Showing posts with label the British Book Awards. Show all posts
Showing posts with label the British Book Awards. Show all posts

Sunday, 23 May 2021

Joy Ellis on Being Shortlisted

After several failed attempts to explain what this shortlisting meant to me, I decided that writing a whole novel was considerably easier! Whatever I said seemed either over the top, or insufficient, and all I wanted to do was tell you how I felt! I’ll try again...

When my publisher, Joffe Books, told me that they had nominated me for The British Book Awards, I was bowled over, and also humbled that they should consider my book, The Patient Man, good enough to put forward. At the time I never really thought any further than that. Some while later I had an email with the header, Top Secret! Intrigued, I read on. We could tell no-one, it was embargoed until an official announcement was made, but I was on the shortlist! Even then it didn’t sink in. I was absolutely delighted, of course, but believed I might be one of many. Then the list was revealed, and I saw six names, Ian Rankin, Lee Child, Lucy Foley, Richard Osman, Robert Galbraith (aka JK Rowling) and me! 

My publishers were over the moon, especially as they had made the shortlist for Independent Publisher of the Year. We were thrilled for each other and when they sent me the photo of the bookstack above, it finally hit home. It’s an image I’ll never forget, those iconic names along with my own. I knew then, that win or lose that Nibbie Award, I was already a winner, just to make the line-up. I could have cried, because the road I travelled to get this far was not exactly smooth.

Very few writers have an easy time getting into print, and I know my story is not unusual, but the ups and downs have been emotional ones, with a lot more downs than ups! Strangely, that is true of most of my life, something I will not bore you with, but it’s been no walk in the park! Anyone who can own a successful florist’s business, attracting some amazing venue work, then see it fail because of a financial crash, and finish up working on a till at Heathrow Airport, has weathered some pretty hefty storms!

But I survived! I found jobs in bookshops and rekindled my love of reading and also of writing. I started with short stories, then attended a Writer’s Course with the legendary Sue Townsend, and knew immediately, I wanted to be a writer. Then, fortuitously, I met my partner, Jacqueline. She was a serving police officer, due for retirement after 30 years’ service, and we decided to move away and start the next stage of our life somewhere new. That is how we came to the Lincolnshire Fenlands. Property was reasonable, and the pace of life slower that anything we’d ever known; it was perfect. Neither of us were of official retiring age, but we hoped that if we were careful, somehow we’d manage, and I would finally have time to write.

And I did! We arrived in the misty Fens in 2000, and I began as soon as we’d unpacked! Unfortunately I got off to a false start, all excited having found an agent who loved my first cross/genre book, but was unable to place it. Back to the drawing board. Wrote a sequel, but no luck there. Ditched them both. Started again, this time with police procedural crime, after all with a highly decorated police officer in house, (Queens Commendation for Bravery, no less!) I knew my research would be correct! Then it began... Submit, Wait, Get rejection letter, Write more... deep breath, and repeat. Well, I repeated this for 12 years, until the first DI Nikki Galena book was published in hardback. I was finally a published author! Sadly, after the second book was published, the short print runs ran out, and in no time, I was an out of print author. We were now coming to the end of 2016, and it was time to draw a line under the dream that never materialised. I’d never given up on anything, but I didn’t want to waste any more of our lives. 

And there the story should have ended, but how’s this for serendipity? The next day I had a call from Jasper Joffe of Joffe Books, a small independent publisher. He’d read my book, and would I consider joining them?

Five years later. 

Joffe Books is now one of the leading Indies, selling over 2.8 million books a year, and Joy Ellis, with 25 books under her belt, has found herself in a bookstack of six books, labelled The British Book Awards!

