Regan. Show all posts
Showing posts with label Linda Regan. Show all posts

Thursday, 12 May 2022

The Darker Side of a Blonde by Linda Regan

 

The Burning Question will be my ninth, published, novel. 

I always wanted to write, but being born into a show business family meant my career as an actress kicked in at an early age, consequently writing books took a back seat. However, I always kept a diary, and to day I am very grateful I did. I would highly recommend any budding author to do the same.

Mine was a kind of journal at a young age, methodical I’d say (ie: marmalade and toast for breakfast. Daddy learning to play Beatle songs on his guitar)! However, my diary scribbling changed when I was seventeen, and worked with Diana Dors.

I only had one line in a television show with her, and she was a Hollywood legend. To say I was nervous would be an understatement. I was determined to make no mistakes and be professional. However, it wasn’t to be and on the day in question things went from bad to worse, with the consequence I arrived an hour late at the studio. The complete unit had been kept waiting for little me, who was a mere one-line actress. Diana too, had been kept waiting, sitting in her Winnebago for the whole hour that I was late. As I arrived the director was standing at the gates, and quite rightly shrieked at me, calling me unprofessional and extremely rude and threatened that I would never work again. I immediately burst into tears, making matters much worse, as my perfectly made-up face was now streaking black mascara down the cream foundation blended onto my face and making me look like Crewe Railway Station.

The make-up department then started yelling at me. That was the point that Diana Dors came out of her trailer, with hands raised and palms facing my angry employers, she told them all to, ‘Pipe down and stop yelling.’ She put her arm around me and took me to her trailer. There, she dried my eyes with a tissue, listened to my understandable reason for my lateness, and handed me a hand mirror telling me to redo my face while she made me a cup of sweet tea. That’s when she told me I should keep a diary, ‘As, when you are young and blonde and dolly, (her words), you got picked on a lot in this industry. She said she kept a diary because one day she intended to write her autobiography from it, (which she did, and I can highly recommend all volumes). 

I took her advice and when I read back my diary input from that day, I notice my writing style changed. Diana had, unknowingly, taught me to pour out my fears, emotions and feelings onto the blank page.

So that was my first lesson in crime writing. As an actress I have faced the terrors of many a first night in a play, the fear of forgetting lines, the fear of finding a theatre and a town when you are on the road, touring, alone. And then, finding your way back after a show, again, alone in the dark, in a strange town, to where you are living for the week your show is performing there. 

I now write about those stomach-churning moments, in the guise of my victims as I write my books.

I love creating characters (something I have done for many years as an actress, creating characters from larger than life, to timid, or quirky etc), and here’s where my police come in. They have colourful, hopefully, in some cases comedic and entertaining, personalities. They can bring the lightness and the dark to a tale, something I strongly believe every story needs. And again, who doesn’t love a bit of romance, there’s always a bit somewhere in my books. I think we all need that, too.

My latest crime novel – The Burning Question, is about arson. Personally, I have never been in a fire, and have no idea how it found its way into my mind, I did read arson attacks have increased greatly in London, where my book is set. But, the arson is only part of it. The puzzle comes in the question of who are the victims and what is their connection. The crimes are taking place miles apart, but the signs are the same. So, there is a serial arsonist who needs to be stopped. But with no clues to who or why, most of the murder team are baffled. However, a new, and very young police recruit has worked it out. If she offers this information, she will put her own life in a perilous situation, but if she doesn’t, how many more young victims will meet that terrible end?

Enter an unexpected clue, or person, that sets the whole force watching their backs.

The Burning Question by Linda Regan (Headline Accent) Out Now

When an arson attack strikes in south London, leaving three people dead, it quickly becomes clear that the youngest victim, Danielle Low, was the intended target. With no clear motive, and the killer at large, DCI Banham must act fast. But working with his partner, DI Alison Grainger, has its own challenges that threaten to stall the investigation. Then another body is found in similar circumstances and he knows that there is someone far more sinister at work. As they begin to unravel a dark web of secrets, the case unexpectedly leads close to home and with time of the essence, and the killer always one step ahead, can DCI Banham and his team work together to put a stop to the depravity before another life is lost?

More information about her work can be found on her website. You can also follow her on Twitter @Linda_Regan


Friday, 24 February 2017

Deal Noir Programme


9.00      Registration

9.45        Deal or No Deal – is there such a thing as Kent Noir? Katerina Diamond, Frances Fyfield, Susan Moody & William Shaw - Moderator – Ayo Onatade

10.45     New Blood – debut authors talk about their road to publication: Fiona Cummins, Claire Evans, Paul Harrison & Mark Hill
Moderator – Sarah Ward

11.45     A Suitable Job For A Woman – what profession do you give a female protagonist if  she is not a police officer: Steph Broadribb, Janet Laurence, Nicola Upson & Louise Voss - Moderator – William Shaw

12.45     Lunch

2.00      Killers: Home and Away – British authors who use foreign locations – where and why? Quentin Bates, David Hewson, Barbara Nadel & Daniel Pembrey - Moderator – Andy Lawrence

3.00       Tough Nuts & How To Crack Them – the grittier side of crime fiction writing? Hugh Fraser, Simon Michael, Linda Regan & Rod Reynolds - Moderator – Barry Forshaw

4.00        Series Characters & Locations – how to create them so they keep on giving? Guy Fraser-Sampson, SJI Holliday, Leigh Russell &Sarah Ward-Moderator – Craig Sisterson

5.00        My Favourite All-time Crime Book
                Panel to be announced

5.55        Presentation of the Deal Noir 2017 Flash Fiction Award and Closure
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