Anna Backman Rogers & Laura
Nicholson seek abstracts for their forthcoming edited monograph on the female
detective on TV. DEADLINE MARCH 5TH.
Because The Basic Human Form is
Female: The female detective in Television. Edited by Anna Backman Rogers and
Laura Nicholson.
For decades, the female detective
has occupied space within a genre that is all-too-often reserved for the
celebratory storylines of self-sacrificial men. She has served to break down
sexist barriers placed before women within professional and personal
frameworks, acting as an on-screen surrogate for (female) spectators, globally.
The female detective has succeeded in cultivating widespread audience attention
and high ratings for multiple series across the world, underlining the
popularity of, and desire for, the women-led, crime TV genre. It is curious
then, that critical literature exploring this central figure’s contemporary, cultural
significance is scarce. Given the abundance of on-screen material that has been
produced throughout years of prime-time TV and (more recently) online
streaming, it seems the female detective, in all her guises, has yet to be
afforded the praise and exploration she deserves.
In response to this paucity of
critical text, we are assembling the foundations of a special collection on the
female detective in crime TV, in the format of a book to be edited by Anna
Backman Rogers and Laura Nicholson. The proposal for this research comes just
as we are witnessing a cultural ‘boom’ in detective shows featuring women as
driving forces, across multiple media platforms. As such, the need for critical
literature that explores the feminist realisations and potential of the female
detective and her contemporary cultural importance, is timely.
We are calling for papers from
scholars across disciplines, in order to shed light on the legacy of the female
detective and the ways in which these powerful characters continue to inspire
far-reaching audiences, while responding to the socio-political backdrop of
their time.
We
especially encourage papers from LGBTQ+, Feminist and BME scholars. We also
seek contributions from a global perspective that bring to the fore series that
we may be unaware of.
We
hope to approach a major university publisher with this project after final
decisions made by the editors on the collection.
Please
send proposals of no more than 600 words to Laura Nicholson and Anna Backman
Rogers before March 5th, 2018 at the following e mail addresses :- Anna.backman.rogers@gu.se
and lauracate.nicholson@gmail.com
Topics
may include, but are by no means limited to:
The
intersectional feminism(s) of the female detective
Queering the female detective
Fashion and the female detective
Regionally-specific depictions of the female detective
Post-recessionary representations of the female detective
The female detective in period TV drama
The generational politics of the female detective ‘revamp’
The female detective team
Cross-cultural imaginings of the female detective
Interpretations of the female detective across international remakes
Female detective articulations of contemporary cultural flashpoints
Queering the female detective
Fashion and the female detective
Regionally-specific depictions of the female detective
Post-recessionary representations of the female detective
The female detective in period TV drama
The generational politics of the female detective ‘revamp’
The female detective team
Cross-cultural imaginings of the female detective
Interpretations of the female detective across international remakes
Female detective articulations of contemporary cultural flashpoints
The
portrayal of violence and the female detective.
TV shows with leading female detectives include, but are not limited to:
TV shows with leading female detectives include, but are not limited to:
Get
Christie Love! (1974-1975, US)
Police Woman (1974-1978, US)
Police Woman (1974-1978, US)
The
Gentle Touch (1980-1984, UK)
Cagney & Lacey (1982-1988, US)
Miss Marple (1984-1992, UK), Agatha Christie’s Marple (2004-, UK)
Prime Suspect (1991-2006, UK)
Engrenages/Spiral (2005-, France)
Cagney & Lacey (1982-1988, US)
Miss Marple (1984-1992, UK), Agatha Christie’s Marple (2004-, UK)
Prime Suspect (1991-2006, UK)
Engrenages/Spiral (2005-, France)
Ashes
to Ashes (2008-2010, UK)
Vera (2011-, UK)
Forbrydelsen (2007-2012, Denmark), The Killing (2011-2014, US)
Bron/Broen (2011-, Sweden/Denmark), The Tunnel (2013-, UK/France)
Scott and Bailey (2011-2016, UK)
Vera (2011-, UK)
Forbrydelsen (2007-2012, Denmark), The Killing (2011-2014, US)
Bron/Broen (2011-, Sweden/Denmark), The Tunnel (2013-, UK/France)
Scott and Bailey (2011-2016, UK)
The
Bletchley Circle (2012-2014, UK)
Miss Fisher’s Murder Mysteries (2012-, Australia)
The Fall (2013-2016, UK)
Miss Fisher’s Murder Mysteries (2012-, Australia)
The Fall (2013-2016, UK)
Top
of the Lake (2013-, New Zealand/Australia/UK)
Happy Valley (2014-, UK)
Quantico (2015-, US)
Jessica Jones (2015-, US)
Agent Carter (2015-, US)
Deep Water (2016, Australia)
Frankie Drake Mysteries (2017-, Canada/UK)
Happy Valley (2014-, UK)
Quantico (2015-, US)
Jessica Jones (2015-, US)
Agent Carter (2015-, US)
Deep Water (2016, Australia)
Frankie Drake Mysteries (2017-, Canada/UK)