The Patient Man by Joy Ellis (Joffe Books) Out Now

Serial killer Alistair Ashcroft is back and more terrifying than ever. He sends a sinister warning to DS Marie Evans and breaks into DI Rowan Jackman's uneasy domestic bliss. Now everyone Jackman cares about is in danger. Yet for all Ashcroft's taunts, he is nowhere to be found. Meanwhile, a seemingly routine break-in at the home of gun-club owner Kenneth Harcourt becomes complicated when the man long held responsible for killing Harcourt's young daughter is shot dead in a car park - by a sniper. A killer is on the loose in the quiet streets of Saltern-le-Fen, and he isn't going to stop. And the sniper, like Ashcroft, takes to taunting the police: they'll never catch him, they need to respect him, they shouldn't be sidetracked looking for their old adversary. Jackman and Evans find themselves in a lethal game of cat-and-mouse, but are they the cats or the mice?



Friday, 16 March 2018




   
 
 
466 ENTRIES

147 SHORTLISTED

25 WINNERS

 
 
 
 
The seven category shortlists for the 2018 Books of the Year Awards are announced today by Chair of the Judges and Editor of The Bookseller Philip Jones who said: “The true range, breadth and brilliance of writing and publishing is demonstrated in these shortlists, from the unexpected triumphs to the brand juggernauts. The year 2017 was marked by big books that got bigger, break-outs that broke further, and conversation starters that spoke louder.”
 
Giants of the children’s book world David Walliams and Philip Pullman, line-up alongside the remarkable breakout success of debut Eleanor Oliphant is Completely Fine, household names Jamie Oliver, Tim Peake and Bruce Dickinson, fiction megastars Lee Child and Marian Keyes, the book that sparked a National conversation, Why I’m no longer talking to white people about race by Reni Eddo-Lodge and the international bestselling phenomenon Good Night Stories for Rebel Girls.
 
Reflecting on the Books of the Year shortlists Philip Jones also said
 
“In a year that was marked by notable instances of event-publishing, some stand-out new names, and the return to form of some greats, there was also evidence of a broadening of the market, with debuts from Angie Thomas, Gill Sims and Gail Honeyman mixing it with the fiction blockbusters and the non-fiction giants. The Books of the Year shortlists reflect the strength and industry of a sector that can be both Happy and challenged. In 2017 The British book trade was valued at £1.6bn, it was the year when a lot worked.”
 
The British Book Awards’ Books of the Year, which were introduced in 2016 to celebrate the books that demonstrate the real value of publishing, are the only literary awards in the UK that champions books that have been both well-written and brilliantly published. This year, industry magazine The Bookseller, which runs the Awards has further expanded the 2018 ceremony to introduce a new award for the best Audiobook as an acknowledgement of the growth and popularity of the audio books market. The other six categories are Fiction, Debut, Crime & Thriller, Non-fiction: Narrative; Non-fiction: Lifestyle and Children’s Book of the Year.
 
The shortlists, which consist of six books in each of the seven categories and which uniquely honour not just the author and illustrator of a title but the entire publishing team, are:
 
Books of the Year – 2018 shortlists
 
 
Crime & Thriller BOOK OF THE YEAR

 

The Midnight Line by Lee Child (Bantam Press)

The Girl Before by JP Delaney (Quercus)

The Dry by Jane Harper (Abacus)

Spook Street by Mick Herron (John Murray)

He Said/She Said by Erin Kelly (Mulholland)

Behind Her Eyes by Sarah Pinborough (HarperCollins)
 
 
 
Fiction BOOK OF THE YEAR
 
The Break by Marian Keyes (Michael Joseph)
Birdcage Walk by Helen Dunmore (Hutchinson/Windmill)
Winter by Ali Smith (Hamish Hamilton)
How to Stop Time by Matt Haig (Canongate)
Reservoir 13 by Jon McGregor (Fourth Estate)
City of Friends by Joanna Trollope (Mantle)
 
Debut BOOK OF THE YEAR
 
Homegoing by Yaa Gyasi (Viking)
Eleanor Oliphant is Completely Fine by Gail Honeyman (Harper Fiction)
Sirens by Joseph Knox (Doubleday)
Conversations with Friends by Sally Rooney (Faber & Faber)
Why Mummy Drinks by Gill Sims (HarperCollins)
My Absolute Darling by Gabriel Tallent (HarperCollins)
 


Children’s BOOK OF THE YEAR

 

Good Night Stories for Rebel Girls by Elena Favilli and Francesca Cavallo (Particular Books)

Oi Cat! by Kes Gray, Jim Field (Illus.) (Hodder Children's Books)     
The Lost Words          by Robert Macfarlane, Jackie Morris (Illus.) (Penguin Random House Children’s)
La Belle Sauvage: The Book of Dust Volume One by Philip Pullman, Chris Wormell (Illus.) (David Fickling books in assoc. with Penguin Random House Childrens)
The Hate U Give by Angie Thomas (Walker Books) 
BAD DAD by David Walliams (Harper Collins Children’s Books)
 
Non-fiction: Lifestyle BOOK OF THE YEAR
 
Recovery: Freedom from Our Addictions by Russell Brand (Bluebird)
Happy: Finding joy in every day and letting go of perfect by Fearne Cotton (Orion Spring)
5 Ingredients by Jamie Oliver (Michael Joseph)
The Christmas Chronicles: Notes, stories & 100 essential recipes for midwinter by Nigel Slater (HarperCollins)
The Things You Can See Only When You Slow Down: How to be Calm in a Busy World by Haemin Sunim (Penguin Life)
Cooking for Family and Friends by Joe Wicks (Bluebird)
 
Non-fiction: Narrative BOOK OF THE YEAR
 
What Does This Button Do? By Bruce Dickinson (Harper Non-Fiction)
Why I'm No Longer Talking to White People About Race by Reni Eddo-Lodge (Bloomsbury Circus)
This is Going To Hurt: Secret Diaries of a Junior Doctor by Adam Kay (Picador)
I AM, I AM, I AM: Seventeen Brushes with Death by Maggie O'Farrell (Tinder Press)
Ask an Astronaut: My Guide to Life in Space by Tim Peake (Century)
The Secret Life of Cows by Rosamund Young (Faber & Faber)
 
Audiobook BOOK OF THE YEAR
 
Sherlock Holmes: The Definitive Collection by Arthur Conan Doyle, Narrator: Stephen Fry (Audible)
The Girl Before by J. P. Delaney, Narrators: Emilia Fox, Finty Williams, Lise Aagaard Knudsen (Quercus)
Eleanor Oliphant is completely fine by Gail Honeyman, Narrator: Cathleen McCarron (HarperCollins)
La Belle Sauvage: The Book of Dust volume one by Philip Pullman, Narrator: Michael Sheen (Penguin Random House UK Audio)
Kid Normal by Greg James and Chris Smith, Narrators: Greg James and Chris Smith (W F Howes/Nudged Audiobooks)
How not to be a Boy by Robert Webb, Narrator: Robert Webb (Audible Studio)
 
The category winners will be decided by seven panels of judges, and a separate panel will go on to choose the overall Book of the Year. The category winners and the Book of the Year will be revealed at a glamorous awards ceremony on Monday 14 May at Grosvenor House in central London which will bring together authors, publishers, booksellers and literary agents for a night celebrating the entire book industry.
New for 2018, the British Book Awards will also celebrate an author and illustrator who have achieved outstanding commercial success alongside making a genuine contribution to the general health of the book world.
 
Nigel Roby, Publisher of The Bookseller, said: “The British Book Awards are about recognising all the elements that contribute to a healthy book trade and ensuring that more books reach more readers. Having an award for Author of the Year makes absolute sense. Similarly, illustrators are a vital part of expanding book readership, especially among young readers, and should be recognised.”
 
Produced by leading industry magazine The Bookseller, the British Book Awards represent a high point in the book trade’s calendar, with winners including Publisher of the Year, Independent Bookshop of the Year and Editor of the Year. The Books of the Year awards recognise the publishing as well as the books, with both author and publisher as recipients of the prize.